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5 August 2026

Special Guest post by Anna Belfrage, Author of Like Chaff in the Wind (The Graham Saga Book Two)


Available from Amazon UK and Amazon US

Matthew Graham committed the mistake of his life when he cut off his brother’s nose. In revenge, Luke Graham has Matthew abducted and transported to the Colony of Virginia, there to be sold as indentured labour – a death sentence more or less.

Indentured servants – the backbone of the colonies 

The first few English attempts to set up a successful colony in the New World failed dismally. In general, people who went to the colonies in search of a better life ended up dead, and for some odd reason this made it difficult to recruit new colonists. 

Without people to work the land and expand the English dominion, the Colony of Virginia was pretty much doomed, so I suspect the directors of the Virginia Company perked up substantially when someone came up with the bright idea to use indentured servants to populate their land.
 
The practise of indenture had been around for centuries. In essence it was a contract whereby one person voluntarily entered the service of another person for a stipulated period of time. In general, any payments for the service were paid out in arrears, which meant an indentured servant who absconded could not claim on his back pay. 


1738 indentured servitude contract between Henry Mayer a
nd Abraham Hestant.The contract bound Mayer to work 
for three years in Bucks County, Pennsylvania, to repay 
Hestant for his passage from Rotterdam.

The system set up in Virginia was somewhat different. Someone had to assume the cost of transporting the servant across the sea, and so rules were set in place whereby landowners in the colony could bring over servants at their own expense and receive up to 50 acres in compensation for their efforts. 

The indentured servant was compelled by contract to work off his debt for transportation and would at the end of his period of service receive some further compensation – plus some land. The problem with this little set up was that the need for indentured labour exceeded the demand – most people were reluctant to cross the sea to an unknown wilderness from which they might never return. 

If people didn’t queue up for the fantastic opportunity of expanding their horizons at no cost but their hard toil, maybe some light coercion would help, and what better way to achieve this than by snatching people off the street and have them set their cross to a document they didn’t understand? Quite a number of people were carried overseas against their will, and once on the other side there was very little they could do but submit to the inevitable and work off their years. 

Whether forced or voluntary, the life of an indentured servant was no walk in the park. For a woman, there was the constant risk of being raped – these were societies with a chronic shortage of women – and should she become pregnant her term of service would be extended. The men ended up in the fields, disposable beasts of burden that were often worked until they dropped. 

A disobedient (or “wilful”) servant was punished – in some cases so severely as to permanently maim the servant.  Trying to run away was a serious offence that could lead to beating so brutal the person in question died, and on top of this the reluctant immigrants had to cope with food shortages and unknown ailments. On average, four out of ten indentured servants died in Virginia during the seventeenth century. No wonder the colony had problems recruiting them! 

In the second instalment of The Graham Saga, Like Chaff in the Wind, my protagonist Matthew Graham is one of the unfortunates who is snatched and sold as an indentured servant to Virginia. The experience, unsurprisingly, leaves him scarred for life. 

Below is an excerpt, giving some insight into Matthew’s experiences in Virginia. Not exactly light reading, but I hope it will make you interested in more!

