Mastodon The Writing Desk: 2024

5 December 2024

Christmas in Tudor Times: A Special Guest Post by Judith Arnopp, Author of The Winchester Goose: at the Court of Henry VIII #HistoryWritersAdvent24


Available from Amazon UK and Amazon US

Tudor London 1540: Each night, after dark, men flock to Bankside seeking girls of easy virtue; prostitutes known as The Winchester Geese.

Whether you like it or not, Christmas is impossible to avoid and that also applies when writing historical Fiction. I have about eighteen books in my catalogue now and the season is featured in most of them. There is only so much information to be had on Christmas traditions in the different eras and I have just about covered them all in my novels. Sometimes I get jaded and skip the season and move on with the story. 

I often think it would be nice to do so in reality, my purse and waistline would certainly benefit. 
In Tudor times the whole concept of Christmas was very different to ours. Although many aspects of past traditions are still detectable in our own, they really are worlds apart.

 Christmas was a time of prayer and feast; the spinning wheel which occupied a corner of most homes, sat idle until the first Monday after epiphany (Plough Monday) when work would be resumed. While we adorn a tree, they decorated the spinning wheel with evergreen boughs, holly and ivy, a remnant of a ritual from pagan times. 

The yule log, a huge trunk or bundle of faggots (depending on the size of one’s hearth) was brought in from the forest. It was burned for the entire twelve days of the Christmas celebration, and it was considered lucky to keep charred remnants to start off next year’s yule fire. Aspects of this tradition are still in use today, although our log tends to consist of cake and chocolate icing.

In royal houses, as part of the festivities, a boy or a fool would be ‘crowned’ the Lord of Misrule. Under his command normal order was overturned and the fool became king, and vice versa. 

The Lord of Misrule could command anybody to do anything. It was a time of total chaos and one that baffles me. I’ve a fertile imagination but I cannot imagine Henry VIII allowing anyone to make a public mockery of him, let alone a fool … but apparently, he did. And if their behaviour seems weird, it was nothing compared to the festive diet.

Poorer folk feasted on umble pie – pastry filled with the chopped and minced heart, liver, lungs and kidneys of a deer, but the affluent gorged on much richer fare. Along with the traditional Christmas dishes of swan, peacock and dolphin (yes, I know!) Henry VIII was the first monarch to introduce turkey to the royal table, but there were other … stranger things.

Christmas pie – sounds yummy – was rather like a Russian doll but with poultry, and consisted of a turkey stuffed with a goose, stuffed with a chicken, stuffed with a partridge, stuffed with a pigeon. This pie was served in a pastry case, surrounded by joints of hare, small game and wild fowl. May not be as yummy as it sounds then – I think I will be sticking with my vegetable wellington this year.

And if that sounds weird, Cockenthrice was weirder still. Most of us have seen the grotesques in the margins of medieval manuscripts, strange half-beasts comprised of different animals – a rabbit with a man’s head or a lion with a dragon’s head, or a snail with the head of a cat. 

Well, it didn’t remain in the margins. The Tudor table benefitted from dishes that were constructed in a similar manner. Cockenthrice was comprised of a sucking pig, sewn to the back end of a goose (or something similar) – there are some gruesome pictures on-line - google it, you will be amazed!

Mince (or minst) pies might sound familiar but these were not made by Mr Kipling (other pies are available) and consisted largely of prunes, raisins, dates, powdered beef, butter, egg yolk, flour, suet or marrow, and minced mutton and seasoned with salt, pepper and saffron – these thirteen ingredients represented Christ and the apostles, all baked in a pie crust shaped like a manger to symbolise the holy birth.

For the rich it was time of excess but things didn’t always go according to plan.
As a historical novelist I sometimes get jaded writing about jolly, warm high jinks in fancy palaces and choose to venture into darker times, like Christmas eve 1497 when a fire at Sheen Palace where King Henry VII, Elizabeth of York, Margaret Beaufort and the young prince Henry, princesses Margaret and Mary were in residence. The cooks were busy in the kitchen, the jesters and mummers practicing for the big day when …

“About nine of the clock quite suddenly … within the king’s lodging and so continued till midnight. By violence whereof …(a) great part of the old building was burnt and much more harm done upon costrings (curtains) and hanging beds of cloth of gold and silk and much other rich apparel with plate and manifold jewels  belonging to such a noble court. How well loving therefore be to God (that) no living creature was there perished…” (Robert Hutchinson, Young Henry, P.44) 

The royal household was hurried outside to safety. You can imagine the scene; the confused and crying children, hastily wrapped in blankets, clasped in their nurses’ arms. Men rushing to fight the blaze, women weeping, screaming perhaps as the windows exploded and the ceilings collapsed in a great ball of flame. Henry and Elizabeth, and the king’s mother looked on in cold shock as their sumptuous palace was consumed.

I have no doubt they took refuge elsewhere and went on to enjoy some sort of joyful celebration but humbler folk enjoyed a poorer feast. They might kill the goose they’d been saving and throw an extra log on the fire but the truly destitute would barely be aware of the date. How hard it must have been to see and hear the preparations, to smell the aroma of roasting meat, peer through windows to see the flickering flame of roaring fires from which you were excluded by circumstance.

The Winchester Goose is narrated by Joanie Toogood who, along with her sisters, Sybil and Betsy, are prostitutes living and working in the stews of Southwark in Tudor London. Life is hard but they make the best of it. During an unexpected encounter with a lady of the court, Evelyn Bourn, the lady falls down the stairs outside Joanie’s chambers and suffers a severe injury. 

