Mastodon The Writing Desk

11 May 2026

Special Guest Post by Louise Morrish, Author of The Library of War and Peace


Available from Amazon UK and Amazon US 

1915: As the war rages on outside, it is the battle within that must be won, through the quiet strength of words. Josie Everley works on board the ill-fated RMS Lusitania, as a library stewardess. When tragedy strikes, Josie washes up in London, finding work as a library assistant at a military hospital in Endell Street. Here, Dr Lucinda Garland and her all-female team of medics provide pioneering treatment for wounded soldiers. The hospital is home to a visionary library, run by a trailblazing librarian – Miss Godson. The library is a sanctuary for soldiers haunted by the horrors of war, where literature is prescribed as medicine, helping to cure the men’s anguish.

The Library of War and Peace is my love letter to libraries. I worked as a librarian for nearly three decades, and during those years I’ve experienced all sorts of libraries – public libraries, private collections, primary and secondary school libraries, and once an eighteenth-century haunted library. (I only lasted a year there!)

Books are in my blood, ink runs in my veins, and when I discovered the true story of the Endell Street Military Hospital library, I knew I had to write this novel. Endell Street Hospital was groundbreaking in so many ways. It was set up in 1915 by Dr Louisa Garrett Anderson and Dr Flora Murray, two pioneering doctors who defied an initially sceptical War Office to establish their own Women’s Hospital Corps.

Having created an all-female-run military hospital in France (which was the inspiration behind my previous novel ‘Women of War’), the doctors and their team saved thousands of soldiers’ lives, and the War Office then asked them to replicate their successful model back in Britain. This Dr Garrett Anderson and Dr Murray duly did, renovating and equipping a disused workhouse in Endell Street.
From the start, their new military hospital had its own library, which was run by two prominent members of the Women Writers’ Suffrage League. The WWSL had been founded in 1908 by Cicely Hamilton and Bessie Hatton, the aim to obtain the franchise on the same terms as men, and its members sought to do this through writing.

Elizabeth Robins, an American actress and writer, was one of the first members of the WWSL, and its first president. The British novelist Beatrice Harraden was another of the organisation’s members and she served as librarian at Endell Street from 1915 until the hospital closed, joined by Elizabeth Robins for the first year or so.

The philosophy of Endell Street library was a reader-led one. The librarians catered for the patients’ requests when it came to their reading matter, rather than to impose their idea of what might be termed ‘improving’ books upon them. 

Many men feared having their lack of education or illiteracy exposed, so the librarians would take the time to sit at their bedsides, talking to the wounded soldiers to find out more about their interests and background. In this way, the librarians could make informed recommendations, as well as meet specific requests, and this became a unique opportunity to experience care based on books and reading.

The library was a huge success, and in many ways broke the ground for our modern bibliotherapy today. The art of healing through reading books continues to be a powerful form of therapy, and libraries play a fundamental role in this. What more fitting way to honour libraries than in a book?

The Library of War and Peace is a story of two strong, determined, courageous characters, both of whom are inspired by real women. The first, Edie Lawrence, is a young apprentice journalist and suffragette. Her character is based on the real Dorothy Lawrence, whose incredible exploits during World War One inspired me to write Women of War. The second character, Josie Everley, is drawn largely from my imagination, but also inspired by all the library stewardesses who worked ocean liners like RMS Lusitania.

Miss Gordon the chief librarian in my novel is very loosely based on Beatrice Harraden, who managed the Endell Street Library from 1915 until the end of the War. Dr Lucinda Garland and Dr Flora Murray are inspired by real doctors – Louisa Garrett Anderson and Flora Murray – whose brave achievements spurred me to write ‘Women of War’.

Harry Levinson is wholly from my imagination, although there were freelance war correspondents like him struggling to report the truth from the battlefields, their words censored.


Dorothy Larwrence

Endell Street Military Hospital in London is no more, replaced by flats and shops. But if you keep your eyes peeled, there are clues to its existence still around. As a librarian myself, I absolutely loved the research involved with this novel. 

