Mastodon The Writing Desk

22 September 2026

Book Launch Spotlight: Lady of the Castle: A Medieval Epic of Love, Loyalty, and Betrayal (The Nicola de la Haye Series Book 2) by Rachel Elwiss Joyce


Available from Amazon UK and Amazon US

For a woman, holding power in a man's world is dangerous;
holding faith in an intolerant one is deadly.

England, 1185. Nicola de la Haye, constable of Lincoln Castle, commands her fortress with hard-won authority. Determined to protect her family from a kingdom fracturing around her, she discovers the hardest battle is the one inside her own walls.

When the king's chancellor marches an army to her gates and her husband stands accused of treason, Nicola must hold her castle against a siege—and hold her family together against something far harder to fight. As her marriage buckles under the weight of loss, jealousy, and the ghosts of their pasts, Nicola must choose between the walls she has built around herself and the man she has never fully let in.

Miles away, Nicola's Jewish childhood friend Bella has built her world on different foundations: a husband she adores, a strong, vibrant community, and a faith and traditions kept alive despite centuries of persecution. When crusading fervour sweeps the nation, Bella's family is stripped of its fortune and forced to flee to York—only to find themselves trapped in a castle tower by a mob demanding baptism or death.

As King Richard the Lionheart departs for the Holy Land, leaving England to turn on itself, both women face the same impossible question: what do you love enough to sacrifice everything for?

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About the Author

After a rewarding career in the sciences, Rachel returned to her first love—history and the art of storytelling. Fascinated by the women history neglected, or tried to forget, she creates meticulously researched, emotionally resonant fiction that brings her characters’ stories vividly to life. Her fascination with the past began early. At six years old, she was already inventing tales about medieval women in castles, inspired by her treasured Ladybird books and other picture-rich stories that transported her to another time. By the time she discovered Katherine by Anya Seton as a teenager, she knew the joy and escape that only great historical fiction can bring. Rachel’s two grown-up children still tease her (fondly) about childhoods spent being “dragged” around castles, archaeological sites, and historical re-enactments. For Rachel, history and imagination have always gone hand in hand.There was, however, a long gap between the stories of her childhood and her decision to write her own novel. The spark came when she discovered the remarkable true story of Nicola de la Haye—the first female sheriff of England, who defended Lincoln Castle against a French invasion and became known as “the woman who saved England.” Rachel knew she had found her heroine, and a story she was destined to tell. Rachel lives in the UK, where she continues to explore the lives of women who shaped history but were left out of its pages. Lady of Lincoln is her debut novel, the first book in her Nicola de la Haye Series, with sequels to follow. Find out more at www.rachelelwissjoyce.com and find Rachel on Facebook and 
X/ Twitter: @RachelElwJoyce

17 September 2026

Audiobook Narrator and Actor Ruth Urquhart on Narrating ‘Queen Anna’, Book One of the Stuart Queen Trilogy


Available from Amazon UK and Amazon US

A crown won in the eye of a storm. A queen who refuses to be broken... Princess Anna of Denmark sails for Scotland to marry King James VI, but storms ravage her fleet, igniting a deadly obsession with witchcraft in her new home. Arriving in a strange and paranoid court, Anna finds her new husband’s bed is a treacherous place.

I chose Ruth Urquhart as the perfect narrator while still in the early stages of researching the first book of the Stuart Queens trilogy, so she had quite a wait until I’d written Queen Anna – including delays with my editor. Now the audiobook is released, here are a few thoughts from Ruth:

Tell us a little of your background and how you decided to go into audiobook narration?

My background is as an actor and after many years touring in small scale theatre, my kids came along and it seemed a natural progression to go into voice acting as something I could do from home and still spend time with my family. When I did I was amazed at the scope of work available and I've loved it ever since!

How much did you know about Anna of Denmark before you began the narration?

Very little. I have previously narrated a non-fiction book called 'Scottish Queens' by Rosalind K Marshall which had a section dedicated to Queen Anna. But that was the extent of my knowledge. Tony's book has made it much more personal and made me realise that so little is focused on the queens and consorts of the past

What most surprised you about Anna’s life?

I suppose her resilience even from such a young age, dealing so well with being shipped off to another country and then the seemingly never-ending pregnancies with so much heartache and loss. She also has a surprising amount of agency with James and when he proved disappointing, she carved her own way to benefit both her children and to a lesser degree herself. I admire her greatly.

How did you approach preparing for the narration process?