Not knowing where she comes from and afraid of retribution for her part in the accident, Joanie keeps her with them, offering her rough but well-meaning care. In the following excerpt they are celebrating a meagre but hearty Christmas. Please excuse Joanie’s grammar, she hasn’t benefitted from any sort of education:

It will be a meagre Christmas this year and that’s for sure. It’s hard for me to work now, what with Sybil afraid of her own shadow and M’lady tied to the foot of my bed. I turn a few tricks about town but earn barely enough to fill our bellies. And to top it all, my little sister Betsy is set on wedding a farmer’s boy from way up river, some far flung place I’ve never been to. Good luck to her, I say, but since Betsy is our best earner, it means we are deeper in the mire than anyone’d wish to be. It don’t seem to worry her none, she flounces about as gaily as you please, as if I haven’t had the care of her since she learned to walk.
Since early November the rain has fallen without easement, the wind blowing it in beneath the shingle, the damp chill filling the air and settling in my bones. Now that December is here, the cold increases, casting a layer of hoar frost upon the heads of the Queen’s lovers that the King has pinned to the bridge by way of warning. We’ve heard no word of the faithless little Queen herself, but I imagine her fate will not be one to envy. I’d sooner be me, hungry as I am.
    But I’ve no time to worry for her overmuch for I’ve mouths to feed and a gently born lady to keep warm. I’ve pinned my Ma’s thick shawl across her narrow shoulders, it’s a plain home spun thing against the tattered silk of her gown but it warms her a little. I still don’t know what to do with her and she shows no sign of improving or remembering who she is or what happened.
    Sometimes now, she shouts. Loud, crude words that I’d never have thought to hear from the likes of her. Other times she hollers words that we can’t understand and when these times are upon her she fidgets and strains at her bonds and nothing will soothe her but a cuddle from me. But most of the time she is quiet, as if placidly waiting for something to change.
But nothing does.
    Every day I wash her face and hands, make sure her petticoats are clean before I set out to make a penny or two along the Bankside. I do not tarry if I can help it for my absence makes her fractious.
The smell of roasting meat from the cook-houses sets my mouth alive; I can all but feel how the juice would run down my chin if I could only bite into it. At home, all that awaits me is a week-old pot of pease-pudding, but at least I’ve earned enough this morning to buy some bread to sop it up with. 
When my customer has had enough, I drop my skirts, and he lets a couple of pennies fall into my hand.     “I’m grateful, Ned,” I say, and leave him to go his own ways. I see a baker’s boy with a tray of wares and relieve him of a couple of loaves, reluctantly hand over the pennies before scurrying off homeward.
    The steps to my chamber are slick with ice so I climb them with care before throwing open the door and unravelling my shawl. “I’m back,” I call, although in the one room we share they won’t have missed the blast of colder air that heralds my arrival.
    M’lady is straining at her leash, wanting to give me welcome, so I dump the loaves on the table and go and take her hand. The strange, animal sounds she makes when she’s happy scare Sybil silly, but I just smooth back her hair and stroke her cheek and she calms down, retreating into silence.
    Before I fill my belly I clean myself, using the bowl of rainwater that has filtered through the shingles. It is cold enough to shrivel my nethers and a curious shade of yellow, but it cleans me well enough. Meanwhile Sybil doles out pease-pudding into three bowls and rips the bread into chunks, saving one loaf for supper. Then, tucking a cloth beneath her chin, I begin to spoon the food into M’lady’s mouth. When it has near all gone, I soak the bread in the remaining gravy and put it into her hand.
    “Stoke up the fire a bit, Sybil,” I say, putting my feet up and folding my hands across my belly. Outside the wind still howls and night is falling early, making me wish for thick curtains to draw against the cold. Such is the delight of December, short days and long nights. I think of the frigid days still to come, the relentless cruelty of January and February. I long for the springtime when the very air makes it good to be alive.
    “Tell us a story, Joanie,” says Sybil, settling herself close to the hearth and poking at the glowing embers. M’lady, hearing her words, sits up on the bed, crosses her legs and appears to listen too. As I launch into a tale of brave King Arthur and his lusty knights, her eyes do not leave my face but seem to drink the story up. It is just as I am reaching the part where the boy hauls the great sword of England from its stone that we hear heavy footsteps on the stair and the door is thrown wide. We all turn in surprise.
    “Peter! By all that’s holy. Where have you been, boy?”
    He blushes, pleased that I’ve missed him, and holds a jug of ale aloft. “I had to go to Kennington. My uncle was ailing and I helped out for a while. I am back now and hope to stay.”
    The glance he casts in my direction leaves me in no doubt as to which way his mind is wandering. But I can hardly throw Sybil out in the cold and M’lady is taking up the only bed. He passes the jug to me and I tip it to my lips to let the rich, cool liquid flow down my throat. Then I pass it to Sybil and after she has had her fill, she hands it back to Peter. When my turn comes round again, I see M’lady watching and I go to her and hold the jug to her lips. A trickle of ale runs down her chin and along her throat, disappearing beneath her bodice, making her laugh.
    The jug is soon empty and when Peter gets up to fetch another from the Cock’s Inn on the corner, I follow him outside and wait on the balcony for his return. When he reaches the top stair, he puts down the jug and I slide my arms about his neck, wanting to feel the touch of a friend. I turn my face from his kisses but welcome his fondling hands, and before we go back in we couple quickly and efficiently, my bottom slapping against the roughness of the wall. The moon looks down unabashed while Peter smiles sheepishly, as red as a cock’s comb to the roots of his hair as he refastens his piece. I pull down my skirts and open the door to stumble inside. 
    It is not long before we are all as drunk as lords. While Sybil sings a bawdy song about a priest and a gander, Peter begins to dance an unsteady jig and I scramble up to join him. I lift my skirts to my knees and circle the room, my boots making a din on the wooden floorboards, my dugs doing a separate jig all of their own.
    When Peter and me fall laughing and panting to the floor, M’lady kneels up on the bed, clapping her hands, her mouth gaping in delight.
    “She wants to dance too,” cries Sybil, with the spirit of Christmas upon her. I go merrily toward M’lady to untie the ribbon that holds her fast. She is still giggling when she grabs my hands and begins to dance, forcing my feet to move in steps I do not know. 
After a while, I pull away and she dances alone, her movements more graceful than anything any of us have ever seen before. We watch her in silence, the coarseness of the celebration suddenly seeming out of place.
    Her arms are arched like a pair of swans’ necks and she tilts her head, a dainty foot appearin’ and disappearin’ beneath her skirts in time to music only she can hear. She is a ragged Queen in the company of whores. A winsome smile plays upon her face and there are tears upon her cheeks, as if she is remembering another dance in some other place.

