Mastodon The Writing Desk: Tudors
Showing posts with label Tudors. Show all posts
Showing posts with label Tudors. Show all posts

10 October 2026

Special Guest Post by Rosemary Griggs, Author of Queen Elizabeth I's Governess: The Real Kat Ashley


Available from Amazon UK and Amazon US

The name ‘Kat Ashley’, Queen Elizabeth’s ‘Governess’, is well-known to fans of Tudor history. Katherine Champernowne, later John Astley’s wife, joined Elizabeth’s household before the future queen turned three. Later she became Elizabeth’s ‘governess’, trusted with the upbringing of the King’s younger daughter. Formidably well-educated for a woman of her time, reports suggest Katherine did an excellent job. When Elizabeth came to the throne, one of her first actions was to name Katherine as Chief Gentlewoman of the Privy Chamber, a highly influential position within the court of a female monarch.

Although they served at the court of Henry VIII, the Champernowne family are not well known to those who study Tudor history. However, anyone interested in the early life of Elizabeth I will have come across Katherine Champernowne, later the wife of John Astley. She is widely known as Elizabeth’s childhood governess, Kat Ashley. I prefer to call her Kate, partly because the evidence that Elizabeth actually used the short form ‘Kat’ is not overwhelming, but also to reinforce that I have found a woman who differs from the Kat of popular culture.

Kate appears briefly in many learned biographies of Henry VIII’s younger daughter. It’s often been supposed she came from a minor gentry family. Writers and filmmakers often portray her in fiction and on screen as a rather foolish, gossipy nanny figure, a minor supporting character in the fascinating drama of Elizabeth’s fraught early years. My research tells a different story.

Far from being from a rural gentry background, Kate was close to people at the heart of the Tudor Court. By the early 16th century, the Champernownes of Devon had expanded their lands well beyond the west country, into Gloucestershire and Oxfordshire. Over many generations, through dynastic marriages, they forged alliances with powerful families, including Poyntz, Carew, and, most notably, Courtenay.

Like many women of her time, the historical record remains stubbornly silent about Kate’s early life. She first comes to notice when appointed to the household of three-year-old Elizabeth in 1536. Exploring her family connections and the people she was close to places that appointment in context.

Kate was the eldest daughter of Sir Philip Champernowne, a close relative of Henry Courtenay, Marquess of Exeter, first cousin and companion of the young Henry VIII. The Marquess’s father was Sir Philip’s first cousin. Sir Philip served as squire of the body to the king for a time, mixing with other well-known courtiers, before he retired to the west country, where he often deputised for the Marquess. Kate may have gained her formidable education among her powerful Courtenay relatives.

Through her maternal grandmother, Kate also had connections to the Poyntz family, who held prominent positions in Catherine of Aragon’s household. Kate’s great aunt married Sir Anthony Poyntz. She is likely the Elizabeth Poyntz who had care of Henry VIII’s short-lived son, Henry Duke  of Cornwall. Also on the maternal side, Kate’s uncle, Sir Gawen Carew married Charles Brandon, Duke of Suffolk’s sister. 

Brandon was a close friend of the king and married Mary Tudor, the king’s sister, after the death of her first husband, the King of France. Sir Gawen became a prominent courtier, soldier and diplomat. Sir George Carew, ill-fated captain of the Mary Rose, and his brother Sir Peter, were Kate’s cousins. 

Kate’s sister, Joan, was one of Catherine Parr’s ladies and shared her interest in the reformed religion. Joan married Sir Anthony Denny, a man so close to King Henry VIII that he was the only one brave enough to tell the dying king that his end was near. Kate’s brother, John, also had a place at court. According to Sir Richard Carew of Anthony, writing in the early years of the  seventeenth century, John was popular with King Henry ‘for his pleasant conceits’.  So Kate moved in circles close to the royal court. She also knew many Cambridge-educated intellectuals.

Not long after Anne Boleyn’s execution, Kate was one of a group of serving gentlewomen appointed to serve Anne’s three-year-old daughter. Their role was to keep company with the little girl, to entertain her, and at all times to model the behaviour and manners expected of a noblewoman in the sixteenth century.  Soon after this appointment, Kate made her first known appearance in the historical record with an extraordinarily bold letter to Thomas Cromwell. That letter, dated 5 October 1536, made me stop and think about the way historians and writers have traditionally portrayed Kate’s character.

To paraphrase the letter — there’s a full transcript in my book — Kate thanks Cromwell for recommending her to the king for her new post. She then asks him if he could speak to the king about payment for her services. Unfortunately, we only have half of this fascinating correspondence. Many of Thomas Cromwell’s papers were destroyed at the time of his downfall, and his response has not survived. In 1536, Cromwell was the most powerful man in the land, after the king. He was not a man who acted without a purpose.

Political considerations influenced his every decision, including Kate’s appointment.  I found it very hard to reconcile the author of that letter to the great man with the foolish character traditionally given to Kate. Would a girl, however well educated, from a minor gentry family, really have dared to write to him in those terms? And would Cromwell have even considered appointing someone so lacking in judgement?
I
n 1536, Lady Margaret Bryan was Elizabeth’s Lady Mistress, having overall oversight of the child’s upbringing and early years education. Lady Troy, working with Lady Bryan, was Elizabeth’s governess, and likely introduced the child to her letters using a hornbook. At that time, no one expected Elizabeth would become queen. Rather, as the king’s daughter, even though declared illegitimate, she was a valuable commodity in the marriage market. In her early years, she must gain all the attributes that would make her attractive as a bride.

Sometime after Lady Bryan took charge of the nursery of Edward VI in 1537, and Lady Troy became Lady Mistress to Elizabeth, Kate was promoted to Elizabeth’s governess. More than ten years later, in a letter to Protector Edward Seymour, dated 31 January 1549, Sir Robert Tyrwhitt, who was questioning Elizabeth about her involvement with Thomas Seymour, confirmed that it was King Henry VIII himself who promoted Kate to be Elizabeth’s Lady Mistress. That means she became Lady Mistress before King Henry died in 1547.  It also tells us that Kate not only had the support and trust of Cromwell but also of Elizabeth’s father.

