It was better. Ten years have done nothing to diminish the power of the story telling that runs through this book. There are also some great quotes that passed me by on the original reading (or perhaps slipped into my subconscious) such as ‘the editor is always right’ and ‘2nd draft = 1st draft – 10%.’ It’s easy to see how King has drawn on his childhood experiences in character development. Growing up in poverty was an adventure - and no TV seems to have been a distinct advantage. Undaunted by his growing pile of rejection slips, Stephen King just knew he was meant to write and nothing was going to stop him.
I really liked his description of the moment he had his first big advance (for Carrie). The early draft had been rescued from the waste bin by his wife. (She smoothed out all the crumpled balls of paper and said she wanted to hear the rest of the story. The film version made $33.8 million in the U.S. alone).
Although there are plenty of useful tips for writers throughout, the most thought provoking part of this book is the final section, ‘On Living: A Postscript.’ King explains, ‘Writing is not life, but I think that it can be a way back to life. That was something I found out in the summer of 1999, when a man driving a blue van almost killed me.’ You have to read it.