If you’d like to spend more time with Joanie and her sisters and follow the adventures of Evelyn The Winchester Goose is available on Kindle, Kindle Unlimited, Paperback and is narrated by Alex Lee on Audible.

Judith Arnopp

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About the Author

A lifelong history enthusiast and avid reader, Judith Arnopp holds a BA in English/Creative writing and an MA in Medieval Studies. She lives on the coast of West Wales where she writes both fiction and non-fiction based in the Medieval and Tudor period. Her main focus is on the perspective of historical women but more recently is writing from the perspective of Henry VIII himself. Her novels include:
A Matter of Conscience: Henry VIII: the Aragon Years 
A Matter of Faith: Henry VIII: The days of the Phoenix
A Matter of Time: Henry VIII: The dying of the Light
The Heretic Wind: the life of Mary Tudor, Queen of England
Sisters of Arden: on the Pilgrimage of Grace
The Beaufort Bride: Book one of The Beaufort Chronicle
The Beaufort Woman: Book two of The Beaufort Chronicle
The King’s Mother: Book three of The Beaufort Chronicle
The Winchester Goose: at the Court of Henry VIII
A Song of Sixpence: the story of Elizabeth of York
Intractable Heart: the story of Katheryn Parr
The Kiss of the Concubine: a story of Anne Boleyn
A Daughter of Warwick: the story of Anne Neville
The Book of Thornhold
The Song of Heledd
The Forest Dwellers
Peaceweaver
Judith is also a founder member of a re-enactment group called The Fyne Companye of Cambria and makes historical garments both for the group and others. She is not professionally trained but through trial, error and determination has learned how to make authentic looking, if not strictly HA, clothing. Her non-fiction book How to Dress like a Tudor is published by Pen&Sword books. Her work is also available in many anthologies. Find out more at Judith's website www.judithmarnopp.com/ and find her on FacebookBlueskyThreads and Twitter @JudithArnopp



3 December 2024

Special Guest Post by Anna Belfrage, Author of Revenge and Retribution (The Graham Saga Book 6) #HistoryWritersAdvent24


Available from Amazon UK and Amazon US

Life in the Colony of Maryland is no sinecure – as Alex and Matthew Graham well know. But nothing in their previous life has prepared them for the mayhem that is about to be unleashed upon them.

First of all, thank you Tony for inviting me to be part of your Advent tour. Advent is important for us Swedes, a reason to light candles—many candles—during the darkest months of the year 😊To reinforce the Christmas/Advent theme, I have chosen an excerpt with a whiff of cinnamon, saffron and mustard—important ingredients in a Swedish Christmas, as are the little folk.

Now onto my chosen book: 

Life in the Colony of Maryland is no sinecure – as Alex and Matthew Graham well know. But nothing in their previous life has prepared them for the mayhem that is about to be unleashed upon them.
Being labelled a witch is not a good thing in 1684, so it is no wonder Alex Graham is aghast at having such insinuations thrown at her. Even worse, it’s Matthew’s brother-in-law, Simon Melville, who points finger at her.

Not that the ensuing hearing is her main concern, because nowadays Alex’s entire life is tainted by the fear of what Philip Burley will do to them once he gets hold of them – there is no longer any ‘if’ about it. On a sunny May afternoon, it seems Philip Burley will at last revenge himself on Matthew for every single perceived wrong. Over the course of twenty-four hours, Alex’s life – and that of her family’s – is permanently changed.

As if all this wasn’t enough, Alex also has to cope with the loss of one of her sons. Forcibly adopted by the former Susquehannock, Samuel is dragged from Alex’s arms to begin a new life in the wilderness.
How is Alex to survive all this? And will she be able to put her damaged family back together?

 

In which Alex Graham has just risked her life to reach Samuel, the son forcibly carried off by the Susquehannock to be fostered by them.

