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5 September 2026

Special Guest Post by Anna Belfrage, Author of The Prodigal Son (The Graham Saga Book 3)


Available from Amazon UK and Amazon US

Safely returned from an involuntary stay in Virginia, Matthew Graham finds the Scottish Lowlands torn asunder by religious strife. His Restored Majesty, Charles II, requires all his subjects to swear fealty to him and the Church of England, riding roughshod over any opposition.

A masked pimpernel – of Alexander Peden, devout preacher and religious rebel

One of the joys of writing historical fiction is making the acquaintance of the somewhat lesser known people who once played important roles in the events of the past. One such person is Alexander Peden, the charismatic Scottish Kirk minister who set large parts of Ayrshire ablaze with his determined refusal to abandon his faith. He plays a pivotal role in my book The Prodigal Son and inspires my male hero  Matthew Graham to risk life and limb in his steadfast support of the Covenanter cause. 

This does not endear Alexander Peden to Matthew’s time traveller wife, Alex, who spends far too much time with her heart in her mouth while Matthew is off playing the hero. Should he be caught, they’d likely hang him—or sell the entire Graham family into bondage in the new world. Alex does not understand how anyone can risk so much for religion. Matthew cannot comprehend how she cannot see that some things are worth dying for. Let’s just say the Graham family is at an impasse . . . 

While Matthew is a purely fictional character, anyone familiar with the history of the Covenanters and their persecution in the late 17th century will, at some point or another, have stumbled over Mr Peden.
To me, Sandy Peden – oops, Alexander Peden (Sandy to friends only, and I’m not quite sure I qualify) – came alive the day I stood in the National Museum of Scotland and peered at his mask.  


17th-century disguise mask and wig worn by Alexander Peden, 
a  Scottish religious rebel, on display at the 
National Museum of Scotland 

I realise that the purpose of the mask was to disguise him, thereby leading me to assume he didn’t at all look like it. Still, when studying the mask I had my first clear image of Sandy – a slight man who burned with restless energy, whose eyes glowed with passion when he spoke about God. A brave man, a stubborn man – and a man convinced that his faith and his beliefs were the right ones. 

“Of course they are,” he says, sounding aggravated. 
    “You think?” I snort. “All that stuff about predestination, about the relative unimportance of women…”
    “Pah! Just shows how little you know! Now, I am willing to take on the task of educating you – however much of a Sisyphus task that might be.”
    I ignore the little man. I’m not uneducated, thank you very much. 
    “Aye you are,” he says. “You have studied such varied subjects but how much of your academic efforts have you expended on God? On the Holy Writ?” He sinks those luminous grey eyes of his into mine. “No, I thought as much,” he says before fading away.
 
Alexander Peden was born in 1626 and educated at Glasgow University. In 1662 he was ejected from his parish New Luce—the restored king, Charles II, and his advisors were determined to supplant the Scottish Kirk with the Church of England. Peden spent the rest of his life as a religious rebel, holding secret services out on the moors of Ayrshire to fortify his ever-growing flock of die-hard Presbyterians. 

The powers that were searched high and low for him, but Sandy knew how to blend into the landscape—ably helped by my Matthew—and to further confuse his pursuers he wore the mask mentioned above. It is said that on several occasions he evaded capture by praying to God for deliverance – which God duly supplied through the opportune appearance of a thick fog or clouds to cover the moon. 

“God looks to his own,” Sandy puts in, scratching at his balding head. He smells, his dark coat is frayed around the cuffs and has a long tear down the back. He looks tired and dirty, and he keeps on coughing.     He frowns at my inspection. “It’s not a life of comfort to be constantly on the run.” 
    “So why not give up?” 
    “Give up?” Sandy raises fair, bushy brows. “I’m outlawed. They’d hang me off the first gallows they could find.” 

No matter divine intervention, Sandy’s luck eventually ran out. In 1673 he was captured and spent the coming five years on the Bass Rock. After this, he was to be deported to America and together with 60 others he was set aboard a ship to London where they were to be transferred to another, larger vessel. However, the captain of this vessel was so incensed when Sandy informed him why they were being deported that he released them, leaving them on the London docks. 

