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12 November 2025

Eleanor: A 200-Mile Walk in Search of England's Lost Queen, by Alice Loxton


Available from Amazon UK 
and pre-order from Amazon US

In 1290, England mourned the death of a queen, Eleanor of Castile, beloved wife of King Edward I. Her body was carried on a 200-mile journey from Lincoln to London, a solemn procession that would become immortalized in stone. To mark the places where her cortege rested, a heartbroken Edward commissioned twelve magnificent Eleanor Crosses.

More than seven centuries later, bestselling historian Alice Loxton set herself an epic challenge: following in history’s footsteps by walking the entire 200-mile funeral route on the corresponding dates.

As Alice journeys in search of England’s forgotten Queen, over ancient paths and modern motorways, history comes alive in surprising ways. Lively and entertaining, Eleanor uncovers the extraordinary life and formidable character of this lesser-known royal, revealing her inspiring legacy and the hidden history of Britain.

‘Captivating . . . Eleanor is a reminder of the beauty and intrigue all around us on this storied island’ – Luke Sherlock, bestselling author of Forgotten Churches

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About the author

Alice Loxton is a history presenter and author with over three million followers on social media (@history_alice), where she educates on British history, heritage and art. Her latest book, “Eighteen: A History of Britain in 18 Young Lives”, was a Sunday Times bestseller and Blackwell’s Book of the Year 2024. She has worked with many organisations to bring history to new audiences, including 10 Downing Street, The National Trust, The Royal Academy, English Heritage, The National Gallery, Tate, The King’s Foundation, BBC, ITV, and Microsoft. She writes about history for publications such as The Times, Telegraph and Spectator. Alice is an ambassador for the National Trust, a mentor for The King’s Foundation 35 Under 35 Network, and a patron of The British Pilgrimage Trust.  Follow Alice on Twitter @history_alice and Bluesky @historyalice.bsky.social

11 November 2025

Book Launch: Holbein: Renaissance Master, by Elizabeth Goldring


Available from Amazon UK 
and pre-order from Amazon US

A definitive biography of the artist who, more than any other, has shaped our image of the Tudor court.

This landmark scholarly biography of Hans Holbein the Younger (c.1497-1543), court painter to Henry VIII, is the first in more than a century. 

From his early days in Augsburg and Basel to his lasting impact on British art and culture, this definitive account breathes new life into Holbein's story, shedding light on the artist whose paintings would shape perceptions of the Tudor court for five hundred years.

Written in accessible, engaging prose, the book explores Holbein's famous portraits of Tudor figures - Henry VIII, his queens, would-be wives, and leading courtiers such as Thomas More and Thomas Cromwell - and examines iconic works including The Ambassadors. 

Beyond biography, it situates Holbein's art within the broader context of Tudor Britain, tracing the birth of collecting, connoisseurship and art history itself.

Beautifully illustrated, and including rarely seen paintings from private collections, this volume weaves the latest research - including new archival discoveries and scientific analysis - into a fresh examination of Holbein's life and work.


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About tthe Author

Dr Elizabeth Goldring is an honorary reader at the University of Warwick and a Fellow of the Society of Antiquaries and the Royal Historical Society. She is the author of Nicholas Hilliard: Life of an Artist (2019) and Robert Dudley, Earl of Leicester, and the World of Elizabethan Art (2014). Elizabeth is on Instagram

10 November 2025

The Forgotten Tudor Women: Jane Boleyn & Susanna Horenbout, by Sylvia Barbara Soberton


Available for pre-order from 

Hans Holbein’s sketch identified as “Lady Parker” is among the most enigmatic portraits in the Royal Collection.

For years, historians have believed that “The Lady Parker” depicted Jane Boleyn, Lady Rochford—but, like much about Jane’s life, this identification remains controversial. 

Another possibility is that the sitter was one of Jane’s sisters-in-law, Grace or Elizabeth Parker. Most intriguing of all is the theory that Holbein’s “Lady Parker” portrays Susanna Horenbout, the gifted painter and miniaturist who worked at the Tudor court.

This volume—the fourth in the acclaimed Forgotten Tudor Women series—traces the intertwined lives of these remarkable women. Was Jane Boleyn truly the “wicked wife” who betrayed her husband, George Boleyn, and his sister, Queen Anne? 

