Showing posts with label #AuthorToolboxBlogHop. Show all posts
Showing posts with label #AuthorToolboxBlogHop. Show all posts

14 April 2018

Three great tips for fiction writers #AuthorToolboxBlogHop


There is so much advice for new writers it must be quite bewildering for anyone starting out on the long journey to successful publication.  For this month’s #AuthorToolboxBlogHop I’ve therefore had a think and here are my top tips:

Develop your own authentic voice

Finding your ‘voice’ as a writer is what can make your work stand out from the rest. Think of your favourite authors - and why you look forward to their next book. Best-selling author Jeff Goins says, ‘Once you’ve found your voice, make sure you continue to develop it. It’s a discipline, one that can’t be overlooked if you’re going to have the impact you desire and that your words deserve.’ Find out more at Jeff’s post 10 Steps to Finding Your Writing Voice.

Show don’t tell

Don’t groan – even after writing eight novels I find this advice useful when reviewing a first draft. ‘Telling’ has its place, as there are times when you need to tell the reader something and ‘showing’ is about using all the senses to make readers feel what your characters feel. Creative writing expert Emma Darwin says, ‘Understand their respective strengths, and use each to your story's best advantage. like everything in writing, it isn't even binary, but a spectrum, from the telliest tell, to the showiest show.’ Find our more at Emma’s useful post Showing And Telling: The Basics.

Never state what you can imply

I’ve put this in the header of my current work in progress as a reminder. Like showing and telling, there are times to be flexible but it’s always good to involve the reader more by making them do some of the work. Award winning author Peter Selgin says, ‘Telling readers what to think or feel is the job of a propagandist. A storyteller’s main purpose, on the other hand, is to create experiences for the reader, to involve us so deeply, so convincingly, so authentically in those experiences that we feel what characters feel..’ Find out more at his post In Storytelling: Never State What You Can Imply.

Happy writing!

Tony Riches

Do you have some great writing tips you would like to share?
Please feel free to comment


The #AuthorToolboxBlogHop is a monthly event on the topic of resources and learning for authors. Feel free to hop around to the various blogs and see what you learn! The rules and sign-up form are below the list of hop participants. All authors at all stages of their careers are welcome to join in.

21 March 2018

My Top Tips for Completing a Novel #AuthorToolboxBlogHop


Let's start by assuming you have your great original idea, amazing locations and cast of compelling characters - how do you now turn all that into a wonderful manuscript?  There answer is different for everyone, as some like to wing it, others obsessively plan every minute detail. 

There is no shortage of well-intended advice, from Stephen King's 'shut yourself away from the world' to my own favourite,'write just one a page a day and that's a book in a year.'

I replaced the word 'writing' with 'completing' in the title of this post, as we all have so many distractions, it takes self-discipline to write a full length novel. I've written at least one novel each year for the past nine years, (three of which have become international best-sellers) so I'm happy to share what works for me.

1. Put together a simple outline in Excel for 25 chapters of 4000 words, with columns for progress and notes. This should enable to you arrive at a first draft of 100,000 words for editing. The actual chapter lengths can be whatever you suits your writing style (mine range up to 4500 but never less than 3000, although I read a book recently with some chapters of a single page.)

2. Set yourself an achievable word count target to reach every day.  As I write historical fiction, there is a lot of fact-checking and research, so my minimum target is 500 words a day. (Sometimes I've passed 500 before breakfast and others I might do more than 3,000 - but by sticking to my minimum I know I can have my first draft in 200 days.)

3. Keep a simple tally of how many words you actually write each day. I use another page of the same Excel file, as I find it motivating to see I'm ahead of target.

3. Keep going forward and avoid doing too much revision as you write. There's plenty of time for that later. (I picked this up from doing 50,000 words in 30 days for NaNoWriMo.)

4. Make sure you have a reliable back-up system and use it. Ever since I lost a few chapters when a laptop crashed, I've been a bit 'belt and braces' with a solid state drive for my daily backup and weekly versions to the cloud. (Never overwrite old backups, as you never know when you might want to restore something.)

