5 June 2018

Special Guest Post: Writing for Bliss, by Diana Raab, PhD


Available on Amazon UK and Amazon US

Writing for Bliss is fundamentally about reflection, truth, and freedom. With techniques and prompts for both seasoned and novice writers, the book inspires readers to explore their creative natures through storytelling and poetry, examines how life-changing experiences can inspire writing, encourages self-examination and self-discovery through the written word, and illustrates how published authors have been transformed by writing. 

This book is a culmination of my life’s work—meant to inspire the burning writer who lives within. It’s suitable for both emerging and esteemed writers. Ever since my mother gave me my first journal when I was ten years old to help me cope with the loss of my grandmother, I’ve used writing as a form of healing, and have tried to inspire others to do the same.

In fact, writing for healing and transformation was the focus of my PhD research. What eventually led me to compile this book was that when I was teaching writing workshops, many participants inquired about a reference book to use after our time together. So, I’m excited to have written a book that will be available before, during, and after my workshops.

Writing through self-narration is a way to integrate trauma into the story of our lives. It’s also a way to come to terms with those traumas. One of the most amazing and magical aspects of writing for healing is that, once we make the decision to put pen to page, we have no idea what will emerge from the subconscious mind. The writing process can help dissipate overwhelming emotions connected to trauma by providing a safe container for them.

Writing can also serve as a bridge between the past and the present and lead to transformation. It can help reclaim an inner voice after it has been taken away, or been silenced by a difficult circumstance. Finding one’s voice as a way to effect healing can lead to huge leaps in transformation. Sometimes writing a dialogue between oneself and the person who might have caused us pain can bring forth essential information leading to acceptance and forgiveness.

I have endured many losses in my life, and since it has been said that survivors are very often seekers, my experiences compelled me to record my feelings and impressions. Also, the creative impulse is connected to a sense of longing. Some people reach out to religious or spiritual paths to help them understand their experiences.

For me, writing is my spiritual practice. It’s my “go to” place during both good and bad times. My journal is my friend and confidant, helping me release whatever is bottled up inside of me. It is liberating for me, because by releasing my secrets and sentiments, I become free and have more control over my life. Writing also helps me find out what I don’t know; and increases my awareness of myself, others, and the world at large.

In addition to being a container for one’s thoughts and a way to release tension, writing about feelings and experiences is an excellent way to find out what you don’t know. In my research of writers who have written memoirs, many confessed that they began writing their memoirs for one reason, and during the writing process realized they were writing for a completely different reason. For example, one author said he wrote wrote in order to figure out why his brother had committed suicide, but by the time he’d made it to the end of his book, he realized that writing about his brother was a way to keep him alive.

Stories help us understand and make sense of our lived experiences, the lessons we’ve learned, and our dreams for the future. The stories of difficult life situations or experiences are often complicated, but they are stories that must be told. In fact, there are few things more important than acknowledging and writing our own personal narratives as a way to examine our lives, in terms of what happened, what they were like, and where we are now. Studies have shown that this type of writing allows us to change our perspective, which in the end leads to more self-awareness through deeper insights and, thus, recovery.

While writing about painful subjects can be cathartic and is definitely healing, some people feel triggered by having to relive traumas of their past. This is perfectly normal, and seeing a therapist or hiring a writing coach can help. Exposing raw subjects is scary and can lead some people to have emotional breakdowns. Before he passed away, I was helping Thomas Steinbeck (the son of author John Steinbeck) write his memoir. He found that he had a tendency toward depression when he was writing about some difficult situations from his past. When this happened, I encouraged him to take a break from his writing. Sometimes the breaks would be one day; other times, weeks.

People often ask me why writing is healing and transformative and I say that it’s because it’s a way to nurture yourself. Free or automatic writing, in particular, which is writing without lifting your pen off the page, can be liberating and healing because you go wherever your mind takes you. Author Virginia Woolf called this “stream-of- consciousness writing,” and it simply involves going with the flow of your words.