What role did she play in the downfall of Henry VIII’s fifth queen, Katherine Howard? Was she evil or just misunderstood?

Susanna Horenbout, daughter and sister of royal painters, was a talented artist in her own right, yet her work has long been misattributed or overlooked. For the first time, this book brings her story—and the mystery of Holbein’s “Lady Parker”—to light for a wider audience.

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About the Author

Sylvia Barbara Soberton is a writer and researcher specialising in the history of the Tudors. She is best known for The Forgotten Tudor Women book series, which concentrates on shifting the perspective from famous figures like Henry VIII’s six wives to the lesser-known, but no less influential, women of the Tudor court. Sylvia has written ten books to date, and her newest titles include The Forgotten Years of Anne Boleyn: The Habsburg & Valois Courts, Ladies-in-Waiting: Women Who Served Anne Boleyn and Medical Downfall of the Tudors: Sex, Reproduction & Succession. Her ground-breaking paper on Anne Boleyn and the accusation of witchcraft was published in the Royal Studies Journal in 2023.  You can find Sylvia on Facebook,  Goodreads, Twitter @SylviaBSo and Bluesky @sylviabso.bsky.social

8 November 2025

Special Guest Interview with Gemma Lawrence, Author of The Narrowness of Death, book four of the Story of Eleanor of Aquitaine (part of The Heirs of Anarchy Series)


Available from Amazon UK and Amazon US

1189, England: Imprisoned for many years by her husband Henry II, Eleanor of Aquitaine has been freed by her son, King Richard I. Diminished not at all by her years as a captive, Eleanor must take on new roles for her son as he leaves his empire behind and 
embarks upon crusade. 

I'm pleased to welcome author Gemma Lawrence to The Writing Desk:

Tell us about your latest book

I’m going to tell you about the latest two, if that’s ok!  My latest two books are The Narrowness of Death, book four of the Story of Eleanor of Aquitaine (part of The Heirs of Anarchy Series) and All the King’s Bastards, book one of the A Succession of Chaos series. 

The Narrowness of Death is the final book in my series on Eleanor of Aquitaine, dealing with the end of her life. It was such a compelling book to write because Eleanor led a fascinating, extraordinary life.

Even if we forget she was twice a Queen, a Duchess in her own right, that she was the mother of the famous Richard the Lionheart and Bad King John, this still was a woman who went on crusade, who survived imprisonment by not one, but two, husbands, who crossed the Alps when she was around twenty-five on crusade, then again in her seventies, then also crossed the Pyrenees twice when she was in her seventies. 

She rose with her sons in rebellion against her husband and rode out to defend her homeland from invasion when she was around eighty years old. Quite remarkable, by any standards. She started out life being generally disregarded, and certainly slandered, and ended her life as a respected woman men of power turned to for advice, and a woman who dared to write letters of fire and brimstone to the Pope, demanding that he aid her son when Richard was taken prisoner by his enemies. 

Many people have never heard of her or know her only as a femme fatale of the medieval world, but this was a woman with a powerful mind who led rebellions and her country, who marched out into conflicts for her husbands and her sons, who became a politician, a leader and a woman of great wisdom. I think Eleanor deserves to be remembered for her own life and deeds, not just added as a sidenote within the lives of her husbands and sons. I hope, in my series of books, I have done her some justice in this regard. 

All the King’s Bastards was a bit of a different project for me. It is speculative fiction, a “what if” of history, if you will. It deals with the idea of what would have happened if Henry VIII had died in the jousting accident of January 1536. 

The book was actually rather taxing to write, since I’m accustomed to relying on a map, as it were, of historical events and this was a departure from that, but although there were some exhausting mental gymnastics involved, I adored writing this book! The idea came about when I was having an email conversation with a reader of my books, and we were discussing our favourite “what-ifs” of history. When I said this was one of mine, since it was such a pivotal time in the Tudor age, the reader told me I should write about it. Initially I said no, I wasn’t a writer of speculative fiction, but the idea just would not go away. I started making notes, then writing, and the book was born. I’m working on book two at the moment.

What is your preferred writing routine?

In general, I’m a 9-5 writer. I try to have some downtime in the evenings (reading time, really!)  because my brain is often a bit fried if I’ve been wandering about in Tudor times, the middle ages, or researching all day. Sometimes I’ll end up working into the evening, though, if I’m racing a deadline! 