Five unbearable days, and on the afternoon of the sixth day he was so tired that he accidentally upended the sled, tipping the load of tobacco plants into the dirt. Jones flew at him. 
    “Fool! Look at what you’ve done!” 
    Matthew got to his feet, an effort involving far too many protesting muscles. His shoulders were permanently on fire, the harness had left broad, bleeding sores on his skin, and no matter how he tried to use his worn shirt as padding, the sores deepened and widened, a constant, flaming pain. 
    “I’ll just load them back.” He bent to pick up an armful. His arms were clumsy with weariness, and it took far too long to reload the sled, with Jones an irate, vociferous spectator. Matthew leaned forward into the straps, bunching his thighs. Dear Lord! He couldn’t budge the load, the leather cutting even deeper into his lacerated skin. He tried again, and still the sled wouldn’t move. Matthew looked back across his shoulder to find Jones sitting on the sled. 
    “Go on,” Jones sneered, “get a move on.” 
    “You’re too heavy,” Matthew said, “you can walk.” 
    Jones raised a brow. “Of course I can. But now I want you to pull.” 
    Matthew felt his pulse begin to thud. Wafting curtains of red clouded his vision. 
    “I’m a man, aye? I’ll work as you tell me to, but you can move of your own accord, fat though you may be. I won’t be your yoked beast, I’m a man.” There was absolute silence around him, his companions staring at him with a mixture of admiration and exasperation. 
    Jones stood up and moved towards him. “That’s where you’re wrong, Graham. You’re no man, not here, not now. You’re a slave, a beast to be worked until you’re no use.” He looked at Matthew expectantly, his hand tightening on the handle of his crop. 
    Matthew knew he should back down, grovel and mumble, but inside of him the fire grew, red hot rage at the man in front of him, at his traitorous brother, and the injustice of it all. 
    “I told you. I’ve never done anything wrong. I’m a free man.”
    Jones laughed. “Free? Then why are you still here? Why aren’t you on a ship back home?” 
    “You know why! I have no money.” 
    “And we own you, until you can pay yourself free, we own you.” 
    “Nay, no one owns me. I’m a free man.” 
    “And I tell you you’re but a slave,” Jones hissed. 
    Matthew punched him straight into the face, having the distinct pleasure of hearing the cartilage in Jones’ nose crack. That was really the last thing he observed clearly, then it was all hands and feet, and the sting of the leather crop. He heard Jones call men to him and Matthew had the shirt torn from his back, he was thrown face down onto the ground and then there was the snap of leather that came down time and time again on his bared skin. One of his arms was twisted up behind his back, and in his ear he heard Jones’ heavy breathing. 
    “So, what are you?” 
    “A free man,” Matthew gasped. The pressure on his arm was tearing at his tendons. 
    “What are you?” 
    Bend! Alex shrieked in his head, for God’s sake Matthew, bend. But he didn’t want to, he had to salvage some pride, and the pain in his shoulder increased to the point where he knew it would soon be dislocated. 
    “What are you?” Jones hissed again, throwing his considerable weight against Matthew’s trapped arm. Matthew groaned. Please! Alex cried, please, Matthew, for me. Don’t let him maim you for life, my love, please! In his fuddled state Matthew wasn’t sure if she was here for real, or if it was a hallucination, but the despair in her voice rang through his head. 
    “I’m a slave,” Matthew mumbled, closing his eyes so that he might still see Alex, not the red earth an inch from his nose. 
    “What? I didn’t hear you.” 
    “I’m a slave,” Matthew mumbled again. 

Anna Belfrage

# # #

About the Author

Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with two absorbing interests: history and writing. Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy which is set in 14th century England.  Her Castilian Heart is the third in her “Castilian” series, a stand-alone sequel to her September 2020 release, His Castilian Hawk. Set against the complications of Edward I’s invasion of Wales, His Castilian Hawk is a story of loyalty, integrity—and love. In the second instalment, The Castilian Pomegranate, we travel with the protagonists to the complex political world of medieval Spain. This latest release finds our protagonists back in England—not necessarily any safer than the wilds of Spain! Anna has also authored The Whirlpools of Time in which she returns to the world of time travel. Join Duncan and the somewhat reluctant time-traveller Erin on their adventures through the Scottish Highlands just as the first Jacobite rebellion is about to explode!  All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards. Find out more about Anna, her books and enjoy her eclectic historical blog on her website, www.annabelfrage.com and find her on Facebook, Twitter @abelfrageauthor and Bluesky @abelfrageauthor.bsky.social

4 August 2026

Book Launch Guest Post by Alistair Tosh, Author of The Sons of Carthage: Hannibal ignites a war to humble Rome... (The Lion and the Eagle Roman Thrillers Book 1)


Available for pre-order from

Two empires rise, but only one can survive…

Hasdrubal Barca: The Forgotten General

In 219 BC, Hannibal Barca, the renowned Carthaginian general, attacked Seguntum, a city allied with Rome on the eastern coast of Iberia, just north of modern-day Valencia. The siege triggered the Second Punic War, one of the greatest conflicts of the ancient world.