Many assumptions and myths have grown up about Kate Astley, repeated so often that people consider them facts. She’s been called jolly and kind, with unconventional teaching methods, and given credit for single-handedly introducing the little girl to a long list of subjects. These statements are not confirmed in primary sources. As a royal governess, her remit was much broader than that of a Jane Eyre-style Victorian governess. Kate also had to be a mentor, adviser, and protector. She did not deliver all the academic lessons herself but had oversight of input from a range of tutors, music masters, dance teachers, riding instructors and a chaplain, who covered a wide-ranging curriculum.

From nineteenth-century scholars to more recent historians, the focus has been on the events of 1548-49 when Elizabeth was under the roof of her stepmother, the Dowager Queen, Catherine Parr, and her new husband, Thomas Seymour. Kate’s deposition, taken in the Tower of London in January 1549, gives all the salacious details of Seymour’s behaviour towards the fourteen-year-old girl, which appear to modern eyes beyond inappropriate. As a result, Kate has been declared negligent, a gossip, and even considered to have herself been infatuated with the dashing Admiral. 

These assessments do not seem to fit with the view of Elizabeth’s tutors, William Grindal and Roger Ascham, who both praised Kate for her care of the young princess. In my book, I explore an alternative scenario, placing Kate’s testimony in a different light as part of a strategy designed to protect the young princess. Interpretations of that difficult period have largely defined what people think about Kate Astley, while her later years have often been overlooked. Closer study reveals Kate as a political actor, staunchly loyal to Elizabeth.

In 1554, after the Wyatt rebellion against Queen Mary’s Spanish marriage, Kate suffered a long period of house arrest. She was suspected because her cousin, Sir Peter Carew, was a prime mover in the failed plot. Mary eventually allowed Kate to rejoin her mistress briefly, but clearly considered Kate a dangerous influence on Elizabeth and a threat. Only a few months later she held Kate in the Fleet Prison on suspicion of involvement in another plot and then banished her from Elizabeth’s service.

After Elizabeth came to the throne, she made Kate her Chief Gentlewoman of the Privy Chamber, a pivotal role with unique, intimate access to the queen. Kate was Elizabeth’s eyes and ears, listening out for damaging gossip and keeping Elizabeth in touch with how her policies were being received at court and beyond. Anyone who wanted to approach Elizabeth talked to Kate. She gave advice on what sort of gifts might be welcome at New Year.  An Italian news sheet described her as ‘Patroness of all England’ in 1562.  A year after Kate’s death, Hugh Fitzwilliam wrote to the queen saying, ‘Now that Mrs Ashley is gone he has no friend to make his moan to.’

Kate acted as a highly political female courtier at the court of a female monarch. Her death in 1565 left the queen devastated. The two women shared a close bond of mutual love and respect for nearly 30 years. Kate Astley arguably had more influence on the young Elizabeth I than anyone else. She deserves our further consideration.

I hope that Queen Elizabeth’s Governess: The Real Kat Ashley will encourage further debate about a remarkable woman.

Rosemary Griggs

# # #

About the Author

Author and speaker Rosemary Griggs has been researching Devon's sixteenth-century history for years. She has discovered a cast of fascinating characters and an intriguing network of families whose influence stretched far beyond the West Country. She loves telling the stories of the forgotten women of history — the women beyond the royal court; wives, sisters, daughters and mothers who played their part during those tumultuous Tudor years: the Daughters of Devon. Her novel A Woman of Noble Wit tells the story of Katherine Champernowne, Sir Walter Raleigh’s mother, and features many of the county’s well-loved places. The Dartington Bride, published March 2024, is the extraordinary tale of Lady Gabrielle Roberda Montgomery who travelled from France to Elizabethan England to marry into the prominent and well-connected Champernowne family. Rosemary creates and wears sixteenth-century clothing, a passion which complements her love for bringing the past to life through a unique blend of theatre, history and re-enactment. Her appearances and talks for museums and community groups all over the West Country draw on her extensive research into sixteenth-century Devon, Tudor life and Tudor dress, particularly Elizabethan. Out of costume, Rosemary leads heritage tours of the gardens at Dartington Hall, a fourteenth-century manor house and now a a historic visitor destination, events venue and thriving community of businesses, colleges and more. You can find out more on Rosemary’s website:  https://rosemarygriggs.co.uk/ and follow her on Bluesky and Twitter @RAGriggsauthor

16 September 2026

Dressed to Impress: Queen Elizabeth I and the Art of Fashioning Power by Sylvia Barbara Soberton


Available from Amazon UK and Amazon US

For Elizabeth I, fashion was never simply about looking beautiful—it was a language of power.

From dazzling jewels and pearls to elaborate gowns, ruffs, and sumptuous fabrics, every detail of the Queen’s appearance helped shape the image she presented to her subjects, courtiers, and foreign ambassadors. Dressed to Impress explores how Elizabeth used clothing, jewellery, and portraiture to communicate authority, wealth, femininity, chastity, and majesty.

Discover the woman behind the spectacular costumes—and the remarkable ways in which England’s Virgin Queen transformed fashion into one of the most powerful tools of her reign.

Elizabeth I did not simply wear fashion. She fashioned power.