One of the beautiful parts of this type of writing is that you sometimes don’t know what’s bottled up deep inside of you until you begin engaging in self-expression. For example, when journaling, you might begin by writing about your day at work, and then before you know it, you’re writing about the issues you had with your mother. Free-writing is also one way, in addition to dreams, to tap into your subconscious mind.

Transformation may be defined as a dramatic change in your physical and psychological well-being. The deeper you go into writing about a certain subject, the greater the chance for transformation. If you share your writing, others can be transformed by your words, especially if your story resonates with them or they’ve navigated similar journeys. Ultimately, healing, transformation, and empowerment are all parts of the same path—leading to self-awareness, self-discovery, growth and, eventually, bliss.

Diana Raab
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About the Author

Diana Raab, PhD, MFA, is an award-winner memoirist, poet, speaker, and workshop facilitator. She is the author of nine books. In her 40-year career, she’s been as an advocate of personal writing. Dr. Raab facilitates workshops in writing for transformation and empowerment, focusing on journaling, poetry, and memoir writing. She believes in the importance of writing to achieve wholeness and interconnectedness, which encourages the ability to unleash the true voice of your inner self. Diana also writes for Psychology Today, Elephant Journal, and Thrive Global. Find out more at dianaraab.com and follow Diana on Twitter @dianaraab

3 June 2018

The Amazing Story of Cardinal Thomas Wolsey’s Tomb


On November 29, 1530, Thomas Wolsey died, having been taken ill with colic after eating a supper of baked pears. (I think it was rather convenient, as he was on his way to be tried for treason, and was not expected to go quietly – could the pears have been poisoned?)

Sadly, Wolsey’s remains were lost, although it is believed that he is buried somewhere around Leicester Abbey. (In a car park?) The Abbey was destroyed during Henry VIII’s dissolution of the monasteries in 1538, and only the outline of some buildings remain.

Cardinal Wolsey was a wealthy man and had exciting plans for his funeral and entombment in a magnificent edifice of black and white marble and gilded bronze. He’d already had the black marble sarcophagus designed and made for him, with impressive angels on columns at each corner by the Florentine sculptor, Benedetto da Rovezzano. (One of Rovezzano’s commissions in 1508, was to finish Michelangelo’s bronze of David.)


Keen recycler Henry VIII decided the tomb would be perfect for himself (along with York Place, Hampton Court and Wolsey’s fortune) and commissioned Benedetto to do some remodelling to make it even grander.

As you probably know (having seen Princess Megan happily walking over Henry’s grave in St George’s Chapel recently) the work was never finished in his lifetime. All his three children Edward VI, Mary I and Elizabeth I, were of course too busy to finish it.

In 1565 Elizabeth showed her good intentions by having her father’s tomb moved from Westminster to St George’s Chapel Windsor Castle, but they stayed in storage for eighty-five years until the bronze sculptures were sold during the Civil War.

The Bishop of Ghent bought four candlesticks Rovezanno made for Henry VIII’s tomb, and the originals are at the Cathedral of St Bavo in Belgium. (Replicas are in St George’s Chapel, next to the high altar).

So, what became of the black marble sarcophagus?  When Lord Nelson died in the Battle of Trafalgar on October 21, 1805, his body was placed in a coffin made from the mast of a French ship.  King George III thought Wolsey’s tomb would be perfect for Nelson, so Horatio’s coffin was put inside and has been in the crypt of St Paul's Cathedral since the 9th of January 1806.


The story of the angels is even more bizarre, as they ended up on the gate piers of the 18th century Harrowden Hall (now Wellingborough Golf Club) from where they were stolen in 1988. They turned up for auction in 1994 and were bought by a Parisian art dealer.

Italian scholar Francesco Caglioti realised what they were and in 2015 the Victoria and Albert Museum launched an appeal and bought them for the nation. The National Heritage Memorial Fund and the Art Fund found £2.5m and the rest came from donations - and the sale of ‘Save The Wolsey Angels’ badges. I think Thomas Wolsey would have been pleased.