It was very late in the day before Alex woke. At first Alex couldn’t quite understand what she was doing in bed on a winter afternoon. She stretched, and as she did, she recalled the happenings of the morning, sitting up so quickly the blood flowed out of her head in protest, leaving her weak-kneed and dizzy.
     She dressed, pulled on an extra pair of stockings to warm her ice-cold feet, and went in search of her family. It was Christmas Eve, and she had tons of things to do before tomorrow. The saffron buns she had baked yesterday, but the pies and the fowl, the trout she was curing, and the bread!
     Someone was taking care of that at least, she sniffed as she came down the stairs. From the parlour came a steady hum of male voices, while from the kitchen came sounds that indicated all the Graham women were there. Her stomach growled, and Alex decided sustenance was her first priority.
     “Better?” Mrs Parson bustled towards her, dragging her to sit as close as possible to the kitchen hearth.
     “I haven’t exactly been ill.”
     “Nay, you just nearly drowned,” Mrs Parson said. “A normal wee thing, no?”
     “I didn’t nearly drown,” Alex said. “I’m a very good swimmer.”
     “David said how you were well under, and then the Indians pulled you out.”
     “I would have made it across on my own,” Alex said with far more conviction than she felt.
     Mrs Parson snorted, obviously not believing her. She served Alex a bowl of hot chicken soup, complete with leeks and carrots, and sat down opposite her. “Did you see him, then?”
     Alex nodded, her eyes swimming with tears. “At least he knew who I was.”
     “Of course he did,” Mrs Parson said, smiling at her. “And now he knows you for a daftie as well, no?”
     “A daftie?” Alex’s voice squeaked with indignation.
     “Aye. Throw yourself in the river like that!”
     “You could have died,” Betty remonstrated, setting Timothy down in Alex’s lap.
     “I just had to. He was so close.” She bent her face to Timothy’s bright corkscrews.
     “At least he knows for certain just how much you love him and miss him,” Naomi said in a soft voice, “and that must be a great comfort to him.”
     “You think?” Alex gave her a grateful look.
     “If my mother had done something like that . . .” Naomi came over from where she was making pie, and holding her flour-covered hands aloft pecked Alex on the cheek. “I would have been so proud of her.”
     Alex stayed in the kitchen, comforted by the warmth and the industrious activity. She helped Ruth with the chickens, setting them to simmer in a heavy broth, complete with wine, prunes, winter apples and finely diced salted pork. Alex made approving noises at Sarah’s squash soup, and had her fingers rapped when she tried to steal a piece of honey cake from under Mrs Parson’s nose. By the hearth, Agnes was minding the rice porridge, a staple of Graham Christmas Eves.
     “Swedish tradition,” Alex said as she always did, ignoring the amused look that flew between her daughters. “You boil the rice slowly in milk and cinnamon, and then you make sure you set a dish outside the door for the little folk.”
     “The little folk?” Mrs Parson laughed. “I’ve told you, no? The little folk live in the Old World, not here.”
     “How would you know? Spoken to any recently?”
     “No, on account of them being there, not here,” Mrs Parson replied with irrefutable logic.
     “Hmph,” Alex said, “you never know, do you?” She brought out mustard seeds, her mortar and pestle, sent Hannah to the well for some cold water, and set herself to make tomorrow’s mustard. 
     “Have you seen the priest then?” Mrs Parson asked, supervising Betty with a narrow eye as she sliced up the smoked lamb’s leg.
     “The priest?” Alex gave her a confused look.
     “Aye, wee Carlos.”
     “Carlos?”
     “It was him the Indians brought back, no?”
     “They did?” Vaguely, Alex remembered a black bundle, dropped to lie immobile on the pebbled shore.
     “Mmm.” Mrs Parson’s hand trembled. ”You will have to cut his leg off.”
     “What?” Alex croaked.
     ”You heard.” Mrs Parson beckoned for Alex to follow and led the way to one of the smaller downstairs rooms.
     “I’ve never done something like this,” Alex said, after looking in on the feverish priest. Even from the door, she could make out the stench, and when Mrs Parson informed her that was how gangrene smelled, she just nodded, having no idea.
     “It’s the bone that’s the difficult part,” Mrs Parson said.
     “Yes, I sort of got that. But how do we do something like that and keep him alive?” An axe? No, that wouldn’t do, would it? A saw? Yes, a saw, and, shit, what an awful sound that would make.
     “If we don’t, he dies anyway,” Mrs Parson said.
     “Not much of a comfort,” Alex told her. “When do we have to do this?”
     “As soon as possible – tonight.”
     Alex sighed and dragged her hands up and down her skirts. “He has to make a conscious choice. I’m not cutting him without his permission.”

As you’ve gathered, the Graham family live an exciting life. It sort of comes with the territory when settling new land . . . Despite this, they still manage to celebrate Christmas—complete with that VERY important bowl of rice porridge for the little folk! 
 


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About the Author

Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with three absorbing interests: history, romance and writing. Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy which is set in 14th century England. Anna has just released the final instalment, Their Castilian Orphan,  in her other medieval series, The Castilian Saga ,which is set against the medieval conquest of Wales. She has recently released Times of Turmoil, a sequel to her time travel romance, The Whirlpools of Time, and is now considering just how to wiggle out of setting the next book in that series in Peter the Great’s Russia, as her characters are demanding. . .  Find out more from Anna's website  www.annabelfrage.com  and find her on Facebook, Bluesky and Twitter @abelfrageauthor

Sign up to Anna’s newsletter to keep up with new releases, give-ways and other fun stuff: http://eepurl.com/cjgatT


A different guest author will be featured throughout December
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2 December 2024

Special Guest Post by John Pilkington, Author of A Reluctant Assassin (Will Revill Thrillers Book 1) #HistoryWritersAdvent24


Available from Amazon UK and Amazon US

London, Autumn, 1589: In the turbulent year following the near-disaster of the Spanish Armada, ex-artillery captain Will Revill is summoned by the Queen’s Vice-Chamberlain and spymaster Sir Thomas Heneage. Revill is given a secret mission: to travel to the Surrey manor of Sir Abel Stanbury – and kill him.

Looking at the various aspects of Tudor life I’ve explored in previous mystery series, I realised I’d barely touched on the military (though one or two characters are ex-soldiers). So, on the lookout for a new protagonist to feature in a forthcoming trilogy of novels, I stumbled on Will Revill: a captain of artillery, scarred both mentally and physically by his service in the war in the Low Countries. I was interested to explore the dilemma of a man who does not want to take human life again, but is brought to it by force of circumstance.

