Mastodon The Writing Desk: 2026

13 November 2026

Blog Tour Spotlight: A King Under Siege (The Plantagenet Legacy, Book 1) by Mercedes Rochelle


Available from Amazon UK and Amazon US


Richard II found himself under siege not once, but twice in his minority. Crowned king at age ten, he was only fourteen when the Peasants' Revolt terrorized London. But he proved himself every bit the Plantagenet successor, facing Wat Tyler and the rebels when all seemed lost. 

Alas, his triumph was short-lived, and for the next ten years he struggled to assert himself against his uncles and increasingly hostile nobles. Just like in the days of his great-grandfather Edward II, vengeful magnates strove to separate him from his friends and advisors, and even threatened to depose him if he refused to do their bidding. 

The Lords Appellant, as they came to be known, purged the royal household with the help of the Merciless Parliament. They murdered his closest allies, leaving the King alone and defenseless. He would never forget his humiliation at the hands of his subjects. Richard's inability to protect his adherents would haunt him for the rest of his life, and he vowed that next time, retribution would be his.

# # #

About the Author


Mercedes Rochelle is an ardent lover of medieval history, and has channeled this interest into fiction writing. Her first four books cover eleventh-century Britain and events surrounding the Norman Conquest of England. The next series is called The Plantagenet Legacy about the struggles and abdication of Richard II, leading to the troubled reigns of the Lancastrian Kings. She also writes a blog: HistoricalBritainBlog.com to explore the history behind the story. Born in St. Louis, MO, she received by BA in Literature at the Univ. of Missouri St.Louis in 1979 then moved to New York in 1982 while in her mid-20s to “see the world”. The search hasn’t ended! Today she lives in Sergeantsville, NJ with her husband in a log home they had built themselves. Find out more from https://www.mercedesrochelle.com/ and find Mercedes on Facebook and Twitter @authorrochelle

12 November 2026

New Book Review: Salt's Wound (Trobairitz Sleuth Book 2) by Tracey Warr


Available from Amazon US and Amazon UK

All that glitters is not gold in this medieval tale of poison, diamonds, and salt, set in the Pyrenees mountains. A sharp-tongued female troubadour and an observant lady’s maid deal with murder, a revenant, a suspected fratricide, and some very bad weather. 

The second book in Tracey Warr's Trobairitz Sleuth series, Salt's Wound, is one of those novels that draws you into its world with a mystery, memorable characters and an atmospheric medieval setting.

I particularly liked the central character, Beatriz de Farrera. She is an unconventional heroine, whose intelligence and determination make her an excellent sleuth. Her friendship with Anna adds another appealing dimension, and the two women work together as events take a dangerous turn.

Tracey Warr knows her medieval world, and her descriptions of the Pyrenees bring the period vividly to life. I especially liked the way medieval beliefs and superstitions are woven into the mystery. The rumours of a revenant add an unsettling atmosphere, while the murder and suspected poisoning keep readers guessing.

What makes this book work well is the balance between historical detail and an entertaining mystery. The research is evident without overwhelming the storytelling, and there is plenty of intrigue. Highly recommended for anyone who enjoys medieval historical fiction with a mystery at its heart.

Tony Riches
# # #

About the Author

Tracey Warr was born in London, lived in southwest Wales and now lives in southern France. The castles and landscapes of Wales and France inspire her historical fiction. She is the author of seven historical novels set in medieval Europe and centred on strong female leads. She draws on old maps, chronicles, poems and objects to create fictional worlds for readers to step into. Her writing awards include an Author’s Foundation Award, a Literature Wales Writer’s Bursary, the Rome Film Festival Book Initiative and a Santander Research Award. Before becoming a full-time writer, she worked as a contemporary art curator and art history academic. Find out more at https://meandabooks.com and follow Tracey on Facebook and Instagram. You can sign up for the Just Meandering quarterly newsletter at https://justmeandering.substack.com/

9 November 2026

Book Launch Spotlight: Tudor People: Kings, Queens, Nobles, and Courtiers by Melita Thomas


Available from Amazon UK and Amazon US

An edited collection from 1000 Tudor People, focusing on the royal court and some of the most interesting or influential courtiers, this ambitious yet compact title brings the incredibly varied lives (and deaths!) of Tudor royals into one accessible volume. 


Illustrated throughout with historical portraits and a wealth of detail, including specially designed family trees to chart the links.

# # #

About the Author

Melita Thomas is the author of non-fiction works The King’s Pearl, and The House of Grey and co-author of the Tudor Times Books of Days series of gift books. She is a doctoral candidate at UCL, researching the social and political networks of Mary I and is the co-founder and chief contributor for Tudor Times, a repository of information about the Tudors and Stewarts 1485 – 16625. In her spare time, Melita enjoys long distance walking. You can find her on https://melitathomas.com/ and on Twitter @melitathomas92 and @thetudortimes and Bluesky @melitat.bsky.social

6 November 2026

Extract from a letter written by Queen Henrietta Maria to her son, the exiled Prince Charles (later King Charles II).