Tony Riches

(Images Wikimedia Commons)

2 June 2018

Book Launch Spotlight: The Captive Princess: Eleanor Fair Maid of Brittany, by J.P. Reedman


New on Amazon UK and Amazon US

Princess. Marriage Prize. Prisoner.

Eleanor of Brittany is sent to live in the household of her esteemed grandmother, Eleanor of Aquitaine, and brought up expecting to be the bride of a powerful prince. But when the marriage proposed for her as part of Richard Lionheart's ransom falls through and King Richard dies a few years later at Chalus, she is returned to her mother and her beloved younger brother Arthur in Brittany. 

John now sits on the throne of England, something Eleanor and Arthur both resent, for they are the children of his elder brother, Geoffrey, and many men say their claim to England supersedes John's . Arthur's desire for a crown leads the pair to ally with France and attack their aged grandmother in the castle of Mirabeau, a move that brings untold disaster to both.

Beautiful Eleanor, the Pearl of Brittany, is held captive in England from that day forth, through the reign of two kings-never tried, charged with no offence, her only crime her royal Plantagenet blood.

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About the Author

J. P. Reedman was born in Canada but has lived in the U.K. for nearly 25 years. Her Interests include folklore & anthropology, prehistoric archaeology (neolithic/bronze age Europe; ritual, burial & material culture), as well as The Wars of the Roses and other medieval eras. Find out more at her website http://stone-lord.blogspot.com/ and find her on Twitter @StoneLord1

1 June 2018

Book Launch Guest Post: The Greenest Branch: A Novel of Germany's First Female Physician (Hildegard of Bingen Book 1) by P.K. Adams


 Available on Amazon US  and Amazon UK 

The year is 1115, and Germany is torn apart by a conflict between the Emperor and the Pope over who should have the right to appoint bishops and control the empire’s vast estates. Young Hildegard is sent to the Abbey of St. Disibod in the Rhineland as her parents’ gift to the Church in accordance with a custom known as the tithe.  In the Greenest Branch, the medieval era comes vividly to life in all its romanticism and splendor, but the societal strictures that prevent women from being able to access education and live independent lives are also on display. 

As a child, I was fortunate to be able to visit medieval cathedrals. I still remember the sense of wonder, reverence, and peace I felt when I walked down their aisles, my footsteps echoing under the solemn gaze of marble statues enveloped in the colored lights streaming through the stained-glass windows.

Those churches, and the castles we often toured as well, were fascinating repositories of deeds and achievements of people long gone. But that history had been written by men – kings, bishops, knights, wealthy merchants, and those who designed and built such magnificent places. Whenever women were memorialized, they were either queens or princesses whose legacies, all those centuries later, were often reduced to the artistry of their tombs.

So when I discovered – in a music class at university- a famous medieval woman who was not a royal, I was captivated. How did Hildegard of Bingen manage to achieve such prominence without the prerequisites of high birth? As I began to read about her, my amazement only increased: not only had she been a notable composer, she was also an accomplished physician and a prolific writer on topics ranging from herbs and stones to theology and cosmology, all at a time when women were usually illiterate.

Then came a time when I finally gave myself permission to write – and I mean it literally. I wrote two notes to myself in November 2010. Those notes have been pinned to my corkboard for 7.5 years as I worked on The Greenest Branch. It is a story of an extraordinary woman’s life, as she rises from inauspicious beginnings to fulfill her life’s mission despite societal obstacles and personal challenges.

The Greenest Branch is set in a world that may at first seem distant from ours, but as I wrote it I became aware of some uncanny similarities. Hildegard’s talents and intellect often made her the smartest person in the room, but in order to be accepted by self-satisfied mediocrity she had to diminish herself and her accomplishments. As a woman, she also had to make choices her male peers did not have to face. Finally, despite her brilliance she would not have climbed such heights of influence had it not been for those who mentored her, opened doors for her, and defended her against detractors.