“A good man,” Sandy laughs. “He would no more carry me off against my will than he would kill his mother.” He scratches at his chest. “Lice,” he mutters. “Courtesy of His Majesty’s tender care, I reckon.” 
    “Or of living rough.”  
    “That too.” He purses his lips. “Sometimes…” 
    “Sometimes what?” 
    Sandy shakes his head. “Nowt,” he says, smiling ruefully. 
    “Go on; sometimes…” 
    “… I long for a bed – a warm home, a family…” He stares off in the distance. “God has ordained and I must obey.”

After the encounter with the godly captain, Sandy and his companions walked all the way home. For the remaining years of his life, Sandy divided his time between Scotland and Ireland, always on the run, always holding to his faith and preaching the word of God as he knew it. 
Alexander Peden died in 1685 – in a bed, as he’d prophesised. 

“Of course,” Sandy says. “God allowed me one last night of comfortable sleep.” 
    “That was nice of him.” Seems the least he could do, given Sandy’s unstinting service. 
    Sandy wags his finger at me. “You sound like Alexandra Graham. That woman is in serious need of guidance, but that husband of hers is too besotted with her to do as he should.” 
    “He is?” I smile, thinking that if Matthew is besotted with Alex, she definitely returns the favour. 
    “You know he is.” Sandy smiles. “A marvellous woman, for all that she is wild and half-heathen.” 
    “Matthew isn’t too bad either,” I say. 
    Sandy chuckles and gets to his feet. “Well you would say so, wouldn’t you? After all, you’ve made him up.” With that he is gone.
    
Upon hearing Alexander Peden was dead a company of soldiers chose to disinter his body, intending to hang his corpse from the gallows in Cumnock. Loud objections from the people led to Sandy being reburied at the foot of the gallows. In due course, an impressive monument was erected over his final resting place. Not that Sandy ever wanted a monument – all he wanted was the freedom to worship God according to his beliefs.

If the above has inspired you to want to learn more about Alexander Peden and the religious persecution that plagued the Scottish Lowlands in the aftermath of the Restoration, why not read The Prodigal Son ?
Safely returned from an involuntary stay in Virginia, Matthew Graham finds the Scottish Lowlands torn asunder by religious strife. His Restored Majesty, Charles II, requires all his subjects to swear fealty to him and the Church of England, riding roughshod over any opposition. 

In Ayrshire, people close ranks around their evicted Presbyterian ministers. But disobedience comes at a high price, and Alex becomes increasingly nervous as to what her Matthew is risking by his support of the clandestine ministers – foremost amongst them the charismatic Sandy Peden. 

Privately, Alex considers Sandy an enervating fanatic and all this religious fervour is  incomprehensible to her. So when Matthew repeatedly sets his faith and ministers before his own safety, he puts their marriage under severe strain. 

Things are brought to a head when Matthew places all their lives in the balance to save his dear preacher from the dragoons. How much is Matthew willing to risk? How much will he ultimately lose?

Anna Belfrage 

# # #

About the Author

Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with two absorbing interests: history and writing. Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy which is set in 14th century England.  Her Castilian Heart is the third in her “Castilian” series, a stand-alone sequel to her September 2020 release, His Castilian Hawk. Set against the complications of Edward I’s invasion of Wales, His Castilian Hawk is a story of loyalty, integrity—and love. In the second instalment, The Castilian Pomegranate, we travel with the protagonists to the complex political world of medieval Spain. This latest release finds our protagonists back in England—not necessarily any safer than the wilds of Spain! Anna has also authored The Whirlpools of Time in which she returns to the world of time travel. Join Duncan and the somewhat reluctant time-traveller Erin on their adventures through the Scottish Highlands just as the first Jacobite rebellion is about to explode!  All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards. Find out more about Anna, her books and enjoy her eclectic historical blog on her website, www.annabelfrage.com and find her on Facebook, Twitter @abelfrageauthor and Bluesky @abelfrageauthor.bsky.social

4 September 2026

Historical Fiction Spotlight: The Fern Flower, by Kathleen Shoop


Available from Amazon UK and Amazon US


Russia 1908-1917: Born into privilege as the daughter of the Tsar’s favored vodka maker, Mila appears to have everything: wealth, status, and a household devoted to her happiness. But behind the gilded doors of her family estate, she is trapped by the cruelty of a stepmother whose greatest wish is to give birth to her own child.

