Mastodon The Writing Desk: Elizabethan
Showing posts with label Elizabethan. Show all posts
Showing posts with label Elizabethan. Show all posts

10 October 2026

Special Guest Post by Rosemary Griggs, Author of Queen Elizabeth I's Governess: The Real Kat Ashley


Available from Amazon UK and Amazon US

The name ‘Kat Ashley’, Queen Elizabeth’s ‘Governess’, is well-known to fans of Tudor history. Katherine Champernowne, later John Astley’s wife, joined Elizabeth’s household before the future queen turned three. Later she became Elizabeth’s ‘governess’, trusted with the upbringing of the King’s younger daughter. Formidably well-educated for a woman of her time, reports suggest Katherine did an excellent job. When Elizabeth came to the throne, one of her first actions was to name Katherine as Chief Gentlewoman of the Privy Chamber, a highly influential position within the court of a female monarch.

Although they served at the court of Henry VIII, the Champernowne family are not well known to those who study Tudor history. However, anyone interested in the early life of Elizabeth I will have come across Katherine Champernowne, later the wife of John Astley. She is widely known as Elizabeth’s childhood governess, Kat Ashley. I prefer to call her Kate, partly because the evidence that Elizabeth actually used the short form ‘Kat’ is not overwhelming, but also to reinforce that I have found a woman who differs from the Kat of popular culture.

Kate appears briefly in many learned biographies of Henry VIII’s younger daughter. It’s often been supposed she came from a minor gentry family. Writers and filmmakers often portray her in fiction and on screen as a rather foolish, gossipy nanny figure, a minor supporting character in the fascinating drama of Elizabeth’s fraught early years. My research tells a different story.

Far from being from a rural gentry background, Kate was close to people at the heart of the Tudor Court. By the early 16th century, the Champernownes of Devon had expanded their lands well beyond the west country, into Gloucestershire and Oxfordshire. Over many generations, through dynastic marriages, they forged alliances with powerful families, including Poyntz, Carew, and, most notably, Courtenay.

Like many women of her time, the historical record remains stubbornly silent about Kate’s early life. She first comes to notice when appointed to the household of three-year-old Elizabeth in 1536. Exploring her family connections and the people she was close to places that appointment in context.

Kate was the eldest daughter of Sir Philip Champernowne, a close relative of Henry Courtenay, Marquess of Exeter, first cousin and companion of the young Henry VIII. The Marquess’s father was Sir Philip’s first cousin. Sir Philip served as squire of the body to the king for a time, mixing with other well-known courtiers, before he retired to the west country, where he often deputised for the Marquess. Kate may have gained her formidable education among her powerful Courtenay relatives.

Through her maternal grandmother, Kate also had connections to the Poyntz family, who held prominent positions in Catherine of Aragon’s household. Kate’s great aunt married Sir Anthony Poyntz. She is likely the Elizabeth Poyntz who had care of Henry VIII’s short-lived son, Henry Duke  of Cornwall. Also on the maternal side, Kate’s uncle, Sir Gawen Carew married Charles Brandon, Duke of Suffolk’s sister. 

Brandon was a close friend of the king and married Mary Tudor, the king’s sister, after the death of her first husband, the King of France. Sir Gawen became a prominent courtier, soldier and diplomat. Sir George Carew, ill-fated captain of the Mary Rose, and his brother Sir Peter, were Kate’s cousins. 

Kate’s sister, Joan, was one of Catherine Parr’s ladies and shared her interest in the reformed religion. Joan married Sir Anthony Denny, a man so close to King Henry VIII that he was the only one brave enough to tell the dying king that his end was near. Kate’s brother, John, also had a place at court. According to Sir Richard Carew of Anthony, writing in the early years of the  seventeenth century, John was popular with King Henry ‘for his pleasant conceits’.  So Kate moved in circles close to the royal court. She also knew many Cambridge-educated intellectuals.

Not long after Anne Boleyn’s execution, Kate was one of a group of serving gentlewomen appointed to serve Anne’s three-year-old daughter. Their role was to keep company with the little girl, to entertain her, and at all times to model the behaviour and manners expected of a noblewoman in the sixteenth century.  Soon after this appointment, Kate made her first known appearance in the historical record with an extraordinarily bold letter to Thomas Cromwell. That letter, dated 5 October 1536, made me stop and think about the way historians and writers have traditionally portrayed Kate’s character.

To paraphrase the letter — there’s a full transcript in my book — Kate thanks Cromwell for recommending her to the king for her new post. She then asks him if he could speak to the king about payment for her services. Unfortunately, we only have half of this fascinating correspondence. Many of Thomas Cromwell’s papers were destroyed at the time of his downfall, and his response has not survived. In 1536, Cromwell was the most powerful man in the land, after the king. He was not a man who acted without a purpose.

Political considerations influenced his every decision, including Kate’s appointment.  I found it very hard to reconcile the author of that letter to the great man with the foolish character traditionally given to Kate. Would a girl, however well educated, from a minor gentry family, really have dared to write to him in those terms? And would Cromwell have even considered appointing someone so lacking in judgement?
I
n 1536, Lady Margaret Bryan was Elizabeth’s Lady Mistress, having overall oversight of the child’s upbringing and early years education. Lady Troy, working with Lady Bryan, was Elizabeth’s governess, and likely introduced the child to her letters using a hornbook. At that time, no one expected Elizabeth would become queen. Rather, as the king’s daughter, even though declared illegitimate, she was a valuable commodity in the marriage market. In her early years, she must gain all the attributes that would make her attractive as a bride.

Sometime after Lady Bryan took charge of the nursery of Edward VI in 1537, and Lady Troy became Lady Mistress to Elizabeth, Kate was promoted to Elizabeth’s governess. More than ten years later, in a letter to Protector Edward Seymour, dated 31 January 1549, Sir Robert Tyrwhitt, who was questioning Elizabeth about her involvement with Thomas Seymour, confirmed that it was King Henry VIII himself who promoted Kate to be Elizabeth’s Lady Mistress. That means she became Lady Mistress before King Henry died in 1547.  It also tells us that Kate not only had the support and trust of Cromwell but also of Elizabeth’s father.

Many assumptions and myths have grown up about Kate Astley, repeated so often that people consider them facts. She’s been called jolly and kind, with unconventional teaching methods, and given credit for single-handedly introducing the little girl to a long list of subjects. These statements are not confirmed in primary sources. As a royal governess, her remit was much broader than that of a Jane Eyre-style Victorian governess. Kate also had to be a mentor, adviser, and protector. She did not deliver all the academic lessons herself but had oversight of input from a range of tutors, music masters, dance teachers, riding instructors and a chaplain, who covered a wide-ranging curriculum.