I discovered this long letter during my research, and thought this extract from the end offers a poignant impression of the widowed queen's mind and relationship with her son:

I have no other rainbow than that of remembering that I am your mother, and in your generous spirit it is well seen that you are the son of so great a father; and if God, who is above destiny, should please to replace you on his throne, which I cannot hope to see in my few remaining days, you will show yourself still more so. But meanwhile, what can your wretched mother advise you? The crowns of Scotland and Ireland are doubtless fitting steps to bring you to your entire kingdom of Great Britain, yet, nevertheless, I fear the infidelity of the Scots, who for the price of a few pieces of money, sold the life of the king, your incomparable father, to the Parliament. My afflicted heart knows that if you declare yourself Catholic, as you have so often promised me, they will not think your title good ; and if you do not do so, with what affection will Ireland follow you ? I will never believe that this promise will betray you, for he who fears God, cannot be faithless to his prince. Would it had pleased heaven that Henry VIII., your ancestor, had never apostatized from God ! then would the kingdom of England not now have committed, with so detestable infidelity, so execrable a parricide to the king!

Would that my father, the great Henry, could rise again, to read you a lecture on the manner in which you should govern these kingdoms ! recommend yourself, however, to the Most High, that He may direct your actions to the desirable end ; — as all the remaining hours of my few days will be for you, and to unite you with God, though I am so cast down and dispirited by grief, that I do not remember any more to say to you. Yet my real afflictions do not make me forget your brothers, and that unfortunate Elizabeth. Oh ! if before my death, I could see her out of the hands of the traitors, I could die content. To this at least, I will exhort you, to employ every force, to use every artifice, to withdraw so dear a part of my own heart, this innocent victim of their fury, your worthy sister, from London. Do it, I pray and conjure you, by the spirit of the king, my lord and your father.

Instead of the counsels which I could give you, and which you ask from me, you must receive all I have to give, which my secretary will deliver you in my name, with a most fervent embrace ; that is, almost all the jewels which I have left, reserving two only, one for Elizabeth, if I can give it to her, and the other for my own support, during my short residue of life ; whilst, having taken leave of the court, I retire with only two maids, my secretary, and confessor, to private life, to finish my days with the least possible disturbance, disentangled from the world ; and you may be even sure that my spirit, which hopes for eternal rest in imperturbable felicity, will ever pray for you and your happy success. I conclude by remaining.

Yours as ever. 


Special Guest Interview with Gerard Stahl, Author of Tides of Renderis: Forged Slumber


Available from Amazon UK and Amazon US

What if the person you were meant to love existed in a world y
ou were never supposed to find?

I'm plasrd to welcome author Gerard Stahl to The Writing Desk:

Tell us about your latest book.

At its core, Tides of Renderis: Forged Slumber is about five individuals who have created a family of their own. When I started developing this series, I wanted to create characters readers would genuinely want to spend time with. Characters you'd want to call on the phone, invite over for dinner, or have by your side when life gets a little crazy. I wanted them to feel like real people, even though the world I've thrown them into is anything but ordinary!

Set in the quaint coastal town of Cobalt Cove, Forged Slumber introduces readers to a group of friends whose lives become entangled in a supernatural mystery involving another realm, dark magic, and secrets that challenge everything they thought they knew. From the opening line, "I fell in love with someone I never met," to the mysterious words, "Someone forged his slumber," there are clues and twists waiting to be discovered.

There's also a love story at the heart of it all. I'm a sucker for a good slow-burn romance! Ultimately, I wanted readers to come for the mystery and magic but stay because they've fallen in love with the characters.

What is your preferred writing routine?

I'm a part-time writer, although sometimes I feel like I'm writing all day! I've been an English Language Arts teacher for more than 25 years, helping elementary school students develop a love of reading and writing.

My own creative writing usually happens at night, after I've finished my teaching responsibilities and settled in at home. I've never considered teaching a hindrance to being an author. Quite the opposite, actually! During the school day, I'm constantly surrounded by stories, creativity, and young imaginations. My students inspire me to think differently, and sometimes their enthusiasm for storytelling sparks ideas of my own.

Once that final school bell rings, it's my turn to put those creative muscles to work. I think teaching is the perfect companion career for an indie author. At least, it certainly has been for me!

What advice do you have for new writers?

I would tell aspiring authors that the key to good writing is getting there. Don't rush an ending just because you're excited to reach it. All the things that happen along the way are the heart of the story.

Those quieter conversations, unexpected friendships, difficult decisions, and little moments of growth are what make readers care about your characters. You can write the biggest, most spectacular ending imaginable, but if readers haven't connected with the people experiencing it, that ending won't have nearly the same impact.

Give your characters room to grow, make mistakes, and surprise you. When you finally reach that big ending, you want it to mean something.

What have you found to be the best way to raise awareness of your books?

I think the best way to answer that question is with one word: perseverance. The writing is the easy part. Finding your audience presents a challenge, but it isn't an impossible feat if you're willing to persevere.

I've always been a visual learner, so I take the time to create imagery and even videos that help convey what my stories are about. I share them across various social media platforms in the hope that they'll reach the right readers. I'm constantly experimenting with different ways to bring my stories to life beyond the pages of a book.

I also firmly believe in the power of word of mouth. Everyone knows somebody who knows somebody! I'm proud of my work, and I'm certainly not shy about talking about it. I think that enthusiasm is important, especially as an independent author. You have to believe in what you've created and be willing to keep putting it out into the world.