# # #

About the Author

Sylvia Barbara Soberton is a writer and researcher specialising in the history of the Tudors. She is best known for The Forgotten Tudor Women book series, which concentrates on shifting the perspective from famous figures like Henry VIII’s six wives to the lesser-known, but no less influential, women of the Tudor court. Sylvia has written ten books to date, and her newest titles include The Forgotten Years of Anne Boleyn: The Habsburg & Valois Courts, Ladies-in-Waiting: Women Who Served Anne Boleyn and Medical Downfall of the Tudors: Sex, Reproduction & Succession. Her ground-breaking paper on Anne Boleyn and the accusation of witchcraft was published in the Royal Studies Journal in 2023.  You can find Sylvia on Facebook,  Goodreads, Twitter @SylviaBSo and Bluesky @sylviabso.bsky.social

7 September 2026

Book Launch Spotlight: What Love E'er Meant (Regina Book 2) by Janet Wertman

Available from Amazon UK and Amazon US

A new queen must prove she deserves the throne God gave her, while the path everyone insists will secure it might cost her everything

Against all odds, Elizabeth Tudor has become Queen of England. Determined to fulfill what she sees as a divine responsibility, she sets out to heal a country ravaged by religious discord, war, and debt – and vindicate the legacy of Anne Boleyn, the mother who did not deserve her fate.

But Elizabeth’s crown is not fully secure: to the Catholic world, her cousin Mary Stuart is the rightful Queen of England and there are rumblings to put her there. Shoring up defenses requires that Elizabeth challenge France’s control of Scotland and Spain’s dominance on the seas, as well as calm internal strife. Above the din of menace, one question dominates all others: who will she marry?

William Cecil, her trusted Secretary of State, urges her to secure an alliance through a strategic match. Robert Dudley, the love of her life, pressures her to choose him. And Mary herself presents a cautionary tale. In the end, Elizabeth chooses not as a woman but as a queen, and learns the sobering truth of sovereignty: to rule is to stand alone.

What Love E’er Meant, the searing second volume in the 
Regina Trilogy, captures a young queen’s struggle to balance love and power, duty and desire…and the profound cost of 
choosing crown over heart.

# # #

About the Author

By day, Janet Wertman is a freelance grantwriter for impactful nonprofits. By night, she writes critically acclaimed, character-driven historical fiction – indulging a passion for the Tudor era she had harbored since she was eight years old and her parents let her stay up late to watch The Six Wives of Henry VIII and Elizabeth R. Her Seymour Saga trilogy (Jane the Quene, The Path to Somerset, The Boy King) took her deep into one of the era’s central families – and now her follow-up Regina series explores Elizabeth’s journey from bastard to icon. Find out more from www.janetwertman.com and follow Janet on Facebook, Instagram and Bluesky @janetwertman.bsky.social




30 August 2026

Book Launch Guest Post by Rosemary Griggs, Author of Queen Elizabeth I's Governess: The Real Kat Ashley


Available from Amazon UK and Amazon US

The name ‘Kat Ashley’, Queen Elizabeth’s ‘Governess’, is well-known to fans of Tudor history. Katherine Champernowne, later John Astley’s wife, joined Elizabeth’s household before the future queen turned three. Later she became Elizabeth’s ‘governess’, trusted with the upbringing of the King’s younger daughter. Formidably well-educated for a woman of her time, reports suggest Katherine did an excellent job. When Elizabeth came to the throne, one of her first actions was to name Katherine as Chief Gentlewoman of the Privy Chamber, a highly influential position within the court of a female monarch.

Although they served at the court of Henry VIII, the Champernowne family are not well known to those who study Tudor history. However, anyone interested in the early life of Elizabeth I will have come across Katherine Champernowne, later the wife of John Astley. She is widely known as Elizabeth’s childhood governess, Kat Ashley. I prefer to call her Kate, partly because the evidence that Elizabeth actually used the short form ‘Kat’ is not overwhelming, but also to reinforce that I have found a woman who differs from the Kat of popular culture.

Kate appears briefly in many learned biographies of Henry VIII’s younger daughter. It’s often been supposed she came from a minor gentry family. Writers and filmmakers often portray her in fiction and on screen as a rather foolish, gossipy nanny figure, a minor supporting character in the fascinating drama of Elizabeth’s fraught early years. My research tells a different story.

Far from being from a rural gentry background, Kate was close to people at the heart of the Tudor Court. By the early 16th century, the Champernownes of Devon had expanded their lands well beyond the west country, into Gloucestershire and Oxfordshire. Over many generations, through dynastic marriages, they forged alliances with powerful families, including Poyntz, Carew, and, most notably, Courtenay.

Like many women of her time, the historical record remains stubbornly silent about Kate’s early life. She first comes to notice when appointed to the household of three-year-old Elizabeth in 1536. Exploring her family connections and the people she was close to places that appointment in context.

Kate was the eldest daughter of Sir Philip Champernowne, a close relative of Henry Courtenay, Marquess of Exeter, first cousin and companion of the young Henry VIII. The Marquess’s father was Sir Philip’s first cousin. Sir Philip served as squire of the body to the king for a time, mixing with other well-known courtiers, before he retired to the west country, where he often deputised for the Marquess. Kate may have gained her formidable education among her powerful Courtenay relatives.

Through her maternal grandmother, Kate also had connections to the Poyntz family, who held prominent positions in Catherine of Aragon’s household. Kate’s great aunt married Sir Anthony Poyntz. She is likely the Elizabeth Poyntz who had care of Henry VIII’s short-lived son, Henry Duke  of Cornwall. Also on the maternal side, Kate’s uncle, Sir Gawen Carew married Charles Brandon, Duke of Suffolk’s sister. 

Brandon was a close friend of the king and married Mary Tudor, the king’s sister, after the death of her first husband, the King of France. Sir Gawen became a prominent courtier, soldier and diplomat. Sir George Carew, ill-fated captain of the Mary Rose, and his brother Sir Peter, were Kate’s cousins. 

Kate’s sister, Joan, was one of Catherine Parr’s ladies and shared her interest in the reformed religion. Joan married Sir Anthony Denny, a man so close to King Henry VIII that he was the only one brave enough to tell the dying king that his end was near. Kate’s brother, John, also had a place at court. According to Sir Richard Carew of Anthony, writing in the early years of the  seventeenth century, John was popular with King Henry ‘for his pleasant conceits’.  So Kate moved in circles close to the royal court. She also knew many Cambridge-educated intellectuals.