The first thing I do as with any book is read it cover to cover. Then I go through and make notes. Of course there were lots of tricky Danish pronunciations to unpick as well as the accents of various foreign nobles. I also watched the documentary 'Queen James' although that of course focuses more on James than Anna.

There are plenty of Danish phrases in the book, so how did you deal with them?

With this I had my Danish Sister-ln Law (another Anne) on speed dial! It is quite a tricky language to pronounce for non-natives but I was very lucky to have this resource at hand.

Ruth Urquhart

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About the Narrator

Ruth Urquhart is an award winning, Scottish female voice over artist and character voice actor. Professionally trained as an actor with over 10 years experience as a voiceover artist, she is the voice of multiple characters in global animations, cartoons and video games. Ruth has provided voiceovers for TV commercials, global brands and corporate films as well as e-learning and online courses, medical narration, video explainers, and radio adverts.  She has dubbed worldwide cinema released movies and animations as well as providing narration for documentaries and over 200 audiobooks.  Ruth says, ‘My sister-in-law Anne is Danish and I have always been picking her brain over the years regarding various jobs that have required a Danish accent!’ Find oiut more at ruthurquhart.com/ and find Ruth on Instagram  @tartanchameleon 

16 September 2026

Dressed to Impress: Queen Elizabeth I and the Art of Fashioning Power by Sylvia Barbara Soberton


Available from Amazon UK and Amazon US

For Elizabeth I, fashion was never simply about looking beautiful—it was a language of power.

From dazzling jewels and pearls to elaborate gowns, ruffs, and sumptuous fabrics, every detail of the Queen’s appearance helped shape the image she presented to her subjects, courtiers, and foreign ambassadors. Dressed to Impress explores how Elizabeth used clothing, jewellery, and portraiture to communicate authority, wealth, femininity, chastity, and majesty.

Discover the woman behind the spectacular costumes—and the remarkable ways in which England’s Virgin Queen transformed fashion into one of the most powerful tools of her reign.

Elizabeth I did not simply wear fashion. She fashioned power.

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About the Author

Sylvia Barbara Soberton is a writer and researcher specialising in the history of the Tudors. She is best known for The Forgotten Tudor Women book series, which concentrates on shifting the perspective from famous figures like Henry VIII’s six wives to the lesser-known, but no less influential, women of the Tudor court. Sylvia has written ten books to date, and her newest titles include The Forgotten Years of Anne Boleyn: The Habsburg & Valois Courts, Ladies-in-Waiting: Women Who Served Anne Boleyn and Medical Downfall of the Tudors: Sex, Reproduction & Succession. Her ground-breaking paper on Anne Boleyn and the accusation of witchcraft was published in the Royal Studies Journal in 2023.  You can find Sylvia on Facebook,  Goodreads, Twitter @SylviaBSo and Bluesky @sylviabso.bsky.social

15 September 2026

Inigo Jones and the Celestial Costume of Queen Henrietta Maria



There is something otherworldly about this delicate drawing of Queen Henrietta Maria. At first glance, it appears to be a fanciful court dress: a richly decorated gown, enormous sleeves, a jewelled headdress and a sweeping feather. Yet the design was intended for something far more theatrical. 


Inigo Jones

The queen's costume was created by architect and stage designer Inigo Jones for her appearance as 'Divine Beauty' in Tempe Restored, the spectacular court masque performed at the Banqueting House, Whitehall, on 14 February 1632.

Jones’s surviving costume design, now in the Devonshire Collection at Chatsworth, reveals just how carefully the queen’s appearance was conceived. This was not simply fashionable court dress. Every element had to work under theatrical lighting and contribute to the allegorical world of the masque.

The costume was described by a contemporary observer as being made of “watchet satin” – a pale blue – embroidered with silver stars that appeared to rise from the surface of the fabric. On her head was a crown of stars mixed with small falls of white feathers.

The drawing shows how Inigo Jones transformed those ideas into a costume that would catch the light. The bodice is covered with star-like ornaments, while the enormously rounded sleeves give Henrietta Maria a deliberately impressive silhouette. 

The full skirt spreads outward from the waist, creating an almost celestial radiance around the Queen. At the throat, a high, pleated collar frames her face, while the elaborate headdress rises above her head like a constellation. (See Historic Royal Palaces video below.)

For Inigo Jones, costume was inseparable from stagecraft. He understood that the audience at Whitehall would not experience the masque as they might an ordinary play. Music, movement, painted scenery, machinery, lighting, costume and architecture were intended to become one extraordinary spectacle. His designs were particularly concerned with the way materials reflected and caught light, turning embroidered stars and jewels into points of brilliance.