Tell us something unexpected you discovered during your research.

My answer might be a little unexpected, but I'd have to say love. We love our fellow human beings, places, experiences, and so many other things in life. What I didn't expect was to discover an entirely new level of love for my creative process once I hit that publish button and sent my book out into the world.

I loved my book from the very beginning. After all, I spent years creating its world and developing its characters. But what surprised me most was hearing why other people loved it, too. Sometimes readers connect with characters or moments in ways I hadn't even considered.

As a writer, you can spend so much time trapped inside your own head, building worlds and creating characters that feel incredibly real to you. There's something wonderful about finally opening that door, inviting other people inside, and hearing what they have to say. That has been one of the most unexpected and rewarding parts of this entire experience.

What was the hardest scene you remember writing?

What a challenging but welcome question! I don't want to give too much away, but there is a scene in my book that required me to place a character in two different realms at once.

This character possesses certain core qualities that remain consistent across both realms, but their behavior and personality are distinctly different in each one. They also have a task to carry out in both realms, and each task directly affects another character's life.

The challenge was balancing the positive and negative aspects of this character's personality while making sure everything remained consistent with the larger story. I had to consider how their actions in one realm would affect events in the other without disrupting the continuity of the narrative.

It was definitely one of the more challenging scenes I've written, but I think I accomplished what I set out to do. And I'll leave readers with one little hint: this character is both young and old across the two realms. Make of that what you will!

What are you planning to write next?

Book two of my Tides of Renderis trilogy, Forged Realities, is pretty much ready to go! Book three, Forged Sunder, is also completely written, although I recently decided to revisit its final story arc. I'm spending some time reworking a few elements because I want the conclusion of the trilogy to feel earned and give these characters the ending they deserve.

It's strange and exciting to be this far into a world that existed only in my imagination for so many years. Forged Slumber introduced readers to these characters and their world, but their story is far from over. There are still plenty of secrets to uncover, relationships to explore, and surprises waiting for readers.

And believe me, these characters still have quite a journey ahead of them!

Gerard Stahl

# # #
About the Author

Gerard Stahl is an independent author and elementary school English Language Arts educator from New Jersey with more than 25 years of teaching experience. His writing combines his love of supernatural fantasy, suspense, and character-driven storytelling. His debut dark fantasy trilogy, Tides of Renderis, begins with Forged Slumber, a story of friendship, romance, and supernatural mysteries spanning two realms. When he isn't teaching or writing, Gerard enjoys spending time with his family, exploring his love of pop culture, and finding inspiration in the world around him. Find out more at Gerard's Website: https://storiesbystahl.com  and find him on TikTok: @gerard.916 and Instagram @storiesbystahl

5 November 2026

Bess Raleigh and the Gunpowder Plot: A Family Affair


When we think of the Gunpowder Plot of 1605, the names that usually spring to mind are Guy Fawkes, Robert Catesby and Thomas Percy. Yet behind the conspirators was an extensive network of family relationships, and one woman found herself remarkably close to the centre of it all: Elizabeth, Lady Raleigh, better known as Bess Throckmorton, wife of Sir Walter Raleigh.

Bess was born into the influential Throckmorton family, one of England's most prominent Catholic dynasties. Although Bess herself was a Protestant, her extended family included numerous Catholics whose religious convictions had brought them into conflict with the Crown. These family connections extended into the households of the Gunpowder Plotters.

Robert Catesby

Catesby's mother was Anne Throckmorton, daughter of Sir Robert Throckmorton of Coughton Court. Through the Throckmortons, Bess was related to the wives of nearly all the principal conspirators. Among them were Martha Wright, whose husband Thomas Percy was involved in the plot and whose brothers John and Christopher Wright were also conspirators; Anne Tufton, wife of Francis Tresham; and women connected to the Wintour, Grant and other conspirator families.

These were not simply distant acquaintances. They belonged to an interconnected world of Catholic gentry families, where marriages strengthened relationships, secured property and maintained networks of influence. Family loyalties could survive differences in religious conviction, although the events of 1605 would put those loyalties under extraordinary pressure.

Bess occupied a particularly interesting position. Unlike many of her Catholic relatives, she remained a Protestant. This distinction mattered enormously when the authorities began investigating the conspiracy. Catholic households were searched, women were questioned, and several of the plotters' wives were arrested and brought to London for examination.

Bess had another, rather more immediate reason to be anxious.

Her husband, Sir Walter Raleigh, was already imprisoned in the Tower of London. Arrested in 1603 following the alleged Main Plot against James I, Raleigh had been convicted of treason and sentenced to death. His execution was postponed, however, and his sentence was eventually commuted to imprisonment for life.

The discovery of the Gunpowder Plot therefore brought an additional danger to a household already living under suspicion. Raleigh's reputation, his previous political difficulties and Bess's family connections made them particularly vulnerable to rumours that they might have known more about the conspiracy than they admitted.

Both Bess and Walter came under suspicion following the discovery of the plot. However, no evidence was found to establish their involvement, and the accusations were dropped.

For Bess, the consequences were nevertheless serious. She had two surviving sons to support, a husband whose freedom depended upon the King's mercy, and relatives whose names were now associated with one of the most notorious acts of treason in English history.

