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3 March 2026

Blog Tour Excerpt: West of Santillane by Brook Allen


Available from Amazon UK and Amazon US


Desperate to escape a mundane future as a Virginia planter’s wife, Julia Hancock seizes her chance for adventure when she wins the heart of American hero William Clark. Though her husband is the famed explorer, Julia embarks on her own thrilling and perilous 

journey of self-discovery.


Excerpt:


Our journey began by flatboat, crossing the Mississippi from St. Louis to docks near Cahokia. From there, we’d head toward Louisville, where we’d enjoy sweet respite with Jonathan, Sarah, and family.

    Built for carrying people and freight, flatboats offered reliable transport down the Ohio in spring and summer and back and forth on the Mississippi and downriver from St. Louis to New Orleans. Still, I always eyed them with a certain trepidation, making sure I was safe in the central part of the boat since they had no guardrails. 

    Halfway across the river, a cold crosswind blew up, so Chloe and I stayed inside the wagon, wrapped up tight together in a blanket while the men readied the mules and horses for debarking. Once off the boats, they’d be hitched to the wagons again. 

    As we approached Illinois, people gathered on the port side, their weight causing the craft to scour the river bottom along shoals near the docks. Chloe and I laughed, feeling the slight bumps accompanied by a scraping sound emanating from the shallow bottom.

    Suddenly, a male voice from the top of the small shelter bellowed, “Slave overboard!”

    Next came Scott’s voice, shouting to Chloe, “Mama, you got Rachel?”

    Chloe’s mouth dropped as she tossed aside our blanket and leaped from the buckboard. “No!” she cried, her voice wavering. “I figured she was with you . . .”

    I jumped down from the wagon too. Even more passengers had gathered portside, eager to get off, with yet more folk queued up on the Illinois dock, standing at the edge of the waterfront, some of them pointing down into the water.

    Dread gripped me.

    The same crewman who had first sounded the alarm shouted again, “Who’s missing a slave girl?”

    Scott and Chloe were fighting their way through the crowd, not making much headway. Most of the flatboat passengers saw that they were slaves and pushed them back, ignoring their distress.

    Chloe shrieked, out of her mind with terror, “Where is she? Rachel, where you at?” 

    To my horror, I saw Will near the edge of the boat, lifting his arm in the midst of all the people, calling, “She’s mine, sir.” Gradually, the crowd parted, allowing him through.

    Scott and Chloe were still caught up behind crowds of passengers, who were only now surging forward toward the gangplank. Bless Chloe, she was panicked, screaming and keening. “Master Clark, is it Rachel? Please, Lord Jesus, don’t let it be Rachel!” She glanced back, searching for me, eyes brimming with tears. “Our girl don’t swim none, Missus Julia…”

    Little Lewis was alone in the wagon, but he’d been asleep, so I sprang forward to comfort my friend. A fear I’d never known gripped my heart with steely fingers, making my breath shallow: a mother’s distress at the thought of losing a child, especially in such a chilling and unforeseen manner. My heart beat in rhythm with Chloe’s—both of us mothers and facing a terror for which no parent was ever prepared.

    Scott was finally at the edge of the flatboat with Will, and the sound that emanated from his throat was something from a nightmare. A moan, long and loud, pierced like that of a banshee over the confusion, carrying over people talking, stepping off the boat, greeting loved ones, calling for their bags, going about their business…

    How was it that life was carrying on in such normalcy when a little child was lost? 

    As tall as he was, I saw Will’s red head bobbing through the crowd toward us. Oh God—he was carrying her—Rachel! Drenched and dripping from her watery fate, she was limp as the cotton rag doll I remember Harriet losing as a child, left outside during a summer storm and hanging over the wrought-iron rail on our back stairwell, soaked and drooping.

    She was also still as stone, blood dripping from her head, staining Will’s cotton shirt. I willed her to lift her head and say something—anything. Still holding Chloe, I shielded her as long as I could, but when she finally saw her daughter, her scream clawed its way up my spine. She ran to Will, and I stood helpless, my emotion spilling its way down my face.