The symbolism was unmistakable. Beauty, embodied by the queen, becomes a force capable of restoring order to the enchanted world of Tempe. The masque therefore made Henrietta Maria herself part of its argument: her physical beauty was presented as a reflection of an inner, moral and almost divine beauty.

It is also worth remembering that Tempe Restored was deeply personal to Henrietta Maria. The masque was dedicated to her, and she was closely involved in its creation and performance. It had originally been planned for an earlier date but was postponed because she was suffering from an eye ailment.

Today, Inigo Jones’s fragile pencil design gives us an extraordinary glimpse behind the spectacle. The surviving drawing is quiet and almost unfinished in appearance. Yet from these few lines emerged one of the most dazzling images of Stuart court culture: a young queen transformed, through silk, silver, feathers, stars and theatrical illusion, into Divine Beauty.

Tony Riches

 Silks, Crowns & Fairies: Dressing a 17th Century Queen

Historic Royal Palaces

14 September 2026

Blog Tour: London Tales (Short Stories) by Tim Walker


Available from Amazon UK and Amazon US



London Tales is a collection of sixteen tales that offer dramatic pinpricks in the rich tapestry of London’s timeline, a city with two thousand years of history. They are glimpses of imagined lives at key moments, starting with a prologue in verse from the point of view of a native Briton tribeswoman absorbing the shock of Roman invasion. 

Then there’s a tale set in Roman Londinium in 60 CE, from the perspective of terrified legionaries and townsfolk facing the vengeful Iceni queen, Boudica, whose army burnt the fledgling city to the ground.

From Roman Londinium there’s a jump to Saxon Lundenwic in the late eighth century, then onward to the medieval city in 1381 at the time of the Peasant’s Revolt. Then a jump to the second significant conflagration, the Great Fire of London, in 1666. 

From there the reader is transported to 1814 and the last ice fair on the frozen River Thames in the year before the battle of Waterloo, then onto an unnerving tale of copycat killings based on the 1888 Jack the Ripper murders. This is followed by a fraught romance set during the Blitz in 1941; then the swinging Sixties and wide-flared seventies are remembered in the life story of fictional policeman, Brian Smith. 

There’s a series of contemporary stories that reference recent history and current affairs, including the London terrorist bombings of 2005; a literary pub crawl and a daring prison break, building to the imagined death throes of London in a dystopian vision.

These stories are inspired by the author’s love of history, personal experiences and reflections on his time living and working in London in the 1980’s and 90’s. Adaptability, resilience, conformity and resolve are recurring themes in these stories.

For ten years the author was one of thousands of commuters who’d pour in daily from outlying suburbs to feed the insatiable economic appetite of the city. London’s a busy and at times unfriendly place, driven by the productivity of its inhabitants and set against an incredible landscape of history, art, architectural and cultural development. It both inspires and tires in equal measure.

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About the Author

Tim Walker is an independent author living near Windsor in the UK.  Born in Hong Kong in the Sixties, Tim grew up in Liverpool where he began his working life as a trainee reporter on a local newspaper. He went on to attain an honours degree in Communication Studies at the University of Glamorgan in South Wales before moving to London where he worked in the newspaper publishing industry for ten years. In addition to short stories, he researched and wrote a five-book history-meets-legend fiction series, A Light in the Dark Ages. This series connects the end of Roman Britain to the story of a possible historical King Arthur based on scant research material. Find out more at Tim's website and follow him on  Twitter,  Facebook, and Bluesky: @timwalker1666.bsky.social

13 September 2026

Special Guest Post by Elena Maria Vidal, Author of Generalissima: A Novel of Henrietta Maria: The Henrietta of France Trilogy, Book Two


Available from Amazon UK and Amazon US

As the Three Kingdoms totter on the brink of anarchy, Henriette-Marie, queen of Charles I, strives to bring up their lively, growing family. In addition to her own health problems, she worries about the welfare of her mother the Dowager Queen of France, who sought refuge in London only to find herself under attack. As Henriette faces choices which may separate herself from her beloved husband and children, she seeks help from the Pope and the Irish Catholics. 

Henrietta Maria and Her Mother, Marie de’ Medici

First of all, I would like to thank Tony Riches for opening his popular blog to other historical writers so that we may share our research. I am the author of a biography of Marie-Antoinette as well as six historical novels. The latest two novels are about Queen Henrietta Maria, wife of Charles I and they are entitled My Queen, My Love and Generalissima. They are part of an unfinished trilogy; the third instalment Avalon will be out sometime in 2027 or 28. 