There is something particularly compelling about Bess's position. She was a Protestant woman surrounded by Catholic relatives, married to a man who had himself been condemned for treason, yet she managed to navigate the dangerous political and religious divisions of Jacobean England.

The Gunpowder Plot is usually remembered as a story of thirteen men and their terrible conspiracy. But for Bess Raleigh, it was also a family crisis. The explosion that never happened threatened to destroy lives and reputations far beyond the conspirators themselves.

Her story reminds us that behind the great political events of history were families, marriages and women who had to live with the consequences of decisions they had not made. 

Discover the world of Bess Raleighin the final book of my Elizabethan series: Bess - Tudor Gentlewonan

Tony Riches

4 November 2026

Book Launch Guest Post by Kari Lee Townsend, Author of The Shadow in the Mirror (A Harrow & Marrow Mystery Book 1)


Available for pre-order

A portrait artist whose brushstrokes reveal murder, a skeptical inspector who can't explain what she knows, and a killer using mirrors as instruments of death — a gothic paranormal mystery set in Victorian London's most shadowed corners, where the line between vision and madness is razor thin.

Mercury, Poison Powder, and a River Under London: What Surprised Me While Researching The Shadow in the Mirror

When I started The Shadow in the Mirror, the first book in my Harrow & Marrow Mysteries, I thought I knew what a Victorian gothic needed: fog, gaslight, a brooding inspector, and a mirror or two. I didn’t expect the research to take me through poison, plumbing, and the dangerous habits of fashionable ladies. Every one of those discoveries ended up in the plot.

The book is set in London in 1887. Inspector Lucien Harrow and portrait artist Seraphine Marrow, who has a gift she doesn’t yet understand, investigate a string of deaths among young women in the city’s most polished social circles. The deaths look unrelated, but they aren’t.
The mirror was a poisoned object

I wanted mirrors at the heart of the story, so I looked into how a Victorian mirror was actually made. For centuries, glass was silvered with a tin-and-mercury amalgam. The result was beautiful, but the workers who made them were slowly poisoned by mercury. Silver nitrate methods arrived in the nineteenth century and gradually changed the trade, so for a while both processes, and both kinds of danger, overlapped.
I had assumed the mirrors were the spooky part of my story. It turns out they were a toxic part of the trade too, an everyday object in every fashionable drawing room with a hidden dark side. 

Beauty was a dangerous business

The detail that stopped me cold was how far Victorian women went to look pale. A fashionable complexion was ghostly white, and the cosmetics of the day delivered it with ingredients that would horrify us now. Lead-based face powders were common, and arsenic was sold as a complexion aid, even in the form of “wafers” women ate to clear and whiten their skin. Some used belladonna to widen their eyes. Women were deliberately dosing themselves in pursuit of an ideal, and the damage built up quietly.

For a mystery writer, that’s irresistible. When young women in high society start falling ill and dying, how do you tell poison from fashion? A pale, wan, fragile look was the goal, so early warning signs could be mistaken for beauty. That gave my characters a built-in problem to solve.

A painter’s studio is basically a chemistry lab

Seraphine’s studio had to be accurate, and it was just as hazardous. Pigments came from lead, mercury, and arsenic compounds, so even the lovely whites and greens had a body count attached. This research shaped how she sees the world. A painter notices tiny shifts in color, skin tone, and reflection, which is exactly the attention a mystery needs. She can look at a pale complexion and wonder what put it there.

The river that London buried

My favorite discovery came from the ground itself. The Fleet was once a real river, and it still runs beneath London. Over the centuries it was covered over and absorbed into the city’s sewers, so it’s still down there, hidden under the streets.

For a mystery writer, a lost river is the perfect hiding place. It’s dark, fast-moving, and out of sight, with culverts, tunnels, and sluice gates that only a few people understand. If you needed to bury a body, or hide a ledger, a weapon, or any evidence that could ruin a family, you couldn’t ask for a better spot. The Fleet had long been a dumping ground, so no one would question what drifted through it. Getting the water logic right turned into a puzzle of its own, and I’m proud of how it plays out in the climax, though I promise no spoilers.

Every detective needs a few good sidekicks

Research gives a story its bones, but the ensemble gives it a heartbeat. I come from cozy mysteries, where the recurring cast is half the fun, so I wasn’t about to write a gothic without one.

Seraphine has Rook, the dog who appears on the cover. He’s loyal, observant, and has opinions about suspicious characters. Then there’s her housekeeper, Mrs. Clove, who keeps Seraphine’s household running and has no patience for nonsense, whether it comes from a ghost or a duke. Inspector Harrow has Constable Oakes, his steady right hand, who brings warmth and humor to the cases and balances his brooding boss. 

They are the heart of the series, and early readers have told me they feel like family. I think that’s the cozy writer in me. Even in the fog, I want my characters to have people who have their backs.
That may be the most surprising thing I learned. Research isn’t a chore you finish before the story starts. It keeps handing you plot, and the more oddly specific the fact, the better it works. Add a loyal dog and a couple of devoted friends, and you have a world worth coming back to.

Join the giveaway

If you’d like to step into 1887 London, I’m giving away 10 paperback copies of The Shadow in the Mirror on Goodreads, running from October 19 to November 15, 2026.