Not long after Anne Boleyn’s execution, Kate was one of a group of serving gentlewomen appointed to serve Anne’s three-year-old daughter. Their role was to keep company with the little girl, to entertain her, and at all times to model the behaviour and manners expected of a noblewoman in the sixteenth century.  Soon after this appointment, Kate made her first known appearance in the historical record with an extraordinarily bold letter to Thomas Cromwell. That letter, dated 5 October 1536, made me stop and think about the way historians and writers have traditionally portrayed Kate’s character.

To paraphrase the letter — there’s a full transcript in my book — Kate thanks Cromwell for recommending her to the king for her new post. She then asks him if he could speak to the king about payment for her services. Unfortunately, we only have half of this fascinating correspondence. Many of Thomas Cromwell’s papers were destroyed at the time of his downfall, and his response has not survived. In 1536, Cromwell was the most powerful man in the land, after the king. He was not a man who acted without a purpose.

Political considerations influenced his every decision, including Kate’s appointment.  I found it very hard to reconcile the author of that letter to the great man with the foolish character traditionally given to Kate. Would a girl, however well educated, from a minor gentry family, really have dared to write to him in those terms? And would Cromwell have even considered appointing someone so lacking in judgement?
I
n 1536, Lady Margaret Bryan was Elizabeth’s Lady Mistress, having overall oversight of the child’s upbringing and early years education. Lady Troy, working with Lady Bryan, was Elizabeth’s governess, and likely introduced the child to her letters using a hornbook. At that time, no one expected Elizabeth would become queen. Rather, as the king’s daughter, even though declared illegitimate, she was a valuable commodity in the marriage market. In her early years, she must gain all the attributes that would make her attractive as a bride.

Sometime after Lady Bryan took charge of the nursery of Edward VI in 1537, and Lady Troy became Lady Mistress to Elizabeth, Kate was promoted to Elizabeth’s governess. More than ten years later, in a letter to Protector Edward Seymour, dated 31 January 1549, Sir Robert Tyrwhitt, who was questioning Elizabeth about her involvement with Thomas Seymour, confirmed that it was King Henry VIII himself who promoted Kate to be Elizabeth’s Lady Mistress. That means she became Lady Mistress before King Henry died in 1547.  It also tells us that Kate not only had the support and trust of Cromwell but also of Elizabeth’s father.

Many assumptions and myths have grown up about Kate Astley, repeated so often that people consider them facts. She’s been called jolly and kind, with unconventional teaching methods, and given credit for single-handedly introducing the little girl to a long list of subjects. These statements are not confirmed in primary sources. As a royal governess, her remit was much broader than that of a Jane Eyre-style Victorian governess. Kate also had to be a mentor, adviser, and protector. She did not deliver all the academic lessons herself but had oversight of input from a range of tutors, music masters, dance teachers, riding instructors and a chaplain, who covered a wide-ranging curriculum.

From nineteenth-century scholars to more recent historians, the focus has been on the events of 1548-49 when Elizabeth was under the roof of her stepmother, the Dowager Queen, Catherine Parr, and her new husband, Thomas Seymour. Kate’s deposition, taken in the Tower of London in January 1549, gives all the salacious details of Seymour’s behaviour towards the fourteen-year-old girl, which appear to modern eyes beyond inappropriate. As a result, Kate has been declared negligent, a gossip, and even considered to have herself been infatuated with the dashing Admiral. 

These assessments do not seem to fit with the view of Elizabeth’s tutors, William Grindal and Roger Ascham, who both praised Kate for her care of the young princess. In my book, I explore an alternative scenario, placing Kate’s testimony in a different light as part of a strategy designed to protect the young princess. Interpretations of that difficult period have largely defined what people think about Kate Astley, while her later years have often been overlooked. Closer study reveals Kate as a political actor, staunchly loyal to Elizabeth.

In 1554, after the Wyatt rebellion against Queen Mary’s Spanish marriage, Kate suffered a long period of house arrest. She was suspected because her cousin, Sir Peter Carew, was a prime mover in the failed plot. Mary eventually allowed Kate to rejoin her mistress briefly, but clearly considered Kate a dangerous influence on Elizabeth and a threat. Only a few months later she held Kate in the Fleet Prison on suspicion of involvement in another plot and then banished her from Elizabeth’s service.

After Elizabeth came to the throne, she made Kate her Chief Gentlewoman of the Privy Chamber, a pivotal role with unique, intimate access to the queen. Kate was Elizabeth’s eyes and ears, listening out for damaging gossip and keeping Elizabeth in touch with how her policies were being received at court and beyond. Anyone who wanted to approach Elizabeth talked to Kate. She gave advice on what sort of gifts might be welcome at New Year.  An Italian news sheet described her as ‘Patroness of all England’ in 1562.  A year after Kate’s death, Hugh Fitzwilliam wrote to the queen saying, ‘Now that Mrs Ashley is gone he has no friend to make his moan to.’

Kate acted as a highly political female courtier at the court of a female monarch. Her death in 1565 left the queen devastated. The two women shared a close bond of mutual love and respect for nearly 30 years. Kate Astley arguably had more influence on the young Elizabeth I than anyone else. She deserves our further consideration.

I hope that Queen Elizabeth’s Governess: The Real Kat Ashley will encourage further debate about a remarkable woman.