Each summer on Ivan Kupala Eve, Russia turns its gaze to river bends and forest floors in search of the legendary Fern Flower—a mythical bloom said to grant fortune, power, and the deepest desires of the heart. Only one person had ever found it.

Until Mila.

Years later, in the fading grandeur of Petrograd, Mila and her friends slip into the fabled Stray Dog CafĂ©, once the sanctuary of Russia’s most daring artists and dreamers. Inspired by its ghosts, murals, and memories, Mila's group resurrects the work she'd first imagined as a child. The Fern Flower is a breathtaking ballet drawn from folklore, magic, and the secrets of Mila’s past.

But in the fiercely competitive ranks of the Imperial Ballet School, talent is never enough. Though Mila wrote the ballet and her gifted musician friend composed its score, rivals question whether Mila is worthy of claiming the coveted lead role.

As World War I intensifies and revolution ignites, the Russia Mila knows begins to collapse. Family secrets surface, loyalties are tested, and the people she loves begin to disappear. When her parents flee and her young brother’s life hangs in the balance, Mila is faced with an impossible choice: remain with the found family who helped her chase her dreams or risk everything to save the person who needs her most.

With Russian folklore, imperial grandeur, and the fierce beauty of ballet, The Fern Flower is a sweeping tale of ambition, friendship, sacrifice, and the magic that survives even when the world is falling apart.

# # #

About the Author

Bestselling author, Kathleen Shoop, PhD’s novels have won awards in the Independent Publisher Book Awards (IPPY), Eric Hoffer Book Awards, the Next Generation Indie Book Awards, Readers’ Favorite, and more. Kathleen has more than 20 years of experience in the classroom and has been featured in USA Today and the Writer’s Guide. She co-coordinates Mindful Writers Retreats and co-coordinated the 2023 Pennwriters Conference.  She frequently teaches and is a regular presenter at conferences for writers. Find out more at Kathleen's website: http://kshoop.com and find her on Instagram, Facebook, Twitter / X @kathieshoop and Bluesky @kathleenshoop.bsky.social

3 September 2026

Book Launch Spotlight: Queens and Kings: An Unusually Personal History, by Lucy Worsley


Available from Amazon UK and Amazon US

Lucy Worsley has lived and breathed royal history for more than twenty years. As Chief Curator of Historic Royal Palaces, she worked in some of Britain's most famous royal sites, from Hampton Court to the Tower of London, and even lived in one of them herself. Now she takes us behind closed doors to reveal some of the monarchy's best-kept secrets.

In Queens and Kings, Lucy brings to life the rulers who have shaped Britain over the last thousand years, from Henry VIII and Anne Boleyn to Queen Victoria and Elizabeth II. What emerges is a royal world far stranger, funnier and more surprising than we might think: of intimate love letters, phantom pregnancies, unruly pet monkeys and fatal betrayals. Venturing through haunted staircases and into private bedchambers, she finds the details that make history feel gloriously human.

With her trademark warmth and incisive scholarship, Lucy explores the full splendour, scandal and sorrow of royal life. The result is a wildly engaging history of the monarchy from one of our most beloved historians.

'Warm, insightful, and full of heart, Worsley has distilled a lifetime of experience into this crowning achievement of a book.' HALLIE RUBENHOLD

# # #

About the Author 

Dr Lucy Worsley was Chief Curator at Historic Royal Palaces, the charity which looks after the Tower of London, Hampton Court Palace, Kensington Palace, and other historic places. Her first paid employment after studying history at Oxford was at a minor stately home called Milton Manor, near Abingdon, where she fed the llamas. After that she became an Inspector of Ancient Monuments at English Heritage, doing historical research at Bolsover Castle in Derbyshire: this led to her first book, 'Cavalier', about a dissolute Royalist duke. Her work as a curator at Kensington Palace led to 'Courtiers', which was followed by 'If Walls Could Talk', 'A Very British Murder', and her first historical novel for young readers, 'Eliza Rose', which is set at the Tudor court.for young readers, 'Eliza Rose', which is set at the Tudor court. For more information visit Lucy's website www.lucyworsley.com and find her on Twitter @Lucy_Worsley and Bluesky @lucyworsley.bsky.social

1 September 2026

Book Launch Spotlight: The Goddess Queen: The sweeping historical novel by Alice Roberts


Available from Amazon UK and Amazon US

QUEEN OF EGYPT. WARRIOR OF ROME. THE FATE OF AN EMPIRE.