Thank you so much to Tony for having me on The Writing Desk!

Kari Lee Townsend

# # #


About the author

National Bestselling Author, Agatha, RT Reviewer's Choice and Golden Duck Award Nominee. Kari lives in Central New York with her husband & Samoyeds. She's a lover of wine & travel, obsessed with reality TV, and loves a good book with mystery, romance & humor. She writes paranormal and fantasy cozy mysteries, historical mysteries & upper middle grade as Kari Lee Townsend, as well as suspense, romance, romantic comedy & women's fiction as Kari Lee Harmon.
You can find her at www.karileetownsend.com and on Instagram, Twitter/X @karileetownsend and Bluesky @karileetownsend.bsky.social

Blog Tour Spotlight: Grace: Historical fiction about Grace Darling, the lighthouse keeper’s daughter, by Helen Steadman


Available from Amazon UK and Amazon US

A young woman answers a cry across the water and loses herself 
in the echo. Longstone Lighthouse, 1838.

Grace Darling wakens to the howl of wind screaming over stone and the sight of a ship smashed against the rocks. No stranger to the fury of the sea, she braves the raging waters, risking her life to save nine survivors.

Her valour captures the nation’s heart, and in the aftermath of her daring rescue, she is hailed as a heroine. Painted, praised and relentlessly pursued, Grace is swept out from the shadows of solitude and into the limelight. But fame brings its own tempest, and the lighthouse keeper’s daughter soon finds herself eclipsed by her own legend.

Grace is a haunting portrait of a modest young woman consumed by the voracious gaze of Victorian Britain.

# # #

About the Author

Helen Steadman mostly writes biographical historical fiction (think herbs, healing, witch trials, swords, shipwrecks and lighthouses) set in the north east of England.  Find out more at Helen's website: https://helensteadman.com/  and find her on Facebook:and  Twitter / X: @AuthorStea60177

3 November 2026

Historical Fiction Spotlight: The Colour of Malice: A Sebastian Foxley Medieval Murder Mystery, by Toni Mount


Available from Amazon UK and Amazon US


Winter, 1482. A strange new weapon has appeared on the frozen streets of medieval London. Few have seen its like before. Sadly, someone has already learned how deadly it can be, and artist, scribe and sometime sleuth Sebastian Foxley must investigate this new murder mystery.


Seb's search for answers takes him from London's humble fisherfolk to the court of Richard, Duke of Gloucester, where he has been commanded to paint a portrait of the Duchess, Anne Neville.


But perhaps the deaths are not the work of a stranger. An enemy from Seb's past has returned, bringing old malice and new danger to the city. With London gripped by bitter cold, Seb must discover who is behind the killings and what they really want before another victim pays the ultimate price.


Join Seb, his family and friends in The Colour of Malice, the fourteenth Sebastian Foxley Medieval Murder Mystery, as secrets are uncovered and murder comes again to the stinking streets of medieval London.


# # #


About the Author


Toni Mount earned her Master’s Degree as a mature student at the University of Kent by completing original research into a unique 15th-century medical manuscript. She is the author of several successful non-fiction books including the number one bestsellers, Everyday Life in Medieval London and How to Survive in Medieval England, which reflect her detailed knowledge of the lives of ordinary people in the Middle Ages. Toni’s enthusiastic understanding of the period allows her to create accurate, atmospheric settings and realistic characters for her Sebastian Foxley medieval murder mysteries. Find Toni on Facebook

30 October 2026

Charles II’s Secret Queen: Lucy Walter: An Infamous Mistress or Forsaken Queen? by Stephen M Carter


Available from Amazon UK 
and pre-order on Amazon US

Lucy Walter was no stranger to conflict after watching her parents fight like cats, only to become the target of her father’s fists. She fell in love as the bloody Civil War ripped England and her family apart. She was with her lover when he learnt of his father’s execution, only to read that the death warrant was signed by a relative. Then she had fight to save her children from being dragged away, and her family being destroyed.

Charles II's Secret Queen is the true story of court intrigues, scandal, and seduction. It is the tale of a woman’s fight for survival against the odds, and the thin line between loyalty and betrayal. Of a mother who had to choose between her king, her lover, and her children.

Charles II's Secret Queen is based on new research, lost manuscripts, and fresh insights. To some, Lucy Walter is Charles II's treacherous whore, she’s the villain without a voice, and even less virtue. After three centuries of bias, it's time to let Lucy be heard. It’s time to answer the question: Was Lucy an Infamous Mistress or Forsaken Queen? When you know the answer, your perspective will change forever. Reader beware, this book is treason

28 October 2026

Book Review: On Display: Henrietta Maria and the Materials of Magnificence at the Stuart Court (The Paul Mellon Centre for Studies in British Art) by Erin Griffey.


Available from Amazon UK and Amazon US

Queen Henrietta Maria is often remembered as the French Catholic queen whose religious beliefs and political influence made her unpopular with many of her English subjects. This book looks beyond the familiar accounts and explores the the objects, clothes and surroundings that shaped her life at court.

Erin Griffey's central argument is that magnificence was about much more than wealth or personal vanity. In the seventeenth century, clothing, jewellery, paintings, furnishings and architecture communicated status and authority. Henrietta Maria understood this instinctively. She brought the traditions and tastes of the French court to England and used her patronage to establish a distinctive identity within the Stuart monarchy.