From nineteenth-century scholars to more recent historians, the focus has been on the events of 1548-49 when Elizabeth was under the roof of her stepmother, the Dowager Queen, Catherine Parr, and her new husband, Thomas Seymour. Kate’s deposition, taken in the Tower of London in January 1549, gives all the salacious details of Seymour’s behaviour towards the fourteen-year-old girl, which appear to modern eyes beyond inappropriate. As a result, Kate has been declared negligent, a gossip, and even considered to have herself been infatuated with the dashing Admiral. 

These assessments do not seem to fit with the view of Elizabeth’s tutors, William Grindal and Roger Ascham, who both praised Kate for her care of the young princess. In my book, I explore an alternative scenario, placing Kate’s testimony in a different light as part of a strategy designed to protect the young princess. Interpretations of that difficult period have largely defined what people think about Kate Astley, while her later years have often been overlooked. Closer study reveals Kate as a political actor, staunchly loyal to Elizabeth.

In 1554, after the Wyatt rebellion against Queen Mary’s Spanish marriage, Kate suffered a long period of house arrest. She was suspected because her cousin, Sir Peter Carew, was a prime mover in the failed plot. Mary eventually allowed Kate to rejoin her mistress briefly, but clearly considered Kate a dangerous influence on Elizabeth and a threat. Only a few months later she held Kate in the Fleet Prison on suspicion of involvement in another plot and then banished her from Elizabeth’s service.

After Elizabeth came to the throne, she made Kate her Chief Gentlewoman of the Privy Chamber, a pivotal role with unique, intimate access to the queen. Kate was Elizabeth’s eyes and ears, listening out for damaging gossip and keeping Elizabeth in touch with how her policies were being received at court and beyond. Anyone who wanted to approach Elizabeth talked to Kate. She gave advice on what sort of gifts might be welcome at New Year.  An Italian news sheet described her as ‘Patroness of all England’ in 1562.  A year after Kate’s death, Hugh Fitzwilliam wrote to the queen saying, ‘Now that Mrs Ashley is gone he has no friend to make his moan to.’

Kate acted as a highly political female courtier at the court of a female monarch. Her death in 1565 left the queen devastated. The two women shared a close bond of mutual love and respect for nearly 30 years. Kate Astley arguably had more influence on the young Elizabeth I than anyone else. She deserves our further consideration.

I hope that Queen Elizabeth’s Governess: The Real Kat Ashley will encourage further debate about a remarkable woman.

Rosemary Griggs

# # #

About the Author

Author and speaker Rosemary Griggs has been researching Devon's sixteenth-century history for years. She has discovered a cast of fascinating characters and an intriguing network of families whose influence stretched far beyond the West Country. She loves telling the stories of the forgotten women of history — the women beyond the royal court; wives, sisters, daughters and mothers who played their part during those tumultuous Tudor years: the Daughters of Devon. Her novel A Woman of Noble Wit tells the story of Katherine Champernowne, Sir Walter Raleigh’s mother, and features many of the county’s well-loved places. The Dartington Bride, published March 2024, is the extraordinary tale of Lady Gabrielle Roberda Montgomery who travelled from France to Elizabethan England to marry into the prominent and well-connected Champernowne family. Rosemary creates and wears sixteenth-century clothing, a passion which complements her love for bringing the past to life through a unique blend of theatre, history and re-enactment. Her appearances and talks for museums and community groups all over the West Country draw on her extensive research into sixteenth-century Devon, Tudor life and Tudor dress, particularly Elizabethan. Out of costume, Rosemary leads heritage tours of the gardens at Dartington Hall, a fourteenth-century manor house and now a a historic visitor destination, events venue and thriving community of businesses, colleges and more. You can find out more on Rosemary’s website:  https://rosemarygriggs.co.uk/ and follow her on Bluesky and Twitter @RAGriggsauthor

16 September 2026

Dressed to Impress: Queen Elizabeth I and the Art of Fashioning Power by Sylvia Barbara Soberton


Available from Amazon UK and Amazon US

For Elizabeth I, fashion was never simply about looking beautiful—it was a language of power.

From dazzling jewels and pearls to elaborate gowns, ruffs, and sumptuous fabrics, every detail of the Queen’s appearance helped shape the image she presented to her subjects, courtiers, and foreign ambassadors. Dressed to Impress explores how Elizabeth used clothing, jewellery, and portraiture to communicate authority, wealth, femininity, chastity, and majesty.

Discover the woman behind the spectacular costumes—and the remarkable ways in which England’s Virgin Queen transformed fashion into one of the most powerful tools of her reign.

Elizabeth I did not simply wear fashion. She fashioned power.

# # #

About the Author

Sylvia Barbara Soberton is a writer and researcher specialising in the history of the Tudors. She is best known for The Forgotten Tudor Women book series, which concentrates on shifting the perspective from famous figures like Henry VIII’s six wives to the lesser-known, but no less influential, women of the Tudor court. Sylvia has written ten books to date, and her newest titles include The Forgotten Years of Anne Boleyn: The Habsburg & Valois Courts, Ladies-in-Waiting: Women Who Served Anne Boleyn and Medical Downfall of the Tudors: Sex, Reproduction & Succession. Her ground-breaking paper on Anne Boleyn and the accusation of witchcraft was published in the Royal Studies Journal in 2023.  You can find Sylvia on Facebook,  Goodreads, Twitter @SylviaBSo and Bluesky @sylviabso.bsky.social

7 September 2026

Book Launch Spotlight: What Love E'er Meant (Regina Book 2) by Janet Wertman

Available from Amazon UK and Amazon US

A new queen must prove she deserves the throne God gave her, while the path everyone insists will secure it might cost her everything

Against all odds, Elizabeth Tudor has become Queen of England. Determined to fulfill what she sees as a divine responsibility, she sets out to heal a country ravaged by religious discord, war, and debt – and vindicate the legacy of Anne Boleyn, the mother who did not deserve her fate.

But Elizabeth’s crown is not fully secure: to the Catholic world, her cousin Mary Stuart is the rightful Queen of England and there are rumblings to put her there. Shoring up defenses requires that Elizabeth challenge France’s control of Scotland and Spain’s dominance on the seas, as well as calm internal strife. Above the din of menace, one question dominates all others: who will she marry?

William Cecil, her trusted Secretary of State, urges her to secure an alliance through a strategic match. Robert Dudley, the love of her life, pressures her to choose him. And Mary herself presents a cautionary tale. In the end, Elizabeth chooses not as a woman but as a queen, and learns the sobering truth of sovereignty: to rule is to stand alone.

What Love E’er Meant, the searing second volume in the 
Regina Trilogy, captures a young queen’s struggle to balance love and power, duty and desire…and the profound cost of 
choosing crown over heart.