The Roman Republic is crumbling, torn apart by rivalries. Egypt is a wellspring of wealth, but its rulers have squandered their advantage and ended up hopelessly indebted to the protection racket that called itself Rome.

Now a woman, as Pharaoh, has a chance to reclaim what Egypt has lost. And a disgraced Roman commander has his chance to reclaim his sword and wield it to build an empire unlike anything the world had seen.

Their stories collide in a maelstrom of ancient history, high politics and power. This is the story of Cleopatra, the Egyptian queen who confronted and contested the power of Rome. And Antonius, the soldier who might be her salvation or her downfall.

# # #

About the Author

Professor Alice Roberts is an academic, author and broadcaster. Best known for her  programmes and write books about human anatomy, physiology, evolution, archaeology and history, she is a medical doctor, and went on to become a university lecturer. and Professor of Public Engagement with Science at the University of Birmingham. Find out more at Alice's webssite https://www.alice-roberts.co.uk and you van also find her on Facebook and Twitter @theAliceRoberts 



30 August 2026

Book Launch Guest Post by Rosemary Griggs, Author of Queen Elizabeth I's Governess: The Real Kat Ashley


Available from Amazon UK and Amazon US

The name ‘Kat Ashley’, Queen Elizabeth’s ‘Governess’, is well-known to fans of Tudor history. Katherine Champernowne, later John Astley’s wife, joined Elizabeth’s household before the future queen turned three. Later she became Elizabeth’s ‘governess’, trusted with the upbringing of the King’s younger daughter. Formidably well-educated for a woman of her time, reports suggest Katherine did an excellent job. When Elizabeth came to the throne, one of her first actions was to name Katherine as Chief Gentlewoman of the Privy Chamber, a highly influential position within the court of a female monarch.

Although they served at the court of Henry VIII, the Champernowne family are not well known to those who study Tudor history. However, anyone interested in the early life of Elizabeth I will have come across Katherine Champernowne, later the wife of John Astley. She is widely known as Elizabeth’s childhood governess, Kat Ashley. I prefer to call her Kate, partly because the evidence that Elizabeth actually used the short form ‘Kat’ is not overwhelming, but also to reinforce that I have found a woman who differs from the Kat of popular culture.

Kate appears briefly in many learned biographies of Henry VIII’s younger daughter. It’s often been supposed she came from a minor gentry family. Writers and filmmakers often portray her in fiction and on screen as a rather foolish, gossipy nanny figure, a minor supporting character in the fascinating drama of Elizabeth’s fraught early years. My research tells a different story.

Far from being from a rural gentry background, Kate was close to people at the heart of the Tudor Court. By the early 16th century, the Champernownes of Devon had expanded their lands well beyond the west country, into Gloucestershire and Oxfordshire. Over many generations, through dynastic marriages, they forged alliances with powerful families, including Poyntz, Carew, and, most notably, Courtenay.

Like many women of her time, the historical record remains stubbornly silent about Kate’s early life. She first comes to notice when appointed to the household of three-year-old Elizabeth in 1536. Exploring her family connections and the people she was close to places that appointment in context.

Kate was the eldest daughter of Sir Philip Champernowne, a close relative of Henry Courtenay, Marquess of Exeter, first cousin and companion of the young Henry VIII. The Marquess’s father was Sir Philip’s first cousin. Sir Philip served as squire of the body to the king for a time, mixing with other well-known courtiers, before he retired to the west country, where he often deputised for the Marquess. Kate may have gained her formidable education among her powerful Courtenay relatives.