Discovering how the librarians at Endell Street sourced and supplied literature to the patients, and how they applied pioneering bibliotherapy to help heal the soldiers’ mental trauma, was fascinating to me. I use elements of bibliotherapy in my own work, and countless times I’ve experienced firsthand how the right book placed in the right hands at the right time can change someone’s life.

I devoured all the books I could find on the subject of the hospital, the library, and bibliotherapy. Particularly helpful was Wendy Moore’s No Man’s Land – The Trailblazing Women Who Ran Britain’s Most Extraordinary Military Hospital During World War One.

Also useful: Dorothy Lawrence’s memoir: Sapper Dorothy: the only British Woman Soldier in the Royal Engineers 51st Division 79th Tunnelling Co. during the First World War
And Flora Murray’s memoir – Women as Army Surgeons

Louise Morrish

# # #

About the Author

Louise Morrish is an author, bookseller, and creative writing tutor from Hampshire. She writes stories inspired by the lives of women in the past, who achieved extraordinary things, but whom history has forgotten. Her debut novel Operation Moonlight was published by Penguin in 2022. Her next novels, Women of War and The Library of War and Peace, are available now. Join Louise’s monthly newsletter on www.louisemorrish.com for free book giveaways, publishing news and writing advice. You can also find her on Facebook, Twitter @LouiseMorrish1 and Instagram @LouiseMorrish_Books.

10 May 2026

Historical Fiction Spotlight: In Darkness Born: Book One of The Breaking Wheel, The Story of Katherine Parr, by G. Lawrence


Available from Amazon UK and Amazon US


The world would make her a survivor... Destiny would make her a Queen.

England, 1525: Born into a time of religious upheaval and political turmoil, Katherine Parr grows up in a loving family. Sheltered yet never kept ignorant of the dangers which surround her, Katherine secretly dreams of a life at court and a love such as the King possesses for the magnetic Anne Boleyn.

Sent north to become a bride at the age of sixteen, Katherine enters a household alien to the one she grew up in, where the overbearing personality of her new father-in-law holds sway, terrifying others into submission. 

Yet Katherine refuses to be intimidated and a curious friendship is born, exposing Katherine to new thought on religion which is entering England... new thought which could place her in grave danger.

Through trials of marriage, faith and death, Katherine Parr will journey, seeking to understand her heart and her soul as about her the world is transformed as the King breaks from Rome to take Anne Boleyn as his wife, dividing England and its people, opening the way for bloodshed and betrayal.

# # #

About the Author

Gemma Lawrence is an independently published author living in Cornwall in the UK. She studied literature at university says, 'I write mainly Historical Fiction, with an emphasis on the Tudor and Medieval periods and have a particular passion for women of history who inspire me'. Her first book in the Elizabeth of England Chronicles series is The Bastard Princess (The Elizabeth of England Chronicles Book 1).Gemma can be found on Twitter @TudorTweep and Bluesky @glawrence.bsky.social‬

9 May 2026

Book Launch Spotlight: The Fourth Queen: A story of courage, betrayal, and hidden histories at the heart of the Tudor court by Nicola Cornick


Available from Amazon UK and Amazon US

1539: King Henry VIII is intent on destroying the Catholic church, and with the dissolution of the monasteries, beautiful young prioress Marris is about to lose everything. She knows she has to do whatever it takes to keep her sisters safe, even agreeing to marry the wealthy man who has been gifted the priory land.

But when she marries him, she also finds herself catapulted into the court of the king. And her mastery of the German language makes her an ideal companion for his new queen, Anna of Cleves. It’s destined to be a short marriage… But after the divorce, when Anna finds herself in trouble, it will be Marris she turns to.

Will Marris risk her life to help the fourth queen? Because defying the king is the highest treason, and keeping this secret will put everything Marris has fought to keep safe in the gravest danger…

At the heart of the Tudor court, love and loyalty are the most dangerous weapons of all.