    Chloe snatched Rachel from Will, lowering her to the deck and holding the girl’s bloody head in her hands, swaying from side to side.

    Will crossed over to where I stood. “She must have gotten too near the edge. My best guess is that she lost her balance when we hit ground back there.”

    “She couldn’t swim,” I murmured. “Will—is she—”

    My answer came when arms encircled me, and it wasn’t the one I wanted. “I need to know. Did she drown?”

    His arms gripped me tighter as he spoke softly in my ear. “The boat was docking and crushed her head when she was flailing about. Let’s pray she went quickly.”

    Oh, Sweet Lord…

    “Nooo—” Chloe was on her knees, rocking Rachel’s lifeless form in her arms, her protest a guttural screech at the top of her lungs. Scott stood sobbing behind her, wiping both eyes with his worn, patched shirtsleeves and shaking his head in disbelief. 

    At the sound of their grief, other travelers crossing the gangplank to Illinois stared back at our group, heading on their way and leaving us in our shock. 

    Will released me, turning and walking slowly toward the wagon.

    “Where are you going?” I cried, balling my fists. My tone turned accusatory and bitter. “How can you just leave us to hitch the mules when this has just happened?”

    He stopped in his tracks and turned about to face me, patiently and quietly answering, “Julia, I’m going to the wagon to find something to wrap her in.”


Brook Allen

# # #

About the Author

Brook Allen has a passion for history. Her newest project, West of Santillane, spotlights history from a little closer to home in Botetourt County, Virginia. It’s the story of Julia Hancock, who married famed explorer, William Clark. Each character of this thrilling, adventurous period was researched throughout southwest Virginia and into Kentucky, Missouri, Montana, Idaho, and North Dakota. It launched in March of 2024. Brook belongs to the Historical Novel Society and attends conferences as often as possible to study craft and meet fellow authors. In 2019, her novel Antonius: Son of Rome won a silver medal in the international Reader’s Favorite Book Reviewers Book Awards, then won First Place in the prestigious Chaucer Division in the Chanticleer International Book Awards, 2020. West of Santillane garnered international attention in Summer 2025 by becoming a Silver Medalist in the Independent Publishing Book Awards for best Mid-Atlantic Fiction. Also, it was a finalist for the Virginia Romance Writers Holt Medallion. Most recently, Brook appeared in Season 8 of Blueridge PBS’s WRITE AROUND THE CORNER. Though she graduated from Asbury University with a B.A. in Music Education, Brook has always loved writing. She completed a Masters program at Hollins University with an emphasis in Ancient Roman studies, which helped prepare her for authoring her award-winning Antonius Trilogy. Brook recently retired from public education and her personal interests include travel, cycling, hiking in the woods, reading, and spending downtime with her husband and big, black dog, Jak. She lives in the heart of southwest Virginia in the scenic Blue Ridge Mountains. Find out more at https://www.brookallenauthor.com/ and find Brook on Twitter @1BrookAllenFacebook and Bluesky @brookallenauthor.bsky.social

27 February 2026

Book Launch Spotlight: Lady of Lincoln: A Novel of Nicola de la Haye, the Medieval Heroine History Tried to Forget, by Rachel Elwiss Joyce


Available from Amazon UK and Amazon US

A true story. A forgotten heroine. In a time when women were told to stay silent, could she become the saviour her people need? 12th-century England. Nicola de la Haye wants to do her duty. But though she’s taught a female cannot lead alone, the young noblewoman bristles at the marriage her father has arranged to secure her inheritance. And when an unexpected death leaves her unguided, the impetuous girl shuns the king’s blessing and weds a handsome-but-landless knight.

Harshly fined by Henry II for her unsanctioned union, Nicola struggles to salvage her estates while dealing with devastating betrayals from her husband… and his choice to join rebels in a brewing civil war. Yet after averting a tragedy and gaining the castle garrison’s respect, she still must face the might of powerful men determined to crush her under their will.

Can she survive love, threats, and violent ambition to prove she’s worthy of authority?

