22 January 2016

Historical Fiction Spotlight ~ The Cross and the Curse (Bernicia Chronicles Book 2) by Matthew Harffy


New on Amazon UK and Amazon US

BRITAIN 634 A.D. 
Before The Battle of Hastings. 
Before Alfred fought the Danes. 
Even before England. 

Warlords battled across Britain to become the first King of the English. When Beobrand’s valour brings about a stunning victory against the native Waelisc, the King of Northumbria rewards him with riches and land. Beobrand wishes for nothing more than to settle on his new estate with his bride. But he soon finds himself beset with enemies old and new. He even fears that the power of a curse has him in its grip, as he begins to lose all he holds dear. 

With treachery and death surrounding him, Beobrand confronts his foes with cold iron and bitter fury. On his quest for revenge and redemption, he grudgingly accepts the mantle of lord, leading his men into the darkest of nights and the bloodiest of battles. 

The Cross and the Curse is the second novel of the Bernicia Chronicles. 

"A tale that rings like sword song in the reader's mind. Harffy knows his genre inside out and The Cross and the Curse proves it." GILES KRISTIAN (Author of God of Vengeance and the Raven series) 

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About the Author

Matthew Harffy lived in Northumberland as a child and the area had a great impact on him. The rugged terrain, ruined castles and rocky coastline made it easy to imagine the past. Decades later, a documentary about Northumbria's Golden Age sowed the kernel of an idea for a series of historical fiction novels. Matthew has worked in the IT industry, where he spent all day writing and editing, just not the words that most interested him. Prior to that he worked in Spain as an English teacher and translator. Matthew lives in Wiltshire, England, with his wife and their two daughters. When not writing, or spending time with his family, Matthew sings in a band called Rock Dog. Find out more at Matthew's website www.matthewharffy.com and find him on Facebook and Twitter @MatthewHarffy.

20 January 2016

Blog Tour ~ A Brother's Oath (Book 1 in the Hengest and Horsa Trilogy) by Chris Thorndycroft

02_A Brother's Oath


Available on Amazon UK and Amazon US

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    The Untold Story of England’s Beginning. Denmark, 444 A.D. Two brothers – the cold and calculating Hengest and the intrepid but headstrong Horsa – find their separate worlds thrown into turmoil by royal treachery and an evil cult thought long dead.


A couple of years ago I read an interview with Philippa Gregory and Wayne Johnston featured in The Globe and Mail entitled; Truth, lies and historical fiction; how far can an author go? and it got me thinking. According to most people history comes from history books and fiction is...well, fiction. So what does the combination of historical fiction even mean? Is such a thing possible?

The way I see it, historical fiction is simply filling in the gaps. And there are always gaps. We think we know history by looking at a few facts but there is so much more that we don't know. We know, for instance, that Harold Godwinson won the Battle of Stamford Bridge and about three weeks later, died at the Battle of Hastings.

What Harold did during those three weeks other than march south is not very well recorded. We don't know what he ate, who he spoke to or if he was happy or sad. This is where writers of historical fiction come in. Wherever there is room for a story within the framework of what we know, there is room for historical fiction.

The minute you start playing around with the facts and changing things for the sake of 'a better story', then what you are writing begins to wander into the genre of alternate history. The film Braveheart with its kilts, woad and pregnant Isabella of France (who was ten when William Wallace died) is so far removed from what actually happened that it might as well be set in an alternate middle ages.

But what about Conn Iggulden (one of my favorites), whose Emperor series takes many liberties with the life of its subject Julius Caesar? At the end of each novel, Conn explains his choices and, in the light of the overall character arch that sees the young statesman rise to the position of dictator and eventual fall, they are fairly minor. But we can see that the definition of the genre is a matter of debate and the lines in the sand are not clearly drawn. Some authors stick religiously to the facts while others fiddle about with them.

Where it gets even more woolly is when the facts themselves become open to interpretation. To use good old Harold again, many say that William the Conqueror invaded England out of his own greed. Now there are plenty of others (mostly the French) who claim that Harold pledged support for William’s claim to the English throne while visiting Normandy, and then took the crown for himself, thus justifying the Norman Conquest of England.