Through her maternal grandmother, Kate also had connections to the Poyntz family, who held prominent positions in Catherine of Aragon’s household. Kate’s great aunt married Sir Anthony Poyntz. She is likely the Elizabeth Poyntz who had care of Henry VIII’s short-lived son, Henry Duke  of Cornwall. Also on the maternal side, Kate’s uncle, Sir Gawen Carew married Charles Brandon, Duke of Suffolk’s sister. 

Brandon was a close friend of the king and married Mary Tudor, the king’s sister, after the death of her first husband, the King of France. Sir Gawen became a prominent courtier, soldier and diplomat. Sir George Carew, ill-fated captain of the Mary Rose, and his brother Sir Peter, were Kate’s cousins. 

Kate’s sister, Joan, was one of Catherine Parr’s ladies and shared her interest in the reformed religion. Joan married Sir Anthony Denny, a man so close to King Henry VIII that he was the only one brave enough to tell the dying king that his end was near. Kate’s brother, John, also had a place at court. According to Sir Richard Carew of Anthony, writing in the early years of the  seventeenth century, John was popular with King Henry ‘for his pleasant conceits’.  So Kate moved in circles close to the royal court. She also knew many Cambridge-educated intellectuals.

Not long after Anne Boleyn’s execution, Kate was one of a group of serving gentlewomen appointed to serve Anne’s three-year-old daughter. Their role was to keep company with the little girl, to entertain her, and at all times to model the behaviour and manners expected of a noblewoman in the sixteenth century.  Soon after this appointment, Kate made her first known appearance in the historical record with an extraordinarily bold letter to Thomas Cromwell. That letter, dated 5 October 1536, made me stop and think about the way historians and writers have traditionally portrayed Kate’s character.

To paraphrase the letter — there’s a full transcript in my book — Kate thanks Cromwell for recommending her to the king for her new post. She then asks him if he could speak to the king about payment for her services. Unfortunately, we only have half of this fascinating correspondence. Many of Thomas Cromwell’s papers were destroyed at the time of his downfall, and his response has not survived. In 1536, Cromwell was the most powerful man in the land, after the king. He was not a man who acted without a purpose.

Political considerations influenced his every decision, including Kate’s appointment.  I found it very hard to reconcile the author of that letter to the great man with the foolish character traditionally given to Kate. Would a girl, however well educated, from a minor gentry family, really have dared to write to him in those terms? And would Cromwell have even considered appointing someone so lacking in judgement?
I
n 1536, Lady Margaret Bryan was Elizabeth’s Lady Mistress, having overall oversight of the child’s upbringing and early years education. Lady Troy, working with Lady Bryan, was Elizabeth’s governess, and likely introduced the child to her letters using a hornbook. At that time, no one expected Elizabeth would become queen. Rather, as the king’s daughter, even though declared illegitimate, she was a valuable commodity in the marriage market. In her early years, she must gain all the attributes that would make her attractive as a bride.

Sometime after Lady Bryan took charge of the nursery of Edward VI in 1537, and Lady Troy became Lady Mistress to Elizabeth, Kate was promoted to Elizabeth’s governess. More than ten years later, in a letter to Protector Edward Seymour, dated 31 January 1549, Sir Robert Tyrwhitt, who was questioning Elizabeth about her involvement with Thomas Seymour, confirmed that it was King Henry VIII himself who promoted Kate to be Elizabeth’s Lady Mistress. That means she became Lady Mistress before King Henry died in 1547.  It also tells us that Kate not only had the support and trust of Cromwell but also of Elizabeth’s father.

Many assumptions and myths have grown up about Kate Astley, repeated so often that people consider them facts. She’s been called jolly and kind, with unconventional teaching methods, and given credit for single-handedly introducing the little girl to a long list of subjects. These statements are not confirmed in primary sources. As a royal governess, her remit was much broader than that of a Jane Eyre-style Victorian governess. Kate also had to be a mentor, adviser, and protector. She did not deliver all the academic lessons herself but had oversight of input from a range of tutors, music masters, dance teachers, riding instructors and a chaplain, who covered a wide-ranging curriculum.