I usually get up at 6am and do social media marketing, emails, and anything else that will be distracting if I’m trying to write (I hate having tasks hanging over my head). Despite the fact I wake up early, I’m not a morning person. I need peace and quiet to work through everything in the morning. Sometimes I’ll listen to an audiobook as I work, and sometimes the only noise is my elderly cat, snoring away! 

Once the morning work is all done, I head to the writing chair for the day, but I try to get out for a run or a sea swim (very chilly this time of year in Wales!) most days, otherwise the body starts to seize up from sitting in a chair all day. I’m a keen, if slow, runner and I also do archery and kung-fu. 

What advice do you have for new writers?

Read. Read, read, read. Read books you know you’re going to like and ones you think you might hate. Read all genres, read non-fiction, re-read, listen to audiobooks. 

The more you read, the more you will find the words flow when you come to write. 

What was the hardest scene you remember writing?

The hardest scene I ever had to write was at the end of Judge the Best, which was my last book on Anne Boleyn. It wasn’t her death scene which was the hardest to write, but rather her thoughts before she walked out to the scaffold. I was in tears and honestly considered altering the book so she could get away, but this series was historical fiction, not speculative, and so I knew I couldn’t change it. 

I was quite concerned about making this section of the book both dignified and entirely human, wanted to try to capture what Anne’s thoughts might have been and what her mental state was like. It was the chapter I went over more than any other, I think, because I didn’t want to let the book, or my character, down by having that part sound corny or foolish.

That last book actually took a bit of a toll on me. Anne was in my dreams and my thoughts all the time. She’s always fascinated me and the five-book series, told in first person, was such a personal journey through her life. I hope I did her justice, but yes, that last scene of her coming to terms with her own death, it was hard. It felt like losing a friend, and perhaps worse, as if I was the person sending her to her death, because I was the one writing it. 

What are you planning to write next?

I’ve always got a new book on the go. I find not writing a vastly uncomfortable experience, in all honesty. If not writing I feel low, depressed and at a loose end, so I write all the time (hence the extensive catalogue!).

I have a book, an imagining of the early life of Cleopatra, with my proofreader. This novel is called The Last Queen, and I’m hoping to have that out in perhaps a month or so, and I’m writing the second book in the A Succession of Chaos series, A Son of England, so I’m having another round of mental gymnastics of trying to work out what’s about to unfold for Anne Boleyn, Mary Tudor, Magpye Grey and others! 

Thank you! 

Gemma Lawrence

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About the Author

Gemma Lawrence is an independently published author living in Wales in the UK. She studied literature at university says, 'I write mainly Historical Fiction, with an emphasis on the Tudor and Medieval periods and have a particular passion for women of history who inspire me'. Her first book in the Elizabeth of England Chronicles series is The Bastard Princess (The Elizabeth of England Chronicles Book 1).Gemma can be found on Twitter @TudorTweep and Bluesky @glawrence.bsky.social‬

6 November 2025

Book Launch Spotlight:Margaret Beaufort: Survivor, Rebel, Kingmaker, by Lauren Johnson


Available from Amazon UK and Amazon US

Survivor. Rebel. Conspirator. Mother and grandmother of kings. Margaret Beaufort was one of the most remarkable and influential women of the Middle Ages.

Born the daughter of the Duke of Somerset into a century of conflict, and a descendant of Edward III, she was married at twelve; a mother, orphan and widow at thirteen; and rode the vicissitudes of the Wars of the Roses, and two further marriages, to see her only son Henry ascend the throne of England as the first monarch of the Tudor dynasty. She helped to bring about the marriage of Henry VII to Elizabeth of York, a union that helped heal the wounds of a bitterly divided nation.

During Henry's reign, she exerted considerable influence at court, and played a part in the upbringing of her grandson, the future Henry VIII.She was a lifelong artistic patron and supporter of academia. In old age she founded a professorship of divinity and two colleges at Cambridge University. By the time of her death in June 1509, she had outlived by two months the son whose birth fifty-two years previously had so nearly killed her.

Lauren Johnson's life of Margaret Beaufort brings its subject vividly and memorably to life. She delineates the decades of political upheaval that were the backdrop to her long and resilient career, and highlights the shrewdness that kept her afloat amid the churning waters of a brutal civil war, but she also tells Margaret's story with a profound and touching humanity. 