Elizabeth the 1st disliked wars, reportedly saying that they had such unpredictable outcomes. Yet at times she felt she had little choice but to intervene in other people’s conflicts (notably in France and in the Netherlands), during the seemingly endless struggle between the forces of Protestantism and Catholicism for mastery of Europe. 

Eventually, with the growing threat from Spain, the superpower of the day, she signed the Treaty of Nonsuch in 1585 and committed troops to Holland to assist the Dutch rebels in the desperate struggle against their Spanish overlords. The war would drag on for decades, bringing England itself close to invasion and, some would say, to within a hair’s breadth of becoming a Spanish province. The first book in my trilogy is set in 1589: the year after the notorious Armada. 

Like other protagonists of mine, Will Revill is an outsider: a university drop-out from a farming family in Devon (disclosure: I live in Devon and once worked on a farm). For better or worse, like other restless men he has ended up in the army, taking ship for the Low Countries with the Earl of Leicester’s forces, and eventually involved in such brutal engagements as the siege of Bergen op Zoom. Instead of a cavalry soldier or infantryman, however, I wanted an officer of a different stamp - which led me to the artillery. 

In fact, this (sometimes overlooked) aspect of Tudor warfare had always interested me. Now I had to embark in detail on a new area of research: the gunnery of the Elizabethan era, to the point where I knew my cannons and demi-cannons from my culverins, demi-culverins, falconets, sakers and robinets; what size of ball each carried, and how much powder was needed to fire it. It was intriguing to learn about, for example, the equipment used by a gunnery crew, the number of horses required to haul a siege gun across country and the sheer, back-breaking work needed to get it into position and make it ready. 

Who knew that the largest gun of all, the basilisk, could throw a ball weighing sixty pounds – but needed sixty pounds of powder just to fire it? Or that, if a gun’s barrel was not allowed sufficient time to cool after firing a few shots, it could explode, likely killing and/or maiming its entire crew? Not me, but I’m learning. Most illuminating of all, perhaps, was the video I saw on Facebook showing how a cannon of the period was loaded, aimed, fired, then cleaned, cooled and reloaded: an often dangerous and unpredictable business.

The first Will Revill thriller, A Reluctant Assassin, sees Revill undertake a murky ‘dirty-ops’ mission which he loathes but is forced into - hence the title (no spoilers on how it turns out!). For his second book he is back in military service - with a twist of course. The third and last book, A RELUCTANT HERO, sees Revill find peace at last - but not without a final struggle.

The gunners of Elizabeth’s army are at times an underrated force. I hope to shed a little light on their world, its trials and dangers – and tell some intriguing tales in the process. 

John Pilkington

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About the Author

An author for over thirty years, John Pilkington has written plays for radio and theatre as well as television scripts for a BBC soap, but now concentrates mainly on historical fiction set in the Tudor and Stuart eras. He has published over twenty books including the Thomas the Falconer Mysteries, the Marbeck spy series and the Justice Belstrang Mysteries (all pub. By Sharpe Books). He is also the author of a children’s series, the Elizabethan Mysteries (Usborne) and two Restoration tales featuring actress-turned-sleuth Betsy Brand (Joffe Books). His recent mystery The Tivoli Murders (Sharpe) marked a brief venture into the dazzling world of the Victorian Music Hall. His new book Yorick: A Jester’s Tale (Sharpe) is a departure into speculative fiction, telling the Secret History of the famous ‘mad rogue’ whose skull features in Shakespeare’s Hamlet. Born in the north-west of England, he now lives in a Devon village with his partner, and has a son who is a psychologist and musician. Learn more by visiting his website at www.johnpilkington.co.uk or find him on Twitter @_JohnPilkington

1 December 2024

History Writer's Advent Calendar: A Christmas Carol by Charles Dickens #HistoryWritersAdvent24


Welcome to the History Writer's Advent Calendar 2024
A different guest author will be featured throughout December
Support by sharing with #HistoryWritersAdvent24

Charles Dickens' story A Christmas Carol  has never been out of print since it was first published in December 1843. Here are some things you may not know about it:

In the preface, Dickens wrote:
'I have endeavoured in this ghostly little book, to raise the ghost of an idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it.'
He finished the book in six weeks, writing most of it in November (a familiar idea to some of us) and it is just under 35,000 words. (If he had lived today he may have tried for 50,000 and written it in four weeks for NaNoWriMo)

Dickens decided to self-publish the work at his own expense. (It sold out by Christmas Eve.) He originally priced his book at five shillings (equivalent to £20 or $33 today) but high costs meant low profits. (I think he would have identified with today's Indie Publishers - see David Perdue's blog for the details HERE)

Keen on active book promotion, Dickens had a specially shortened version he used for public readings. There are records of about 150 readings by Dickens of 'A Christmas Carol', despite the fact that, at the time, public readings of fiction or poetry were considered 'a desecration of one's art and a lowering of one's dignity.' (He would definitely have made a YouTube promo video.)

In the first draft manuscript, the character of 'Tiny Tim' was called 'Little Fred'. This could have been a reference to his brother Alfred who died at a young age. Dickens changed his mind and used the name Fred for Scrooge’s nephew.

We can have some insight into how Dickens wrote from the original manuscript, which has a lot of deleted words replaced with more active verbs. (We can all learn from that.)

The original manuscript was bound in red Morocco leather by Dickens and changed hands many times before ending up in the Pierpont Morgan Library, New York where it is put on public display every Christmas.