Whichever camp you plant your standard in, there are going to be people who will say that you've got history wrong. But choose we must for to write a compelling novel, we cannot be ambiguous. We must connect with the reader by revealing the feelings, personal struggles and conversations of people who may only get a passing mention in historical records. We have to use our imaginations where the writers of (good) non-fiction must stick to what is recorded and substantiated.

So historical fiction is not just writing about what we know, but what we don't know. It is acknowledging the facts and taking history that bit further in the name of entertainment. It is clear that there is a sliding scale in place with history on one end and fantasy on the other and everything falling somewhere in between.

It is possible to write a novel that adheres to the known facts completely and changes not a thing but modern dialogue, morality and the baggage we take with us often seeps in meaning that any work purporting to be ‘historical fiction’ is only ever an interpretation of the past through modern eyes.

Chris Thorndycroft 

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About the Author

03_Author Chris Thorndycroft

Chris Thorndycroft is a British writer of historical fiction, horror and fantasy. His early short stories appeared in magazines and anthologies such as Dark Moon Digest and American Nightmare. History has long been his passion and he began thinking about a series set in Arthurian Britain when he was a student. Ten years later, A Brother's Oath is his first novel under his own name and the beginning of a trilogy concerning Hengest and Horsa. He also writes Steampunk and Retropulp under the pseudonym P. J. Thorndyke.

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Blog Tour Schedule:

Monday, January 18 Review at Flashlight Commentary
Tuesday, January 19 Interview at Flashlight Commentary Spotlight at A Literary Vacation
Wednesday, January 20 Guest Post at The Writing Desk
Friday, January 22 Character Interview at Boom Baby Reviews
Saturday, January 23 Excerpt & Giveaway at Teddy Rose Book Reviews
Monday, January 25 Spotlight at CelticLady's Reviews
Tuesday, January 26 Review at Book Nerd
Wednesday, January 27 Excerpt at Let Them Read Books
Friday, January 29 Spotlight & Giveaway at Passages to the Past

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19 January 2016

Guest Post ~ Bringing historic romance to life in a series, by Jayne Castel


Follow the stories of four incredible women - Raedwyn, Freya, Saewara, and Cynewyn - and their search for love and freedom in a world dominated by the warrior and the sword.  The Kingdom of the East Angles is a series of historical romance novels set in 7th Century Anglo-Saxon East Anglia, England.

Available on Amazon US and Amazon UK

Bringing historic romance to life in a series

The beauty of writing an historic romance series – as opposed to straight historical fiction – is that you get to start each new book with fresh characters. I enjoy novels that follow the same protagonists through many books – Bernard Cornwall’s ‘The Last Kingdom’ series is one my favourites – but it just doesn’t work in historical romance.

Romance focuses on the developing love story between the hero and heroine and should end with them facing a happy future together. If you create a sequel involving your two protagonists, then the genre morphs into a historic saga, rather than romance.

Creating an historic romance series

I’ve seen writers create a historical romance series in two ways – either by following the love-stories within a family or by using the same historical setting and picking up a year or two after the first story ends with a fresh romance.

The first option is the one I see most often in historical romance: brothers or sisters in a family who one-by-one become the focus of the story, and live their own adventures.

The second option – and the one I use – needs a strong a historical setting, one that readers can return to with a sense of familiarity. It helps if you can overlap each book with some of the same characters. Sometimes, I like to introduce the hero or heroine for one of my next books as a minor character in a novel, that way when readers pick up the next novel in the series there’s a natural sense of progression.

A journey into Anglo-Saxon England

I focused my series on the reign of three 7th Century East Anglian Kings: Raedwald, Sigeberht and Annan. These novels span eight years, from 624 to 631 A.D – at a time when the East Anglian Kingdom's power was beginning to wane under the threat of Mercia. It’s a highly specific setting, centred around the town of Rendlaesham, which was the seat of the East Anglian king.

My inspiration began with the Sutton Hoo burial – and the great Saxon long ship archaeologists unearthed there. Many believe it was King Raedwald (the king who appears in the first book of my series) who was buried at Sutton Hoo. My mother is from East Anglia and I have spent a bit of time there, so writing about a flat marshy landscape with wide skies and a wild shingle coast was easy.
As I wrote the series,

I noticed a theme running through all three books: that a male dominated world breeds strong women. My heroines: Raedwyn, Freya and Saewara are all searching for love, and freedom, despite the roles and demands placed on them.