In this carefully researched and vividly human series debut, Rachel Elwiss Joyce showcases the complex themes of honour, responsibility, and freedom in the story of a remarkable heroine who men tried to erase from history. And as readers dive into a world defined by violence and turmoil, they’ll be stunned by this courageous young woman’s journey toward greatness.

Lady of Lincoln is the gritty first book in the Nicola de la Haye Series historical fiction saga. If you like richly textured female heroes, courtly drama, and fast-paced intrigue, then you’ll adore Rachel Elwiss Joyce’s gripping true-life tale.


“A towering, epic saga… one of the greats in this genre.” — Readers’ Favorite

“Profoundly moving… Nicola de la Haye shines with determination and emotional depth.”— The Coffee Pot Book Club

“An extraordinary book that shows a woman successfully overcoming the constraints of her time… with wits, will, and an unbreakable spirit.” — The Historical Fiction Company

# # #
About the Author

After a rewarding career in the sciences, Rachel returned to her first love—history and the art of storytelling. Fascinated by the women history neglected, or tried to forget, she creates meticulously researched, emotionally resonant fiction that brings her characters’ stories vividly to life. Her fascination with the past began early. At six years old, she was already inventing tales about medieval women in castles, inspired by her treasured Ladybird books and other picture-rich stories that transported her to another time. By the time she discovered Katherine by Anya Seton as a teenager, she knew the joy and escape that only great historical fiction can bring. Rachel’s two grown-up children still tease her (fondly) about childhoods spent being “dragged” around castles, archaeological sites, and historical re-enactments. For Rachel, history and imagination have always gone hand in hand.There was, however, a long gap between the stories of her childhood and her decision to write her own novel. The spark came when she discovered the remarkable true story of Nicola de la Haye—the first female sheriff of England, who defended Lincoln Castle against a French invasion and became known as “the woman who saved England.” Rachel knew she had found her heroine, and a story she was destined to tell. Rachel lives in the UK, where she continues to explore the lives of women who shaped history but were left out of its pages. Lady of Lincoln is her debut novel, the first book in her Nicola de la Haye Series, with sequels to follow. Find out more at www.rachelelwissjoyce.com and find Rachel on Facebook and 
X/ Twitter: @RachelElwJoyce

Special Guest Post by Wendy J Dunn, Author of Shades of Yellow: Why Write to Trends?


Available from Amazon UKAmazon US

During her battle with illness, Lucy Ellis found solace in writing a novel about the mysterious death of Amy Robsart, the first wife of Robert Dudley, the man who came close to marrying Elizabeth I. 


When my husband sometimes says to me, ‘Why don’t you write something that sells?’, my lips purse tight together, and they stay pursed. Tight. I need to take a long moment before I speak to my non-writing life-partner. It is bad enough that the gatekeepers publish books according to current marketing trends, disregarding so many works of genuine quality, let alone my dear husband believes this is what I should do too.

And I refuse to see not writing to trends as some kind of failure. I have written long enough now to know failure, for me, goes hand in hand with writing without passion to drive me. I know, because I have tried to write to market trends. It just does not work for me, not when writing and completing a novel means a commitment of years. And this is the thing. If I wrote according to current trends, by the time I finished that novel, it would probably prove a pointless exercise because, years later, 

I would expect ‘current trends to be completely different. I am also doubtful about whether the finished novel would end up being a work I would be proud to see published. Is this because I see writing as an art form, or am I too idealistic for my own good because I believe it is vital to write from my heart and soul for my work to have heart and soul?
 
Then I think, why shouldn’t I write from my heart and soul? For me, writing is a calling. It’s what keeps me sane, and I know that is simply because I write about what is important to me. Giving voice to those in the past whose voices were so often erased simply on account of their gender is one reason why I write. It is also what inspires me – what opens the door to my imagination and drives my research. 

In my writing practice, research either reassures or shows me I need to find out something before I can go any further. Nowadays, the need to know guides my Tudor research and prevents losing too much time investigating a fascinating detour. Nevertheless, these research detours present opportunities for accidental discoveries. Omissions and erasures also present powerful story opportunities.
 