5. This approach suits the way I write, but its a good idea to develop your own writing routine based on what works best for you - and make sure those around you understand and respect it. 

Happy writing!

Tony Riches

Do you have some great writing tips you would like to share?
Please feel free to comment


The #AuthorToolboxBlogHop is a monthly event on the topic of resources and learning for authors. Feel free to hop around to the various blogs and see what you learn! The rules and sign-up form are below the list of hop participants. All authors at all stages of their careers are welcome to join in.

16 September 2017

Tips for new writers Part Four - Consistency, by Wendy Janes #AuthorToolboxBlogHop #writing


 As a proofreader I come across the same types of errors over and over again and thought it would be helpful to group some by theme and share them. The themes are repetition, dialogue, rules and consistency, and although they’re not intended to be comprehensive guides, I hope they’ll help you improve elements of your writing.

These suggestions are things you can do when you’ve finished pouring the first draft of your story onto the page/screen and you’re revising, editing or proofreading prior to sending your work to an editor or proofreader. The more polished your work is before it goes to the professionals, the better job they can do.

Here’s the fourth post in the series: Consistency

In this post we’re venturing into nitty-gritty proofreading territory. Your work will have been edited to ensure consistency of all your characters’ descriptions, their hair and eye colour, their ages and the spelling of their names. And you’ll have ensured there are no anachronisms and that your timeline works.

I’m focusing here on the final checks I recommend authors run prior to sending their manuscript to a proofreader. They’re all things I do myself as part of a professional proofread. Using the ‘find’ facility on a Word document can help you carry out these types of checks.

Make sure you’re using the right length of dash. Unspaced en dashes are correct for number ranges. In UK English spaced en dashes should be used parenthetically (i.e. instead of brackets), and in US English, the unspaced em dash is correct. I strongly advise not using spaced hyphens.

You should either choose straight quote marks or curly ones, not both. Also, you need to decide whether you’re using single or double quotes for quotations and speech. If you’re using single quotes for speech, then you should use double quotes if there’s quoted material inside the speech. If you’re using double quotes, then you should use single inside double.

Both of these are correct:

“Marianne’s story, ‘The Visitor’, is one of my favourites,” said the teacher.
‘Marianne’s story, “The Visitor”, is one of my favourites,’ said the teacher.

There is a perfectly acceptable style where quotations and speech are presented in double quotes, but words picked out for emphasis are set in single. Some authors also put thoughts, texts and emails in quote marks. It helps to decide whether you’re going to show them in the same way as speech or choose an alternative way to differentiate them, for example, single if speech is in double, or perhaps in italics. You just need to be consistent.

I suggest you look through your manuscript to check your font. Ideally your manuscript will be in one font, but if you have than one font, make sure there’s a reason. For example, some authors put prelims (the pages before the start of the story) and end matter (the information put after the end of the story) in a different font. Others will put things like telegrams or flashbacks in a different font.

Clarify whether you’re using US or UK English. Or if you’ve chosen a mix, for example, US spelling, but UK punctuation, then use them consistently.

I’m guessing you’re probably relieved we’re now going to move on to look in more detail at words.

Some words have alternative spellings – different but both correct. The following is far from exhaustive, but I hope you’ll find it useful to begin searching your document for the following: among/amongst; learned/learnt; realise/realize; while/whilst; toward/towards.

I also recommend using a dictionary (I usually refer to the Oxford English Dictionary for UK English and Merriam-Webster for US English) to double-check words when you’re not 100% sure if they should be one word or two words or hyphenated, and then make sure you’ve been consistent. Words beginning ‘long’, ‘mid’, ‘out’, ‘over’, ‘under’ can catch you out. For example, the following are from the OED:

longhand (noun)
long shot (noun)
long-standing (adjective)

Run a check for easily confused words such as: through, though, thought; woman, women; them and then, and those that have different spellings depending on meaning, such as; there, their, they’re; to, too, two.