Hannibal's story has become legendary. His campaigns are still studied in military academies across the world, from his epic march across the Pyrenees and the mighty Alpine passes to his stunning victories over the Roman legions at Ticinus, Trebia, Lake Trasimene and, perhaps greatest of all, Cannae. There, Rome suffered one of the worst defeats in its history, with around 50,000 soldiers lying dead on the battlefield from an army of approximately 80,000.

Yet while Hannibal was devastating the Roman Republic in Italy, another theatre of the war was proving just as crucial. Iberia—modern-day Spain and Portugal—was Carthage's most valuable possession. It was rich in silver and gold, fertile agricultural land, and provided a vital source of recruits for its armies.

For most of the twelve years that the war raged across the peninsula, its defence rested in the hands of Hannibal's younger brother, Hasdrubal. The central figure in my new series, The Lion and the Eagle, Hasdrubal was a capable commander in his own right. Not only did he have to contend with the Roman legions, but he also faced near-constant rebellions from the many fierce Iberian tribes. 

At one point, despite the threat of the legions, he was recalled to North Africa by the Carthaginian Senate to suppress the revolt of the Numidian king Syphax, before returning to Iberia a year later. There he, once more, faced the Roman Consuls, Publius and Gnaeus Scipio, defeating them in separate engagements and restoring Carthaginian control.

Although he has never enjoyed the reputation of his elder brother as a battlefield genius, Hasdrubal was a resourceful and resilient general. Even in defeat, and there were several setbacks during his long command, he repeatedly managed to extricate himself and preserve the core of his army, allowing Carthage to continue the struggle.

His final campaign in Iberia culminated at Baecula, Santo Tomé in the Guadalquivir valley of modern-day Andalusia. There he faced the young Publius Cornelius Scipio, the future Scipio Africanus, who would later defeat Hannibal at Zama.

Recognising the quality of the Roman army opposing him, Hasdrubal established a strong defensive position on high ground overlooking the valley, where there was only one practical avenue of attack. When Scipio launched a surprise assault that overwhelmed his forward positions, Hasdrubal conducted a disciplined fighting withdrawal, escaping with the majority of his army intact.

The following year, he led that same army across the Alps into Italy, recruiting warriors from the Gallic tribes along the way in a bold attempt to reinforce Hannibal and alter the course of the war.

Overshadowed by his famous brother, Hasdrubal Barca remains one of history's forgotten generals. Through The Lion and the Eagle series, I hope to bring this remarkable commander, and his extraordinary campaigns, to a wider audience.

Alistair Tosh

# # #

About the author

Best selling author of historical adventures, Alistair Tosh was born in Dumfriesshire, a place filled with ancient place names such as Torthorwald and Caerlaverock. But it was his visits, as a boy, to nearby Burnswark Iron Age hillfort and its Roman siegeworks that first fired his interest in ancient history. On leaving school he began a 35 year communications career, firstly with the Royal Navy, that included covert riverine and seaborne operations during the height of ‘The Troubles’ in Northern Ireland, before moving into the corporate telecommunications world. Military life is unique, and Alistair aims to reflect an authentic view of that experience and its language in his stories. Follow Alistair on Facebook and Twitter/X @alistair_tosh




Blog Tour: The Fern Flower, by Kathleen Shoop


Available from Amazon UK and Amazon US


Russia 1908-1917: Born into privilege as the daughter of the Tsar’s favored vodka maker, Mila appears to have everything: wealth, status, and a household devoted to her happiness. But behind the gilded doors of her family estate, she is trapped by the cruelty of a stepmother whose greatest wish is to give birth to her own child.

Each summer on Ivan Kupala Eve, Russia turns its gaze to river bends and forest floors in search of the legendary Fern Flower—a mythical bloom said to grant fortune, power, and the deepest desires of the heart. Only one person had ever found it.