'An engaging, beautifully-crafted romance' Alison Weir

'Wow! I have no other word for this story which has totally blown me away – it is a masterclass in timeslip writing and I loved it!' Christina Courtenay

# # #

About the Author

About the Author

Nicola Cornick grew up in Yorkshire and studied History at the University of London and at Ruskin College Oxford where she was awarded a Distinction for her Masters dissertation on heroes and hero myths. She worked in academia for a number of years before becoming a full-time writer. She is the author of acclaimed dual-time mysteries as well as of award-winning historical romance. When she isn’t writing, Nicola volunteers as a guide and researcher for the National Trust at the 17th century hunting lodge Ashdown House. She has given talks and chaired panels for a number of festivals and conferences including the London Book Fair, the Historical Novel Society and the Sharjah Festival of Literature.  Nicola also gives talks on history topics to WIs, history societies and other interested groups. In her spare time she is a bookseller at Wantage Bookshop and a puppy walker for the Guide Dogs charity. Find out more at Nicola's website www.nicolacornick.co.uk and follow her on TwitterX @NicolaCornick

8 May 2026

Special Guest Post by Sharon Bennett Connolly, Author of Princesses of the Early Middle Ages: Royal Daughters of the Conquest


Available from Amazon UK
and pre-order from Amazon US

Daughters of kings were often used to seal treaty alliances and forge peace with England’s enemies. Princesses of the Early Middle Ages: Royal Daughters from the Conquest explores the lives of these young women, how they followed the stereotype, and how they sometimes managed to escape it. 

The Role of a Princess

Princesses of the Early Middle Ages: Royal Daughters of the Conquest is the first part of the book that was designed to be The Medieval Princess – except it turned out to be a much bigger project than I ever anticipated and was far too long for one book. So, out of one project, The Medieval Princess: Royal Daughters from the Conquest to the Wars of the Roses, 

I have two books. Princesses of the Early Middle Ages: Royal Daughters of the Conquest is the first instalment, looking at the daughters of Harold II, William the Conqueror and England’s kings from 1066 to the end of the reign of King John. I should have known, of course, that I could not fit all these amazing women into one volume, after all, my inspiration for the books was Mary Anne Everett Green’s comprehensive, six volume series The Lives of the Princesses of England from the Norman Conquest. 

I owe a huge debt of gratitude to Mary Anne for the work she did in bringing these women into the light.
The inspiration for this book, and its sister, is rather odd. It comes from a meme that appears on social media every once in a while, which is something along the lines of ‘My daughter wanted me to treat her more like a princess. So, I married her to a stranger to strengthen the alliance with Poland!’ This is, essentially, the vision we have of a medieval princess. She is a pawn, nothing more than a bargaining tool in the world of international politics as far as her parents were concerned. These royal women appear to have had two options: to marry a foreign prince or to become a nun. But was that really the case?

The two daughters of King Harold II, who was killed at the Battle of Hastings in October 1066, did not have the guidance of their father when their fates were decided, but they were influenced by the time in which they lived. Growing to adulthood in the aftermath of the Norman Conquest one of the sisters, Gytha, left England with her paternal grandmother and was eventually married to Vladimir II Monomakh of Kyivan Rus, a union most likely arranged by her Danish cousin, King Swein Estrithson. Gytha’s sister, Gunhild, remained in England in the convent at Wilton, which was patronised by her aunt Edith of Wessex, Edward the Confessor’s queen. 

There is some doubt whether Gunhild was ever intended for convent life. Wilton was an abbey renowned for the education of young noblewomen who did not necessarily go on to take their vows. And Gunhild certainly did not. She appears to have led a rather unconventional life as the mistress of, first, Alan the Red and then his brother, Alan the Black. Whether she ever married either brother is still disputed.

Harold’s daughters may not have had the guidance of their father, but his shadow, as the defeated and dead king of England, must have been long. It would certainly have affected their marriage prospects. Marriage with Gunhild or Gytha did not bring an accompanying alliance with England. And Gytha’s status as a member of the Danish extended royal family was only significant enough to bring her a marriage with the son of a younger son of a dynasty at the far reaches of Europe, notwithstanding that circumstance and family deaths made Vladimir II Monomakh far more influential than could have been foreseen at the time of the wedding.

Of William the Conqueror’s four known, undisputed daughters, two married French lords – the counts of Blois and Brittany – one was dedicated to the Church as a child and the fourth joined a convent after several failed marriage proposals. A possible fifth daughter may have been named Matilda or Agatha and may have been betrothed to a Spanish prince – or not; which just about sums up the problems faced when writing about women who lived 950 years ago. The information is sketchy, to put it mildly.