From nineteenth-century scholars to more recent historians, the focus has been on the events of 1548-49 when Elizabeth was under the roof of her stepmother, the Dowager Queen, Catherine Parr, and her new husband, Thomas Seymour. Kate’s deposition, taken in the Tower of London in January 1549, gives all the salacious details of Seymour’s behaviour towards the fourteen-year-old girl, which appear to modern eyes beyond inappropriate. As a result, Kate has been declared negligent, a gossip, and even considered to have herself been infatuated with the dashing Admiral. 

These assessments do not seem to fit with the view of Elizabeth’s tutors, William Grindal and Roger Ascham, who both praised Kate for her care of the young princess. In my book, I explore an alternative scenario, placing Kate’s testimony in a different light as part of a strategy designed to protect the young princess. Interpretations of that difficult period have largely defined what people think about Kate Astley, while her later years have often been overlooked. Closer study reveals Kate as a political actor, staunchly loyal to Elizabeth.

In 1554, after the Wyatt rebellion against Queen Mary’s Spanish marriage, Kate suffered a long period of house arrest. She was suspected because her cousin, Sir Peter Carew, was a prime mover in the failed plot. Mary eventually allowed Kate to rejoin her mistress briefly, but clearly considered Kate a dangerous influence on Elizabeth and a threat. Only a few months later she held Kate in the Fleet Prison on suspicion of involvement in another plot and then banished her from Elizabeth’s service.

After Elizabeth came to the throne, she made Kate her Chief Gentlewoman of the Privy Chamber, a pivotal role with unique, intimate access to the queen. Kate was Elizabeth’s eyes and ears, listening out for damaging gossip and keeping Elizabeth in touch with how her policies were being received at court and beyond. Anyone who wanted to approach Elizabeth talked to Kate. She gave advice on what sort of gifts might be welcome at New Year.  An Italian news sheet described her as ‘Patroness of all England’ in 1562.  A year after Kate’s death, Hugh Fitzwilliam wrote to the queen saying, ‘Now that Mrs Ashley is gone he has no friend to make his moan to.’

Kate acted as a highly political female courtier at the court of a female monarch. Her death in 1565 left the queen devastated. The two women shared a close bond of mutual love and respect for nearly 30 years. Kate Astley arguably had more influence on the young Elizabeth I than anyone else. She deserves our further consideration.

I hope that Queen Elizabeth’s Governess: The Real Kat Ashley will encourage further debate about a remarkable woman.

Rosemary Griggs

# # #

About the Author

Author and speaker Rosemary Griggs has been researching Devon's sixteenth-century history for years. She has discovered a cast of fascinating characters and an intriguing network of families whose influence stretched far beyond the West Country. She loves telling the stories of the forgotten women of history — the women beyond the royal court; wives, sisters, daughters and mothers who played their part during those tumultuous Tudor years: the Daughters of Devon. Her novel A Woman of Noble Wit tells the story of Katherine Champernowne, Sir Walter Raleigh’s mother, and features many of the county’s well-loved places. The Dartington Bride, published March 2024, is the extraordinary tale of Lady Gabrielle Roberda Montgomery who travelled from France to Elizabethan England to marry into the prominent and well-connected Champernowne family. Rosemary creates and wears sixteenth-century clothing, a passion which complements her love for bringing the past to life through a unique blend of theatre, history and re-enactment. Her appearances and talks for museums and community groups all over the West Country draw on her extensive research into sixteenth-century Devon, Tudor life and Tudor dress, particularly Elizabethan. Out of costume, Rosemary leads heritage tours of the gardens at Dartington Hall, a fourteenth-century manor house and now a a historic visitor destination, events venue and thriving community of businesses, colleges and more. You can find out more on Rosemary’s website:  https://rosemarygriggs.co.uk/ and follow her on Bluesky and Twitter @RAGriggsauthor

29 August 2026

Anna of Denmark and Inigo Jones


Available from Amazon UK and Amazon US

A crown won in the eye of a storm. A queen who refuses to be broken... Princess Anna of Denmark sails for Scotland to marry King James VI, but storms ravage her fleet, igniting a deadly obsession with witchcraft in her new home. Arriving in a strange and paranoid court, Anna finds her new husband’s bed is a treacherous place.
 