I particularly like the way Erin Griffey looks beyond familiar portraits by Anthony van Dyck to explore the material world behind them. Household accounts and inventories reveal the richness of the queen's clothing and possessions, offering details paintings cant convey. It is a reminder that royal portraits were carefully constructed representations, not straightforward records of everyday appearance.

The chapters exploring Somerset House were especially interesting. The palace was more than a royal residence; it was a reflection of Henrietta Maria's taste, ambitions and determination to establish a court of her own. Erin Griffey shows how interiors, furnishings and the work of artists and craftsmen contributed to the presentation of royal authority. 

For me, one of the more poignant aspects of the book is the contrast between the magnificence of her early years in England and the hardships that followed the Civil Wars and Charles I's execution. Henrietta Maria lost the world she had helped create, yet her determination to preserve her dignity and influence endured through years of exile. Her later involvement with Somerset House after the Restoration adds a particularly interesting final chapter to that story.

This is an academic study, and the detailed examination of inventories and individual objects occasionally makes for demanding reading. However, the wealth of documentary evidence and the illustrations make this a valuable resource for anyone wanting to understand the queen more fully.

I recommend ^ to readers interested in Henrietta Maria, Charles I and the Stuart court. It offers a fresh perspective on a remarkable woman and has certainly deepened my appreciation of how she used art, architecture and material possessions to express her identity and maintain her position. For anyone writing about this period, there is much here to discover.

Tony Riches

# # #

About the Author

Professor Erin Griffey is an art historian and Head of Art History at the University of Auckland. Her work on Queen Henrietta Maria has been instrumental in shaping the field by contributing new knowledge of her strategic engagement with and patronage of visual and material culture for political, social, religious, and dynastic ends. Aspects of adornment – including dress, jewelry and cosmetics – have been central to this discussion. Follow Erin on Bluesky @eringriffey.bsky.social

23 October 2026

Special Guest Post by Elizabeth St.John, Author of The Queen's Tears: A Novel of Choices, Courage, and the Cost of Love


Available from Amazon UK and Amazon US

A stolen crown jewel and an enigmatic portrait force two women to confront the devastating choices they made for love—and summon the courage to live with the truth.

Launching The Queen’s Tears the old-fashioned way

Before anything else, I want to say thank you to book bloggers, because I don’t think people fully realise how important you are. You give up hours of your own time to read our books, which is no small thing when there are so many of them and so few hours to spend, and then you give up more of it to write about them and share them with readers who might never have found them otherwise. You do it for the love of reading, and a launch simply wouldn’t be the same without you, so thank you, from the bottom of my heart, for everything you do and for taking the time to look at this book.

I published my first book ten years ago, in a very different world. It’s really come home to me these last few months as I pulled out my “marketing stuff to do” spreadsheet and worked with my beta readers, cover designer, and editor to get The Queen’s Tears into shape. So far, all familiar territory, albeit still stressful. But then, approaching the marketing, and already realising that the 90% drop in sales I’d experienced in the past three years was never going to recover in an over-saturated marketplace, I decided that more conversations and less conversions would be the theme for this launch. Let’s get back to basics.

Don’t get me wrong. There’s nothing wrong with marketing, advertising, PR, blog tours, promotions, social media, book talks, book tours, book clubs, book…aaargh! But selectively, purposefully, with intent. Yes, I invested in a great cover designer - Dee Dee Book Covers - and my wonderful editor, Jenny Quinlan, is worth her weight in gold. The fabulous bibliophiles at Coffee Pot Book Club are helping spread the word when the book launches. And that’s before I get to the bloggers like you, who give a book like this its very first readers.

The rest is about conversations. A talk at the library surrounded by countless volumes begging to be read. A friend’s book club where we chat long into the evening about amplifying the voices of lost women. An afternoon tea at my local senior centre, where everyone has a story to tell. And connecting with readers and other authors over coffee and online, wherever there is a conversation to be had. Those are the times I’ve always enjoyed.

I can’t tell you how grateful I am to the local libraries, community centres, senior centres and book clubs that have opened their doors to me. They are happy to have me come along and talk about The Queen’s Tears, and just as happy, which matters even more to me, to let me meet their readers and writers and hear what they have to say in return. Those invitations mean far more than any sales dashboard, because they come from people who love stories and are willing to spend an afternoon with a real person talking about them.

My daughter got married a couple of weeks ago, and a beautiful thing about one of the happiest weeks of my life was the “no cell phone” rule on her wedding day. We had a wonderful photographer, Katie, who was everywhere at every moment with us. But everyone else, friends and family, were simply present, meeting for the first time, reminiscing about past get-togethers, talking, laughing, and bringing such a condensed joy to the day that it was palpable. There were no distractions, no posing, no uploading, no sharing, no forwarding nor posting nor AI improving. It was completely and utterly all about the reason we were together. Love.

It made me think about how bewildering the world has become, with a plethora of AI generated content and images filling every screen, and algorithms that have no idea who is writing the words or who is reading them. I find that rather sad, and I’m firmly resolved that this book will be different. I want The Queen’s Tears to be a living piece of art that connects a community, and not simply a product sold by Amazon.