King Stephen also dedicated his youngest daughter to the Church, sending her to a convent when she was just 6 or 7 years old. Although she took to convent life, Marie was violently dragged from it when she became the last surviving child of King Stephen and therefore Countess of Boulogne in her own right. As Stephen’s heir, she was rich and valuable, and way too dangerous to be allowed to remain unmarried, even if she was a nun. She had a claim to England’s throne and that claim needed to be controlled and contained. Interestingly, after she had provided her husband with two daughters to continue the family line, Marie was finally able to obtain a divorce and return to the cloisters, leaving her husband, Matthew of Alsace, to raise the children.

As the only legitimate daughter of Henry I, Stephen’s predecessor, Empress Matilda was never destined for a convent. Indeed, she achieved the heights few princesses would ever reach, as Holy Roman Empress. And she so nearly became England’s first crowned queen regnant. But despite being proclaimed Lady of the English in 1141, 


 Empress Matilda

Matilda was never able to consolidate her position as England’s ruler. And, although she did not have a daughter of her own, the empress’s three granddaughters, the daughters of Henry II and Eleanor of Aquitaine, fulfilled what has come to be seen as the traditional role of a princess, marrying into foreign lands to forge alliances that are strengthened by that familial bond. 

King John’s daughters, in turn, were destined for the same roles, marrying into Germany, Wales and Scotland. All except the youngest. Eleanor, who was no more than a babe in arms when her father died. She was married at the age of 8 to William Marshal II, to bring that powerful magnate into the royal family. And her second husband, Simon de Montfort? Well, that was a love match which would causes its own problems, when family disharmony and political upheaval would result in the Second Barons’ War.

All those mentioned so far are the legitimate children of the kings of England, but the illegitimate daughters were no less significant. Although not, technically, princesses, they were the daughters of kings and had the added advantage, as far as their father was concerned, of creating a familial link with the royal family without passing on a claim to the throne.


Joan, Lady of Wales

Young women such as Sybilla of Normandy, daughter of Henry I, and Joan, Lady of Wales, daughter of King John, still played significant diplomatic roles,
bringing England’s neighbours – and frequent enemies – Scotland and Wales, into the fold. Of course, sometimes plans went awry. Henry I’s daughter, Juliane, went rogue, firing a crossbow bolt at her father in a failed attempt to kill him, after her husband rebelled.

In all these stories, there is little evidence the girls themselves were consulted about their futures. Marriage planes were made, then broken, then made again, throughout their childhoods, as alliances were made and broken. But they were so much more than pampered princesses. They were raised for a duty of service to the crown, and to their families. These girls can be seen as the original Diplomatic Corps. 

They were raised to be ambassadors, to be the living link between their husbands and fathers, between their homeland and the lands they ruled as consorts. Their marriages were the demonstrable intent that both sides desired that an alliance or a peace treaty would be permanent. These girls were not sent off to foreign lands, never to be thought of or seen again; their whole purpose was to maintain that link with their father and their homeland, to be the diplomatic channel that brought peace or prevented war. 
On the whole, they were rather successful at it.

Sharon Bennett Connolly

# # #

About the Author

Sharon Bennett Connolly is a Fellow of the Royal Historical Society and best-selling author of 8 historical non-fiction books. As well as writing the popular history blog, www.historytheinterestingbits.com, Sharon co-hosts the podcast A Slice of Medieval, alongside historical novelist Derek Birks. Sharon regularly gives talks on women's history for historical groups, festivals and in schools; her book Silk and the Sword: The Women of the Norman Conquest is a recommended text for teaching the Norman Conquest in the National Curriculum. Sharon is a feature writer for All About History, Tudor Places and Living Medieval magazines and her radio and TV work includes the BBC and Australian Television's Who Do You Think You Are?  Find out more at Sharon's Blog: https://historytheinterestingbits.com/ and find her on Facebook, Twitter: @Thehistorybits and BlueSky: @thehistorybits.bsky.social

7 May 2026

Blog Tour Interview with Alison Huntingford, Author of Beyond the Dark Oceans


Available from Amazon UK and Amazon US

A family united, a family divided… In 1906, the Huntingford family leaves England behind, crossing dark oceans in search of hope and opportunity in a new land. Canada promises a fresh start but for the eldest son, Georgy, it also brings hardship, responsibility, and a future shaped by forces far beyond his control.