The phrase 'Merry Christmas' appears twenty-one times in 'A Christmas Carol' and although not invented by Dickens, this went a long way to making it a popular greeting - particularly on Christmas cards.

The full text of A Christmas Carol is on Project Gutenberg HERE

A different guest author will be featured throughout December
Support by sharing with #HistoryWritersAdvent24

29 November 2024

Blog Tour Spotlight: The Paris Portrait Series: A Fabiola Bennett Mystery, by Heidi Eljarbo


Available from Amazon UK and Amazon US

Fabiola stumbles upon a clue that indicates a royal portrait went missing almost two hundred years ago. Is this true, or is there substance to the rumor?

Paris, France, 1973:  After an enjoyable but dusty road trip, Fabiola and her friends, Pippa and Cary, arrive in a small village on the outskirts of Paris to spend a few days with Fabiola’s brother Eivind and his family.

On their first evening there, Eivind shows Fabiola an ancient recipe book he bought at an auction. The book is filled with old writing, and he asks Fabiola to decipher the pages. After the others have gone to bed, she spends hours reading and is gripped by the last pages that have nothing to do with recipes for baked goods and stews. Certain the author was a famous portrait artist at the time of the French Revolution, Fabiola and her friends set out on a treacherous investigation, dodging murderers and thieves to learn the truth.

Versailles, France, 1789: Ã‰lisabeth Louise Vigée Le Brun— portraitist and close friend of the extravagant queen of France, Marie Antoinette—has already painted thirty portraits of the queen. Her contemporaries compare her to the old Dutch masters, calling her one of the greatest portrait painters of her time.

But outside on the streets, Paris is becoming more perilous with every day that passes. Madame Le Brun would be a fool to think the rumors of a revolution will pass, and aristocratic life will continue as before.

Amid the turmoil, she paints one final portrait of Marie Antoinette, knowing well her association with the queen could cause her to be arrested or executed. As chaos and riots in Paris turn to violence, Madame Le Brun flees with her young daughter, hoping her royal friend and the portrait will be safe.

This is Heidi Eljarbo’s third dual timeline novel about Norwegian art historian Fabiola Bennett—a captivating spin-off from her much-loved Soli Hansen Mysteries.

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About the Author

Heidi Eljarbo grew up in a home full of books, artwork, and happy creativity. She is the author of historical novels filled with courage, hope, mystery, adventure, and sweet romance during challenging times. She’s been named a master of dual timelines and often writes about strong-willed women of past centuries. After living in Canada, six US states, Japan, Switzerland, and Austria, Heidi now calls Norway home. She lives with her husband on a charming island and enjoys walking in any kind of weather, hugging her grandchildren, and has a passion for art and history. Her family’s chosen retreat is a mountain cabin, where they hike in the summer and ski the vast white terrain during winter. Find out more at heidi's website https://www.heidieljarbo.com/ and find her on Facebook and Twitter @HeidiEljarbo

25 November 2024

Special Guest Interview with Katherine Mezzacappa, Author of The Maiden of Florence: A captivating historical retelling set in Medici Italy


Available from Amazon UK and Amazon US

Florence, 1584. Rumours are spreading about the virility of a prince marrying into the powerful Medici family. Orphan Giulia is chosen to put an end to the gossip. In return she will keep her life - and start a new one with a dowry and her own husband. Cloistered since childhood and an innocent in a world ruled by men, Giulia reluctantly agrees, only to be drawn under the control of the Medicis' lecherous minister.

I am pleased to welcome author Katherine Mezzacappa to The Writing Desk:

Tell us about your latest book

Fairlight published The Maiden of Florence in April 2024. It’s based on the true story of a young woman, Giulia Albizzi, taken from a Dominican-run orphanage in Florence in 1584 to act as a proof of virility for Vincenzo Gonzaga, heir to the dukedom of Mantua, before he could contract a dynastic marriage with his cousin Eleonora de’ Medici. 


The former orphanage of the Pietà, where Giulia was brought up,
now the Kunsthistorisches Institut in Via Giusti, Florence.

His first marriage, to a Farnese princess, was annulled due to a malformation of the bride. Eleonora’s stepmother, who bore a grudge against the Gonzagas, insisted on proof that the problem didn’t lie with Vincenzo. Giulia would be provided with a husband and a generous dowry. She was taken to Venice incognito and the deed was witnessed by the Medici minister, Belisario Vinta. Thereafter Giulia disappears from record. I tell that story, from her point of view, and follow it with an imagined account of her marriage.


The heart of Vincenzo Gonzaga’s dukedom: Mantua.

What is your preferred writing routine? 

I start the weekday with London Writers Hour at 9 my time. At 10 I go to work (I have a job as a management consultant, though it’s now part-time to make way for writing). In the afternoons I write, I go back to work in the evenings and then write again into the night, and at weekends.

What advice do you have for new writers?

Read widely but well. Put simply, if you read garbage then you are more likely to produce it. Remember that writing is a habit, not a hobby. Do it daily; don’t wait for ‘the right moment’ as that is now. Don’t worry about how good your writing is on any day, as you can go back and revise tomorrow. You’ll never be able to revise a blank page.

I would also say don’t give up, and don’t chuck anything out. My next novel is The Ballad of Mary Kearney, set in 18c Ireland. It will be published by Histria Fiction in January 2025, but was written for the most part in 2016, before any of my other novels (five full-length and three novellas) that have been published since. I thought it had something, despite the rejections it was getting, though with experience over time I could see why it wasn’t landing. Several revisions later, it found the right home.

As a new writer, seek the solidarity of other writers, whether that’s in a writing group, people you have met on a writing course or through a professional writers’ organisation. Find your tribe.