In my readings about Henrietta of France, I have found that her mother Marie de’ Medici played an enormous role not only in her upbringing but in her ongoing political decisions, as well as shaping her faith, her love of the arts, of music, theater, and architecture. 

Queen Marie has ended up playing a much larger role in my novels than I originally would ever have imagined, due to the sheer force of her personality as much as to her real adventures, which included leading rebellions against her son, climbing out of windows to escape the royal guards, and hiding with her entourage of dwarves in a German brewery. All of this followed a glittering career of being Queen Mother Regent of France. Most of the Queen’s life is captured in the spectacular series of twenty-four huge paintings by Rubens, now at the Louvre.


 Marie de' Medici, Queen of France, painted by the Flemish Baroque artist 
Peter Paul Rubens around 1622.

Marie’s life had always been eventful, however. Born in 1575 in Florence, the youngest daughter of Francesco de' Medici, who was to inherit the Duchy of Tuscany, she was reared in the magnificent Pitti Palace. Marie’s mother, a Habsburg Archduchess, fell down the palace steps when expecting her eighth child and died in agony. Some thought she had been murdered. 

Marie’s father married his mistress. Marie was well-educated and healthy but lonely. The stepmother found a companion for Marie: a homely dwarf named Dianora, who claimed to possess psychic powers. In spite of the Florentine court’s penchant for fortune-telling and astrology, Marie remained firmly Catholic her entire life. When in her twenties, word came that the King of France was looking for a wealthy wife.

Henri IV or Henri of Navarre (1553-1610) has been celebrated by the French people as the monarch who was the epitome of justice, kindness, and virility. The fact of his many mistresses and bastards never hindered his popularity, so great were his achievements on behalf of the French people in ending the Wars of Religion. His childless first marriage with his cousin Marguerite de Valois was annulled so that he could have legitimate offspring. 

He married the much younger Marie de' Medici in 1600. Queen Marie, loving her husband, suffered from his unfaithfulness. She brought with her Dianora, renamed Leonora. Leonora married another Italian, a thug named Concini who later bullied his way into becoming a marshal of France. After the couple had several children, in 1610 Henri had Marie crowned and anointed at Notre Dame de Paris. The day after her coronation, Henri was stabbed to death in his coach in the streets of Paris. Marie became the Regent for their young son, Louis XIII.

As Regent, Queen Marie chose to avoid war by making peace with the other Catholic powers of Spain and the Empire. She believed that Catholic monarchies should unite to keep Protestantism at bay. Too often Queen Marie is dismissed as being "stupid" in histories of the time. But Henri IV would never have designated Marie to be Regent in case of his death if he had thought her hopelessly ignorant and helpless. Queen Marie had great devotion to the Virgin Mary, seeing her role as being like that of the Mother of God, the conduit of power between the king and his people. 

As regent for her son Louis XIII she was determined to keep France out of wars, especially wars with other Catholic countries. Her older daughters, Elisabeth, Queen of Spain and Christine, Duchess of Savoy, had been brought up with Marian devotion and saw their roles in their adopted countries as being active rather than passive. As for Louis XIII, he attained his majority in 1614, although Marie kept running the country. Louis overthrew his mother in 1617, and had Leonora and Concini executed. After a brief exile, Marie managed to make her way back to Paris, where she presided in majesty at the new Medici Palace, later known as the Luxembourg. And she had one more daughter left to marry off.

The youngest child, Henriette-Marie de France, born on 25 November, 1609, was perhaps Marie’s favorite as she greatly resembled Henri IV, in coloring and wiry agility, as well as in merriment and a sense of adventure. Marie arranged for her youngest daughter Henriette to marry in England because she believed there was a chance of bringing Charles I into Catholicism. Henrietta Maria, at age fifteen, tackled the insurmountable task of converting the British Isles back to Catholicism. 

Marie made Henriette promise never to become a Protestant and if she did, she would be cursed by Marie. Henriette never flagged in the practice of her Catholic faith no matter the cost. While Charles I never converted to Catholicism, his relationship with his devout wife was deeply spiritual, which enhanced the intense physical passion between them. They were happiest together and with their children. Their tragedy is that they were eventually separated by the Civil Wars as their family was scattered. Their two youngest children were captives of the enemy forces. And Charles I was eventually arrested and beheaded in 1649.