Until Mila.

Years later, in the fading grandeur of Petrograd, Mila and her friends slip into the fabled Stray Dog Café, once the sanctuary of Russia’s most daring artists and dreamers. Inspired by its ghosts, murals, and memories, Mila's group resurrects the work she'd first imagined as a child. The Fern Flower is a breathtaking ballet drawn from folklore, magic, and the secrets of Mila’s past.

But in the fiercely competitive ranks of the Imperial Ballet School, talent is never enough. Though Mila wrote the ballet and her gifted musician friend composed its score, rivals question whether Mila is worthy of claiming the coveted lead role.

As World War I intensifies and revolution ignites, the Russia Mila knows begins to collapse. Family secrets surface, loyalties are tested, and the people she loves begin to disappear. When her parents flee and her young brother’s life hangs in the balance, Mila is faced with an impossible choice: remain with the found family who helped her chase her dreams or risk everything to save the person who needs her most.

With Russian folklore, imperial grandeur, and the fierce beauty of ballet, The Fern Flower is a sweeping tale of ambition, friendship, sacrifice, and the magic that survives even when the world is falling apart.

# # #

About the Author

Bestselling author, Kathleen Shoop, PhD’s novels have won awards in the Independent Publisher Book Awards (IPPY), Eric Hoffer Book Awards, the Next Generation Indie Book Awards, Readers’ Favorite, and more. Kathleen has more than 20 years of experience in the classroom and has been featured in USA Today and the Writer’s Guide. She co-coordinates Mindful Writers Retreats and co-coordinated the 2023 Pennwriters Conference.  She frequently teaches and is a regular presenter at conferences for writers. Find out more at Kathleen's website: http://kshoop.com and find her on Instagram, Facebook, Twitter / X @kathieshoop and Bluesky @kathleenshoop.bsky.social

2 August 2026

Special Guest Post by Steven Veerapen, Author of Overlord: The Life and Reign of Henry VIII


Available from Amazon UK and Amazon US

The true story behind the infamous life of Henry VIII,  one of history’s best-known characters and England’s most famous monarch. He is simultaneously the virtuous Renaissance prince gone wrong, the psychopathic, paranoid tyrant and the much-married glutton.


Oh, Henry. Has there ever been an English king – or a British king – so recognisable, so equally reviled and written-about, that he is, as the great Tudor historian Sir Geoffrey Elton once claimed, recognisable by his silhouette alone? The answer is ‘no.’ 


Portrait of King Henry VIII, painted by Joos van Cleve around 1535.

Even those unfamiliar with the history of reformation, or parliament, or constitutional law can recognise Henry as, at least, the bloody tyrant who had six wives. Whether one’s image of him is as the buffoonish Charles Laughton, the tyrannical Keith Michell, the leering Sid James, the youthful Jonathan Rhys Meyers, or the volatile Damian Lewis, the point is this: everyone certainly has an image of him.

This was one of the more daunting things I faced when deciding to write about Henry VIII, as was the knowledge that I was hardly the first to consider a book on him – indeed, it was the work of historians such as Alison Weir, Lucy Wooding, Eric Ives, Suzannah Lipscomb, Tracy Borman, Robert Hutchinson, Jasper Ridley, and Antonia Fraser who helped kindle my fascination with Henry and his reign.

What, I wondered, was there left to say?

To my surprise, there was quite a lot. For one thing, the totemic biography of Henry himself – the political biography nonpareil, which focuses on the man and his policies rather than on his court culture, bloody marital history, or association with significant statesmen (which are all interesting in their own right) – remains J. J. Scarisbrick’s 1968 biography. 

In this book, which remains standard reading on the sovereign, the author creates an image which has coloured every subsequent study: a Henry VIII who dreamed, however chimerically, of conquering France in England’s name, and who had no coherent or consistent British policy (Scarisbrick not only indicates this but states it outright). To my surprise, as a long-time student of Scottish history who frequently encountered the king well away from the continent, this simply was not the Henry I’d met in the various and surprisingly voluminous Scottish sources. Still less was it the figure I then found lingering in the pages of various Irish and Welsh documents.