So many historical fiction writers I know speak of serendipity that comes out of research – those eureka moments that finally open our eyes to what we are really writing about. Research (and writing) is an adventure. Not only are we going into the unknown, but we are also discovering the unexpected, which enriches us as writers, and therefore our writing. Beyond that, I know the unexpected will often end up being the beating heart of the story I am writing.
 
All this has made writing my life adventure. Writing is the tool that has shaped me – helping me grow and live a life of true fulfilment. Writing has not added a lot of money to my bank account, but it has made me rich in ways that matter. I have learnt so much through writing. I have deepened my understanding of myself, of life. I have learnt so much about the real people I so often give voice to in my storytelling. Their histories are not dead to me – but throbbing with the pulse of life.

Creating itself throbs with life – something I wanted to show in my most recent novel, Shades of Yellow. A reader described my novel as a love letter to writing and, while it has other important layers, that is true. My character Lucy mirrors my passion as a writer. She echoes my beliefs as a writer. Like when Eric, the fictional agent of Lucy’s grandfather, suggests to Lucy to craft Elizabeth I as a witch.
 
She clicked her pen in thought. The silent house seemed to amplify the sound. Not wanting to disturb anyone, she put down the pen and recalled what Eric had said, You could make Elizabeth Tudor a witch.’ He laughed. ‘That would really stir the pot with the historical fiction purists. But it would also help sell the book.’

Not liking the suggestion at all, she considered a diplomatic answer. ‘I suspect there are already novels that tackle Elizabeth, the witch angle – especially since Henry VIII accused her mother of using witchcraft to snare him into her power.’ ‘It’s worth thinking about.’ He lifted his eyebrows as if in challenge.
Lucy picked up her pen and returned to her journal.
I don’t want to make Elizabeth a witch, even if it sells books. I don’t want to write a novel that goes against my beliefs or casts an undeserved shadow on the once living. Elizabeth wasn’t a witch. Neither was her mother. (1)

Years ago, I heard Sophie Masson, a respected and well-published Australian author, say at a HNSA conference that to be a writer is to be a lifelong learner. I thought then and think now, that this is so true, just as true Kundera’s words: ‘the writing of a novel takes up a whole era in a writer’s life, and when the labour is done he is no longer the person he was at the start’. 

Writing a novel does indeed change me and take an era of my life. My fastest time to complete a novel was the two years it took for me to write The Light in the Labyrinth. If I am to commit to a project, it must mean something to me. Otherwise, why am I sacrificing my time and energy to create this work?
Tillie Olsen wrote in her book Silences decades ago, ‘The world never asked you to write. My long ago and still instinctive response: What’s wrong with the world then, that it doesn’t ask - and make it possible – for people to raise and contribute the best that is in them’ 

One way I contribute what is best in me is by writing. But to write dictated by what is trending, why should I?

Wendy J Dunn


1: W.J. Dunn, 2025, Shades of Yellow.
2: Kundera, M. 2006, The Curtain: An Essay in Seven parts, HarperCollins Publishers, p. 61.
3: Olsen, T. 1978, Silences. New York, Delacorte Press/ Seymour Lawrence, p. 172..

# # #

About the Author 

Wendy J. Dunn is an award-winning Australian writer fascinated by Tudor history – so much so she was not surprised to discover a family connection to the Tudors, not long after the publication of her first Anne Boleyn novel, which narrated the Anne Boleyn story through the eyes of Sir Thomas Wyatt, the elder. Her family tree reveals the intriguing fact that one of her ancestral families – possibly over three generations – had purchased land from both the Boleyn and Wyatt families to build up their own holdings. It seems very likely Wendy’s ancestors knew the Wyatts and Boleyns personally. Find out more at www.wendyjdunn.com and find Wendy on FacebookInstagram and Bluesky @wendyjdunn.bsky.social

26 February 2026

Blog Tour: Circus Bim Bom: A Cold War Adventure by Cliff Lovette


Available for pre-order 

1990. The Soviet Empire is unraveling. A circus has just arrived in America. When the first privately owned Soviet circus arrived in America in 1990, as the Soviet Empire unraveled, its elite performers hoped to build cultural bridges through spectacular shows. Instead, this prestigious troupe faced a perilous journey through Cold War America.

