Ernest Hemingway's Writing Habits

Ernest Hemingway in 1939

Ernest Hemingway won the Nobel Prize in Literature in 1954 yet in his lifetime only published seven novels, some collections of short stories and two non-fiction works.

His writing started in Paris in the 1920’s, where he worked as a foreign correspondent. He carried a notebook and pencil in his pocket and liked to write in cafés, drafting his famous novel The Sun Also Rises. 

Later at his home in Key West, Florida, Hemingway did most of his writing in his bedroom, which was cluttered with books on and heaps of newspapers. His typewriter was permanently set up on top a cluttered bookcase, which he called his ‘work desk’. 

He liked to start early, sometimes not even bothering to dress and once said, ‘By writing in the mornings, you make sure that writing does get done. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next.’

His initial drafts were usually made with pencils and written on onionskin typewriter paper, kept on a clipboard to the left side of his typewriter. His handwriting has been described as ‘boyish’, without much concern for punctuation or capital letters and he had a habit of marking an X at the end of sentences. He kept half a dozen sharp pencils and said, ‘Wearing down seven number-two pencils is a good day’s work.’  .

When he was content with the draft, Hemingway liked to type it standing up, often for several hours without a break, with his typewriter at chest height. He used several different typewriters over the years, including Coronas and an Underwood Noiseless Portable, as well as Royal and Halda portables. (See video below.) At the end of the day’s writing, Hemingway would count the number of words he had written and record his progress on a chart made from the side of a cardboard box pinned permanently to the bedroom wall. He considered he’d done well if he could average five-hundred words a day.

Other posts about the habits of famous writers:

Agatha Christie’s Writing Habits

Daphne du Maurier’s Writing Habits

Dean Koontz’s Writing Habits

George Orwell's Writing Habits

Jane Austen's Writing Habits

John Steinbeck’s Writing Habits

J. R. R. Tolkien’s Writing Habits

Roald Dahl's Writing Habits

Rudyard Kipling's Writing Habits

Stephen King's Writing Habits 

Thomas Hardy’s Writing Habits

Book Launch Guest Post ~ SUMMONED by Rainy Kaye

SUMMONED was supposed to remain a dark little secret hidden away on my hard drive. A few years prior, coffee-fueled curiosity found me reading up on genie folklore. There’s a lot more to it than just Aladdin or demons, but I didn’t intend to actually do anything with the information. Just a late night romp around Wikipedia.

A while later, I was bemoaning the fact I had to get out of bed. Probably from staying up too late reading Wikipedia again. Anyway, I conceded that I didn’t actually have to get up. It was just the responsible thing to do if I intended to be productive that day.

But what if someone had to actually go out and do things against their will (besides going to the office)? The thought must have collided with the genie stories still floating around in the brain space.

Over the summer last year, I decided to take a break from writing a series I have been working for longer than I care to admit and try something else. The other series is high-concept, set in a fictional world. I wanted to work on something closer to home, but with a little paranormal twist.

I wrote the first scene with Dimitri kidnapping the nine-year old girl, sent it off to some friends who were curious why I was pre-occupied, and called it a night. They asked for more. I knew that Dimitri’s story was centered on how the genie-bond kept him from having the one thing he wanted in life—Syd—so I added a few more words.

When Syd stepped into the scene, it was on. My beta-readers loved the characters—and so did I. So I wrote a high-level outline, and then went back and created a sixty scene outline. A trip to the store for a case of Mountain Dew, and I was ready to go. I wrote approximately five thousand words a night, despite having to fake being coherent at the day job. The draft was complete in sixteen days.

After I detoxed from consuming more Mountain Dew than any mortal should, I set to work revising and editing. Oddly enough, it didn’t need any major revisions, just a good brushing. Some beta readers had read it twice by then and were telling others about it who also wanted to read it.

So I sent it off for editing. When it reached Rebecca Hamilton, she tweeted her excitement over it, and within a couple of weeks, I had signed with an agent.

Turns out, I was way more productive that day I didn’t want to get out of bed than I had realized. That being said, there’s a long “thank you” page in the beginning of SUMMONED, and for good reason. Even though the process didn’t take that long, an enormous amount of work went into it and all of those people played a significant role in getting it off my hard drive.

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About the Author

Rainy Kaye is an aspiring overlord. In the mean time, she blogs at RainyoftheDark.com  and writes paranormal novels from her lair somewhere in Phoenix, Arizona. When not plotting world domination, she enjoys getting lost around the globe, studying music so she can sing along with symphonic metal bands, and becoming distracted by Twitter @rainyofthedark. She is represented by Rossano Trentin of TZLA.