They are brave, resourceful and independent, and they all want a man who sees them as an equal. I think many people imagine Anglo-Saxon England as a time of great oppression for women – especially compared with the modern world – but that’s not how I see it. Whether you were born in Ancient Egypt or Victorian England, what women want emotionally  from a man hasn’t changed much over the centuries.

So, in a nutshell, here is what The Kingdom of the East Angles is about:

In Dark Under the Cover of Night, Raedwyn is a king’s daughter who falls in love with the son of her father’s archenemy. In the end, she must choose between love and duty.

In Nightfall till Daybreak, Freya is a king’s slave who struggles to regain her freedom. However, her plans are complicated by her growing attraction to the man who leads the king’s army.

In The Deepening Night, Saewara is forced to marry the king of an opposing kingdom. Torn between loyalty to her people and her growing love for her new husband, she must decide where her allegiance truly lies.

I also wrote a prequel novella to the series: NIGHT SHADOWS, which I’ve included in the series as a free bonus! You can also get a copy of the novella for free, if you sign up to my newsletter on my website. This is a tale of ‘second chance’ love between Cynewyn, an ealdorman’s daughter, and one of her father’s spearmen, who she had spurned ten years earlier.

Jayne Castel
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About the author


Jayne Castel writes Historical Romance set in 7th Century Anglo-Saxon England. Two of her novels Dark Under the Cover of Night, and Nightfall till Daybreak reached the quarter finals of the Amazon Breakthrough Novel Awards in 2013 and 2014. Jayne writes historical romance adventures about warrior heroes and strong-willed heroines. She weaves powerful love stories into meticulously researched stories about honor, valor, loyalty and vengeance. Find out more at Jayne's website: www.jaynecastel.com, and find her on Facebook and Twitter @JayneCastel

14 January 2016

Historical Fiction Book Launch ~ The Queen's Choice, by Anne O'Brien


New on Amazon UK

Who Was Joanna, Queen of England?

It surprises me how some of the Queens of England have remained anonymous, almost invisible.  Who has even heard of Queen Joanna?  Joanna of Navarre, second wife of King Henry IV, who was crowned Queen in Westminster Abbey with all the royal regalia in 1403, is one of these.

In some ways it is easy to understand why.  She was Queen for only ten years.  She had no impact on the actual government of England.  She and Henry had no children together: Henry already had four sons and two daughters with his first wife, Mary de Bohun, so he was not in need of an heir.  Joanna had proved fertile with seven children who grew to adulthood, but their failure to have children together was not a dynastic problem.

Their relationship for the most part has drawn little attention, and certainly not from those who write about English Queens.  Everyone knows something about the wives of Henry VIII.  Most people willingly admit to knowing little or nothing about Joanna.  We do not even have a contemporary portrait or description of her.  All we have is marble effigy on the tomb where her body lies next to Henry's in Canterbury Cathedral.

So why would I choose to write about her, apart from the fact that I have a strong delight in discovering these interesting medieval woman who might just have something to say to us today?

I chose to breathe life back into her because Joanna has some interesting facets to her life - and some tragic ones.

Joanna's tomb (with Henry IV)

Joanna of Navarre was regal from her toes to her fingertips.  Daughter of King Charles II  (the Bad) of Navarre and Joan de Valois who was a daughter of King John II (the Good) of France, Joanna as a Valois princess was related to almost every important family in Europe through either blood or marriage.  She was related to the houses of Burgundy, Berry and Orleans.  The King of France, Charles VI was her first cousin.  Her family connections were second to none. 

On the death of her first husband Duke John V of Brittany, Joanna, as Duchess of Brittany, became Regent in the name of her young son.  Joanna was a woman of considerable presence, reputation and European status.  She was also a woman of intellect, quite capable of ruling a medieval state.  She deserves that we should take a second look at her.

King Henry IV of England, on the other hand, although of Plantagenet birth and royal blood as the only son of John of Gaunt, was a newly made King.  What's more he was a usurper in the eyes of many established rulers of Europe, particularly France, because he had seized the crown from his cousin King Richard II, the rightful, God-Anointed King, whose young Queen was Isabelle de Valois.  Richard died in dubious circumstances while incarcerated in Pontefract Castle.  Thus Henry was a dangerous entity.  Few were willing to support such a precedent for the overthrow of a ruling monarch.  Yet Joanna chose to marry him. 