Rosemary Griggs

# # #

About the Author

Author and speaker Rosemary Griggs has been researching Devon's sixteenth-century history for years. She has discovered a cast of fascinating characters and an intriguing network of families whose influence stretched far beyond the West Country. She loves telling the stories of the forgotten women of history — the women beyond the royal court; wives, sisters, daughters and mothers who played their part during those tumultuous Tudor years: the Daughters of Devon. Her novel A Woman of Noble Wit tells the story of Katherine Champernowne, Sir Walter Raleigh’s mother, and features many of the county’s well-loved places. The Dartington Bride, published March 2024, is the extraordinary tale of Lady Gabrielle Roberda Montgomery who travelled from France to Elizabethan England to marry into the prominent and well-connected Champernowne family. Rosemary creates and wears sixteenth-century clothing, a passion which complements her love for bringing the past to life through a unique blend of theatre, history and re-enactment. Her appearances and talks for museums and community groups all over the West Country draw on her extensive research into sixteenth-century Devon, Tudor life and Tudor dress, particularly Elizabethan. Out of costume, Rosemary leads heritage tours of the gardens at Dartington Hall, a fourteenth-century manor house and now a a historic visitor destination, events venue and thriving community of businesses, colleges and more. You can find out more on Rosemary’s website:  https://rosemarygriggs.co.uk/ and follow her on Bluesky and Twitter @RAGriggsauthor

13 August 2026

Book Review: Queen Elizabeth I's Governess: The Real Kat Ashley by Rosemary Griggs


Available for pre-order from

Some of the most intriguing people in Tudor history are those who stood outside the spotlight. Katherine 'Kat' or Kate Ashley is one of these. Best known as the governess and confidante of Queen Elizabeth I, she played a pivotal role in the future queen's life, yet is overshadowed by more famous figures around her. 

In Queen Elizabeth I's Governess: The Real Kat Ashley, Rosemary Griggs sets out to change that with a thoroughly researched and engaging biography.

I particularly liked the extracts from letters and contemporary accounts, as researching someone like Kat Ashley is a real challenge. Much of her life has to be inferred from the correspondence of others. It takes persistence and an historian's instinct to piece together fragments into a convincing narrative.

The structure of the book reflects those challenges. The first part sets the scene, exploring on the Tudor world and the Ashley family, providing some context for a woman whose early life remains largely undocumented. Part two picks up the pace as Kate enters Princess Elizabeth's household. 

Rosemary Griggs paints a convincing and nuanced portrait of a woman who was more than a governess. Kate Ashley was a teacher, mentor, protector and trusted companion, remaining loyal through some of the most dangerous years of Elizabeth's life. The chapters covering the Thomas Seymour affair are well handled, presenting the available evidence with balance.

The last part of the book shifts gear again as Elizabeth becomes queen. Kate Ashley appears less frequently in the surviving records, but Rosemary Griggs demonstrates how her influence remained significant.

This biography serves as a reminder of how people behind the scenes often shaped events in ways that are easily overlooked. Rosemary Griggs deserves credit for the painstaking research that underpins this book, as well as for producing a narrative that remains accessible throughout.

Queen Elizabeth I's Governess: The Real Kat Ashley is recommended for anyone interested in Tudor history. More importantly, it allows Kate Ashley the recognition she deserves, transforming her from a familiar name in the footnotes into a remarkable woman whose influence on England's greatest queen must not be underestimated.

Tony Riches

I would like to thank the publishers, Pen and Sword History, for providing a review copy of this book.

# # #

About the Author

Author and speaker Rosemary Griggs has been researching Devon's sixteenth-century history for years. She has discovered a cast of fascinating characters and an intriguing network of families whose influence stretched far beyond the West Country. She loves telling the stories of the forgotten women of history — the women beyond the royal court; wives, sisters, daughters and mothers who played their part during those tumultuous Tudor years: the Daughters of Devon. Her novel A Woman of Noble Wit tells the story of Katherine Champernowne, Sir Walter Raleigh’s mother, and features many of the county’s well-loved places. The Dartington Bride, published March 2024, is the extraordinary tale of Lady Gabrielle Roberda Montgomery who travelled from France to Elizabethan England to marry into the prominent and well-connected Champernowne family. Rosemary creates and wears sixteenth-century clothing, a passion which complements her love for bringing the past to life through a unique blend of theatre, history and re-enactment. Her appearances and talks for museums and community groups all over the West Country draw on her extensive research into sixteenth-century Devon, Tudor life and Tudor dress, particularly Elizabethan. Out of costume, Rosemary leads heritage tours of the gardens at Dartington Hall, a fourteenth-century manor house and now a a historic visitor destination, events venue and thriving community of businesses, colleges and more. You can find out more on Rosemary’s website:  https://rosemarygriggs.co.uk/ and follow her on Bluesky and Twitter @RAGriggsauthor

2 August 2026

Special Guest Post by Steven Veerapen, Author of Overlord: The Life and Reign of Henry VIII


Available from Amazon UK and Amazon US

The true story behind the infamous life of Henry VIII,  one of history’s best-known characters and England’s most famous monarch. He is simultaneously the virtuous Renaissance prince gone wrong, the psychopathic, paranoid tyrant and the much-married glutton.


Oh, Henry. Has there ever been an English king – or a British king – so recognisable, so equally reviled and written-about, that he is, as the great Tudor historian Sir Geoffrey Elton once claimed, recognisable by his silhouette alone? The answer is ‘no.’ 


Portrait of King Henry VIII, painted by Joos van Cleve around 1535.

Even those unfamiliar with the history of reformation, or parliament, or constitutional law can recognise Henry as, at least, the bloody tyrant who had six wives. Whether one’s image of him is as the buffoonish Charles Laughton, the tyrannical Keith Michell, the leering Sid James, the youthful Jonathan Rhys Meyers, or the volatile Damian Lewis, the point is this: everyone certainly has an image of him.

This was one of the more daunting things I faced when deciding to write about Henry VIII, as was the knowledge that I was hardly the first to consider a book on him – indeed, it was the work of historians such as Alison Weir, Lucy Wooding, Eric Ives, Suzannah Lipscomb, Tracy Borman, Robert Hutchinson, Jasper Ridley, and Antonia Fraser who helped kindle my fascination with Henry and his reign.

