15 November 2017

Book Launch Spotlight: Joan of Arc and 'The Great Pity of the Land of France', by Moya Longstaffe


New on Amazon UK and Amazon US

Joan of Arc's life and death mark a turning point in the destiny both of France and England and the history of their monarchies. `It is a great shame,' wrote Etienne Pasquier in the late sixteenth century, `for no one ever came to the help of France so opportunely and with such success as that girl, and never was the memory of a woman so torn to shreds.' 

Biographers have crossed swords furiously about her inspiration, each according to the personal conviction of the writer. As Moya Longstaffe points out: `She has been claimed as an icon by zealous combatants of every shade of opinion, clericals, anticlericals, nationalists, republicans, socialists, conspiracy theorists, feminists, yesterday's communists, today's Front National, everyone with a need for a figurehead. 

As George Bernard Shaw said, in the prologue to his play, "The question raised by Joan's burning is a burning question still."' 

By returning to the original sources and employing her expertise in languages, the author brings La Pucelle alive and does not duck the most difficult question: was she deluded, unbalanced, fraudulent - or indeed a great visionary, to be compared to Catherine of Siena or Francis of Assisi?

Extract from the Prologue
 ~  Joan: A Burning Question Still 

Ô Jeanne, toi qui as donné au monde la seule gure de victoire qui soit une gure de pitié! 

André Malraux, Rouen, 30 May 1964 

On Wednesday, 21 February 1431, at 8 o’clock in the morning, a girl of nineteen years of age was led into the chapel of the castle of Rouen, before a tribunal presided over by the portly Bishop of Beauvais and comprising no less that forty-two eminent theologians and canon lawyers of all ages, sitting in solemn array, leaning forward and gazing at her with intense curiosity, mingled in many cases with stern disapproval, dark suspicion, and occasionally perhaps even pity. 

She was dressed in plain and sombre male clothing, a belted knee-length tunic over the hose of a page, but she was of average height and build for a girl of her time, not at all the strapping hoyden they might have expected.1 Her dark hair, cut round and still short like a soldier’s even during her captivity in Rouen, lent a curious pathos to her appearance, somehow underlining her present vulnerability. 

Joan of Arc's Tower, Rouen
After passing the previous two months imprisoned in a cell in the tower of the castle, chained to a heavy wooden beam by night and by day, allowed no exercise and only meagre rations, and guarded at all times by hostile English soldiers ‘of the roughest sort’, of whom three were shut in the cell with her at night and two kept guard outside, she now looked pallid and very young. And when she spoke, the greatest surprise of all was her voice, for it was soft and feminine, with a hint of the speech of her native Lorraine.  Who was this notorious and enigmatic prisoner, on trial for her life? What had brought her to this pass?

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About the Author
Moya Longstaffe is a retired Senior Lecturer in French at the University of Ulster, having previously taught at the universities of Bristol. Edinburgh, Heriot- Watt (Edinburgh), Caen and Belfast. She is the author of Metamorphoses of Passion and the Heroic in French Literature: Corneille, Stendhal, Claudel (Edwin Mellen Press) and The Fiction of Albert Camus: A Complex Simplicity (Peter Lang). She has researched the life and trial of Joan of Arc from primary sources over several years.

14 November 2017

New Historical Fiction ~ The King's Mother: Book Three of The Beaufort Chronicle, by Judith Arnopp


Pre-Order from Amazon UK and Amazon US

October 1485: With the English crown finally in his possession, Henry Tudor’s endeavours to restore order to the realm are hindered by continuing unrest. While the king is plagued with uprisings and pretenders to his throne, Margaret in her capacity as The King’s Mother oversees the running of his court. 

The warring houses of York and Lancaster are united, the years of civil strife are at an end but, as the royal nursery fills with children, the threats to Henry’s throne persist and Margaret’s expectation of perfect harmony begins to disintegrate.
As quickly as Henry dispatches those whose move against him, new conflicts arise and, dogged by deceit and the harrowing shadow of death, Margaret realises that her time for peace has not yet come.

Intrigue, treason and distrust blights the new Tudor dynasty, challenging Margaret’s strength of character and her steadfast faith in God.

The King’s Mother is the third and final book in The Beaufort Chronicles, tracing the life of Margaret Beaufort.