So, for this book launch, you will see the odd social media post. I’ll share some excerpts here. I’ll announce the publication with a promotional flourish, and I’ll certainly share the highs and lows of tackling my first dual-timeline novel and fun research breakthroughs.

But as for the rest, let’s talk about the power of books to inspire, instil joy and take us to other worlds. Let’s make this a salon of people and voices, not an anonymous announcement of “buy my book”. Because honestly, it’s more fun writing and talking about books than being pinned to sales dashboards.

Amazon’s A+ content is a good way to promote the feel of the book. Public domain art always lends a great deal of atmosphere.

So, if you’ve read this far, The Queen’s Tears launched on October 15th. I really enjoyed writing it (except when I didn’t), and I hope that people enjoy reading it, because I would like to write another.

Elizabeth St.John

# # #


About the Author

Elizabeth St.John’s critically acclaimed historical fiction novels tell the stories of her ancestors: extraordinary women whose intriguing kinship with England's kings and queens brings an intimately unique perspective to Medieval, Tudor, and Stuart times. Inspired by family archives and residences from Lydiard Park to the Tower of London, Elizabeth spends much of her time exploring ancestral portraits, diaries, and lost gardens. And encountering the occasional ghost. But that’s another story. Living between California, England, and the past, Elizabeth is the International Ambassador for The Friends of Lydiard Park, an English charity dedicated to conserving and enhancing this beautiful centuries-old country house and park. As a curator for The Lydiard Archives, she is constantly looking for an undiscovered treasure to inspire her next novel. Find out more at Elizabeth's website http://www.elizabethjstjohn.com/ and follow her on Facebook, Twitter @ElizStJohn and Bluesky @elizabethstjohn.bsky.social‬
Post settings Labels Book Launch,Historical Fiction,Stuarts, No matching suggestions Published on 10/15/26 6:41 AM Links Location Options

22 October 2026

Historical Fiction Spotlight: A Knightly Betrayal: 2 (A Sheriff Simon de Hale Mystery) by Jill Bray


Available from Amazon UK and Amazon US

October 1224. Simon de Hale, Sheriff of Yorkshire, is travelling to his manor to celebrate the birth of his first grandchild. Awaiting his arrival is an unexpected guest, Lady Cecily Chalcombe, a beguiling acquaintance from his days at the royal court. Recently widowed in scandalous circumstances, Lady Cecily throws herself upon his mercy and seeks his protection from the people threatening her.

Guests arrive for a celebration feast, including Lady Cecily’s brother Nicholas and the distinguished Earl Warenne. But upon retiring, Simon finds Lady Cecily standing over the dead body of her maid, hands bloodied.

Simon cannot believe she has killed her maid, but if she hasn’t then who was it. Was the death meant as a warning to Lady Cecily?

With the help of his daughter Katherine, Simon starts to investigate the murder and uncovers a web of gambling, deceit and betrayal. But will he be able to find the killer before Lady Cecily becomes the next victim.

# # #

About the author

Jill Bray lives on the beautiful island of Guernsey, Channel Islands. Originally from West Yorkshire, she has had an interest in the medieval history of the county for over 40 years. ' A Brotherly Devotion' is her first novel. You can find Jill on Twitter/X at @JillBray67 and Bluesky @jillbray.bsky.social

21 October 2026

Book Review – When the Stones Held by David E. Owen


Available from Amazon UK and Amazon US

Born into poverty in the remote valleys of South Wales, William grows up in a world shaped by hard labour, dangerous rivers, and communities struggling to survive. Education is rare. Opportunity is rarer still. Yet from childhood, William becomes fascinated by stone, by balance, and by the dream of building something that will outlive him.

David E. Owen’s When the Stones Held is a thoughtful novel about endurance and the forces that connect people across time. The stones of the title become more than part of the setting. One of the novel’s most compelling ideas is the metaphor of building bridges. 

David Owen uses it to explore the possibility of connection where there has previously been distance or division. A bridge depends upon foundations, patience and careful construction. The image becomes a natural reflection of the characters’ attempts to understand one another and come to terms with the past.

What makes this effective is avoiding turning reconciliation into a sentimental process. The emotional foundations must to be laid first, and the consequences of earlier choices remain present. The novel recognises is often something painstakingly constructed rather than suddenly discovered.

David Owen’s writing is engaging when these themes emerge through the story, rather than being explained. There is a tangible sense of place, and the landscape becomes bound to memory and identity. The result is a novel that feels grounded while still reaching towards larger questions about loss, belonging and the possibility of renewal.

Tony Riches
# # #

About the Author


David E. Owen spent decades teaching around the world—from the UK to the Caribbean, Africa, and the Middle East.  Now retired, he divides his time between writing, photography, and keeping fit. Find out more at David's website: https://davideowen.uk/ and find him on Instagram, Facebook, Twitter/X and Bluesky: @dai-owen.bsky.social


20 October 2026

Secret Numbers and Royal Betrayal: Queen Henrietta Maria’s Coded Letters to King Charles I in 1642

How a queen’s secret correspondence helped sustain the Royalist cause as England descended into civil war.

One of the challenges in writing about the English Civil War is the number of ‘rabbit holes’ to distract me. One example is exploring the wealth of secret correspondence between the king and queen. 