This was a woman whose body had to endure the trauma of childbirth when she was little more than a child; who saw her baby boy on only a handful of occasions before he reached manhood; who braved decades of danger and uncertainty, but succeeded in guiding her son – through courage, political astuteness and sheer persistence – to the greatest prize of all: the crown of England.

Praise for Lauren Johnson

"Lauren Johnson is a terrific guide to a country on the brink of profound and permanent change, connecting everyday life with the thrust of great political events. This is a gripping and important work from a talented new writer." ― Dan Jones

"An excellent, immersive description of 1509, the first year of Henry VIII’s kingship. A treat for anyone interested in Tudor daily life. Those wishing for more detail on the court of Henry VIII could read this work alongside the titles of Alison Weir to great advantage." ― Library Journal

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About the Author

Lauren Johnson is a public historian and author of works including the critically acclaimed Shadow King: The Life and Death of Henry VI. Lauren graduated with a first-class degree in history and an MSt in medieval historical research from Wadham College, Oxford University. Her thesis explored the impact of the Wars of the Roses on women. She is currently studying for an AHRC-funded collaborative doctorate with Manchester Metropolitan University and the National Archives investigating 'Refugees, Religion and Diplomacy in Early Modern Europe'. With a passion for restoring marginalised narratives to our history, she has worked in heritage since 2008 and acted as historical consultant for creative and heritage producers including Historic Royal Palaces, Wellcome Library, Sky History, Dante or Die and the Royal Shakespeare Company. --This text refers to the hardcover edition.  Find out more at Lauren's website http://www.lauren-johnson.com/ and find her on Twitter and Bluesky @historylauren.bsky.social

Special Guest Post by Emma Darwin, Author of The Bruegel Boy


Available from Amazon UK 

In the summer of 1566 an inferno of political rebellion and image-smashing, the Beeldenstorm, swept across Flanders and Holland; young Gillis Vervloet, model and muse to artist Pieter Bruegel, 
almost didn’t survive.

I'm pleased to welcome author Emma Darwin to The Writing Desk:

Tell us about your latest book

The Bruegel Boy is set in the early 1560s, when Antwerp was one of the largest, richest and most exciting centres for art, printing and learning in Renaissance Europe. Young Gillis Vervloet is thrown out of his family for a crime he didn’t commit, but finds a home as model and muse to artist Pieter Bruegel. 

Gil longs above all to become a priest, but this is a world in which politics, art and religion have become explosively combined – and then he falls in love. Framing this story is the other end of Gil’s life, in the German lands. He longs to end his days in peace in a monastery, but first he must first find their statue of St Michael, which vanished during the storm of Reformation image-smashing. And before the Inquisition arrives, he must prove that he is not a heretic. 

What is your preferred writing routine? 

In a perfect world, I’d write from nine till one every weekday morning, spend the post-lunch patch out in the daylight running errands, and then pick off the admin in the late afternoon. The weekends would be for research and reading. 

But it isn’t a perfect world, so the writing has to fit in with my teaching commitments, writing posts and Q&As on This Itch of Writing, my Substack about creative writing, and the promotional stuff that all writers have to do. 

What advice do you have for new writers? 

Don’t write what you know: write what you want in a way that will make readers believe you know it as well as you know your own high street – even if it’s set in twelfth century China. Remember that good research is necessary for good writing, but it’s never sufficient: working on your prose and story-telling craft is essential, and creative writing blogs like This Itch of Writing can help. Then get feedback from writers you can trust to tell you the truth about how your writing reads for them, but also support your confidence. 

By all means be strategic about where you want to aim your writing efforts, but never write anything which you’ll wish you’d never bothered to write, if it doesn’t achieve that goal. And finally, whenever you open the file of your work-in-progress, decide what job you’re going to do today and see it through. Don’t hop about, fiddle with trivia, switch jobs or get diverted: not only do you waste the brief times when your writing still seems fresh and you can read it like a reader, you also make muddles and lose creative momentum.

What have you found to be the best way to raise awareness of your books? 

I’ve never been very good at this – and because I don’t talk about work in progress, I can’t do what lots of historical fictioneers are very good at, which is share what they’re researching and enjoying about their current project. I do find that just hanging around on social media interacting with other writers like you, Tony, is a good way, and looking for opportunities to talk to readers at live and online events. And with this novel I’ve got Bruegel’s paintings to work with, which is a massive plus!