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About the Author

Judith Arnopp is a historical fiction author based in Wales, UK. She has a particular interest the Tudor period and her collection of Tudor novels will take you inside the minds of women like Elizabeth of York, Anne Boleyn, Katheryn Parr, Anne of Cleves and  Katherine Howard. The Beaufort Chronicles, is a trilogy tracing the life of Margaret Beaufort, the mother of the Tudor Dynasty. Books one and two, The Beaufort Bride and The Beaufort Woman are available now and book three, The King's Mother is to follow soon. Find out more at Judith's website www.judithmarnopp.com/ and find her on Facebook and Twitter @JudithArnopp.

11 November 2017

Special Guest Post: Regency era Tenby, by Kyra Kramer


Tenby, a coastal town in Pembrokeshire, Wales, was the site of one of the most important events in Tudor history. It was in Tenby that Jasper Tudor hid from the forces of Henry IV with his teenage nephew Harri in the summer of 1471. The fugitives were shielded by the loyal Welsh folk and by the mayor, Thomas White, in tunnels under the town. It was in one of Thomas White’s ships that Jasper and young Harri were smuggled out of Tenby toward the relative safety of the continent.

When Jasper’s nephew later became King Henry VII, he showed his gratitude to Tenby in the form of royal grants that turned the small Welsh town into a center of international trade. For more than two centuries the small costal town thrived as one of Britain’s most important ports. Turkish merchants and Irish pirates alike moored anchor in Tenby’s harbor and traded along its docks.  
Alas, disaster struck Tenby during the middle of the 17th century in the form of the bubonic plague. Approximately half the population of the town – more than 500 people -- died in one virulent outbreak in the winter of 1650, and Tenby (like many small towns decimated by the plague) couldn’t recover from such drastic losses. By the time the Georgian kings began their reign the once-booming town of Tenby was mostly an empty shell of abandoned buildings. John Wesley, the founder of the Methodist Church, came through Tenby during his efforts as a traveling preacher and reported that, "Two-thirds of the old town is in ruins or has entirely vanished. Pigs roam among the abandoned houses and Tenby presents a dismal spectacle”.  
Nevertheless, happier times were just around the corner for Tenby. The town would enjoy a resurgence in the Regency era thanks to the efforts of one man -- a merchant banker named Sir William Paxton. With brilliance and foresight, Paxton thought to turn Tenby and its lovely white beaches into a spa town for sea bathing, in the likeness of Brighton or Weymouth.
With that in mind, Paxton began investing heavily in Tenby property at the beginning of the 19th century, buying a significant portion of the buildings in the older part of the town. He wrote a friend about his plan to “lay out some thousands in building lodging houses etc. which being much wanted, may be of some benefit”. When Paxton informed the town council of his hopes for Tenby in 1805, they nearly wept with gratitude and bent over backwards to help him along.
Paxton already knew exactly who he needed to remake Tenby and design a "fashionable bathing establishment suitable for the highest society" one of the most renowned architects of the era, Samuel Pepys Cockerell. This was the same architect who had recently designed Paxton’s splendid new mansion, Middleton Hall, just a few years prior. Paxton also turned to his estate agent, an engineer named James Grier, and his landscaper, Samuel Lapidge, for help.
He knew he could trust the genius of Cockrell, Grier, and Lapidge because they had turned Middleton Hall and its gardens into one of the marvels of Pembrokeshire. Not only was the mansion elegant and charming, it was modernized to the hilt. There were elevated reservoirs of water from natural springs behind the residence which filled a lead cistern on the hall’s roof, giving Paxton’s mansion the luxuries of hot running water and flushing toilets. There reservoirs were moreover used to create an unparalleled water park on the grounds surrounding the mansion. A clever network of dams, sluices, bridges and cascades moved the spring water from the reservoirs into the multiple ponds, lakes, and streams in Middleton Hall’s gardens.
In a stroke of luck, Paxton had discovered a chalybeate spring on his estate. The heated, mineral-rich waters of this spring not only supplied the warmth for Paxton’s baths and hothouses, they were considered medicinal. Ferruginous water was believed to provide a cure for colic, melancholy, and “the vapours” because it “loosened the clammy humours of the body, and dried the over-moist brain". Moreover, drinking the mineral water “killed flat worms in the belly” and could make “the lean fat [and] the fat lean”.
Paxton came up with the idea of piping the ferruginous waters into Tenby, in order to offer the discerning tourist health-granting mineral waters like those provided at Bath or other spa towns. This would give Tenby a real edge in the tourist trade, since other places could offer only one or the other of these treatments; Bath had healing waters, but no seashore, while most seaside resorts could boast no mineral water. Tenby would thus become the place to be if one wanted to restore one’s health via mineral waters and sea-bathing.
While he was it, Paxton commissioned Grier to come up with a plan to bring fresh drinking water into Tenby, as well as the mineral waters from Middleton Hall. They had already created watering system in the town of Carmarthen, where Paxton had formerly been mayor, using iron pipes and the techniques they had refined on Paxton’s estate, so they knew it could be done. Even in its heyday Tenby had a constant problem with obtaining sufficient fresh water for its residents, and Paxton knew an abundance of potable water was crucial for building up the tourist trade. He was determined to use cutting edge innovations to turn Tenby into the perfect resort town, and make it the center of tourism in Wales.
In this same vein, the bath house Grier and Cockerell designed for Tenby was not only aesthetically pleasing, it was technologically brilliant:
The bath house was in fact not only a fancy establishment built by a much respected architect to receive the best company, it was also a remarkable feat of engineering. The top floor was on street level and contained the elegant assembly room, a bar, the vestibule mentioned above and two bedrooms for those who were too infirm to be lodged in the town of Tenby. One floor down were three hot baths with attached dressing rooms, a pump room, a vapour bath and a shower bath. The hot baths were fed by a water-tank placed under the vestibule where the water was heated by a furnace. The bottom floor was fitted out with two cold plunging baths, one for the ladies and the other for gentlemen. Four private baths with attached heated dressing rooms were available for those wishing to bathe in the most exclusive privacy. This floor was below the level of high tide and the baths were fed by sea water from a large reservoir that was refilled with every new high tide. The waste water from the baths was piped into two large basins on either side of the reservoir which were emptied at low tide … It was equipped with a handsome assembly room commanding a view of the sea and harbor and a spacious vestibule "for servants and attendants on the bathers to wait in without mixing with the company". Its front entrance was adorned with a quotation from Euripides' "Iphigenia in Tauris" which, translated, still reads; "All man's pollution does the sea cleanse". 