New Book Launch ~ The Truth Will Out by Jane Isaac

Available on Amazon UK and Amazon US 

“Everything’s going to be okay.”

“What if it’s not?”

Suddenly, she turned. For a split second she halted, her head inclined.

“Naomi, what is it?”

She whisked back to face Eva. “There’s somebody in the house... ”

Eva is horrified when she witnesses an attack on her best friend. She calls an ambulance and forces herself to flee Hampton, fearing for her own safety. DCI Helen Lavery leads the investigation into the murder. With no leads, no further witnesses and no sign of forced entry, the murder enquiry begins.
Slowly, the pieces of the puzzle start to come together. But as Helen inches towards solving the case, her past becomes caught up in her present.

Someone is after them both. Someone who will stop at nothing to get what they want. And as the net starts to close around them, can Helen escape her own demons as well as helping Eva to escape hers?

What reviewers on Goodreads are saying:

“…a beautifully flowing book, highly enjoyable especially for mystery lovers.” LizLovesBooks

“Absolutely recommended. An exciting, well written read that makes you slightly scared of using Skype!!!” Christine

About the author

Jane Isaac studied creative writing, and later specialist fiction with the London School of Journalism. Her non-fiction articles have appeared in newspapers, magazines and online. Jane lives in rural Northants, UK with her husband, daughter and dog, Bollo. When she is not writing she loves to travel, is an avid reader and enjoys spending time with her family. She believes life should be an adventure! 

Contact Jane at her website at www.janeisaac.co.uk where she is always happy to hear from readers and writers. You can follow Jane on Twitter: @JaneIsaacAuthor  and on Facebook: Jane Isaac Author.

Special Guest Post ~ Dark Aemilia: A Novel of Shakespeare's Dark Lady, by Sally O’Reilly

A tale of sorcery and passion in seventeenth-century London

where witches haunt William Shakespeare and his dark lady,

the playwright's muse and one true love

Available on Amazon US and Amazon UK

One of the great delights of historical fiction is that you can transport yourself into the past.  Both as a reader and a writer, I love the feeling of being immersed in another reality, which is vivid and believable.  But there is a downside to this: it can be tempting to overload your narrative with period detail.  My inspirations are Sarah Waters, who pays just as much attention to the intricacy of plot as she does to historical accuracy, and Hilary Mantel, who uses a hybrid of fact and imagination to convey the experience of Thomas Cromwell.

‘Dark Aemilia’ was written as part of my PhD thesis. It’s the story of the doomed relationship between William Shakespeare and Aemilia Lanyer, one of the first female poets published in England and (possibly) the mysterious Dark Lady who inspired the later sonnets.  I spent many months researching the historic setting, but also studied genre and narrative form, and looked at the way that character can drive plot as well as the seminal work of writers like Umberto Eco.

I wanted to create a strong female protagonist in a world in which women officially had no power. This was quite a conundrum, and I was influenced by the views of the writer and historian Ian Mortimer who warns against imposing 21^st century psychology onto characters from the past. I struck a compromise with this – I am sure that no Early Modern woman would really have thought like ‘my’ Aemilia, any more than they would have spoken as she does. But I did make her deeply superstitious, and her world view is informed by this. I also used the play ‘Macbeth’ as a template for the story, so that elements of its dark plot are woven into Aemilia’s experience.

Sally O'Reilly

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Dark Aemilia

London, 1593. The daughter of a Venetian musician but orphaned as a young girl, Aemilia Bassano grows up in the court of Elizabeth I, becoming the Queen’s favourite. She absorbs a love of poetry and learning, maturing into a striking young woman with a sharp mind and a quick tongue. Now brilliant, beautiful and highly educated, she becomes mistress of Lord Hunsdon, the Lord Chamberlain and Queen’s cousin. But her position is precarious; when she falls in love with court playwright William Shakespeare, her fortunes change irrevocably.

A must-read for fans of Tracy Chevalier (Girl With a Pearl Earring) and Sarah Dunant (The Birth of Venus), Sally O’Reilly’s richly atmospheric novel compellingly re-imagines the struggles for power, recognition and survival in the brutal world of Elizabethan London. Dark Aemilia is published by Myriad Editions in March 2014, and by Picador US in June.