What have you found to be the best way to raise awareness of your books? 

I don’t think I’m that good at it, to be honest, which is one of the reasons why I am grateful for being traditionally published. Getting my first novel (one of those I wrote as Katie Hutton) published in 2020 wasn’t ideal timing; I didn’t get to do any author events until late 2022 though I had three books out by then. I do some of the basics, like blog tours, which I don’t think have a vast impact on sales but immediately increase Google footprint. 

I network, notably through the Historical Novel Society (I am lead organiser for the 2026 conference), review and do book and festival events (and post about them) and I look for endorsements. I am grateful for Kate Quinn’s, which she offered without being asked and which will appear on the paperback edition of The Maiden of Florence. There’s not one magic wand. Tony manages this much better than I am, so I am thankful for opportunities like this blog.

Tell us something unexpected you discovered during your research. 

I don’t know if this wholly unexpected so much as was the extent to which young women were directed into convents in Renaissance Florence (a nun’s dowry being considerably smaller than that expected by a prospective husband). Orphanages were also run under religious rules; the surprise was how many there were, with hundreds of infants being abandoned every year. Their inmates worked unpaid, mainly for the Silk Guild. More recent parallels would be with the Magdalen laundries.

What was the hardest scene you remember writing? 

It’s where Giulia is interrogated (there isn’t really a more apt word for it) after the event. It’s based closely on the correspondence in the Medici archive, and it’s one of the few times that we hear Giulia’s voice in the correspondence, as distinct from Belisario Vinta’s, writing things about her. Vinta is both relentless, and explicit in his questions. 

He asks things like ‘how many times?’ ‘Did he use any instrument else other than his person?’ ‘When you were crying was it for shame or because he was hurting you?’ He asks his questions repeatedly. Eventually Giulia cries out and tries to hide her face. This happened in 1584, but in its substance probably differs little from what survivors of sexual assault are subjected to now.


Giulia has served her purpose: the marriage of Eleonora de’ Medici 
and Vincenzo Gonzaga, 1584.

What are you planning to write next? 

I am working on two projects. One is the first of a crime series (a new genre for me) set in Italy in the late 15c and featuring a Salerno-trained physician and reluctant detective. The other is set near Edinburgh in the 1920s. It grew out of a memory an elderly man told me of the people in the ‘big house’ in his village who lost their only son to the trenches. He’d fathered a little boy with a local girl but the young man’s parents steadfastly wanted nothing to do with their grandson.

Katherine Mezzacappa

# # #

About the Author

Katherine Mezzacappa is an Irish author of mainly historical fiction currently living in Carrara, Tuscany. She is the author of The Maiden of Florence (Fairlight) and The Ballad of Mary Kearney (Histria Fiction, January 2025) as well as four novels writing as Katie Hutton and three contemporary novellas as Kate Zarrelli. Her short fiction has been published in journals worldwide. Katherine is a manuscript assessor for The Literary Consultancy, London and for the Romantic Novelists Association. She is a committee member of the Irish Writers Union and a regular reviewer for the Historical Novel Society.  You can find Katherine on Bluesky @katmezzacappa.bsky.social


22 November 2024

Blog Tour Spotlight: Traitor’s Game: (Soldier Spy, Book #1), by Rosemary Hayes


Available from Amazon UK and Amazon US

1808: Captain Will Fraser has just returned from the Front in the Peninsular War. He is disgraced and penniless, the victim of a conspiracy led by a jealous and influential officer. Fraser has been falsely accused of insubordination and cowardice and dismissed from his regiment.

Fraser and Duncan Armstrong, his wounded Sergeant, arrive in London to seek out Will’s brother, Jack, who works for King George’s Government.

But Jack has disappeared. He vanished from his lodgings a week ago and no one has seen him since. Friends and colleagues are baffled by his disappearance as is the young woman, Clara, who claims to be his wife.

Then Will is viciously attacked, seemingly mistaken for his brother, and only just escapes with his life. When news of this reaches Jack’s colleagues in Government, Will is recruited to find his brother and he and Armstrong set out to follow a trail littered with half-truths and misinformation.

For their task is not quite what it seems.

Will closely resembles his brother and it becomes evident that he is being used as a decoy to flush out Jack’s enemies. These are enemies of the State, for Jack Fraser is a spy and his colleagues believe he has uncovered evidence which will lead to the identity of a French spymaster embedded in the British Government.

Will’s search leads him to France but in this murky world of espionage, nothing is straightforward.

The soldier turned spy must unmask a traitor, before it's too late.

# # #

About the Author

Rosemary Hayes has written over fifty books for children and young adults. She writes in different genres, from edgy teenage fiction (The Mark), historical fiction (The Blue Eyed Aborigine and Forgotten Footprints), middle grade fantasy (Loose Connections, The Stonekeeper’s Child and Break Out) to chapter books for early readers and texts for picture books. Many of her books have won or been shortlisted for awards and several have been translated into different languages. Rosemary has travelled widely but now lives in South Cambridgeshire. She has a background in publishing, having worked for Cambridge University Press before setting up her own company Anglia Young Books which she ran for some years. She has been a reader for a well-known authors’ advisory service and runs creative writing workshops for both children and adults. Find out more at Rosemary's website https://www.rosemaryhayes.co.uk and find her on Twitter: @HayesRosemary

20 November 2024

Book Launch Guest Post: The Illustrated Tudor Dictionary, by Simon Sandys-Winsch


Available from Amazon UK 
and pre-order from Amazon US

The Illustrated Tudor Dictionary is my first book and, needless to say, I am incredibly excited about its launch and very grateful to Jon Wright at Pen & Sword for sharing my vision for its place in an already crowded Tudor book market. 