Could there be another Henry VIII?

This question propelled the writing of “Overlord” and made it a joy. Here was a new version of the king I thought I knew – and backed up by a variety of sources untouched in any existing biography. This made working on the book not a workmanlike experience but – to rely on a hoary cliché – a genuine journey of discovery. 

Readers, I hope, will feel the same way as they meet a familiar figure – swathed in his furs and surmounted by his bejewelled, feathered cap – in new surroundings and with all-new motives. “Overlord”, I hope, presents the would-be Emperor Henry VIII: a magnificent, awe-inspiring, frequently ghastly leader who saw himself bestriding the British Isles as a legally-justified, universally-respected colossus. 

I can’t promise readers will like him any more than they do already (which is generally not at all), but I do hope they’ll be as spellbound by him – and his arrogance, bravado, and sheer self-belief – as I was.

Steven Veerapen

# # #

About the Author

Steven Veerapen is a writer of fiction and nonfiction and a lecturer at the University of Strathclyde who specialises in sixteenth-century literature. His first novel was The Queen’s Consort, which focused on Mary Queen of Scots’ infamous husband, Lord Darnley. Steven’s other books include the Simon Danforth trilogy, the Queen’s Spies trilogy, and three non-fiction works: Blood Feud, Elizabeth and Essex, and Slander and Sedition in Elizabethan Law, Speech, and Writing. Find out more at
https://www.stevenveerapen.com/ and you can follow Steven on Instagram @steven.veerapen.3 and on Goodreads, Twitter @stevenveerapen and Bluesky @stevenveerapen.bsky.social

31 July 2026

Witchland: A Tale of Witch Hunting and War in Seventeenth-Century Britain, by Marion Gibson


Available from Amazon UK and Amazon US

If the witchfinders came to your town, who would you have believed 
– and what would you have done?

In the 1640s, Britain was swept up in a brutal witch hunt. The economic uncertainty and religious extremism fuelled by the English Civil War created a climate of fear. Neighbours turned on each other. Women and the poor were especially vulnerable, scapegoated by the powerful looking for someone to blame. In the resulting hysteria – which would, just a few decades later, provide a handbook for the Salem trials – hundreds of innocent people were killed.

Moving from village to village in Scotland and England, Professor Marion Gibson reveals how accusations grew out of everyday tensions – poverty, grief, and resentment – and how entire communities took part in persecuting the vulnerable. Drawing on newly uncovered historical records, this gripping account restores the voices of those accused of witchcraft. Vivid and intimate, Witchland shows that these were ordinary people with extraordinary stories, largely forgotten by history, caught up in suspicion and moral panic.

Witchland is a captivating story of fanaticism, inequality and the violence that surfaces during times of political upheaval.

# # #

About the Author

Marion Gibson became interested in stories of magic and witchcraft when she read news accounts of witch trials in Elizabethan England. She says,  'I realised that whilst I didn't believe the accused people had been doing actual magic, I had no good explanation of why they would confess. What was going on here? What stories were they telling us about their lives? From this came my lifelong interest in storytelling about witches.' Find out more at https://mariongibson.co.uk/ and find Marion on Instagram and X @witchesetc

29 July 2026

Historical Fiction Spotlight: A Hunt for Justice: A historical mystery of murder, superstition and hidden family crimes (The Justice Belstrang Mysteries Book 2) by John Pilkington


Available from Amazon UK and Amazon US

England, 1617. Susanna Cobbett, teenage daughter of a powerful Worcester landowner, is found dead in a gloomy woodland pond which has an evil reputation as the Witching Pool. 

The girl is said to have drowned herself, driven to madness by local widow Agnes Mason, who is arrested on a charge of witchcraft. If found guilty, she will hang at the next Assizes.

But Justice Belstrang, shrewd ex-magistrate and sceptic, does not believe a word of it. And when Agnes's family beg him to help, he finds himself caught up in an ever-darkening mystery.