In the summer of 1642, England faced catastrophe. King Charles I and Parliament reached an impasse, armies gathered, and Queen Henrietta Maria was in The Hague, working to raise money and secure the weapons her husband desperately needed. The problem was a letter could be intercepted, its contents exposed, and the information used against the Crown.

Henrietta Maria and Charles relied on secret codes or ‘ciphers’. Their letters were more than messages between husband and wife. They were full of information about money, military supplies, diplomatic negotiations and people whose loyalties might determine the outcome of the coming war.

As part of my research into this I bought a copy of the original letters from Queen Henrietta Maria to Charles I, including correspondence written in ciphers. These letters provide a fascinating glimpse into a secret world, hidden behind an apparently meaningless string of numbers.

A secret language of numbers

One historical account describes the introduction of a new cipher in a letter written shortly before King Charles I raised his royal standard at Nottingham on 22 August 1642. The explanation is remarkably precise:

It consists of figures only. The system was more sophisticated than a simple substitution cipher, in which each letter is replaced by a number. According to the description, numbers up to 77 represented the letters of the alphabet, while higher numbers, extending to 379, stood for the names of people and a selection of frequently used words.

These included terms such as money, peace, treaty and rebels. This was a practical solution to a serious problem. A letter discussing a loan, a proposed treaty or a named political ally could be dangerous even if its individual sentences appeared harmless. 


Queen Henrietta Maria's cipher example 

By assigning frequently used names and politically sensitive words their own numerical codes, the correspondents could make their messages harder to interpret. The cipher also contained a secondary system in which a letter combined with a number represented short, common words such as will, be, of and from. Such devices reduced the need to spell out every word individually and made the code more efficient to use.

To an enemy who intercepted the letter without the key, the page looked like little a jumble of figures. To its intended recipient, it could convey a message about the survival of the monarchy.

Why Henrietta Maria needed secrecy

Henrietta Maria was not a queen who could safely leave political affairs to her husband. In 1642, she was in the Dutch Republic, ostensibly to hand over her ten-year-old daughter Mary to her new ‘husband’, William of Orange. 

Her real plan was buy arms and ammunition for the Royalist cause, using - by trying to sell and obtain loans against several of the Crown jewels, as well as the best of her own jewels, smuggled out of England.

She needed to keep Charles informed of her progress, while receiving news from England and coordinating decisions with him. A letter had to travel through several hands before reaching its destination. Couriers could be questioned, ships delayed or searched, and correspondence seized by political opponents.

The secret cipher offered protection, although no system was entirely secure. The more important the information, the greater the incentive for an adversary to break the code.

Cracking the royal cipher

The remarkable feature of the numerical system is that the key used to decipher the queen's letters helped unlock passages in Charles I's correspondence. The historical account explains that some of the king's letters, previously printed in contemporary pamphlets without their coded passages being understood, could be deciphered using the queen's key.

This is an important clue to how the system worked. The two correspondents needed compatible methods of encoding and decoding their messages. Once a complete key had been recovered, it could reveal more than one letter and sometimes more than one correspondent's contribution to the exchange.

A cipher key was a valuable political document, and King Charles carried his with him in his pocket. In the wrong hands, it could expose the meaning of letters that had been considered secure. 

On 22 August 1642, Charles raised his royal standard at Nottingham, formally committing himself to military resistance against Parliament. The king's decision followed months of escalating confrontation. 


King Charles I Raising His Standard at Nottingham Castle, 1642
(Wikimedia Commons)

The raising of the standard was a public declaration of royal authority. Henrietta Maria's coded letters belonged to the secret struggle behind it: the effort to obtain the money, arms and foreign support needed to sustain the king's cause.

The contrast is striking. While Charles made his intentions visible before the people gathered at Nottingham, his queen was engaged in a clandestine campaign of negotiation and procurement, communicating through letters whose most important passages were hidden in numbers.

The human cost behind the numbers

There is something poignant about a letter reduced to figures. Behind every encoded name or reference to money lay a human relationship and a political calculation. A trusted messenger had to carry the paper. Someone had to copy the numbers accurately. The recipient needed the right key, and both correspondents had to hope that no one else had acquired it.


Henrietta Maria's numerical cipher shows a queen working actively to defend her husband's cause, and a royal couple attempting to maintain their partnership when ordinary communication had become perilous. The figures on the page may look cold and impersonal. Their purpose was anything but. They carried the hopes of a monarchy under siege, at the moment when England's political crisis was becoming a civil war.

Tony Riches


Further reading

The British Library, Egerton MS 2619: original letters from Queen Henrietta Maria to Charles I, 1642–1645, including correspondence partly written in cipher.

Mary Anne Everett Green (ed.), Letters of Queen Henrietta Maria, including her Private Correspondence with Charles the First (1857).

The Folger Shakespeare Library catalogue, The Queens Majesties Message and Letter from the Hague in Holland, a contemporary pamphlet published in October 1642.

My new book, Queen Henriette, the second in my Stuart Queens trilogy, wiill be released in spring next year, subject to not falling down more 'rabbit holes' In the meantime I'm please to see the first book, Queen Anna, about Anna of Denmark, doing well, see: https://mybook.to/QueenAnna