I find searching for repeated words is very handy too. It’s amazing how many times a word can be repeated by mistake. Here’s my quick list: the, he, him, his, she, her, that, than, an, as, at, in, is, it, of, on, no, to, up.

Focusing on this level of detail and running these types of checks might seem a little lacking in creativity for some, but your readers will really appreciate it.


Wendy Janes 
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About the Author


Wendy Janes is a freelance proofreader for a number of publishers and many individual authors. She is also a caseworker for The National Autistic Society’s Education Rights Service. Author of the novel, What Jennifer Knows and a collection of short stories, What Tim Knows, and other stories, she loves to take real life and turn it into fiction. She lives in London with her husband and youngest son. You can connect with Wendy online and discover more about her via her Facebook author page, her website, Amazon author pages (UK/US) and Twitter @wendyproof.


Do you have some great writing tips you would like to share?
Please feel free to comment


The #AuthorToolboxBlogHop is a monthly event on the topic of resources and learning for authors. Feel free to hop around to the various blogs and see what you learn! The rules and sign-up form are below the list of hop participants. All authors at all stages of their careers are welcome to join in.

16 August 2017

Tips for new writers Part Three - Rules, by Wendy Janes #AuthorToolboxBlogHop #writing


The odd thing about grammar and punctuation rules is that they are a bit of a moveable feast. Some change depending on whether you’re using US or UK English and others are flexible depending on context, style and genre. Sounds like a can of worms, if you ask me. But let’s dive in and try and make some sense of it all.

First, I’d like to select the three rules that I see authors breaking most often. These ones are non-negotiable.

Use of it’s and its
it’s = it is (It’s raining)
its = belonging to (The creature protected its young)
The easy way to remember correct use of it’s and its is to say ‘it is’ whenever you come across either version. If the sentence makes sense when you say ‘it is’ then the correct term is it’s.

Use of initial capital when referring to parents
There’s no need for the capital when you’re referring to ‘my mum’ or ‘your dad’. Usually if you can substitute the name for the word ‘mum’ or ‘dad’ then you need a capital letter.
I asked Mum to dinner (I asked Jean to dinner would work fine)
I asked my mum to dinner (I asked my Jean to dinner is not right)

Use of lie/lay/laid
I have a crib sheet, in fact I have more than one crib sheet, to remind me how this works. Here’s one of them:

Lie:
Present tense: I lie down on the grass and look up at the trees. 
Past tense: Yesterday, I lay down on the grass and looked up at the trees.
Past perfect: Years later I recalled how I had lain down on the grass and looked up at the trees.

Lay:
Present tense: As I look up at the trees, I lay my book to one side.
Past tense: As I looked up at the trees, I laid my book to one side.
Past perfect: Years later I recalled how I had laid my book to one side.

So, the above are non-negotiable. Now let’s have a look at some of the ones that I think are negotiable.

When I was taught English grammar at school back in the 1970s, the rule was that a hyphen was required in ‘the nineteenth-century monument’, but not in ‘the monument dated from the nineteenth century’. These days, if the meaning is clear and the piece of writing isn’t formal, omitting the hyphen isn’t the sin it once was. However, please note, a hyphen isn’t needed in phrases that contain adverbs that end ‘-ly’. For example, ‘a happily married couple’ and ‘newly made road’.

Some people get very hot under the collar about the comma splice. The rule is that a comma by itself shouldn’t be used to join two main clauses. For example, ‘I enjoy reading, I always have my nose in a book.’ This can be corrected by splitting it into two sentences or by adding a conjunction such as ‘and’ or ‘so’. The comma splice is something I’m actually quite partial to. I rather like the rhythm it can give to a sentence.

If you’re not sure whether to use ‘that’ or ‘which’ in a sentence, the basic rule is as follows: ‘that’ is used when a clause is integral to the sentence, and ‘which’ is used when the sentence would still make sense without the clause.