# # #

About the Author

By day, Janet Wertman is a freelance grantwriter for impactful nonprofits. By night, she writes critically acclaimed, character-driven historical fiction – indulging a passion for the Tudor era she had harbored since she was eight years old and her parents let her stay up late to watch The Six Wives of Henry VIII and Elizabeth R. Her Seymour Saga trilogy (Jane the Quene, The Path to Somerset, The Boy King) took her deep into one of the era’s central families – and now her follow-up Regina series explores Elizabeth’s journey from bastard to icon. Find out more from www.janetwertman.com and follow Janet on Facebook, Instagram and Bluesky @janetwertman.bsky.social




30 August 2026

Book Launch Guest Post by Rosemary Griggs, Author of Queen Elizabeth I's Governess: The Real Kat Ashley


Available from Amazon UK and Amazon US

The name ‘Kat Ashley’, Queen Elizabeth’s ‘Governess’, is well-known to fans of Tudor history. Katherine Champernowne, later John Astley’s wife, joined Elizabeth’s household before the future queen turned three. Later she became Elizabeth’s ‘governess’, trusted with the upbringing of the King’s younger daughter. Formidably well-educated for a woman of her time, reports suggest Katherine did an excellent job. When Elizabeth came to the throne, one of her first actions was to name Katherine as Chief Gentlewoman of the Privy Chamber, a highly influential position within the court of a female monarch.

Although they served at the court of Henry VIII, the Champernowne family are not well known to those who study Tudor history. However, anyone interested in the early life of Elizabeth I will have come across Katherine Champernowne, later the wife of John Astley. She is widely known as Elizabeth’s childhood governess, Kat Ashley. I prefer to call her Kate, partly because the evidence that Elizabeth actually used the short form ‘Kat’ is not overwhelming, but also to reinforce that I have found a woman who differs from the Kat of popular culture.

Kate appears briefly in many learned biographies of Henry VIII’s younger daughter. It’s often been supposed she came from a minor gentry family. Writers and filmmakers often portray her in fiction and on screen as a rather foolish, gossipy nanny figure, a minor supporting character in the fascinating drama of Elizabeth’s fraught early years. My research tells a different story.

Far from being from a rural gentry background, Kate was close to people at the heart of the Tudor Court. By the early 16th century, the Champernownes of Devon had expanded their lands well beyond the west country, into Gloucestershire and Oxfordshire. Over many generations, through dynastic marriages, they forged alliances with powerful families, including Poyntz, Carew, and, most notably, Courtenay.

Like many women of her time, the historical record remains stubbornly silent about Kate’s early life. She first comes to notice when appointed to the household of three-year-old Elizabeth in 1536. Exploring her family connections and the people she was close to places that appointment in context.

Kate was the eldest daughter of Sir Philip Champernowne, a close relative of Henry Courtenay, Marquess of Exeter, first cousin and companion of the young Henry VIII. The Marquess’s father was Sir Philip’s first cousin. Sir Philip served as squire of the body to the king for a time, mixing with other well-known courtiers, before he retired to the west country, where he often deputised for the Marquess. Kate may have gained her formidable education among her powerful Courtenay relatives.

Through her maternal grandmother, Kate also had connections to the Poyntz family, who held prominent positions in Catherine of Aragon’s household. Kate’s great aunt married Sir Anthony Poyntz. She is likely the Elizabeth Poyntz who had care of Henry VIII’s short-lived son, Henry Duke  of Cornwall. Also on the maternal side, Kate’s uncle, Sir Gawen Carew married Charles Brandon, Duke of Suffolk’s sister. 

Brandon was a close friend of the king and married Mary Tudor, the king’s sister, after the death of her first husband, the King of France. Sir Gawen became a prominent courtier, soldier and diplomat. Sir George Carew, ill-fated captain of the Mary Rose, and his brother Sir Peter, were Kate’s cousins. 

Kate’s sister, Joan, was one of Catherine Parr’s ladies and shared her interest in the reformed religion. Joan married Sir Anthony Denny, a man so close to King Henry VIII that he was the only one brave enough to tell the dying king that his end was near. Kate’s brother, John, also had a place at court. According to Sir Richard Carew of Anthony, writing in the early years of the  seventeenth century, John was popular with King Henry ‘for his pleasant conceits’.  So Kate moved in circles close to the royal court. She also knew many Cambridge-educated intellectuals.

Not long after Anne Boleyn’s execution, Kate was one of a group of serving gentlewomen appointed to serve Anne’s three-year-old daughter. Their role was to keep company with the little girl, to entertain her, and at all times to model the behaviour and manners expected of a noblewoman in the sixteenth century.  Soon after this appointment, Kate made her first known appearance in the historical record with an extraordinarily bold letter to Thomas Cromwell. That letter, dated 5 October 1536, made me stop and think about the way historians and writers have traditionally portrayed Kate’s character.

To paraphrase the letter — there’s a full transcript in my book — Kate thanks Cromwell for recommending her to the king for her new post. She then asks him if he could speak to the king about payment for her services. Unfortunately, we only have half of this fascinating correspondence. Many of Thomas Cromwell’s papers were destroyed at the time of his downfall, and his response has not survived. In 1536, Cromwell was the most powerful man in the land, after the king. He was not a man who acted without a purpose.

Political considerations influenced his every decision, including Kate’s appointment.  I found it very hard to reconcile the author of that letter to the great man with the foolish character traditionally given to Kate. Would a girl, however well educated, from a minor gentry family, really have dared to write to him in those terms? And would Cromwell have even considered appointing someone so lacking in judgement?
I
n 1536, Lady Margaret Bryan was Elizabeth’s Lady Mistress, having overall oversight of the child’s upbringing and early years education. Lady Troy, working with Lady Bryan, was Elizabeth’s governess, and likely introduced the child to her letters using a hornbook. At that time, no one expected Elizabeth would become queen. Rather, as the king’s daughter, even though declared illegitimate, she was a valuable commodity in the marriage market. In her early years, she must gain all the attributes that would make her attractive as a bride.

Sometime after Lady Bryan took charge of the nursery of Edward VI in 1537, and Lady Troy became Lady Mistress to Elizabeth, Kate was promoted to Elizabeth’s governess. More than ten years later, in a letter to Protector Edward Seymour, dated 31 January 1549, Sir Robert Tyrwhitt, who was questioning Elizabeth about her involvement with Thomas Seymour, confirmed that it was King Henry VIII himself who promoted Kate to be Elizabeth’s Lady Mistress. That means she became Lady Mistress before King Henry died in 1547.  It also tells us that Kate not only had the support and trust of Cromwell but also of Elizabeth’s father.

Many assumptions and myths have grown up about Kate Astley, repeated so often that people consider them facts. She’s been called jolly and kind, with unconventional teaching methods, and given credit for single-handedly introducing the little girl to a long list of subjects. These statements are not confirmed in primary sources. As a royal governess, her remit was much broader than that of a Jane Eyre-style Victorian governess. Kate also had to be a mentor, adviser, and protector. She did not deliver all the academic lessons herself but had oversight of input from a range of tutors, music masters, dance teachers, riding instructors and a chaplain, who covered a wide-ranging curriculum.