About the Author 

Sally O’Reilly has a PhD in English and Creative Writing from Brunel University, and is a lecturer at the Open University. She is the author of How to be a Writer and (as Sam O’Reilly) two novels published by Penguin, The Best Possible Taste and You Spin Me Round. She has also been shortlisted for the Ian St James short story award and the Cosmopolitan short story prize, and is a former Cosmopolitan New Journalist of the Year.

You can follow Sally on Twitter at @sallyoreilly, read her blog on http://how2beawriter.blogspot.co.uk/ and find out more about Dark Aemilia on http://www.myriadeditions.com/Dark+Aemilia 

WARWICK: The Man Behind The Wars of the Roses

‘A story of adventure, power and influence at the heart of 

one of the most dangerous times in the history of England.’

Richard Neville, Earl of Warwick, the 'Kingmaker', is the wealthiest noble in England. He becomes a warrior knight, bravely protecting the north against invasion by the Scots. A key figure in what have become known as ‘the Wars of the Roses,’ he fought in most of the important battles. As Captain of Calais, he turns privateer, daring to take on the might of the Spanish fleet and becoming Admiral of England. The friend of kings, he is the sworn enemy of Queen Margaret of Anjou. Then, in an amazing change of heart, why does he risk everything to fight for her cause?

Writers from William Shakespeare to best-selling modern authors have tried to show what sort of man Richard Neville must have been, with quite different results. Sometimes Warwick is portrayed as the skilled political manipulator behind the throne, shaping events for his own advantage. Others describe him as the ‘last of the barons’, ruling his fiefdom like an uncrowned king. Whatever the truth, his story is one of adventure, power and influence at the heart of one of the most dangerous times in the history of England.

Available Now on Amazon UK and Amazon US
in Paperback and in all ebook formats
on Smashwords

Book Review: Edward IV and the Wars of the Roses, by David Santiuste

Available from Pen and Sword books

and on Amazon UK and Amazon US 

How much do you really know about King Edward IV?  If, like me, you were intrigued to find out more about the strangely two dimensional husband of the BBC’s ‘White Queen,’ then David Santiuste’s book is a great place to start. Fast paced and well researched, this book challenges the established views of Edward Plantagenet. New perspectives are offered by setting the generally accepted accounts of chroniclers firmly in the context of their time.

Everything his predecessor Henry VI had failed to be, Edward was over six foot tall and charismatic, a true warrior knight. He is often portrayed as a womaniser, manipulated by others, yet David reminds us that many of the criticisms of him can be traced to his young brother, Richard III.  I was particularly interested in his complex relationship with the Earl of Warwick which was so central to any understanding of the Wars of the Roses.

   

His marriage to Elizabeth Woodville is typical of Edward’s very modern way of doing things. There is no mystery - he married for love, fully aware of the consequences. Now being described as one of the most successful medieval kings, Edward IV saw the wisdom of appointing people on merit and, after the Wars of the Roses, presided over twelve years of peace and prosperity.

I highly recommend  Edward IV and the Wars of the Roses  to anyone who would like to understand more about this enigmatic king and this fascinating period of English history.

About the Author

David  Santiuste is a historian of medieval England and Scotland. Edward IV and the Wars of the Roses is his first book. Other publications include contributions to 'Medieval Sexuality: A Casebook' and 'Medieval Warfare'. David's interest in history was first inspired as a child, visiting castles and battlefields with his family. He went on to study at the University of St Andrews, earning a master’s degree with distinction. He currently teaches history at the Office of Lifelong Learning, University of Edinburgh.. David is the creator, with Rae Tan, of the website 'Reflections of the Yorkist Realm' (www.yorkistrealm.com). This is a project devoted to the history and heritage of Yorkist England, featuring a selection of Rae's photographs with complementary text. 

How to Build Your Online Author Platform: 100 Practical Tips

There are so many new books published every day, your best work can languish unnoticed - unless you can help it stand out in some way. On-line platform building is not about self-promotion, it is a long term ‘organic’ process and different for every author. 

All authors also need to find the right balance between writing and raising awareness of their work. The rise of social media and free online book publicity sites mean this has never been easier. The problem is that there is increased competition from other authors who have learned to use on-line tools more effectively. 

It can be a steep learning curve, so the 100 practical tips here will help save you precious writing time and suggest ideas. Based on four years of successful experience, each of the main social media platforms are considered in turn, with ten ‘top tips’ for each, rounding off with a chapter on free book promotion websites. No specific knowledge is assumed and useful links are provided to further information. 

Available now in all ebook formats on Smashwords

and on Amazon US and Amazon UK