The teacher always gave gold stars to stories that showed imagination. (Note: no comma before ‘that’.)

The pupil’s latest story, which the teacher had awarded a gold star, was her favourite. (Note: comma before ‘which’.)

However, there is wiggle room, especially when you’re writing in an informal style and when writing dialogue. The same goes for ‘who’ and ‘whom’. I cringe a little when I hear characters say ‘whom’ in everyday speech.

The basic rule is that you use ‘who’ when you’re referring to the subject of a sentence and ‘whom’ when referring to the object.

Test 1
Who is your teacher?
Whom is your teacher?

The correct answer for Test 1 is ‘who’ because the teacher is the subject of the sentence.

Test 2
Who did the teacher praise?
Whom did the teacher praise?

The correct answer for Test 2 is ‘whom’ because the teacher is doing the praising, so the ‘whom’ is referring to the object in that sentence.

I love the substitution test that many people refer to, which runs: if the answer to the question is ‘he’ then you use ‘who’ and if the answer is ‘him’ then you use ‘whom’. So in Test 1, the answer would be, ‘He is my teacher’ and in Test 2, you’d answer, ‘The teacher praised him.’ A quick way to remember the substitution rule is that ‘him’ and ‘whom’ both end with ‘m’.

If all that has whetted your appetite, and you don’t yet have a copy of a style guide, I suggest The Chicago Manual of Style for US English, and the New Oxford Style Manual for UK English.

I recommend that authors learn the rules of punctuation and grammar and then choose to break them if and when they want or need to. If you have a logical or creative reason then I see no problem in breaking a rule or two. However, I think it’s important you have the confidence and professionalism to assure readers that you’re doing it on purpose and not in error.


Wendy Janes 
# # #

About the Author


Wendy Janes is a freelance proofreader for a number of publishers and many individual authors. She is also a caseworker for The National Autistic Society’s Education Rights Service. Author of the novel, What Jennifer Knows and a collection of short stories, What Tim Knows, and other stories, she loves to take real life and turn it into fiction. She lives in London with her husband and youngest son. You can connect with Wendy online and discover more about her via her Facebook author page, her website, Amazon author pages (UK/US) and Twitter @wendyproof.


Do you have some great writing tips you would like to share?
Please feel free to comment


The #AuthorToolboxBlogHop is a monthly event on the topic of resources and learning for authors. Feel free to hop around to the various blogs and see what you learn! The rules and sign-up form are below the list of hop participants. All authors at all stages of their careers are welcome to join in.

18 July 2017

Hemingway Editor Reviewed #AuthorToolboxBlogHop #writing


I've been using the previous version 2.0 of the Hemingway app to improve the draft of my latest novel, before sending it to my editor, so was interested to see what's new in version 3.0.

Originally an online tool, it was written by writers for writers. The app highlights long, complex sentences and common errors; if you see a yellow sentence, you can shorten or split it. Phrases in green have been marked to show passive voice:


You can write directly into the app but I prefer to copy and paste a chapter at a time and see how my writing is improving. I also found the readability functions useful for spotting long sentences and words with better alternatives. Over the course of a full length novel I reduced the number of errors, so my editor can focus on content rather than style.

New Features

Version 3 adds a new feature of publishing directly to WordPress blogs, either as a draft or live post, from the Hemingway Editor. You can also now import and export HTML Microsoft Word and pdf files The new feature I'll be using most is to have more than one file open at the same time,

The Hemingway App doesn’t turn you into Earnest Hemingway overnight but has proved a useful tool which I recommend to all writers. You can use it online or download it from www.hemingwayapp.com.

Tony Riches

Do you have some great writing tips you would like to share?
Please feel free to comment


The #AuthorToolboxBlogHop is a monthly event on the topic of resources and learning for authors. Feel free to hop around to the various blogs and see what you learn! The rules and sign-up form are below the list of hop participants. All authors at all stages of their careers are welcome to join in.