Tell us something unexpected you discovered during your research?

When I first wondered if Bruegel would make a novel, I knew him for his snow scenes, his adorable children and ridiculous adults, and for his beautiful Nativities: as a teenager, I had his Census at Bethlehem on my bedroom wall (along with Elizabeth I!). 

But I hadn’t realised that all these intensely human delights were painted just as the Low Countries were exploding into religious repression, political rebellion, arrests and hangings, and a storm of image smashing. I started wondering about what’s going on when mere paintings and statues are felt to be so powerful that they must be destroyed – which is, of course, a human phenomenon that’s still with us.
What was the hardest scene you remember writing?

Practically speaking, I find action scenes of violence and disorder hard to write, but I can’t tell you much about that without plot-spoilers! Emotionally and psychologically, the hardest scenes were the ones where Gil, being exiled from his family, has to cope with being thrown out of his precarious security into isolation and destitution: feeling that despair strongly enough to write it was surprisingly grim.

What are you planning to write next?

I’m currently working on a novel set much later, in the eighteenth century, so the voices are very different, as are the manners and mores. And yet it’s still, really, about love, friendship, loyalty, betrayal and art – though not painting, this time. And one day I’ll get round to writing The Itch of Writing Handbook!

Emma Darwin

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About the Author

Emma Darwin’s passion for Pieter Bruegel the Elder was born in a childhood spent partly in Brussels. Her debut novel The Mathematics of Love was nominated for both Commonwealth Writers and RNA Book of the Year awards, and A Secret Alchemy was a Sunday Times bestseller. She is also the author of Get Started in Writing Historical Fiction and the memoir This is Not a Book About Charles Darwin. She has taught Creative Writing at Oxford, Goldsmiths and the Open University, and blogs at This Itch of Writing on Substack. You can follow Emma on Bluesky @emmadarwinwriter.bsky.social



4 November 2025

The Forgotten Tudor Women: Margaret Douglas, Mary Howard & Mary Shelton, by Sylvia Barbara Soberton


Available from Amazon UK and Amazon US

Everyone knows that Henry VIII had six wives, two sisters and two daughters. All of these women received attention in academic circles and are the subjects of countless biographies. Not many people, however, realize that Henry VIII also had a niece, a daughter-in-law and a mistress, who were close friends, but who today remain on the fringes of history.

Margaret Douglas was the daughter of Henry VIII’s elder sister Margaret, Queen of Scotland. She was imprisoned thrice, and each time, as she admitted, “not for matters of treason, but for love matters”. Her legacy includes marrying her son to Mary, Queen of Scots, and playing the doting grandmother to King James VI and I.

Mary Howard was the daughter of Thomas Howard, third Duke of Norfolk, leading peer of the Tudor court. She served as maid of honour to her first cousin, Anne Boleyn, and married Henry VIII’s illegitimate but acknowledged son, Henry Fitzroy, Duke of Richmond. Widowed at the age of seventeen, Mary fought for her rightful jointure and was, by her father’s admission, “too wise for a woman”.

Mary Shelton, like Mary Howard, was related to Anne Boleyn and became her servant at court. Beautiful and skilled in poetry, Mary attracted Henry VIII’s attention and became his mistress in 1535, but many don’t realize how important her contributions were to the literary scene of the time.

This book moves Margaret Douglas, Mary Howard and Mary Shelton from the footnotes of history into the spotlight, where they deserve to shine along with their more famous contemporaries.

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About the Author

Sylvia Barbara Soberton is a writer and researcher specialising in the history of the Tudors. She is best known for The Forgotten Tudor Women book series, which concentrates on shifting the perspective from famous figures like Henry VIII’s six wives to the lesser-known, but no less influential, women of the Tudor court. Sylvia has written ten books to date, and her newest titles include The Forgotten Years of Anne Boleyn: The Habsburg & Valois Courts, Ladies-in-Waiting: Women Who Served Anne Boleyn and Medical Downfall of the Tudors: Sex, Reproduction & Succession. Her ground-breaking paper on Anne Boleyn and the accusation of witchcraft was published in the Royal Studies Journal in 2023.  You can find Sylvia on Facebook,  Goodreads, Twitter @SylviaBSo and Bluesky @sylviabso.bsky.social