In Marie’s later years, another falling-out with her oldest son Louis XIII, and especially with his minister Cardinal de Richelieu, led to her exile in England, where she lived in St. James Palace. Marie was warmly welcomed by Charles I and Henriette, although they were in the throes of a constitutional crisis. Marie saw the coming disasters and, realizing her Catholic presence was causing political complications for Charles and Henriette, went to Germany to seek refuge with her friend the painter Rubens. 

The Thirty Years War was raging; Rubens had died but the ailing Queen was able to stay in a brewery in Cologne owned by the Rubens family. She died in the brewery in Cologne on 3 July, 1642 in a state of destitution, abandoned by her son Louis XIII, who would not allow her to die in France, although he later had her buried at Saint Denis. Mercifully, the Queen received the ministrations of the Carmelites of Cologne, to whom she bequeathed a cherished statue of the Blessed Virgin, one of her last possessions.

Elena Maria Vidal

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About the Author

Elena Maria Vidal was born in Florence, Oregon in 1962 but grew up in Frederick County, Maryland. She received her BA in Psychology from Hood College and her MA in Modern European History from SUNY Albany. She has been a member of the Secular Order of Mount Carmel since 1986. Elena enjoys cooking, gardening, opera and working with the elderly. She lives on Maryland’s Eastern Shore with her family. She is currently engaged in writing a historical fiction trilogy about Queen Henrietta Maria. Elena’s Tea at Trianon blog deals with social, religious and political issues as well as history. My Queen, My Love: A Novel of Henrietta Maria is her fifth novel and sixth book. Find out more from her blog, Tea at Trianon and find her on Twitter @emvidal

12 September 2026

New Audiobook: Queen Anna, Book One in the Stuart Queens Trilogy, Narrated by Ruth Urquhart


Available from Amazon UK and Amazon US

A crown won in the eye of a storm. A queen who refuses to be broken... Princess Anna of Denmark sails for Scotland to marry King James VI, but storms ravage her fleet, igniting a deadly obsession with witchcraft in her new home. Arriving in a strange and paranoid court, Anna finds her new husband’s bed is a treacherous place.

After fourteen years researching and writing the twelve books which tell the story of the Tudors, it seemed natural to explore the succession in more detail and understand the rise of the Stuarts.

I discovered Anna’s story while writing about Bess and Walter Raleigh, and like most people, knew little about her life. I’ve enjoyed the year of research behind this book, uncovering primary sources – and even learning a little Danish.

With notable exceptions, Anna is largely overlooked by historians, and I found myself wondering about the image of her as shallow, with little influence. I don’t recall her being mentioned in my history lessons at school, but Anna was the daughter of a king, wife of a king and mother of a king. 

I became intrigued by the idea of a fourteen-year-old Danish princess being forced by her parents into a strategic, arranged marriage with King James of Scotland. Anna had to leave her friends, her family, and everything she knew, for a strange country across a dangerous sea where she could barely speak the language.

There is also the question of her relationship with King James, and how they had so many children. As well as her daughter Elizabeth, the ‘Winter Queen’ of Bohemia, Anna was the mother of Henry, possibly the greatest king we never had, and the ill-fated King Charles I.

My research took me from the Danish Court to Holyrood House in Scotland and on to the palaces of Westminster and Anna's beloved Denmark House. Her vibrant personality can be seen in her surviving letters, some of which I had translated from old French, (and include in the book in italics). 

I enjoyed following Anna to England after the death of Queen Elizabeth Ist, and making a new life died as queen consort of three kingdoms. She ordered the old queen’s priceless gowns to be used as costumes in her legendary masques, and slept in the same bedchamber as Queen Jane Seymour, her favourite bed.

I found a resilient woman and a devoted mother to her children. Anna was a creative patron of the arts, and did her best to be a loyal queen consort to King James.
 
Tony Riches
 

About the Narrator

Ruth Urquhart is an award winning, Scottish female voice over artist and character voice actor. Professionally trained as an actor with over 10 years experience as a voiceover artist, she is the voice of multiple characters in global animations, cartoons and video games. Ruth has provided voiceovers for TV commercials, global brands and corporate films as well as e-learning and online courses, medical narration, video explainers, and radio adverts.  She has dubbed worldwide cinema released movies and animations as well as providing narration for documentaries and over 200 audiobooks.  Ruth says, ‘My sister-in-law Anne is Danish and I have always been picking her brain over the years regarding various jobs that have required a Danish accent!’ Find oiut more at ruthurquhart.com/ and find Ruth on Instagram  @tartanchameleon