I'm pleased to welcome author Alison Huntingford to The Writing Desk:

Tell us about your latest book.

My latest book is called Beyond the Dark Oceans and is based on a true tale from my own family history. In 1906, the Huntingford family leaves England for a hopeful new life in Canada, but for eldest son Georgy, the promise of opportunity quickly becomes a test of endurance, responsibility, and fate. As he comes of age amid the hardships of immigrant life, the outbreak of the First World War pulls him back across the ocean and into a world forever changed by loss and sacrifice.

When Georgy’s brother disappears in the chaos of war, grief and uncertainty fracture the family he is fighting to hold together. Reunited with his cousin Nellie, Georgy finds solace in a love as powerful as it is forbidden—one that offers hope in the darkest of times while threatening to tear his family apart.

What is your preferred writing routine?

I am terrible! I don’t have a strict routine but have to wait until I am inspired. Sometimes I may go for weeks without writing a thing, and then write frantically every day at any time, even in the middle of the night. (I have learnt to write in the dark, though it is often hard to decipher it the next morning!) Sometimes I am inspired whilst I am driving and I have to pull over and scribble it down before I forget it.  I always write the first draft by hand with pen and paper, then type it up and amend/edit it as I go.

What advice do you have for new writers?

My advice for new writers is to just try it and see what happens! A book I found very useful and inspiring whilst I was starting out was Steven King’s book ‘On Writing – A Memoir of the Craft’ where he says there is no right or wrong. Use everything at your disposal and experiment. Be bold, be brave and believe in yourself! I would say the same, just go for it. Why not start with a short story? If you have a supportive local writers’ group then this helps. I run the South Hams Authors Network where we come together to share ideas and opportunities to promote and publish our work. This has helped inspire many local writers to continue, even though it is not a creative writing group.

What have you found to be the best way to raise awareness of your books?

I find I raise most awareness by going out and doing talks at local venues, such as libraries, bookshops, WIs and literary festivals. I love talking to people about my work and find my enthusiasm raises awareness better than anything. I passionately believe in my stories because they are based on real people and real events, and I think this is something readers can relate to. The person-to-person approach is very important.

Tell us something unexpected you discovered during your research.

The most unexpected thing I discovered whilst doing my research was the fact that when people emigrated they were often sent to quarantine facilities when they arrived in Canada. I was quite shocked by the harshness of the conditions that immigrants were placed in, the genders being separated, the disinfectant procedures and the frequent medical examinations, with very little privacy.

What was the hardest scene you remember writing?

The hardest scene in this novel to write was the one where Georgy tells his love Nellie, that she must forget about him, as he is going overseas to war and may not return. He is thinking of her happiness and wants her to be free to love again, even though he loves her. Both characters are crying as this happens and so was I as I wrote it! I wanted to make it delicate and sympathetic without being melo-dramatic, and it is hard to get the touch just right, but I feel pleased with this scene. I think I managed to do what I intended.

What are you planning to write next? 

I’m not sure, but I am researching another area of my family history and will see if it throws up any interesting stories. I also write occasional short stories on an eco-fantasy theme! I only write when I am inspired by a story, never for purely commercial reasons.

Alison Huntingford

# # #

About the Author

Alison Huntingford is a writer with a deep passion for family history and storytelling. With a background rooted in the rich traditions of the Huntingford family, Alison seeks to honour the stories passed down through generations. She is the author of a successful series of works that explore historical and personal narratives. She is an only child of two only children and so has always felt a distinct lack of family. This has inspired her work. After an upheaval in her personal life, Alison achieved a degree in humanities with literature through the Open University which helped to give her a new start. A teaching career followed which then led naturally to writing. She is now retired from full-time work, but busier than ever. In her spare time, she enjoys spending time with her husband and their pets, listening to music, going to the cinema, and gardening on her allotment. She also runs the South Hams Authors Network, a local writers collective based in South Devon. Find out more at https://alisonhuntingford.com  anf find Alison on  Twitter / X Facebook and Bluesky @alisonhuntingford.bsky.social