From nineteenth-century scholars to more recent historians, the focus has been on the events of 1548-49 when Elizabeth was under the roof of her stepmother, the Dowager Queen, Catherine Parr, and her new husband, Thomas Seymour. Kate’s deposition, taken in the Tower of London in January 1549, gives all the salacious details of Seymour’s behaviour towards the fourteen-year-old girl, which appear to modern eyes beyond inappropriate. As a result, Kate has been declared negligent, a gossip, and even considered to have herself been infatuated with the dashing Admiral. 

These assessments do not seem to fit with the view of Elizabeth’s tutors, William Grindal and Roger Ascham, who both praised Kate for her care of the young princess. In my book, I explore an alternative scenario, placing Kate’s testimony in a different light as part of a strategy designed to protect the young princess. Interpretations of that difficult period have largely defined what people think about Kate Astley, while her later years have often been overlooked. Closer study reveals Kate as a political actor, staunchly loyal to Elizabeth.

In 1554, after the Wyatt rebellion against Queen Mary’s Spanish marriage, Kate suffered a long period of house arrest. She was suspected because her cousin, Sir Peter Carew, was a prime mover in the failed plot. Mary eventually allowed Kate to rejoin her mistress briefly, but clearly considered Kate a dangerous influence on Elizabeth and a threat. Only a few months later she held Kate in the Fleet Prison on suspicion of involvement in another plot and then banished her from Elizabeth’s service.

After Elizabeth came to the throne, she made Kate her Chief Gentlewoman of the Privy Chamber, a pivotal role with unique, intimate access to the queen. Kate was Elizabeth’s eyes and ears, listening out for damaging gossip and keeping Elizabeth in touch with how her policies were being received at court and beyond. Anyone who wanted to approach Elizabeth talked to Kate. She gave advice on what sort of gifts might be welcome at New Year.  An Italian news sheet described her as ‘Patroness of all England’ in 1562.  A year after Kate’s death, Hugh Fitzwilliam wrote to the queen saying, ‘Now that Mrs Ashley is gone he has no friend to make his moan to.’

Kate acted as a highly political female courtier at the court of a female monarch. Her death in 1565 left the queen devastated. The two women shared a close bond of mutual love and respect for nearly 30 years. Kate Astley arguably had more influence on the young Elizabeth I than anyone else. She deserves our further consideration.

I hope that Queen Elizabeth’s Governess: The Real Kat Ashley will encourage further debate about a remarkable woman.

Rosemary Griggs

# # #

About the Author

Author and speaker Rosemary Griggs has been researching Devon's sixteenth-century history for years. She has discovered a cast of fascinating characters and an intriguing network of families whose influence stretched far beyond the West Country. She loves telling the stories of the forgotten women of history — the women beyond the royal court; wives, sisters, daughters and mothers who played their part during those tumultuous Tudor years: the Daughters of Devon. Her novel A Woman of Noble Wit tells the story of Katherine Champernowne, Sir Walter Raleigh’s mother, and features many of the county’s well-loved places. The Dartington Bride, published March 2024, is the extraordinary tale of Lady Gabrielle Roberda Montgomery who travelled from France to Elizabethan England to marry into the prominent and well-connected Champernowne family. Rosemary creates and wears sixteenth-century clothing, a passion which complements her love for bringing the past to life through a unique blend of theatre, history and re-enactment. Her appearances and talks for museums and community groups all over the West Country draw on her extensive research into sixteenth-century Devon, Tudor life and Tudor dress, particularly Elizabethan. Out of costume, Rosemary leads heritage tours of the gardens at Dartington Hall, a fourteenth-century manor house and now a a historic visitor destination, events venue and thriving community of businesses, colleges and more. You can find out more on Rosemary’s website:  https://rosemarygriggs.co.uk/ and follow her on Bluesky and Twitter @RAGriggsauthor

7 December 2025

Special Guest Interview with Heather Shanette, Author of Elizabeth I's Ladies, Gentlewomen and Maids: The Women who Served the Tudor Queen


Available from Amazon UK and Amazon US

The stories of the Queen’s ladies, gentlewomen and maids who, between them, served her from the cradle to the grave. From governesses to laundresses, this book features them all, with a comprehensive overview of the main positions of attendance accompanied by a biographical index of all the women known to have served the Queen over the course of her life and reign, from the matronly ladies who headed her nursery to the vivacious maids who dazzled her court with their wit and beauty.

I'm pleased to welcome author Heather Shanette to The Writing Desk:

How did this book come about?

For many years I have been interested in the remarkable women of Queen Elizabeth’s circle. History gives us the impression that she lived in a man’s world but this is something of a myth. From the moment she was born, until the moment she died, her private world was a world of women and even in public she was escorted by ladies and maids. 

As to how my book came about, it was initially a commission by Pen and Sword. Five years ago they asked if I would be interested in writing a book about two or three of the Queen’s women. I suggested a book on all the Queen’s serving women instead as I felt this was long overdue.

What can we learn from your book?

My book explains, like never before, the position of women within the hierarchy of the Elizabethan court. I go into great detail about the various roles that women held and what these roles involved. You can also learn about the women who served Elizabeth pre-accession from governesses to the ‘Hatfield Flock’ who attended upon her in the dangerous years of Queen Mary.

What was Elizabeth like to work for? Are stories of her ‘meaness’ true?

I believe most of these stories have little foundation in fact and my book explains why. Indeed, I have an article in the appendix explaining why Nugae Antiquae, a very popular eighteenth century publication from where some of these stories come, is a problem source.

How many women attended Elizabeth over the course of her life and reign?

Hundreds! My book lists over 300 alone and this is not exhaustive as more women served than we will ever know about.

Do you have a favourite woman?

Of the Queen’s long-serving women, Kat Astley is my favourite. She was totally devoted to Elizabeth and suffered much for her sake over the years. She is also quite a character. However, she died very early into Elizabeth’s reign so of the Queen’s other long-serving women, I would say Blanche Parry and Mary Radclyffe are my favourites. Like Elizabeth they were unconventional women who defied social expectation by remaining single. This took courage in a world where women’s raison d’être was seen as marriage and motherhood.

Were most of the Queen’s women married?

Surprisingly, yes. Although old history books tell us that Elizabeth did not like her women to marry, in actual fact, most married – and with her blessing. Marriage was not the problem. The problem was scandal or political awkwardness. Although we might enjoy reading about scandals, and have some sympathy for the women embroiled in them, scandals were disastrous for the Queen and potentially deadly.

Which roles do you believe were the most and least demanding?