What, I wondered, was there left to say?

To my surprise, there was quite a lot. For one thing, the totemic biography of Henry himself – the political biography nonpareil, which focuses on the man and his policies rather than on his court culture, bloody marital history, or association with significant statesmen (which are all interesting in their own right) – remains J. J. Scarisbrick’s 1968 biography. 

In this book, which remains standard reading on the sovereign, the author creates an image which has coloured every subsequent study: a Henry VIII who dreamed, however chimerically, of conquering France in England’s name, and who had no coherent or consistent British policy (Scarisbrick not only indicates this but states it outright). To my surprise, as a long-time student of Scottish history who frequently encountered the king well away from the continent, this simply was not the Henry I’d met in the various and surprisingly voluminous Scottish sources. Still less was it the figure I then found lingering in the pages of various Irish and Welsh documents.

Could there be another Henry VIII?

This question propelled the writing of “Overlord” and made it a joy. Here was a new version of the king I thought I knew – and backed up by a variety of sources untouched in any existing biography. This made working on the book not a workmanlike experience but – to rely on a hoary cliché – a genuine journey of discovery. 

Readers, I hope, will feel the same way as they meet a familiar figure – swathed in his furs and surmounted by his bejewelled, feathered cap – in new surroundings and with all-new motives. “Overlord”, I hope, presents the would-be Emperor Henry VIII: a magnificent, awe-inspiring, frequently ghastly leader who saw himself bestriding the British Isles as a legally-justified, universally-respected colossus. 

I can’t promise readers will like him any more than they do already (which is generally not at all), but I do hope they’ll be as spellbound by him – and his arrogance, bravado, and sheer self-belief – as I was.

Steven Veerapen

# # #

About the Author

Steven Veerapen is a writer of fiction and nonfiction and a lecturer at the University of Strathclyde who specialises in sixteenth-century literature. His first novel was The Queen’s Consort, which focused on Mary Queen of Scots’ infamous husband, Lord Darnley. Steven’s other books include the Simon Danforth trilogy, the Queen’s Spies trilogy, and three non-fiction works: Blood Feud, Elizabeth and Essex, and Slander and Sedition in Elizabethan Law, Speech, and Writing. Find out more at
https://www.stevenveerapen.com/ and you can follow Steven on Instagram @steven.veerapen.3 and on Goodreads, Twitter @stevenveerapen and Bluesky @stevenveerapen.bsky.social

23 July 2026

New Book Launch: Jane Seymour: Patronage, Material Culture and Image Crafting (Lives of Royal Women) by Elizabeth Norton


Available on Amazon UK and Amazon US

Jane Seymour, the third wife of Henry VIII, was queen of England for only seventeen months, something which has accounted for the little interest shown in her by historians. In her lifetime, however, she was a significant political figure, while her legacy and memorialization extended beyond her early death following childbirth in October 1537.

Jane Seymour: Patronage, Material Culture and Image Crafting is the first full length academic study of Jane’s life and queenship. Using extensive archival research, it pulls together all of the surviving information to provide both a biographical and a thematic account. 

Chapters include a consideration of Jane’s queenship and political role, her material cultural environment, her household, her financial position and her religion, before also considering her afterlife and attempts to commemorate her both officially and unofficially. In doing so, the book banishes many myths that have grown up around the queen, most notably ideas of her passivity and powerlessness and also often repeated (but unsubstantiated) claims of her conservative religious outlook. This book presents a picture of Jane as an active and highly political queen consort.

The book is a valuable resource for students and established scholars since it adds considerably to knowledge of the queen and re-inserts her into the heart of the dynasty, while also drawing pertinent conclusions on sixteenth-century queenship.

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About the Author

Dr Elizabeth Norton lives in Kingston upon Thames, near Hampton Court Palace, with her husband and two sons. 
As well as her books she is carrying out academic research at King's College, London into the Blount family of Shropshire, contributing journal articles and giving papers at academic conferences and has appeared as an expert on television, including programmes for Sky Arts and the National Geographic channel.  Find out more as her website http://elizabethnorton.co.uk/ and find her on Twitter @ENortonHistory and Bluesky ‪@enortonhistory.bsky.social‬

20 July 2026

Book Launch Spotlight: The Falcon's Triumph: A novel of Anne Boleyn (The Falcon's Rise Book 3) by Natalia Richards


Available from Amazon UK and Amazon US

A novel of ambition, love, and betrayal in the Tudor court

A broken heart. A shattered dream. A future she never expected…

Fresh from her time in the dazzling courts of Europe, Anne Boleyn returns to England with charm, wit, and an ambition she dares not reveal. Her place at court and her future in Ireland seem secure. But when a forbidden love affair threatens scandal, Anne is dismissed and disgraced.

Then King Henry VIII takes notice.

Captivated by Anne’s beauty and boldness, the king is determined to have her—not as his mistress, but as his queen. Yet his wife, Queen Katherine of Aragon, stands in his way… and so does the Church. In a kingdom still firmly Catholic, Henry’s obsession with Anne now acts as a smouldering tinder, igniting a political and religious fire that threatens to tear England apart.

Set against the glittering and dangerous backdrop of Tudor England, The Falcon’s Triumph is a gripping tale of love, power, and the woman who would change history.