While researching my new book, ‘Queen Anna’, about the life of Anna of Denmark, I realised the significance of her unlikely relationship with Inigo Jones, the son of clothworker from Smithfield, London. Together, they led an artistic renaissance that transformed the ‘masque’ into an important diplomatic spectacle, laid the foundations of British classical architecture, and influenced the public perception of the Stuart dynasty. 

Anna arrived in England after the death of Queen Elizabeth I in 1603 as queen consort of King James VI and I, she brought with her a bold, artistic sensibility that redefined the Jacobean court. Anna employed Inigo Jones as her stage designer, and found he was a visionary artist and aspiring architect who would become her ultimate creative partner. 


Sketch for a portrait of the architect Inigo Jones,
created by Anthony van Dyck around 1632.
(Wikimedia Commons)

Stagecraft and Spectacular Masques

Queen Anna was passionate about the court masque, extravagant theatrical spectacles combining poetry, music, dancing, and elaborate set design. Collaborating with playwright Ben Jonson, who probably recommended Inigo Jones as a set designer, Queen Anna transformed these performances into dazzling displays of royal majesty. 

For landmark productions like The Masque of Blackness (1605) and The Masque of Queens (1609), Anna commissioned the works and took centre stage as a performer, ordering the late queen’s priceless gowns to be adapted as costumes. Inigo Jones brought her theatrical visions to life using innovative stagecraft he’d discovered while working in Italy.

He designed exotic, glittering costumes and introduced innovative, movable scenery, perspective stage sets, and hidden machinery that amazed the court. Through these masques, Anna asserted her independence and cultural authority, and Inigo Jones established himself as the master of illusion in England. 

 
Masque costume "A Star" by Inigo Jones
(Wikimedia Commons)

Redefining Royal Spaces: Denmark House

As their creative alliance deepened, Queen Anna entrusted self-trained architect Inigo Jones with grander architectural commissions. In the 1610s, Anna made Somerset House on the Strand her primary London residence and renamed it Denmark House to honour her Danish heritage. 

She appointed Inigo Jones, by then appointed the Surveyor of the King’s Works, to modernise and remodel the aging Tudor mansion. Jones introduced classical renaissance ideas, remodelling the courtly apartments, designing a grand new cabinet room, and creating a sophisticated, continental venue where Anna hosted foreign ambassadors, literary figures, and intellectuals. 

The Masterpiece: The Queen’s House at Greenwich

Anna’s most enduring legacy with Inigo Jones came in 1616, when she commissioned him to design a private pavilion at Greenwich. The site presented an unusual challenge, as the main road between Deptford and Woolwich cut directly through the royal grounds. 

Inigo Jones devised an elegant, symmetrical 'H'-shaped villa that bridged over the bustling road, connecting the royal gardens to the palace grounds. Inspired by the Italian Palladian style Jones had studied abroad, the Queen's House featured white stonework and harmonious proportions. 


The Queen’s House at Greenwich
(Wikimedia Commons)

Their Legacy 

Queen Anna never saw her Greenwich palace completed. She fell ill and passed away in March 1619, leaving the building half-finished. Construction stalled for over a decade until work resumed under Queen Henrietta Maria, who saw Jones's grand design realised in the 1630s. 

The partnership between Anna of Denmark and Inigo Jones transformed English art and architecture. Anna provided the dynamic patronage, European ambition, and financial backing, while Inigo Jones supplied the artistic and architectural genius. Together, they pushed Jacobean court culture into a brilliant new era and began a renaissance which endures to this day.

Tony Riches

25 August 2026

Author Interview with Ellen Rachlin, Author of Enheduanna's Song From The Sands


Available from 

Discover the untold story of Enheduanna, the world’s first named author, as she navigates power, betrayal, and divine destiny in ancient Mesopotamia. A mesmerizing fusion of history, myth, and female leadership that challenges how we see the past—and ourselves.

I'm pleased to welcome author Ellen Rachlin to The Writing Desk:

Tell us about your book.