Pre-accession, the most demanding role was being Elizabeth’s governess. Not only was this demanding but dangerous. Post-accession, being Chief Gentlewoman of the Privy Chamber. Her duties were extensive and she was at the Queen’s beck and call 24/7. Being Mother of the Maids was also a demanding - and even risky - role. I personally would not have wanted to be responsible for the virtue of the Queen’s maids! The least demanding role was probably that of Lady of Honour. Most Ladies of Honour only attended the Queen occasionally and did not live permanently at court. 

Those who have reviewed your book so far say it is very well-researched. Would you say research is your strength as a historian?

Definitely. I love researching. I love finding out something new or investigating a mystery. I also enjoy fact checking and wading through historical documents and old books to evaluate the truth of a story or the reliability of a source. I’ve learnt over the years that it is very important to trace a story back to its source because stories get twisted or embellished over the years, and stories from questionable sources get taken as truths. It takes time to do this, and slows down the writing process considerably, but to me is very important.

Has your research resulted in any new information on the Queen’s women?

Yes, and not just on the Queen’s women but on those who looked after Prince Edward too. For example, my research identifies ‘Mother Jak’, a somewhat elusive figure in Tudor history who was said to be the prince’s nurse, as Mistress Pakenham, sister of Lady Sidney who was his Lady Governess.

Would you say your book is a valuable resource for historical fiction authors?

Yes. My book lists the names and dates of all the women known to have served Queen Elizabeth, which can help fiction authors in choosing character names, and provides brief biographical information on each woman. My book also gives a detailed overview of every position of attendance, provides an insight into the layout and workings of the court, and contains a glossary of common terms. In this way, my book is as much a reference book as it is a biography or story book.

Heather Shanette

# # #

About the Author

Heather Shanette is an author and historian who lives in North Wales. She has an M.Phil in Tudor history from Bangor University, where she spent a decade as a postgraduate researcher, and for over 25 years has been the webmistress of elizabethi.org. Her book ‘Elizabeth I’s Ladies, Gentlewomen and Maids: The Women who Served the Tudor Queen’ is her first history book. You can learn more about Heather on her website heathershanette.com and find her on Twitter and now on Instagram @heathershanette.

17 November 2025

Elizabeth I's Ladies, Gentlewomen and Maids: The Women who Served the Tudor Queen, by Heather Shanette


Available from Amazon UK and Amazon US

‘What do you think of my ladies?’ Queen Elizabeth I is said to have asked a visitor to her court. The visitor, an experienced courtier, is said to have given the perfect answer: ‘It is hard to judge of stars in the presence of the sun’. 

Although overlooked for centuries, as the eye of history has been on the chivalrous and stately men who surrounded the Virgin Queen, the women of the Queen’s world, who attended upon her in public and in private, were of no less influence and sway than the more famous men around her. Indeed, the women of the Queen’s inner circle were far more than just attendants. 

They were the Queen’s friends and confidantes, her all-important support network in a treacherous political world, and by blood or by bond they were her ‘family’. 

This book tells their stories, the stories of the Queen’s ladies, gentlewomen and maids who, between them, served her from the cradle to the grave. 

From governesses to laundresses, this book features them all, with a comprehensive overview of the main positions of attendance accompanied by a biographical index of all the women known to have served the Queen over the course of her life and reign, from the matronly ladies who headed her nursery to the vivacious maids who dazzled her court with their wit and beauty.

# # #

About the Author

Heather Shanette has an M.Phil in Tudor History from Bangor University, Wales, where she spent a decade as a postgraduate researcher and occasional teacher. She is an expert on the life and reign of Queen Elizabeth I and for a quarter of a century has been the webmistress of elizabethi.org, a website dedicated to the Tudor Queen that has helped millions of people around the world learn about her extraordinary life. Find out more at heather's website https://heathershanette.com/ and find her on Twitter

24 October 2025

Historical Fiction Spotlight: Mistress of Dartington Hall (Daughters of Devon Book 3) by Rosemary Griggs


Available from Amazon UK and Amazon US

1587. England is at war with Spain. The people of Devon wait in terror for King Philip of Spain’s mighty armada to unleash untold devastation on their land.

Roberda, daughter of a French Huguenot leader, has been managing the Dartington estate in her estranged husband Gawen’s absence. She has gained the respect of the staff and tenants who now look to her to lead them through these dark times.

Gawen’s unexpected return from Ireland, where he has been serving Queen Elizabeth, throws her world into turmoil. He joins the men of the west country, including his cousin, Sir Walter Raleigh, and his friend Sir Francis Drake, as they prepare to repel a Spanish invasion. 

Amidst musters and alarms, determined and resourceful Roberda rallies the women of Dartington. But, after their earlier differences, can she trust Gawen? Or should she heed the advice of her faithful French maid, Clotilde?

Later Roberda will have to fight if she is to remain Mistress of Dartington Hall, and secure her children’s inheritance. Can she ever truly find fulfilment for herself?

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About the Author

Author and speaker Rosemary Griggs has been researching Devon's sixteenth-century history for years. She has discovered a cast of fascinating characters and an intriguing network of families whose influence stretched far beyond the West Country. She loves telling the stories of the forgotten women of history — the women beyond the royal court; wives, sisters, daughters and mothers who played their part during those tumultuous Tudor years: the Daughters of Devon. Her novel A Woman of Noble Wit tells the story of Katherine Champernowne, Sir Walter Raleigh’s mother, and features many of the county’s well-loved places. The Dartington Bride, published March 2024, is the extraordinary tale of Lady Gabrielle Roberda Montgomery who travelled from France to Elizabethan England to marry into the prominent and well-connected Champernowne family. Rosemary creates and wears sixteenth-century clothing, a passion which complements her love for bringing the past to life through a unique blend of theatre, history and re-enactment. Her appearances and talks for museums and community groups all over the West Country draw on her extensive research into sixteenth-century Devon, Tudor life and Tudor dress, particularly Elizabethan. Out of costume, Rosemary leads heritage tours of the gardens at Dartington Hall, a fourteenth-century manor house and now a a historic visitor destination, events venue and thriving community of businesses, colleges and more. You can find out more on Rosemary’s website:  https://rosemarygriggs.co.uk/ and follow her on Bluesky and Twitter @RAGriggsauthor

19 June 2025

Author Alexandra Walsh Reviews Bess - Tudor Gentlewoman (The Elizabethan Series Book 6)


New from Amazon UK and Amazon US

Bess Throckmorton defies her notorious background and lack of education to become Queen Elizabeth’s Gentlewoman
and trusted confidante.

Tony Riches’s new Tudor novel, Bess: Tudor Gentlewoman follows the life and adventures of Bess Throckmorton, gentlewoman of Queen Elizabeth’s inner circle and wife of the swashbuckling adventurer, Sir Walter Raleigh. Bess’s story transports the reader to the heart of Tudor England with all its danger, glamour, intrigue and despair.