Circus director Yuri had to navigate treacherous waters where American mobsters, Soviet agents, and political forces circled like predators. As high-stakes conspiracies threatened to tear the circus family apart, they confronted an impossible choice: the authoritarian chains of home or the uncertain promise of freedom.

Young aerialist Anton dreamed of becoming a clown against his family's wishes, while forbidden romances blossomed between Soviet performers and Americans who saw past the ideological divide.

Can human connection transcend ideology? Can storytelling bridge the divides that separate us?

As the Ringmaster reminds us, "The best Soviet stories are like vodka—they burn with suffering, intoxicate with conflict, keep you stewing in reflection, and leave you yearning for your heart's desire."

Based on true events the author learned in 1991, when the circus's American road manager became a client at his Atlanta entertainment law firm.

# # #

About the Author

Cliff Lovette is a father, storyteller, and dog lover living in Sandy Springs, Georgia, with London curled at his feet. Circus Bim Bom: A Cold War Adventure is the first book in his debut duology, followed by Circus Bim Bom: The Great Escape. Find out more at https://bimbombookclub.com/

25 February 2026

Historical Fiction Spotlight: Catherine: A Retelling of Wuthering Heights, by Essie Fox


Available from Amazon UK and Amazon US

With a nature as wild as the moors she loves to roam, Catherine Earnshaw grows up alongside Heathcliff, a foundling her father rescued from the streets of Liverpool. Their fierce, untamed bond deepens as they grow – until Mr Earnshaw's death leaves Hindley, Catherine's brutal brother, in control and Heathcliff reduced to servitude.

Desperate to protect him, Catherine turns to Edgar Linton, the handsome heir to Thrushcross Grange. She believes his wealth might free Heathcliff from cruelty – but her choice is fatally misunderstood, and their lives spiral into a storm of passion, jealousy and revenge.

Now, eighteen years later, Catherine rises from her grave to tell her story – and seek redemption.

Essie Fox's Catherine reimagines Wuthering Heights with beauty and intensity – a haunting, atmospheric retelling that brings new life to a timeless classic and lays bare the dark heart of an immortal love.

`A dazzling feminist retelling of the greatest tragic love affair in fiction … gothic, defiant and heartbreakingly human´ Louisa Treger

`Passionate, vivid, utterly mesmerising … satisfyingly familiar and yet sparking with wild gothic originality´ Kate Griffin

 # # #

About the Author

Essie Fox was born and raised in rural Herefordshire, which inspires much of her writing. After studying English Literature at Sheffield University, she moved to London where she worked for the Telegraph Sunday Magazine, then the book publishers George Allen & Unwin – before becoming self-employed in the world of art and design. Always an avid reader, Essie now spends her time writing historical gothic novels. Her debut, The Somnambulist, was shortlisted for the National Book Awards, and featured on Channel 4’s TV Book Club. The Last Days of Leda Grey, set in the early years of silent film, was selected as The Times Historical Book of the Month. Her latest novel, The Fascination is based in Victorian country fairgrounds, the glamour of the London theatres, and an Oxford Street museum full of morbid curiosities. Essie is also the creator of the popular blog: The Virtual Victorian She has lectured on this era at the V&A, and the National Gallery in London. Find out more from Essie's website https://essiefox.com/ and find her on Facebook, Twitter @essiefox and Bluesky @essiefox.bsky.social

24 February 2026

New Book Review: The Enemy’s Wife (Survivors of War, Book 2) by Deborah Swift


Available for pre-order from Amazon UK

1941. When Zofia’s husband Haru is conscripted into the Imperial Japanese Army, she is left to navigate Japanese-occupied Shanghai alone. Far from home and surrounded by a country at war,  violence tightens its grip on the city, she seeks shelter with her American employer, but the horrors of war and Haru’s absence begin to reshape Zofia’s world – and her heart.