As well as arranging the best sea-bathing apparatus and baths for Tenby, Paxton bought a local inn and renovated it, creating very stylish accommodations for the Beau Monde and upper crust merchant class whom he hoped would visit. Additionally, he had ‘picturesque’ yet functionally modern cottages built alongside the baths for those guests who would prefer to spend their summers in Tenby ‘taking the waters’ from the convenience of a more private residence. He furthermore widened the main roads, as well as building livery stables and coach houses, to promote ease of travel and to meet the needs of the wealthy visitor to Tenby.
Paxton’s sea-bathing resort opened in July 1806, but he knew a nice beaches, bathing facilities, and mineral water were only half the battle to bring in tourism. The tourists needed something to do. Thus, Paxton set out to provide easy access to, or even outright create, places to visit on short pleasure outings. The yen for brief forays to nearby areas of interest started in the Regency era and would become a central feature of Victorian tourism.

With day-trippers in mind, Paxton invested in turnpike roads and bought several coaching inns spanning as far to the east as Swansea and as far to the north as Narberth. He built bath houses on his own estate, well-warmed with furnaces and chalybeate spring waters, which he made open to the public. He also commissioned Cockerell to build what became known as Paxton's Tower, an ornate garden folly in memorial to Lord Horatio Nelson, the hero of Trafalgar, on his property to complement the immense water garden and create a delightful site for tourist jaunts. The tower was an ideal place to take in the breathtaking views over the Tywi valley, with the additional feature of a banqueting room that would allow more formal receptions and entertainments.
It is most likely Paxton who published a small guide book, "The Tenby guide; Comprehending such information relative to that town and its vicinity as could be comprehended from ancient and modern authorities", which detailed all these various wonders to enjoy in the area. He was probably the mastermind behind the numerous magazine and newspaper articles praising Tenby as THE place for seashore holidays in Wales, as well.
In 1814 Paxton paid for the construction of a road overlooking Tenby harbor atop Romanesque arches that is still in use today. The new road served the twofold purpose of “providing a good approach to his bath house” and allowing “the clientele of that establishment to observe the activity in the harbor without having to mix with the workmen and the public.” One wanted lovely vistas, not the reality of the laboring classes, on one’s holiday! Preserving class boundaries was as important to the Georgian tourist as it was for the future Victorian visitors … maybe even more so. Paxton, born middle-class and now ascended to the nouveau riche elite, was profoundly aware of these sociocultural niceties and pandered to them.
The one failure in Paxton’s investment plan for Tenby was a local theater. Built to entertain the tourists, it opened at the beginning of August 1810 and featured a long-standing favorite Georgian farce, “The Wonder: a Woman Keeps a Secret by Susanna Centlivre, and John O'Keeffe’s comedic opera “The Poor Soldier”. In spite of a good start, the theater only lasted eight years before closing down. A theater, it was speculated, would encourage ‘vice’ in Tenby and was a source of contention among some of the moralistic tourists and locals. When ceased its performances in 1818, Paxton promised to use the building for something “unobjectionable” in the future, and reimbursed the other investors out of his own funds.