Most modern readers have experienced at least one of those difficulties at one point or another in their lives. The details of our daily lives may have changed beyond recognition in the last 900 years, but the underlying principles have stayed the same. This, to me, is alternately terrifying and exhilarating, for that continuity underscores our shared humanity, not just across space but time as well.

P.K. Adams
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About the Author


P.K. Adams is a Boston-based historical fiction author, whose debut novel The Greenest Branch is the first in a two-book series based on the life of Hildegard of Bingen, Germany’s first female physician. She has a bachelor’s degree from Columbia and a master’s degree in European Studies from Yale. When not reading or writing, she can be found hiking, doing yoga, and drinking tea (though usually not at the same time). Find out more at her website https://pkadams-author.com/ and follow her on Twitter @pk_adams

30 May 2018

Book review: How to Listen So People Will Talk, by Becky Harling


Available on Amazon UK and Amazon US

I'm not a great listener. There, I've said it, so if you are talking to me, you needn't be surprised if I'm already thinking of my reply (or if you are particularly unlucky, wondering what time high tide is, or where I've left my Kindle.)

That's why this little book is quite a find, as I realised I've made the first step towards becoming a better listener. Becky Harling says, 
My theory is that often we’re not aware of our own shortcomings and weaknesses. But our relationships are important to us. That’s why I want to dare you to ask honestly: “Do you think I listen well?”
So, what's the answer? Becky recommends a simple golden rule: When you’re listening to someone who is sharing a problem with you, or complaining about a situation they’re facing, listen to them in a way you would want them to listen to you.

It is harder than you might think to do this, but with practice, effective listening can open up a whole new world to you.

Tony Riches

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About the Author

Becky Harling from Colorado Springs is an inspirational author and speaker, and a certified coach. She says, 'I help those looking to move beyond their personal obstacles to live life intentionally with purpose and passion. I offer mastermind classes and seminars on leadership, communication and personal growth. In addition I offer personal coaching for those looking to grow emotionally, professionally or spiritually.' Find out more at Becky's website http://beckyharling.com/ and find her on Facebook and Twitter @BeckyHarling

27 May 2018

Book Review: Write With Fey: 10 Sparks to Guide You from Idea to Publication, by Chrys Fey


NEW on Amazon UK and Amazon US

This is the book I wish I'd had when I was starting out on my writing journey. I had all the usual issues of self doubt, excuses for not having time to write, and found it a steep learning curve. Write with Fey: 10 Sparks to Guide You from Idea to Publication distils a wealth of experience and useful advice, grouped into an easy to follow format of ten writing 'sparks'.

These range from 'Story Essentials' to the challenges of editing and marketing your published book. I particularly liked the section on developing your characters. (I know exactly what Chrys means about characters who seem to spring from nowhere, fully formed, and demand their place in your book.) There is even useful guidance on producing and marketing audiobook editions, which can open up your work to a whole new audience. 

An an experienced editor, Chrys offers plenty of advice from her 'pet peeves' to words to avoid.  Although written largely from a contemporary crime fiction perspective, I found plenty here which translates well into my genre of historical fiction. If you are new to writing or looking for a way to breathe new life into that draft novel, this is the book for you.

Tony Riches
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About the Author

Chrys Fey is the author of the Disaster Crimes series, a unique concept blending romance, crimes, and disasters. She’s partnered with the Insecure Writer’s Support Group and runs their Goodreads book club. She’s also an editor for Dancing Lemur Press. Fey lives in Florida and is always on the lookout for hurricanes. She has four cats and three nephews; both keep her entertained with their antics. Find out more at her website https://chrysfey.com/ and follow Chrys on Facebook and Twitter @ChrysFey

26 May 2018

Guest interview with Matt Stanley, author of A Collar for Cerberus


New on Amazon UK and Amazon US


A Collar for Cerberus is a story about time, life, pleasure and the decisions we make.