With the help of his friend and fellow sceptic Doctor Boyd, Belstrang unravels the terrible crimes that have lain hidden behind the doors of the great manor of Ebbfield.

Belstrang must confront and apprehend his suspect - and risk his own life in the attempt.

# # #


About the Author

A writer for over forty years, John Pilkington has written plays for radio and theatre, television scripts for the BBC and numerous historical novels set in the Tudor and Stuart eras. They include the popular Thomas the Falconer series, now being reissued by Boldwood Books, the Martin Marbeck Mysteries featuring a government spy or 'intelligencer' (described by Booklist as 'a seventeenth century James Bond') and the Justice Belstrang Mysteries, also to be republished by Boldwood. Born in the north-west of England, he now lives in a Devon village with his partner, and has a son who is a psychologist and musician. Learn more by visiting his website at www.johnpilkington.co.uk or find him on Twitter @_JohnPilkington and Bluesky @johnpilkington.bsky.social‬

27 July 2026

Blog Tour Spotlight: One More Hour of Daylight, by C.M. Gray


Available from Amazon UK and Amazon US

On the first day of World War II, a young man makes a promise—one that will shape every choice he makes for the next four years.

Essex. September 1939: A wounded German pilot drops from a clear autumn sky into a quiet English field. Seventeen-year-old Derrick finds him—broken and feverish. Not an enemy. Just a young man asking for one small mercy before everything ends.

One more hour of daylight. That is all I ask. A chance to breathe free air before whatever comes next. Derrick gives him until morning. When the stretcher comes, the pilot’s last words strike Derrick like a blow he will never stop feeling.

Scotland. France. Germany. 1941–1943: In the mountains of Scotland, they teach him how to kill, how to lie, and how to endure things that break most men. Then they give him a new name, put him on a plane, and drop him into the dark.

As an SOE operative deep inside occupied Europe, Derrick Sedgley lives on false papers, borrowed names, and nerves worn to nothing by years in the shadows. He moves agents to safety, builds escape routes, and stays one breath ahead of the Gestapo.

Then a mission collapses—and everything changes. Forced to run, Derrick finds himself moving through the most dangerous corners of occupied Europe alongside someone whose connection to his past he cannot yet see. As safe houses fall, loyalties fracture, and the frozen passes of the Pyrenees rise ahead like the edge of the world, Derrick begins to understand something.

The choice he made in an Essex field on the first day of the war has been leading him here all along. Some debts cannot be paid. Some can only be carried. And some—if you are brave enough, and fortunate enough—can finally be laid to rest.

From the quiet fields of Essex to the mountains of Scotland, from the dangerous streets of Lyon to the shadows of wartime Hamburg and the high passes of the Pyrenees, One More Hour of Daylight is an unforgettable story of courage, guilt and redemption—of ordinary people forced to make impossible choices in extraordinary times.

Some promises can survive a war. Some people can too. 

Praise for One More Hour of Daylight:

"A beautifully written book with a perfect pace that kept me reading
from start to finish." ~ Bookcollector, Amazon 5* Review

"A confident, carefully crafted novel that handles its subject matter with restraint, earning the weight it carries." ~ Indie Library, Goodreads 5* Review

# # #

About the Author

C.M. Gray's first book, The Flight of the Griffin, was longlisted in the 2015 Times Chicken House Writing Competition. Shadowland, the first book in the Pendragon Saga, has so far received over 900 five-star reviews on Amazon. These things still genuinely astonish him, and he is deeply grateful for every one of them. Most of his previous work has been fantasy: either pure fantasy or historical fantasy, the kind of writing where druids turn up uninvited and one of your main characters develops an unsettling affinity with wolves before you have quite decided what sort of book you are writing. Shadowland began with every intention of staying grounded in historical reality, the story of Uther Pendragon. It did not. It has turned out to be a popular book, so he does not complain. C.M. Gray is now happily settled just outside Barcelona with his wife and partner in life, Adriana.