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About the Author

As a curator and historian for over 30 years, Natalia has worked in many museums in Derbyshire and later in London. She also worked free-lance for the History Channel USA as researcher, co-ordinator, and interviewer on the award-winning production 'Secrets of War.' However, her passion since a very early age has been the study of the Tudors, particularly Anne Boleyn and the court of King Henry VIII.  She did not begin writing seriously until around 2008 and originally wanted to write about Anne Boleyn at the English court. However, a great deal had already been written about this period, and Natalia began to look at her earlier life from around 1500 to 1521. The result of her research was 'The Falcon's Rise,’ set at the court of Margaret of Austria. She then followed this up with part two 'The Falcon's Flight'. This second book covers Anne's time at the French court, with Queen Claude, and ends as she is about to return to England. In her spare time, Natalia loves travelling, gardening, rambling, and visiting historic houses, as well as constantly reading and researching the Tudor period. She spends her time between Derbyshire and Chelsea, in London. Find out more at Natalia's website https://www.nataliarichards.com/ and follow her on Facebook and Twitter @nat_wieczorek

18 June 2026

Book Launch Spotlight: The Queen's Painter, a new take on the Anne Boleyn story through the eyes of the Tudor court's painter. by Wendy Holden


Available from Amazon UK and Amazon US

When the brilliant young Holbein arrives at the Tudor court, Anne Boleyn is among his first patrons. As she rises to the top, Hans rises with her. Courtiers clamour for his portraits of life-like accuracy; pictures which tell the truth about their subjects.

When his beloved Anne is beheaded on false evidence, Hans is heartbroken and enraged. And he's not alone. Poet and diplomat Thomas Wyatt is agonised at his own unwitting part in her tragedy. He and Hans join forces and vow revenge on the person they blame for Anne's downfall: Thomas Cromwell, the king's ruthless chief minister.

But what can a poet and painter do against the most powerful man in England? The answer comes when Henry VIII seeks a fourth wife. Cromwell turns to Holbein and Wyatt, his trusted artist and envoy, to travel across Europe to find and paint a new bride. Cromwell's position depends on a portrait of someone young and beautiful, painted with Hans' trademark truth. Anything less could bring the whole court crashing down.

It's the opportunity they've been waiting for...

Praise for The Queen's Painter:

'A thrilling tale of danger and revenge' Literary Review

'InThe Queen's Painter, Wendy Holden brings a well-known piece of history to life with a fresh and vivid perspective. Utterly gripping and portrayed in exquisite detail, this is a story to lose yourself in entirely.' Elizabeth Lee

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About the Author

Wendy Holden's books have sold over 3m copies in 14 languages worldwide. Born in Yorkshire, Wendy read English Literature at Girton College, Cambridge and spent fourteen years as a journalist on the Sunday Times, Mail on Sunday, Harpers & Queen and Tatler before becoming a novelist.  Her experience on glossy magazines was the inspiration for her debut, the smash-hit comedy Simply Divine. Wendy then pivoted to historical fiction with the bestselling Windsor Trilogy. The Governess was about Marion ‘Crawfie’ Crawford, the young Scottish teacher who brought fun and normality to the childhood of Elizabeth II. The Duchess explored the incredible rise of Wallis Simpson whilst The Princess traced the young Diana Spencer’s extraordinary path to the altar.  Find out more at Wendy's website 

16 June 2026

Book Review: Son of Prophecy: The Rise of Henry Tudor, by Nathen Amin



Available from Amazon UK and Amazon US

The third book in Nathen Amin's Henry VII trilogy shines a spotlight on the (often ignored) Welsh lineage of Henry Tudor, going back into the lives of his ancestors for eight generations. 

Described by historians as 'ground breaking', this comprehensive book is now the definitive account of the people and events which led up to the founding of the Tudor dynasty.

Nathen Amin shows how this context is so important for understanding our history. I was aware of how the Welsh used referred to Henry Tudor as the 'Son of Prophecy' of the title, but never thought about how deeply rooted this idea was in Welsh culture - or quite how long they had been waiting to see the prophecy fulfilled.



I have stood on the shingle beach at Mill Bay, close to my home in West Wales, where Henry and his small army made landfall, and recommend this book to anyone who wants a richer understanding of why he took such a great risk - and succeeded. 

Tony Riches 

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About the Author

Nathen Amin grew up in Carmarthenshire, West Wales, and has long had an interest in Welsh history, the Wars of the Roses and the early Tudor period. His first book Tudor Wales was released in 2014 and was well-received, followed by a second book called York Pubs in 2016. His third book is a full-length biography of the Beaufort family. He is the founder of the Henry Tudor Society and has featured discussing the Tudors on BBC radio and television, as well as in print and online media across the UK. He has a degree in Business and Journalism and now lives in York, where he works as a Technical Writer. Find him on Twitter 
@NathenAmin.
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4 June 2026

Book Launch Spotlight: The Queen's Sister: A vivid historical novel of a life among the wives of King Henry VIII. by Carol McGrath


Available from Amazon UK and Amazon US

A mother, a wife, a woman of substance...

At nineteen, Elizabeth Seymour is already a mother, has been recently widowed, and seen her Queen, Anne Boleyn, lose her life. Against the wishes of her father, she heads North, away from Wulf Hall and the court in London to Yorkshire, determined to establish a new beginning as a landowner and business woman. 

As her family in Wiltshire curry favour with King Henry, aided by Thomas Cromwell, Elizabeth makes Kexby Manor her home, finding loyalty among her people there.

Soon, news comes to Elizabeth of the King's desires for her sister, Jane and while her brother, Edward, encourages her own betrothal to Gregory Cromwell, son of Thomas. 

It is a happy second marriage for Elizabeth, but it brings unwanted involvement in the dark plots and secrecy of the court, while in the wider country, changes in religious practice threaten to alter the traditions and values of all she has known...

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About the Author

Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, was republished by Headline in 2020. The Silken Rose, first in a medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, saw publication in April 2020. This was followed by The Damask Rose. The Stone Rose was published April 2022. Carol lives in Oxfordshire, England and in Greece.  Find our more from Carol's website: www.carolcmcgrath.co.uk and find her on Facebook, Twitter @CarolMcGrath and Bluesky @swanneck.bsky.social



26 May 2026

Book Review: Anne Boleyn's First Love: The Life of Henry Percy, by Jan-Marie Knights


Available from Amazon UK
and pre-order from Amazon US

In the Tudor court, love blossomed when Henry Percy met Anne Boleyn. However, their romance was abruptly torn apart by Cardinal Wolsey, who chastised Percy, an earl’s son, for choosing to marry the daughter of a mere knight. Despite a spirited defence, Percy was ordered 
to no longer see her.