What was it that motivated her?  What was it that made Joanna, a renowned and highly capable ruler of thirty years of age, with a healthy family of seven children and an enviable reputation, give up everything - power, family, royal approval - to choose to come to England to wed the usurper Henry?  Could it have been love?  Was not Joanna past the age of frivolous emotion?  Her duty surely lay with Brittany and the young Duke, for whom she was Regent.  Their relationship intrigued me.

It was to be no easy marriage for Henry and Joanna, with England torn apart in an ongoing civil war instigated by the powerful Percy family and Owain Glyn Dwr.  Would Henry and Joanna weather the storms of political upheaval and open rebellion?  Many were willing to claim that Richard II was still alive and well in Scotland, waiting to lead an overthrow of the Lancaster monarchy.

Furthermore, as a Breton by association, Joanna could be seen as the enemy in their midst.  With Joanna in England, Brittany under the guiding hand of the Duke of Burgundy was quite prepared to throw its weight behind Owain Glyn Dwr and join France in its ongoing war against England.  Even without the wars, Bretons were detested for their piracy and trading acumen at England's expense.  Joanna would not be the most popular of queens.

And then, surely the icing on the cake for any writer of historical fiction, there was the terrifying accusation of necromancy made against her, that by using witchcraft and and the dark powers, lured on by her father confessor who gave evidence against her, Joanna had plotted the death of King Henry V, the hero of Agincourt.  As a result Joanna spent three years imprisoned in a series of English fortresses.

The consequences for Joanna of the choices she made in her life were far reaching.  They brought her enhanced status and much happiness but also condemned her to a life of great uncertainty.

This, I decided, was a story worth writing.

The Queen's Choice is the story of a Queen of England who has remained in the shadows.  It is a story of betrayal and tragedy, but also one of great love and redemption.  Joanna was a formidable character whose life epitomised the dangers inherent in the role of medieval Queenship.  She can no longer be swept behind the tapestry of history.


Anne O'Brien

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About the Author

Anne O'Brien was born in the West Riding of Yorkshire. After gaining a B.A. Honours degree in History at Manchester University and a Masters in Education at Hull, she lived in the East Riding for many years as a teacher of history. After leaving teaching, Anne decided to turn to novel writing and give voice to the women in history who fascinated her the most, beginning with Virgin Widow, which told the story of Anne Neville, the wife of Richard, Duke of Gloucester. Since then, she has told the stories of Eleanor of Aquitaine in Devil's Consort, Alice Perrers, the mistress of Edward III, in The King's Concubine, Katherine de Valois, the child bride of Henry V, in The Forbidden Queen and Katherine Swynford, mistress of John of Gaunt, in The Scandalous Duchess. Her latest novel The King's Sister is the story of Elizabeth of Lancaster, caught up in dramatic and bloody family politics in the reigns of Richard II and Henry IV. Today Anne lives in an eighteenth century cottage in Herefordshire, an area full of inspiration for her work. Visit Anne online at www.anneobrienbooks.com and find her on Facebook and Twitter @anne_obrien.

13 January 2016

Historical Fiction Book Launch - Blood and Roses, by Catherine Hokin @cathokin


New on Amazon UK and Amazon US

Blood and Roses tells the story of Margaret of Anjou (1430-82), wife of Henry VI and a key protagonist in the Wars of the Roses. This is a feminist revision of a woman frequently imagined only as the shadowy figure demonised by Shakespeare.

Blood and Roses examines Margaret as a Queen unable to wield the power and authority she is capable of, as a wife trapped in marriage to a man born to be a saint and as a mother whose son meets a terrible fate she has set in motion. It is the story of a woman caught up in the pursuit of power, playing a game ultimately no one can control...

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About the Author

Catherine Hokin is a Glasgow-based author with a degree in History from Manchester University. Blood and Roses is her debut novel  Catherine also writes short stories and was recently a finalist in the Scottish Arts Club 2015 Short Story Competition and blog as Heroine Chic, casting a historical, and often hysterical, eye over women in history, popular culture and life in general. Find out more at her website www.catherinehokin.com  and find her on Facebook and Twitter @cathokin.