One of the best things about historical fiction, is being taken on a journey into someone else’s life courtesy of the painstaking research done by the author. With them as your guide, they lead you into the past where you are able to look through the eyes of a real person. 

The wonderful advantage of fiction is the author has the flexibility to fill in the gaps and make the past spring to life in every gritty, real and, often shocking, detail. This is something at which Tony Riches excels and the more I read about Bess, the more I was drawn into her world, feeling her concerns, her pain and her determination to survive.

Packed full of extraordinary detail, Bess: Tudor Gentlewoman gives a new perspective on Tudor women. She lived a full and, at times, dangerous life. She survived a stint as a prisoner in the Tower of London, she weathered the storms of her marriage to Sir Walter Raleigh and used her guile, skill and diplomatic skills to carve a path through the tragedies and misfortunes which made up her life.

As with all Tony’s books Bess: Tudor Gentlewoman transports you through time to experience the often harrowing day-to-day lives of these forgotten stories. I enjoyed every page and highly recommend it to history and non-history lovers alike. This is a story of survival, love and, above all, hope.

Alexandra Walsh 

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About the Author

Alexandra Walsh is a bestselling author of the dual timeline women’s fiction. Her books range from the 15th and 16th centuries to the Victorian era and are inspired by the hidden voices of women that have been lost over the centuries. The Marquess House Saga offers an alternative view of the Tudor and early Stuart eras, while The Wind Chime and The Music Makers explore different aspects of Victorian society. Formerly, a journalist for over 25 years, writing for many national newspapers and magazines; Alexandra also worked in the TV and film industries as an associate producer, director, script writer and mentor for the MA Screen Writing course at the prestigious London Film School. She is a member of The Society of Authors and The Historical Writers Association. For updates and more information visit her website: www.alexandrawalsh.com and follow her on Facebook, Twitter @purplemermaid25 and Bluesky @purplemermaid25.bsky.social

3 June 2025

Historical Fiction Spotlight Nothing Proved, by Janet Wertman


Available from Amazon UK and Amazon US

Danger lined her path, but destiny led her to glory… 

Elizabeth Tudor learned resilience young. Declared illegitimate after the execution of her mother Anne Boleyn, she bore her precarious position with unshakable grace. But upon the death of her father, King Henry VIII, the vulnerable fourteen-year-old must learn to navigate a world of shifting loyalties, power plays, and betrayal. 

After narrowly escaping entanglement in Thomas Seymour’s treason, Elizabeth rebuilds her reputation as the perfect Protestant princess – which puts her in mortal danger when her half-sister Mary becomes Queen and imposes Catholicism on a reluctant land. 

Elizabeth escapes execution, clawing her way from a Tower cell to exoneration. But even a semblance of favor comes with attempts to exclude her from the throne or steal her rights to it through a forced marriage.  

Elizabeth must outwit her enemies time and again to prove herself worthy of power. The making of one of history’s most iconic monarchs is a gripping tale of survival, fortune, and triumph.

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About the Author

By day, Janet Wertman is a freelance grantwriter for impactful nonprofits. By night, she writes critically acclaimed, character-driven historical fiction – indulging a passion for the Tudor era she had harbored since she was eight years old and her parents let her stay up late to watch The Six Wives of Henry VIII and Elizabeth R. Her Seymour Saga trilogy (Jane the Quene, The Path to Somerset, The Boy King) took her deep into one of the era’s central families – and now her follow-up Regina series explores Elizabeth’s journey from bastard to icon. Find out more from www.janetwertman.com and follow Janet on Facebook, Instagram and Bluesky @janetwertman.bsky.social


2 May 2025

Book Launch: Bess - Tudor Gentlewoman (The Elizabethan Series Book 6)


New from Amazon UK and Amazon US

Bess Throckmorton defies her notorious background and lack of education to become Queen Elizabeth’s Gentlewoman and trusted confidante.

Forced to choose between loyalty and love, duty and desire, will she risk her queen’s anger by marrying adventurer Sir Walter Raleigh without permission?

Entangled in a web of intrigue, from the glittering Palace of Whitehall to the cells of the Tower of London, Bess endures tragedy and injustice, becoming a resilient, determined woman, who takes nothing for granted.

Can she outwit her enemies, protect her family, and claim her destiny in a world where women are pawns and survival is a game of deadly consequences?

This is the true story of the last of the Elizabethans, which ends the story of the Tudor dynasty – and introduces their successors, the Stuarts.




2 November 2024

Special Guest Post: The Dartington Bride, by Rosemary Griggs


Available from Amazon UK and Amazon US

1571, and the beautiful, headstrong daughter of a French Count marries the son of the Vice Admiral of the Fleet of the West in Queen Elizabeth’s chapel at Greenwich. It sounds like a marriage made in heaven…

In 1559, on a hot summer’s day in Paris, the course of French history took a dramatic turn. The unexpected events that unfolded on that fateful day would also transform the life of a young girl, Lady Gabrielle Roberda Montgomery. Her story inspired the latest novel in my ‘Daughters of Devon’ series, The Dartington Bride, due for release on March 28, 2024.

Everything was going well for King Henri II of France. The succession was guaranteed, as he had four sons with Queen Catherine de Medici. The French army had reclaimed Calais from the English. The 60-year-long Italian wars had finally come to an end. Through successful negotiations with the Hapsburghs and Queen Elizabeth of England, he had achieved The Peace of Cateau Cambresis.


King Henri II of France (1519-1559) after Francis Clouet
(Wikimedia Commons) 

In June 1559 lavish festivities were held to celebrate the peace agreements and two royal marriages. The festivities reached their peak with a magnificent tournament, held near the Place des Vosges, and set to last for 5 days. On the third day, June 30, forty-year-old King Henri himself would take on challengers.

King Henri had been training hard to excel in the joust. But Queen Catherine was troubled by the alarming predictions of her astrologers, Nostradamus, and Luca Gaurico. They foretold that Henri’s reign would end with an eye injury he would sustain in a duel. Gaurico, the astrologer of the Medici family in Italy, went as far as writing a letter to the king, advising him to:

‘… avoid all single combat in an enclosed field, especially around his forty-first year… for in that period of his life he was threatened by a wound in the head which could bring about blindness, or death.’

Under the scorching sun, a crowd gathered on Paris’ widest street, the rue Saint-Antoine. Colourful banners fluttered from the surrounding buildings, adding to the festive atmosphere as the spectators vied for positions in the stands. Queen Catherine begged Henri to let others take the field in his place. But he was having none of it. The anxious queen looked on as, proudly wearing the colours of his mistress, Diane de Poitiers, Henri rode out.