Paxton poured a huge outlay of money into Tenby and Pembrokeshire, but it proved to be a wise gamble. His efforts to turn Tenby into one of the premier watering holes in Great Britain succeeded beyond even his hopeful expectations. It thrived in the Regency, and the Victorians would treasure it, calling it the “Naples of Wales”. Mary Ann Bourne would write a popular guide book about Tenby, pointing out that it was the ’judicious choice of rank and fashion’ as a seaside destination. It remains a favorite tourist destination today.
Kyra Kramer 
Sources
Strother, Edward. 1721. Dr. Radcliffe's practical dispensatory: containing a complete body of prescriptions, fitted for all diseases, internal and external, digested under proper heads. 4th ed. Rivington, London.
"Sir William Paxton". kuiters.org
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About the Author
Kyra Cornelius Kramer is an American anthropologist living in south Wales best known for her work on Tudor history. Her first historical novel, Mansfield Parsonage, a retelling of Jane Austen’s novel Mansfield Park from the point of view of Mary Crawford, was released earlier this year. You can read her blog at kyrackramer.com, follow her on Twitter @KyraKramer, or like her Facebook author page.

8 November 2017

New Book Spotlight: CARINA (Roma Nova Thriller Series) by Alison Morton


New from Amazon UK and Amazon US

Carina Mitela is still a young inexperienced officer in the Praetorian Guard Special Forces of Roma Nova. Disgraced and smarting from a period in the cells for a disciplinary offence, she is sent out of everybody's way on a seemingly straightforward mission overseas.

All she and her comrade-in-arms, Flavius, have to do is bring back a traitor from the Republic of Quebec. Under no circumstances will she risk entering the Eastern United States where she is still wanted under her old name Karen Brown. But when she and Flavius discover a conspiracy that reaches to the highest levels of Roma Nova, what price is personal danger against fulfilling the mission?

Set in the time after INCEPTIO but before PERFIDITAS in the Roma Nova series, this thriller novella reveals hidden parts of Carina's early life in Roma Nova. And North America isn't quite the continent we know in our timeline...

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About the Author

After a multiple-job career, Alison now writes the acclaimed Roma Nova thriller series featuring modern Praetorian heroines. She blends her deep love of Roman history with six years’ military service and a life of reading crime, adventure and thriller fiction. The first five books have been awarded the BRAG Medallion. SUCCESSIO, AURELIA and INSURRECTIO were selected as Historical Novel Society’s Indie Editor’s Choices. AURELIA was a finalist in the 2016 HNS Indie Award. A ‘Roman nut’ since age 11, Alison has misspent decades clambering over Roman sites throughout Europe. She holds a MA History, blogs about Romans and writing. Now she continues to write, cultivates a Roman herb garden and drinks wine in France with her husband of 30 years. Connect with Alison on her Roma Nova site: http://alison-morton.com Facebook and Twitter  @alison_morton

7 November 2017

Guest Interview with Laura Morelli, Author of The Painter's Apprentice: A Novel of 16th-Century Venice


New on Amazon UK and Amazon US

From the author of The Gondola Maker comes a rich tale of Renaissance Venice, a heroine with a lust for life
and love against all odds.


Today I would like to welcome award-winning historical fiction author Laura Morelli:

What moved you to start writing novels?

After teaching college art history and living in Italy through the 1990s, I wrote a specialty guidebook called Made in Italy that I sold to Rizzoli. After that, I wrote other books in that series, including Made in France. I’ve also published several city guides. With these guidebooks, my mission is to lead travelers beyond the tourist traps to discover authentic local traditions and artists, and come home with great treasures in their suitcases.