6 May 2026

Special Guest Post by Philippa Lacey, Founder and Managing Director, British History Tours and Events


It was 20th May 2018 and I was sat in Covent Garden, at a table set out on the cobbles, a glass of champagne, the first I had ever bought for myself, on the table in front of me. I couldn’t remember the last time that I had felt this proud of something I had achieved! Just one hour earlier I had dropped my first ever tour guests back into London and we’d said our final, or so I thought, (more on that later) goodbyes. The Anne Boleyn Tour had been 2 years in the planning but had started as an idea 6 years before that, and now I had done it! 

My vision had always been very clear; historical tours based on a person or period in history, the story told in the places it unfolded. There’s something about combining history and travel that heightens both interests, a reason to visit somewhere and a greater appreciation of each destination. I had been “travelling history” for over 15 years when I began British History Tours and knew how fun, but incredibly tiring, it could be. So, I decided luxury hotels and gorgeous food also had to be part of the package, with all the arrangements taken care of so that guests could simply absorb the places and the history without any other concerns.

There were 2 particular things that would prove true over the coming years, things I could not have imagined as I sat there in Covent Garden that day. The first was that I would be welcoming people back onto what I had billed as “once-in-a-lifetime” experiences, for a 2nd, 3rd, even 7th and 8th time! Those ‘final’ goodbyes turned out not to be so, with almost all of the guests on that first tour returning within the following 4 years - it would have been sooner but Covid prevented us touring in 2020 and 2021. The second is how many close friendships are formed, with many people who had travelled alone returning on future tours with a friend they had made on a previous one.

As I write this, 8 years later, I am about to embark on our 16th tour, and 8th ‘The Anne Boleyn Tour,’ and I can proudly report a rebooking rate of 70%, a 5* guest rating record and 2 industry awards! The Anne Boleyn Tour has grown and developed over the years but the fundamentals which make it our flagship tour, and has people returning to repeat it, are still in place. As the childhood home of Anne Boleyn, Hever Castle provides the perfect backdrop for a tour focussed on understanding Anne. Where better to reside as we explore her life and downfall? 


Hever Castle Gatehouse

We hire the entire Astor Wing of Hever Castle (the guest wing built by the Astor’s to entertain guests including the future Queen, Elizabeth Bowes-Lyon) for our private use, and even banquet in the Great Hall of the castle during our stay. We are joined for the entire tour by our historian-in-residence, Gareth Russell who works exclusively with us, as well as other top historians such as Dr Tracy Borman OBE, Dr Elizabeth Norton, and Prof James Clark. 


Dining in the Great Hall at Hever Castle

Fully escorted tours offer so much relaxation - our guests don’t have to think about timings, admissions, how to get anywhere, whether there’s going to be anywhere to grab food or go to the toilet! Some even come on my tours not reading the itinerary and leaving it as a surprise - “We trust you Philippa!” is what they say, how wonderful is that?! 

Each year we embark on new tours, exploring different topics and places, and covering various parts of the UK. This October we are in Edinburgh for ‘The Royal Scotland Tour’ where we are exploring 14 historical locations linked with Royal history in Scotland. Next year we have another brand-new tour ‘The Wars of the Roses Tour,’ and an extended version of ‘The Rise of the Tudors Tour,’ which we first ran in 2023. Incredibly beautiful and evocative places with rich histories fill the British Isles and I am often spoilt for choice as to which to include. I never underestimate how valuable it is to our guests to see somewhere on the itinerary that was on their bucket list but they thought they’d never get to visit. 

Many destinations are not easy to access, especially for the overseas traveller or anyone relying on public transport, and I have this in mind when I design every itinerary - where can I take guests to, that they wouldn’t easily access otherwise? Take remote places like Pembroke Castle (The Rise of the Tudors Tour, 2024 and 2027) for example, a 2-hour drive west of Cardiff, or the Elizabethan gem, Harvington Hall, in Worcestershire (The Elizabeth I Tour, 2022 and The Elizabeth I and Mary Queen of Scots Tour, 2023) which isn’t far from the nearest large town of Kidderminster but still requires a car to reach and a confidence to drive down a single-track country lane.