Despite winning the first contest, he faced a formidable challenge from his second opponent, who nearly knocked him off his horse. The Duke of Savoy and Queen Catherine both urged him not to ride again. But Henri was stubborn. He insisted on another contest and commanded Gabriel de Lorges, the Captain of his Scots Guards, to ride against him.


Gabriel de Lorges, Count of Montgomery, (5 May 1530 – 26 June 1574)
(Wikimedia Commons) 

From the fifteenth century, the King’s Scots guards served as an elite personal bodyguard to French monarchs. A few years before the tournament, Gabriel took over from his father as their captain. A handsome and fit soldier, he was at least ten years younger than King Henri. At first he resisted, but he dared not disobey his king.

The two horses thundered towards each other. Gabriel’s lance struck the king in the right shoulder and, in a move that was not the usual practice in the sport, held onto his lance. The impact caused the lance to splinter, sending wooden shards into Henri’s forehead. In his haste to prove a point, the king may have let down the visor on his helmet without fastening the buckle, making him especially vulnerable. The visor failed to protect his right eye, and a shard of wood from the lance pierced it, reaching into his brain.

At first, Henri stayed in the saddle. But when his attendants saw how serious his injury was, they lifted him from his horse. They carried him into the nearby Hôtel des Tournelles, where, according to an eyewitness, Bishop Antoine Caraccioli, Gabriel begged for forgiveness at the king’s bedside. He even asked that the king cut off his head and hand. Henri refused, saying that Gabriel had merely followed his orders.

Ambroise Paré, the renowned barber-surgeon and French court physician, hoped to operate and save the king. According to some sources, he may have even practiced eye surgery on prisoners in the Bastille to refine his technique. Additionally, Philip of Spain sent his physician, the equally renowned anatomist Andreas Vesalius, all the way from Brussels. They tried everything. Despite the combined efforts of the two learned men, King Henri died on 10 July 1559. After his death, jousting declined as a sport, particularly in France.

On his deathbed, King Henri again declared Gabriel blameless. However, Queen Catherine would never forgive him. From that day, she took the broken lance as her emblem. Gabriel de Lorges had become the French regicide.

Gabriel, who became Count of Montgomery after his father’s death in 1562, came from a noble family of Scottish descent. His father, Jacques, had forged a successful career as a soldier under King Francois II. In 1545, during the Anglo/Scottish wars, known as Henry VIII’s ‘Rough Wooing,’ he led a French force to support the Scots. Jaques married his third wife, Charlotte de Maille, in 1550. 

It was a double wedding as Gabriel married Charlotte’s daughter, Isabeau de la Touche, on the same day. Gabriel and Isabeau would go on to have had four sons and four daughters. Gabrielle, affectionately known as Roberda in the family, was about five years old at the time of the tournament.

After the accident, Gabriel spent a few days in the ‘Montgomery Tower’ within the wall of Philippe Auguste in Paris. Then, still in fear of his life, he fled. He went first to the family home at Ducey in Normandy. By mid-July, he had travelled to Jersey. In December, diplomatic papers mentioned him being in Venice.

In the spring of 1560, Gabriel arrived in England. He met many influential people, including Lord Robert Dudley. He also made, or renewed, his acquaintance with Sir Arthur Champernowne of Dartington Hall. The two men may have first met some years earlier, in1554. Once the investigation into his supposed participation in the Wyatt rebellion had concluded, Queen Mary released Arthur from the Tower of London and permitted him to travel to France. During Queen Elizabeth’s reign, Sir Arthur, a staunch Protestant, held the important position of Vice Admiral of the Fleet of the West.

While her husband was in England, Isabeau embraced the teachings of John Calvin, joining his followers, the Huguenots. By the time Gabriel returned to Ducey in December 1561, he too had converted to the Protestant faith.

Religious tensions had been simmering in France for some time. They came to a boiling point on 1 March 1562 when the troops of the powerful Catholic leader, the Duke de Guise, murdered a group of Protestants in a barn at Vassy. The massacre marked the start of the bitter wars of religion that would engulf France for the next 30 years. As France spiralled towards war, Gabriel joined forces with Louis de Bourbon, Prince of Condé, and emerged as a Huguenot military leader.

Isabeau was, by all accounts, a formidable woman who gave her unwavering support to her husband. When she followed Gabriel on the battle trail, she took all of her children with her. In October 1562, the entire family was at the heart of the fighting in the besieged city of Rouen. The sights Roberda and her siblings witnessed there must have had a profound effect on them.

In 1565, Gabriel granted Isabeau full power of attorney to act on his behalf in all matters concerning his estate and finances. She began negotiating marriages for their children, seeking alliances that would strengthen Gabriel’s position as a war leader.

Isabeau is probably the French lady Sir Arthur Champernowne entertained in Plymouth in 1568. Katherine Astley, one of Sir Arthur’s sisters, had been Queen Elizabeth’s childhood governess. Until her death in 1565, Mrs Astley was Chief Lady of the Privy chamber and a trusted confidante of the Queen. No doubt Gabriel hoped that an alliance with the well-connected Sir Arthur would strengthen his position when seeking support from Queen Elizabeth for the Huguenot cause.

After a good deal of discussion, Roberda left her family in France and started a new life in England. Researching and crafting Roberda’s story has been both challenging and fascinating. The Dartington Bride explores themes that resonate with us today; the devastating impact of war on innocent populations and societal attitudes towards refugees. It also reveals startling insights into women’s lives, and attitudes to marriage amongst wealthy families in sixteenth century England.

The Dartington Bride is available to pre-order as an ebook and as a paperback. An audiobook version follows soon.

Rosemary Griggs

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About the Author

Rosemary Griggs is a retired Whitehall Senior Civil Servant with a lifelong passion for history. An avid researcher, she is now a speaker on Devon’s history and leads heritage tours at Dartington Hall.  She also creates and wears sixteenth century clothing which she often uses to bring history to life for local museums and community groups.  Rosemary lives in Devon with husband David, and her first novel, a Woman of Noble Wit features many of the county’s well loved places.  Find out more on Rosemary’s website https://rosemarygriggs.co.uk/ and follow her on Facebook and Twitter @RAGriggsauthor

3 July 2024

Special Guest Post by Alexandra Walsh, Author of The Secrets of Crestwell Hall


Available from Amazon UK and Amazon US

1605: Bess Throckmorton is well used to cunning plots and intrigues. With her husband Sir Walter Raleigh imprisoned in the Tower of London, and she and her family in a constant battle to outwit Robert Cecil, the most powerful man in the country who is determined to ruin her, Bess decides to retreat to her beloved home, Crestwell Hall.

Bess Throckmorton and the Gunpowder Plotters’ Wives

The thing I love writing about most are the women who have been lost from history. In my new dual timeline novel, The Secrets of Crestwell Hall, I move between the present day and the early Jacobean period where I reimagine the 1605 Gunpowder Plot as told by the wives and female relatives of the Plotters. 