The second instalment of Deborah Swift’s Survivors of War series delivers a powerful and often harrowing exploration of love, loyalty, and moral courage amid the devastation of what became the longest battle of the Second World War.

Set amid the authentic chaos of wartime Shanghai, the atmosphere is tense and claustrophobic. Threaded with moments of unexpected tenderness, Deborah Swift's storytelling is intimate yet cinematic in scale. I particularly liked the nuanced and layered characters, and how even minor players reveal unexpected back stories.

The protagonist Zofia’s internal conflict, torn between duty, survival is handled with sensitivity. Deborah Swift presents wartime choices as morally fraught, and deeply human. The relationships at the heart of the story are shaped as much by hope as fear and loss.

The Enemy’s Wife is an absorbing, compassionate novel with emotional depth and ethical complexity. It is a testament to resilience in the darkest of times—and a reminder that even in war, humanity and kindness endure. Highly recommended.

Tony Riches

See also Review of Last Train to Freedom, Book One of the  Survivors of War series 

# # #

About the Author

Deborah Swift lives in North Lancashire on the edge of the Lake District and worked as a set and costume designer for theatre and TV. After gaining an MA in Creative Writing in 2007 Deborah now teaches classes and courses in writing and provides editorial advice to writers and authors. Find out more at Deborah's website www.deborahswift.com and follow her on Facebook and Twitter @swiftstory

21 February 2026

Book Review: The Boleyn Curse, A New Dualtime Tudor Mystery by Alexandra Walsh


Available for pre-order from 

Step into a magical historical dual-timeline drama that promises long-forgotten secrets, an intriguing treasure hunt and two women who span the ages, joined in their desire to uncover the truth. 

Alexandra Walsh’s The Boleyn Curse is an imaginative and engaging historical novel that blends mystery, history, and the resonant power of female voices. This dual-time novel is actually a ‘triple-time’ story, as a third era is introduced between the Tudors and present day.

In the sixteenth-century timeline King Henry VIII is malevolent and chilling, abusing his power in the worst possible ways. Elizabeth Boleyn is a loyal wife and devoted mother, and her struggle to navigate the treacherous world of Henry’s court is portrayed with authenticity and compassion.

I particularly liked subtle references which are only meaningful for dedicated readers of Alexandra Walsh’s other books, and the present day ‘treasure hunt’, following enigmatic clues that link the three timelines. 

Anyone interested in history dreams of a new discovery of a verifiable primary source which reveals a fresh perspective on our past. Alexandra Walsh turns this to good effect in her story - and explains her inspiration in an author’s note at the end of the book.

The Boleyn Curse builds to an exciting end, and raises thought provoking questions about the little known life of Elizabeth Boleyn. Highly recommended.

Tony Riches

I would like to thank the publishers, Boldwood Books, for providing an advance review copy

# # #

About the Author

Alexandra Walsh is a bestselling author of dual-timeline women’s fiction inspired by the lost voices of history. Her novels span the Tudor, early Stuart, and Victorian eras, exploring secrets, power, and women’s hidden lives across the centuries. Her books include The Marquess House Saga, The Wind Chime, The Music Makers, The Forgotten Palace, The Secrets of Crestwell Hall, The House of Echoes, Daughter of the Stones, The Patron Saint of Married Women and The Boleyn Curse. A former journalist of over twenty-five years, Alexandra now presents The Alexandra Walsh Arts Show on PureWestRadio.com and has worked in television and film as a producer, director and scriptwriter. Alexandra is a Fellow of the Royal Society of Arts and is a member of the Society of Authors and the Historical Writers’ Association. Follow her on social media: Instagram/X (@purplemermaid25), Bluesky (@purplemermaid25.bsky.social), and Substack (@purplemermaid25). For updates and more information visit her website: www.alexandrawalsh.com and follow her on Facebook, Twitter @purplemermaid25 and Bluesky @purplemermaid25.bsky.social