It’s about a little-known ancient world that lasted for about 2,000 years, a high priestess who happens to be the world’s first named author, a life-or-death struggle that shaped the course of literature, and revenge.

Enheduanna is one of the most notable historical figures of ancient Mesopotamia. She wielded a great deal of power, but paid a steep price for assuming such authority. She was the daughter of Sargon the Great, a prominent high priestess, and the world’s first named author. There is attestation in one of the hymns attributed to her that she was forced into exile by a rebel king, but later reinstated. That’s all we know. My story imagines her rise to power, her fall, and her restoration.

The remarkable works attributed to her make her extraordinary, whether or not she was their actual author. We don’t know which is true, but both possibilities help explain why she stands out as one of the most memorable figures of this long chapter in ancient history. That uncertainty gave me the freedom to create a rich narrative around an extraordinary woman’s life.

What is your preferred writing routine?

I enter a state of slight panic that I can’t channel my characters deeply enough. That’s when I’m most alert. Then I calm down and write, ideally every day.

What advice do you have for aspiring writers?

Study with teachers who know what they are doing. Learn craft first. Without structure, it’s much more difficult to communicate your story. Without knowing the basic elements, it’s impossible to know how the rules can be changed, if one chooses to do so. Then keep studying and reading. I’m still learning.

After that, focus on the story you wish to tell and on creating it. There’s a more commercial approach in which a writer studies the market and embraces where readership is concentrated. If one can write quickly, I suppose that’s a viable process, but tastes change, and it takes a long time to bring a book to readers.

If you write what you are passionate about, you’re more likely to make your characters come alive.

What have you found to be the best way to raise awareness of your books?

There are so many outlets. I don’t think anyone knows what works best. Writers I know try everything, and there are lots of people willing to help. But at the heart of raising awareness is the author’s willingness to stand behind their work and champion it. Authors are the best spokespeople for their work.

Tell us something unexpected you discovered during your research

Ancient Mesopotamian myths echoed mortal life experiences. Their gods were neither solely good nor solely evil, but complex beings possessing elements of both. They were subject to errors in judgment, human-like weaknesses, accountability for their actions, and judgment by other gods. This is quite different from modern notions of divinity.

Because of these qualities, the myths offered natural parallels to the Enheduanna of my imagination. She is a woman of remarkable agency for her time. She is also targeted by rebels and even by her own brothers. She is victimized, but refuses to be a victim. At first, this makes her ruthless, just as the gods can be in the myths. Yet, as in the myths, power has its price.

The myths themselves became my inspiration, along with Enheduanna’s mysterious and largely unknown life.

What was the hardest scene you remember writing?

Every scene has challenges; the most difficult one in Enheduanna’s Song From the Sands was the first chapter. I couldn’t tell her story without telling her father’s story. Enheduanna didn’t make enemies; she inherited generational ones. Sargon’s story needed to be told without interruption, so I began there rather than with Enheduanna. Slowing down and choosing to open with Sargon as a young cupbearer (one responsible for food and drink for a king) was a difficult choice.

What are you planning to write next?

At the moment, I’m writing a literary novel set in modern times, but I plan to return to ancient Mesopotamia, as there are so many figures from that era who fascinate me. By then, I hope that more readers will be curious about ancient Mesopotamia.

Ellen Rachlin

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About the Author

Ellen Rachlin’s poetry has appeared in American Poetry Review, Comstock Review, Granta, Court Green, Literary Imagination, and various anthologies.  She has published two collections of her poems, Until Crazy Catches Me (Antrim House, 2008) and Permeable Divide (Antrim House, 2017), winner of the 2018 IBPA Benjamin Franklin Silver Award.  She is also the author of two chapbooks, Waiting for Here (Finishing Line Press, 2004), a finalist in the New Women's Voices series, and Captive to Residue (Flarestack Publishing, 2009).  She received her MFA from Antioch University.  She serves as Treasurer of The Poetry Society of America and is a partner at Blue Leaf Ventures.  Other writing genres include numerous textbook and journal articles on the subject of finance and investing with various publishers including Wiley. Find out more at Ellen's Website: https://www.ellenrachlin.com/  and find her on Facebook and Instagram