Much has been written about the story of Anne Boleyn, but history often relegates the men who loved her to the footnotes. In Anne Boleyn's First Love: The Life of Henry Percy, Jan-Marie Knights takes one of the most enigmatic figures of the Tudor era out of the shadows and places him in the spotlight. The result is a moving, meticulously researched, and compelling biography that breathes life into a well-trodden era.

To most Tudor enthusiasts, Henry Percy, the 6th Earl of Northumberland, is remembered as the young man who betrothed himself to a young Anne Boleyn - only to have his plans ruined when Cardinal Wolsey and King Henry VIII intervened.
 
Jan-Marie Knights proves Percy’s life was more complex, tragic, and influential than this single, thwarted romance. The book recreates the youthful affair between Anne and Henry, proposing a genuine affection that threatened Wolsey’s political scheming.

Henry Percy was banished into the dangerous world of border politics as Lord Warden of the Marches, defending England against Scottish raids while battling illness and financial ruin. In a cruel twist a broken Percy was later forced to sit on the jury that condemned Anne Boleyn to death.

This book achieves a balance between historical fact and narrative empathy as we explore the life of a man caught between duty, a tyrannical king, and an unforgettable love. Accessible yet rich with interesting detail, drawing heavily on contemporary letters, we glimpse a deeply human Henry Percy, a man flawed, physically ailing, yet loyal to his family’s legacy despite what might have been.

I recommend Anne Boleyn's First Love for anyone who appreciates an empathetic look at the human collateral of the Tudor court. Jan-Marie Knights has given the earl the dignified biography he has long deserved.

Tony Riches

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About the Author

Jan-Marie Knights is an ex- editor and journalist who has worked on many newspapers and magazines and is a keen researcher of local and Tudor history.



10 May 2026

Historical Fiction Spotlight: In Darkness Born: Book One of The Breaking Wheel, The Story of Katherine Parr, by G. Lawrence


Available from Amazon UK and Amazon US


The world would make her a survivor... Destiny would make her a Queen.

England, 1525: Born into a time of religious upheaval and political turmoil, Katherine Parr grows up in a loving family. Sheltered yet never kept ignorant of the dangers which surround her, Katherine secretly dreams of a life at court and a love such as the King possesses for the magnetic Anne Boleyn.

Sent north to become a bride at the age of sixteen, Katherine enters a household alien to the one she grew up in, where the overbearing personality of her new father-in-law holds sway, terrifying others into submission. 

Yet Katherine refuses to be intimidated and a curious friendship is born, exposing Katherine to new thought on religion which is entering England... new thought which could place her in grave danger.

Through trials of marriage, faith and death, Katherine Parr will journey, seeking to understand her heart and her soul as about her the world is transformed as the King breaks from Rome to take Anne Boleyn as his wife, dividing England and its people, opening the way for bloodshed and betrayal.

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About the Author

Gemma Lawrence is an independently published author living in Cornwall in the UK. She studied literature at university says, 'I write mainly Historical Fiction, with an emphasis on the Tudor and Medieval periods and have a particular passion for women of history who inspire me'. Her first book in the Elizabeth of England Chronicles series is The Bastard Princess (The Elizabeth of England Chronicles Book 1).Gemma can be found on Twitter @TudorTweep and Bluesky @glawrence.bsky.social‬

5 May 2026

Book Review: The Queen's Painter, by Wendy Holden


Available from Amazon UK and Amazon US

When the brilliant young Holbein arrives at the Tudor court, Anne Boleyn is among his first patrons. As she rises to the top, Hans rises with her. Courtiers clamour for his portraits of life-like accuracy; pictures which tell the truth about their subjects.

Readers could be forgiven for thinking there is nothing much left to write about the sad end of Anne Boleyn – then along comes a fresh perspective to make them think again.  Wendy Holden’s new novel, The Queen’s Painter, tells her story through the perceptive eyes of an unexpectedly relatable Hans Holbein the Younger.

Ann Boleyn’s presence haunts the narrative, whispering in Holbein’s ear and recurring flashbacks. 
I particularly liked the way the truth about the mysterious woman Jennet is revealed – a masterclass in holding back character details while offering subtle clues for best effect. 

Wendy Holden surprises the reader by having her characters use occasional modern language. This helps bring the key players to life, such as her version of a devious Thomas Cromwell, a worldly-wise Thomas Wyatt, and a king who reminds Hans Holbein of ‘a decaying whale, huge, stinking and stranded, looking at Hans with nasty little blue eyes.’  

I also enjoyed the well-researched details of Holbein’s paintings and techniques. I doubt I will ever look at one in quite the same way again.

2026 marks the 500th anniversary of Holbein's arrival in England, so this is the perfect time to become better acquainted with the artist. Highly recommended.

Tony Riches

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About the Author

Wendy Holden's books have sold over 3m copies in 14 languages worldwide. Born in Yorkshire, Wendy read English Literature at Girton College, Cambridge and spent fourteen years as a journalist on the Sunday Times, Mail on Sunday, Harpers & Queen and Tatler before becoming a novelist.  Her experience on glossy magazines was the inspiration for her debut, the smash-hit comedy Simply Divine. Wendy then pivoted to historical fiction with the bestselling Windsor Trilogy. The Governess was about Marion ‘Crawfie’ Crawford, the young Scottish teacher who brought fun and normality to the childhood of Elizabeth II. The Duchess explored the incredible rise of Wallis Simpson whilst The Princess traced the young Diana Spencer’s extraordinary path to the altar.  Find out more at Wendy's website