21 June 2017

Tracking Your Writing Using Excel #AuthorToolboxBlogHop


All writers have different approaches to outlining and tracking progress on their books, ranging from not at all, to an obsessive preoccupation with word count. After years of trial and error, I've settled on a simple system using Microsoft Excel which works well for me.

A typical novel can be somewhere between 70,000 and 100,000 words - although there will always be writers who insist on at least 300,000 and others who like to push word count to extremes (in both directions).

You need to leave scope for cuts in the editing process, so I like to aim for 25 chapters of 4000 words each to arrive at somewhere close to 100,000 in the unedited manuscript. The screenshot above is an actual example from my novel 'Owen' (which ended up as 91,238 words). It's important to remember the word count for a chapter is only a useful guide, although some readers like the reassurance of fairly regular chapter lengths.

Of course you could do all this on scraps of paper or in a lined notebook. The reason is works so well for me is all my writing is done on my laptop, so Excel is only one click away - and it's all backed up to the cloud and available wherever I happen to be.


Using Excel for Outlining


Once you have the basic structure of your book set up in Excel, it's easy to add notes in the next columns to the right of each chapter. As a historical fiction author I like t have a column showing which year most of the chapter is set in, as well as key events. This can then be added to and developed as your writing and research progresses.

Adding Character notes 


I find it useful to add a separate tab at the bottom of the worksheet where the ages for all my characters are calculated for any particular year. You could have tabs for notes on each of your characters or locations.

Planning your launch publicity



I like to create another tab to keep track of guest posts, reviews, book signings etc. with dates, emails and hyperlinks. This has proved invaluable as it's so easy to forget who agreed what and when. The tracking from previous books also offers a great starting point for the next, as you can add notes about what worked best.

Tony Riches @tonyriches


Do you have some great writing tips you would like to share?
Please feel free to comment



The #AuthorToolboxBlogHop is a monthly event on the topic of resources and learning for authors. Feel free to hop around to the various blogs and see what you learn! The rules and sign-up form are below the list of hop participants. All authors at all stages of their careers are welcome to join in.

16 May 2017

Editing your writing with the PerfectIt intelligent proofreading add-in #AuthorToolboxBlogHop


I can’t be alone in wondering why the spell checker in Microsoft Word has hardly improved in the last ten years.  The solution is to use professional editing services, although you need to ensure your manuscript has as few avoidable errors as possible before you send it for editing.

For my last two novels I’ve been using a third-party add-in to help spot typos and ensure consistency. PerfectIt is easy to use and install and can be run at any time as an extension to the spelling checks.

In particular, I find PerfectIt good at highlighting the following, which are often overlooked by the Word spelling check:
  • Common typing mistakes (such as 'manger' instead of 'manager')
  • Words spelled in more than one way (such as 'adviser' and 'advisor')
  • Inconsistent capitalisation of headings, titles and proper nouns
  • Finding missing quote marks in dialogue
  • Highlighting phrases that are used inconsistently
  • Checking for words and phrases that appear with and without a hyphen
  • Improving consistent use of compounds, numbers, fractions and directions
  • Removing spaces before punctuation

Once installed, PerfectIt appears as a new tab in the Word menu. You can set up you style preferences and save them for different types of documents. All you have to do then is launch the add-in and follow the instructions.

You can try PerfecIt for free before you buy it - and the licence is for life, so there are no problems if you change your PC or laptop. Visit http://www.intelligentediting.com/download/download/

PerfectIt is not a substitute for a professional editor but will help your editor spend their time on things that really matter, rather than sorting out avoidable typos. 

Tony Riches

Do you have some great editing tips you would like to share? Please feel free to comment


The #AuthorToolboxBlogHop is a monthly event on the topic of resources and learning for authors. Feel free to hop around to the various blogs and see what you learn! The rules and sign-up form are below the list of hop participants. All authors at all stages of their careers are welcome to join in.

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