Book Launch - Vision of the Griffin's Heart, by L. R. W. Lee


New on Amazon US and Amazon UK

The evil Abbadon, king of Oomladee's northern neighbor Hadession, steps up his attacks on Andy and Mom at home in Lakehills, TX over the next year, unnerving Andy as he overhears speculation that Methuselah may no longer be able to defeat this nemesis. But why? 

Over a year later, Andy arrives back in Oomaldee to discover why zolt have been mysteriously parading through the dungeon and disappearing, for years. And it's not good. 

Tensions run high as more and more citizens are turned into zolt. But there's more going on than meets the eye, for the effectiveness of Abaddon's strikes defeating the military's planned counter measures reveal he's getting inside information. Could there a spy in their midst? 

Despite the chaos, Andy receives a clue for the fifth ingredient needed for the curse-breaking potion, the claw of a griffin. There's one not-so-small problem however--griffins guard the land of Carta's gold and silver mines and don't take kindly to humans. While away in Carta, fears over an imminent attack materialize and Abaddon with his new mage, Fides, enact a campaign of terror no one could have imagined!

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About the Author

L. R. W. Lee is the author of the Andy Smithson juvenile fiction series of epic fantasy books for kids 9 to 99 including teens and young adult, set in medieval times with knight, magic and mythical adventures. She lives in scenic Austin, TX with her husband and her daughter who is a Longhorn at UT Austin. Her teen YA fantasy series includes free young adult books. Blast of the Dragon's Fury, the series starter, is one such Kindle freebie. Lee gives away the first ebook of her teen & young adult books for free in order to let readers sample her work at no risk and so those without a large reading budget can enjoy an epic adventure. LRW enjoys hearing from readers! Find out more at her website http://www.lrwlee.com and find her on Facebook and Twitter @lrwlee.

11 January 2016

Historical Fiction Spotlight ~ Seven Will Out: A Renaissance Revel, by JoAnn Spears


Available on Amazon US and Amazon UK

If you thought "Six of One: A Tudor Riff" was the most fun you could have with your nightdress on, wait until you see what "Seven Will Out: A Renaissance Revel" has in store. Get ready for one 'ruff' night! Tudorphile Dolly thought that the night she spent on an astral plane with Henry VIII's six wives, learning their heretofore unknown secrets, was a one-time thing. Not so! 

In "Seven Will Out", Dolly finds herself back in the ether with the women of later Tudor times: Elizabeth I, ‘Bloody’ Mary, Bess of Hardwick, Mary, Queen of Scots, and Anne Hathaway Shakespeare, to name a few. They too have secrets that will turn history on its head, and comic sass that will keep you laughing. You've read all of the traditional, serious and romantic takes on the legendary Tudors. Why not try your Tudors with a new and different twist?

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About the Author

JoAnn Spears couldn't decide whether to major in English or History in college. Life stepped in, and she wound up with a Master's Degree in Nursing instead. A twenty-five year nursing career didn't extinguish that early interest in books and history-especially Tudor history. It did, however, stoke a decidedly gallows sense of humor. Eventually, JoAnn read just about every spin there was on the stories of Henry VIII and the extended Tudor family. Every spin, that is, except the one with the gallows humor. The Tudors certainly qualified for it, but it just wasn't out there. JoAnn decided that with gallows humor to spare, she would do her best to remedy the Tudor comedy gap. A little inspiration from the classic "Wizard of Oz" showed her the way to go, and "Six of One", a new kind of Tudor novel, was born. JoAnn thought “Six of One”, her story about Henry VIII’s six wives, would be an only literary child. Then, two years after its birth, she was caught by surprise with the idea for a sequel. In October, 2015, “Seven Will Out” made its debut and bought the latter-day Tudors into the comedy mix. JoAnn enjoys writing but maintains her nursing license because a) you never stop being a nurse and b) her son thinks she should be sensible and not quit her day job. She also enjoys life in the beautiful mountains of northeast Tennessee, where she gardens, embroiders antique reproduction samplers, and teaches yoga in her Methodist church basement. JoAnn shares her home with three cats and the works of Jane Austen, Barbara Pym, Louisa May Alcott, and of course, Alison Weir. You can find JoAnn on Facebook and Twitter @JoAnnSpearsRN 

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