The story of The Gondola Maker, my first work of fiction, developed while I was working on Made in Italy. The living artisans I interviewed, whether makers of gondolas, carnival masks, or Murano glass, told me how important it was to them to pass on the torch of tradition to the next generation. I began to wonder what would happen if the successor were not able… or willing. The characters of the gondola maker and his son began to take shape, and I felt compelled to bring that story to life. Now I focus mostly on writing art historical fiction; I feel that’s what I was meant to do all along!

What did you learn from writing your debut novel, The Gondola Maker?


So many things! Writing fiction is completely different from writing nonfiction. I think it engages different parts of your brain. Understanding how to craft a novel was an incredible learning curve.

Then there was the publication process. I worked on The Gondola Maker on and off between 2007 and 2013. During that time, the publishing world turned upside down. I watched the emergence of independent publishing as a viable path. Being an independent-minded person and having experienced the ups and downs of traditional New York publishing, I was excited to take the indie route. Publishers Weekly interviewed me about the process of going indie, and you can read about it here.

How did this lead to your new book, The Painter’s Apprentice?

The Painter’s Apprentice is a prequel to The Gondola Maker, and is set during a real plague epidemic that spread across Venice in 1510. In the story, 19-year-old Maria wants nothing more than to carry on her father’s legacy as a master gilder. Instead, her father has sent her away from the only home she’s ever known to train as an apprentice to a renowned painter. Maria arranges to return to her family workshop and to a secret lover back home. But the encroaching Black Death—not to mention some conniving house servants—foil her plans.

In The Gondola Maker, the main character, Luca, is unmoored by a tragedy in his father’s boatyard, and eventually makes his way into the employ of a noted painter. In that painter’s boat slip lies an old, dilapidated gondola that Luca recognizes as a craft from his grandfather’s generation, made in his own family’s boatyard. He is compelled to bring the old boat back to life.

As I wrote The Gondola Maker, I began to wonder myself how that old boat got there, and why it was in such bad shape. The painter tells Luca a story about how the boat was wrecked by an evil boatman hired by his father, and how, after that terrible event, it had never been repaired.

The story of The Painter’s Apprentice began to formulate inside my head.

How did you research life in Renaissance Venice?

Most writers research a specific topic, then start writing a book about it. The research behind The Gondola Maker and The Painter’s Apprentice was a little different. Most of the research about gilding, painting, and gondola-making was already done in the service of my book, Made in Italy. But I soon learned many, many more details about Venetian life–bits about shoes, hair dye, colored pigments, parakeet sellers, costume renters, hat makers. It was easy to get sucked into the world of 16th-century Venice.


Research is one of my favorite things in the whole world! I have compiled a lot of my background research, images, videos, and other materials in a part of my web site that readers can access after they read one of the books.

Tell us about your writing process.

I sit down at my computer with a cup of tea at 5:00am, seven days a week. The first hour or two of the day is my most productive. Some days, with so many demands on my time, it’s all I get. A few years ago I started alternating with a treadmill desk set up across the room from a large Sony monitor. Walking, even if it’s at a very slow pace, helps keep my brain engaged. I typically have way too many documents open on my giant screen and I need frequent technical support!

For me, putting my first draft away for weeks or months is really critical. I turn my focus to another project for a while and just try to forget about the story. When I come back to my manuscript, so many things become clear that I could never have seen before. I know what I need to do next. I currently have four unfinished novels on my computer in first-draft form. At some point they will turn into books, but only after I’ve distanced myself from them for a while.

What advice do you have for writers wishing to become novelists?

I think it’s important to be very clear on what your goals are, whether you just want to hold a single copy of your book in your hand or shoot for a best-seller list. Only you know what you want out of the process. There are many definitions of success and paths to publication. Whatever your goals, writing a novel is a long game. Most people underestimate the time involved and the complexity of the task. I still do! I truly believe that this is the most exciting time in history to be an author. We have so many choices and unprecedented ways to communicate directly with our readers. That’s fantastic!