In a world increasingly dominated by AI, real-life experiences; putting your feet on the ground, touching the walls, and meeting other people with the same interests, are so important, and ultimately more enjoyable! That’s certainly how I feel, and I am here for everyone who wants to know the joys of following in the footsteps of history.

If I may get serious for a little while, with something as fun as history travel it can be easy to forget that this is a travel product which should only be organised by professional companies. I implore guests to implement due diligence when choosing a tour company. Despite there being a lot of regulation around the UK travel industry it is largely self enrolled, there is no overriding body ensuring that a tour firm is following any of the regulations. All tour operators operating in the UK should provide financial failure protection, among other things, so, if the one you are looking at doesn’t mention how they provide this then it is highly likely that they are not complying with any of the regulations and if anything goes wrong, you will have no one to complain to and may lose your money.

My company, British History Tours is the trading name of History Holidays Ltd which is a member of the Travel Trade Association, part of The Travel Network Group which provides full financial failure protection to my customers. 
 
Back to the fun stuff! This year I am working on some new ideas to expand what we offer, not just in terms of topics, eras and locations but how our guests can explore history, and with more options to suit more budgets. The ideas are currently in development but I hope to share more soon. 

You can find details of all our tours at www.britishhistorytours.com, follow me on Instagram (@british_history_tours), Facebook (@BritishHistoryTours) and of course Substack (@BritishHistory). I’d love to share more history with you!

Philippa Lacey

# # #

About the Author

Philippa Lacey is the founder and Managing Director of British History Tours, an award-winning tour company creating luxury history experiences. She is an engaging history communicator with over 130k followers over the British History platforms and podcast. She lives in Worcestershire with her family. 


Everyday Life in History: Practical Living History: Philippa talks with Ruth Goodman at Harvington Hall:

5 May 2026

Book Review: The Queen's Painter, by Wendy Holden


Available for pre-order 

When the brilliant young Holbein arrives at the Tudor court, Anne Boleyn is among his first patrons. As she rises to the top, Hans rises with her. Courtiers clamour for his portraits of life-like accuracy; pictures which tell the truth about their subjects.

Readers could be forgiven for thinking there is nothing much left to write about the sad end of Anne Boleyn – then along comes a fresh perspective to make them think again.  Wendy Holden’s new novel, The Queen’s Painter, tells her story through the perceptive eyes of an unexpectedly relatable Hans Holbein the Younger.

Ann Boleyn’s presence haunts the narrative, whispering in Holbein’s ear and recurring flashbacks. 
I particularly liked the way the truth about the mysterious woman Jennet is revealed – a masterclass in holding back character details while offering subtle clues for best effect. 

Wendy Holden surprises the reader by having her characters use occasional modern language. This helps bring the key players to life, such as her version of a devious Thomas Cromwell, a worldly-wise Thomas Wyatt, and a king who reminds Hans Holbein of ‘a decaying whale, huge, stinking and stranded, looking at Hans with nasty little blue eyes.’  

I also enjoyed the well-researched details of Holbein’s paintings and techniques. I doubt I will ever look at one in quite the same way again.

2026 marks the 500th anniversary of Holbein's arrival in England, so this is the perfect time to become better acquainted with the artist. Highly recommended.

Tony Riches

# # #

About the Author

Wendy Holden's books have sold over 3m copies in 14 languages worldwide. Born in Yorkshire, Wendy read English Literature at Girton College, Cambridge and spent fourteen years as a journalist on the Sunday Times, Mail on Sunday, Harpers & Queen and Tatler before becoming a novelist.  Her experience on glossy magazines was the inspiration for her debut, the smash-hit comedy Simply Divine. Wendy then pivoted to historical fiction with the bestselling Windsor Trilogy. The Governess was about Marion ‘Crawfie’ Crawford, the young Scottish teacher who brought fun and normality to the childhood of Elizabeth II. The Duchess explored the incredible rise of Wallis Simpson whilst The Princess traced the young Diana Spencer’s extraordinary path to the altar.  Find out more at Wendy's website