Today I'm pleased to talk to Matt Stanley about his new novel:

Tell us about A Collar for Cerberus

It’s the story of a young English graduate who travels to Greece in search of adventure and experience. He also hopes to meet his literary hero: Nobel-prize-winning author and veteran hell-raiser Irakles Bastounis. The two end up travelling around the country with the young man as chauffer and the older man his mentor in how to live life to the fullest. It’s a fraught and fractious relationship, but one that grows towards an unexpected twist. I guess you could also say it has elements of a travel book because the pair visit some of Greece’s most iconic sites and eat a lot of traditional Greek dishes.

Where did the idea come from?

I’d been reading travel journals from my twenties and I was struck by how differently I viewed life then: how idealistic and romantic I was, how open to experience and how much I enjoyed life. Somewhere in the following decades I’d lost that thirst. This book was an exploration of how we live, the decisions we make and what really matters to us. Where do we really find happiness?

Who do you see as your target reader?

It’s certainly important to identify your readership before you write – ideally a spectrum of potential readers. This is a book for young people with a thirst for travel experiences but also older people who once had such adventures and cherish the memories. It’s a book for writers – there’s a lot of discussion about what makes someone a writer (or not). Those with an interest in Greece will also love the book. I lived there for three years and I pass on my love of the country, its people, its history, its mythology and its food. It’s a great summer read, but also one whose twist invites you to read it again in a different light.

Do you have a writing routine?

Two hours a day or 1500-2000 words – whichever is faster. I tend to spend a long time mapping out the shape of the story with rough notes for each chapter, so I’m always working to a plan and I don’t get stuck. That’s the secret I’ve learned over the years. I don’t sit down to write unless I know what I’m going to write and where I’m taking the story. I typically write a novel in one draft. The read-through later is to fix errors.

How is it switching between genres?

I’ve previously written Victorian crime thrillers as James McCreet. Those books took a lot of research before and during the writing process. I was also writing in a quasi-antiquated style. Cerberus was carefully researched in terms of location detail, but much of it was drawn from experience. That made the book faster to write, but not necessarily easier. Whereas the detective books were purely story-driven, this one is more character-driven with attention on the thematic development. It was a book that taught me a lot about writing.

What advice do you have for new writers?

Having taught an MA in Creative Writing for a few years, I saw most students making the same mistake. You need to understand how a novel is structured: how storylines and characters are introduced, how narrative works, how character arcs work, how pace and suspense work. Too many people begin writing a novel as if they are going to read it. They expect it will simply flow automatically. What tends to happen without a knowledge of structure is that the resulting novel is shapeless or baggy or dissipated or lacking in consistency. 

Cerberus is your tenth novel. What have you learned?

I’ve trained myself to produce a larger daily word count with each novel. I started with 500 words a day and have grown to 2000. That’s largely a product of better planning and understanding structure. I’ve also learned to take more risks. Cerberus is a kind of novel I never thought I’d write: a novel about big questions concerning life and death, happiness and delusion. It was a challenge for me, but proved to myself that I could do it. I think each new book has to be a challenge. When people ask me what my best book is, the honest answer is always, “The next one.”

How did you find your publisher?

I did what everyone does and sent out samples with a cover letter and synopsis. It’s not necessarily easier just because I’ve been published before. Every book is judged on its own merit. Unusually, I’ve had four books published without ever having had an agent, and this time I was keen to secure one. Andrew Lownie was the first to get back to me with an interest in my novel and I’ve been very impressed so far with their belief in the book.

Do you have plans for your next book?

Actually, no. I made some notes on a possible sequel to Cerberus, but at the moment I’m taking a break from writing. My life has changed radically in the last year and I have decided to relax into the flow. At first I felt guilty that the next novel wasn’t in the works, but then I remembered that the fuel for Cerberus was a period of intense personal experience. I’m having such a period now. It’s all fuel.

Matt Stanley
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About the author

Matt Stanley is the author of three crime thrillers under the name James McCreet and a non-fiction guide for first-time novelists on how to plan and structure a novel. He works as a professional writer in various guises: as a corporate copywriter, as a journalist, as an editor and as a mentor through his site www.mccrit.com. His articles on craft can be found each month in Writing Magazine.

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