Laura Morelli
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About the Author

Laura Morelli holds a a Ph.D. in art history from Yale University. She has written for many national publications including USA Today and the New York Daily News, and has authored a column for National Geographic Traveler online called "The Genuine Article." She has taught at Trinity College in Rome and several universities in the U.S, and has spoken to public audiences across the U.S. and Europe. Find out more at Laura's website http://lauramorelli.com/ and find her on Facebook and Twitter @lauramorelliphd

6 November 2017

New Book Launch: ZENKA, by Alison Brodie


New on Amazon UK and Amazon US

Devious, ruthless, and loyal.

Zenka is a capricious Hungarian with a dark past.

When cranky London mob boss, Jack Murray, saves her life she vows to become his guardian angel – whether he likes it or not. Happily, she now has easy access to pistols, knives and shotguns.

Jack discovers he has a son, Nicholas, a male nurse with a heart of gold. Problem is, Nicholas is a wimp.

Zenka takes charges. Using her feminine wiles and gangland contacts, she will make Nicholas into the sort of son any self-respecting crime boss would be proud of. And she succeeds!

Nicholas transforms from pussycat to mad dog, falls in love with Zenka, and finds out where the bodies are buried – because he buries them. He’s learning fast that sometimes you have to kill, or be killed.

As his life becomes more terrifying, questions have to be asked:

How do you tell a mob boss you don’t want to be his son?

And is Zenka really who she says she is?

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About the Author

Alison Brodie is a Scot with French Huguenot ancestors on her mother's side. Alison has lived all over the world, including Kansas City, Athens and Basque country. Her first novel Face to Face was published by Hodder & Stoughton and became Good Housekeeping's Pick of the Paperbacks. Find out more at Alison's website and follow her on Facebook and Twitter @alisonbrodie2 


4 November 2017

​Think you know the Tudors? Black Tudors: The Untold Story, by Miranda Kaufmann


Available on Amazon UK and Amazon US

Until now, the story of the Africans who lived and died in sixteenth-century England has remained untold. Black Tudors  tells the stories of ten Africans. Miranda Kaufmann traces their tumultuous paths in the Tudor and Stuart eras, uncovering a rich array of detail about their daily lives and how they were treated. 

She reveals how John Blanke came to be the royal trumpeter to Henry VII and Henry VIII: the trouble Jacques Francis got himself into while working as a salvage diver on the wreck of the Mary Rose; what prompted Diego to sail the world with Drake, and she pieces together the stories of a porter, a prince, a sailor, a prostitute and a silk weaver. 

They came to England from Africa, from Europe and from the Spanish Caribbean. They came with privateers, pirates, merchants, aristocrats, even kings and queens, and were accepted into Tudor society. They were baptised, married and buried by the Church of England and paid wages like other Tudors. 

Their experience was extraordinary because, unlike the majority of Africans across the rest of the Atlantic world, in England they were free. They lived in a world where skin colour was less important than religion, class or talent: before the English became heavily involved in the slave trade, and before they founded their first surviving colony in the Americas. 

Their stories challenge the traditional narrative that racial slavery was inevitable and that it was imported to colonial Virginia from Tudor England. They force us to re-examine the 17th century to find out what had caused perceptions to change so radically. Black Tudors also provokes a reassessment of our national story and what it means to be British. They are just one piece in the diverse jigsaw of migrations that make up our island’s multicultural heritage. 

The knowledge that Africans lived free in one of the most formative periods of our national history can move us beyond the invidious legacies of the slavery and racism that blighted later periods in our history. Black Tudors  challenges the accepted narrative that racial slavery was all but inevitable and forces us to re-evaluate our shared history.
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About the Author

Dr. Miranda Kaufmann is a Senior Research Fellow at the Institute of Commonwealth Studies, part of the School of Advanced Study, University of London. She read History at Christ Church, Oxford, where she completed her doctoral thesis on 'Africans in Britain, 1500-1640' in 2011. As a freelance historian and journalist, she has worked for The Sunday Times, the BBC, the National Trust, English Heritage, the Oxford Companion series, Quercus publishing and the Rugby Football Foundation. She is a popular speaker at conferences, seminars and schools from Hull to Jamaica and has published articles in academic journals and elsewhere (including the Times Literary Supplement,  The TimesThe GuardianHistory TodayBBC History Magazine and Periscope Post). She enjoys engaging in debate at the intersection of past and present and has been interviewed by Sky News and the Observer.  Find out more at Miranda's website www.mirandakaufmann.com and find her on Twitter @MirandaKaufmann

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