My contemporary characters have recently moved to the manor house, Crestwell Hall, which they are trying to save from having to be sold to be turned into a hotel. They want to discover its lost past and turn it into a place for people to visit to experience the restored grandeur of a bygone era. Isabella Lacey and her ten-year-old daughter, Emily, join Isabella’s aunt, Thalia, in this venture as Isabella heals from an unpleasant divorce. They discover a Bible that once belonged to a previous owner, Elizabeth, Lady Raleigh, wife of Sir Walter Raleigh and better known by her maiden name, Bess Throckmorton, which has a remarkable tale to tell. 

In The Secrets of Crestwell Hall, I have worked hard to give a voice to Bess who was a real woman of formidable character who had to cope with the difficulty of having a husband incarcerated in the Tower of London, guilty of treason. I became interested in her in 2019 when I was researching The Arbella Stuart Conspiracy (Sapere Books, 2020), particularly as through her Throckmorton family she was connected to a considerable number of the nobility. It was this which was most important for The Secrets of Crestwell Hall because she is related to nearly all the wives of the Gunpowder Plotters.

It was even more intriguing because the wives were Catholic while Bess was a Protestant in the vast and influential Catholic Throckmorton family. This made her the perfect person to use as a rallying point for the other suspicious wives. Not only was she living with the difficulties of having a husband who was an attainted traitor – Sir Walter Raleigh – her religion gave her protection. 

Raleigh had been arrested in 1603 for his part in the Main Plot. This was one of two plots that took place in the aftermath of Elizabeth I’s death and the succession of James I. He was sentenced to death but this was commuted at the block to life imprisonment in the Tower of London. In the eyes of the law, he was legally dead, yet he remained very much alive. 

I tried to imagine how difficult this must have made life for Bess. Her husband’s lands and houses were forfeit to the Crown, yet she had two sons and herself to support. After the Gunpowder Plot was discovered, in the real version of events, both Bess and Walter fell under suspicion. However, with no evidence against them, the charges were dropped, yet for me, this was the hook I needed to draw together all the wives. 

Of the thirteen main plotters led by Robert Catesby, eleven were married. These women have been hiding in their shadows all along but now, I shall introduce you to them.  

By the time of the plot Catesby was a widower. His Protestant wife, Catherine Leigh had died in 1599. They had married in March 1593 and had two sons: William – who died as a baby – and Robert. The differing religions suggests various possibilities: it was a love match or in his youth, Catesby, was not such a zealous Catholic and political activist. It was after Catherine’s death he became more involved in politics.

The first person to join Catesby was John Wright, known to all as Jack. His wife was Dorothy Scott. They were teenage sweethearts, who married in 1588. Jack did not convert to Catholicism until the Essex Rebellion in 1601, then the family home of Twigmore Hall, North Lincolnshire became a safe house for Jesuit priests. When he was enthral to Catesby, Jack and Dorothy moved their six children to a house belonging to Catesby at Lapworth in Warwickshire. Dorothy was one of the wives arrested after the plot was discovered. 

Dorothy’s family has been harder to trace and at present, I am still searching.

Thomas Wintour, Catesby’s cousin was next to join up but there are no records he was ever married. However, the same cannot be said for Guy Fawkes. The Internet has a variety of theories and in her book, The Gunpowder Plot, Terror and Faith in 1605, Antonia Fraser suggests Fawkes may have been married to a Maria or Mary Pulleine and they had a son, Thomas. My research revealed various documents linking Guy Fawkes to the Catholic Pulleine family of Scotton Hall, Yorkshire. There are signed notices concerning rents and land ownership giving Fawkes a clear connection to the Pulleine family and this may have been where the suggestion arose but, alas I found no conclusive proof of his marriage. 

Two of the marriages of the plotters were known to be in tatters and the first of these was the marriage between Martha Wright and Thomas Percy. Martha was the sister of John and Christopher Wright, two of the plotters and was the daughter of a convicted recusant, her mother, Ursula Rudston. At the time of the plot, Martha and her husband were barely on speaking terms with rumours abounding that he had bigamously taken another wife. Despite this, in the aftermath, Martha was one of the six wives arrested and taken to London for questioning. 

The other couple having problems were Anne Tufton and Francis Tresham. He was another cousin of Catesby and well-known for his volatile nature. There are records detailing Tresham’s misdemeanours – assault, affray and general bad behaviour – and it’s possible this unreliability was the reason he was one of the last to be initiated into the Plot. 

Tresham was accused of writing the Monteagle letter, the document that revealed the Plot but Catesby accepted his explanation that he was not the culprit. Tresham was arrested on 12 November and died of an unspecified illness while incarcerated in the Tower of London. Anne’s reaction appears to be undocumented but as a Protestant, she would have been safe from the law and maybe, she was relieved to be free from the suspicion and drama of being married to such an unpredictable man.

The other wives (using their maiden names) were Gertrude Talbot (married to Robert Wintour), Margaret Ward (married to Christopher Wright), Dorothy Wintour (John Grant), Christina Browne (Robert Keyes), Elizabeth Tyrwhitt (Ambrose Rookwood), Mary Mulsho (Everard, Lord Digby) and Martha, the wife of Catesby’s loyal manservant, Thomas Bates. At present, I am still searching for her maiden name. 

Of these women, Margaret Ward, Dorothy Wintour, Christina Browne and Elizabeth Tyrwhitt were also arrested. They were taken to London and held at the houses of numerous aldermen of the City. 

Eventually, they were released without charge but their lives were damaged by their husbands’ traitorous behaviour. Homes were searched and goods looted by local militia. Mary Mulsho in particular was horrified at the violence with which her house was treated and the amount of goods claimed by law enforcement officers. 

The Gunpowder Plot remains one of the most famous incidents from James I’s reign and, while the wives survived their lives and the lives of their families would forever be tainted by the tang of gunpowder, treason and plot.  

Alexandra Walsh
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About the Author

Alexandra Walsh is a bestselling author of the dual timeline women’s fiction. Her books range from the 15th and 16th centuries to the Victorian era and are inspired by the hidden voices of women that have been lost over the centuries. The Marquess House Saga offers an alternative view of the Tudor and early Stuart eras, while The Wind Chime and The Music Makers explore different aspects of Victorian society. Formerly, a journalist for over 25 years, writing for many national newspapers and magazines; Alexandra also worked in the TV and film industries as an associate producer, director, script writer and mentor for the MA Screen Writing course at the prestigious London Film School. She is a member of The Society of Authors and The Historical Writers Association. For updates and more information visit her website: www.alexandrawalsh.com and follow her on Facebook, Twitter @purplemermaid25 and Bluesky @purplemermaid25.bsky.social