I attempted writing fiction many years ago but, after a few short stories, realised that I lacked the natural, creative flair which other authors have in abundance. Then it gradually occurred to me that I should stick to what I am most interested in – the past – an avenue that would allow me to write non-fiction and remain within my comfort zone! 

History has always been my thing. After gaining a history degree, I became the sole history teacher at various schools and derived great pleasure from instilling a love of the past in all the children whose paths crossed with mine.

As a fresh-faced and inexperienced (and not very good!) teacher at my first post, in Staffordshire, I happened to stumble across a dusty, old book in my classroom that became the greatest inspiration for the ITD - R.J. Unstead’s Dictionary of History (1976). 

Most would now consider this wonderful tome to be dated but, for me, it opened up the past in myriad ways. I can still remember closing my eyes before randomly selecting a page that could transport me into the past. From the Assyrians to the Afghan Wars, from Cleopatra to Cortes, from Sparta to the Second World War, the book was like a faulty time machine that could drop me off anywhere! 

Colour plates and a large number of line drawings would help bring the entries to life and, if I chose to, I could follow a pathway, guided by words in capitals, that led to other entries. It felt like a book with no end, a gift that kept on giving and, to this day, I am convinced that there must be parts that I have still not read.
 

 In the foreword, R.J. Unstead bemoans the fact that he had to omit many things or the book would have been impossible to carry! I, too, had the same problem in the ITD, of course. Deciding on who and what to include or omit was largely subjective and no doubt there will be many who will question my decision-making but I had to disagree with Unstead’s implication that writers, artists and musicians are not important enough! 

He wrote several books and his aim was always to make history more fun and accessible to children. Possibly, he was a pioneer in this respect and I certainly share this ambition although the ITD is aimed at adults just as much as older children.

And so why the Tudors? This period had the advantage of me already having a good prior knowledge (having taught it quite a lot over the years!) added to the fact that it is such an important transitional time in England’s history. 

The sixteenth century witnessed the beginning of the early modern period when England started to adopt more easily recognisable features: centralised government, a growing middle class, men of ability rather than nobility in power, the diffusion of ideas and education through literature, a greater sense of nationalism and the beginnings of a global trading network. 

Moreover, it is perhaps hard to believe that so many strong, memorable characters are contained in such a relatively short time span. Margaret Beaufort, Wolsey, More, Cromwell, Catherine of Aragon, Henry VIII, Cecil, Drake, Bess of Hardwick, Mary Queen of Scots and Elizabeth I are to name but a few. Such a fascinating period demanded the template that Unstead had already provided in 1976.

Simon Sandys-Winsch
.
# # #

About the Author

Simon Sandys-Winsch was born and raised in Lincolnshire before completing a degree in History and International Politics at Aberystwyth University. He then trained to be a teacher and went on to work in a great variety of schools including one in Nairobi and another in Auckland. Initially, he only taught history but gradually became co-opted into teaching many other subjects, even art and French! During a break from teaching, he sold oil paintings in Melbourne and worked for a sales company in New Zealand. He even tried his hand at telemarketing in Auckland but could only survive five days! By the time he left teaching in 2021 he was in senior management but always retained his love for his first subject. He now works as a tutor in south-east London and has a wife and two daughters with whom he loves to travel. In his spare time, he battles slugs in his allotment, plays hockey and follows his beloved Norwich City F.C. The Illustrated Tudor Dictionary is his first book. Find Simon on Bluesky @simonsandys-winsch.bsky.social

18 November 2024

Elizabeth of York and the Birth of the Tudor Dynasty: Uniting the Roses, by Beverley Adams


Available from Amazon UK 
and pre-order Amazon US

Elizabeth of York has often been overlooked by Tudor historians in favour of her infamous son King Henry VIII and his six wives, as well as her glorious ‘Virgin Queen’ granddaughter Queen Elizabeth I. 

But Elizabeth, the daughter of King Edward IV and Elizabeth Woodville, deserves far more recognition than she currently receives. She suffered the loss of her younger brothers, the Princes in the Tower, and lived through the reign of her maligned uncle King Richard III, who it has been suggested plotted to marry his niece. 

Elizabeth was born at a time when having women in power was not considered desirable, but if she had been able to rule then Elizabeth would have been England’s first queen regnant. It was her position as the heiress to the House of York that solidified her husband’s claim to the throne. When she married Henry VII they finally united the warring houses of Lancaster and York. 

It is often thought that Elizabeth was a weak, ineffectual and pious woman who was too meek to challenge her husband’s rule, but in reality she held some sway over her husband and he often valued her opinion. If anything, Elizabeth was a resolute, well-respected and influential queen. 

Despite being of Plantagenet blood, Elizabeth of York was the mother of the Tudor dynasty, one of England’s most powerful and ruthless monarchies. Yet she was a devoted mother and an adored queen to the people of England.

# # #

About the Author

Beverley Adams was born and raised in Preston, Lancashire. She gained her MA in English in 2018 and her first book, The Rebel Suffragette: The Life of Edith Rigby, was published in September 2021. She has since released other titles including The World’s First Computer Programmer: The Life of Ada Lovelace and The Forgotten Tudor Royal: Margaret Douglas Grandmother to James VI & I. She is passionate about bringing the lives of inspirational women back to life. Her interests include history, in particular the Tudors, reading and travel. Find out more at beverley's website https://beverleysreads.wordpress.com/ and find her on Twitter @WriterBeverleyA

15 November 2024

Special Guest Interview with Kat Christensen, Author of A Profitable Wife


Available from Amazon UK and Amazon US

Embark on a captivating journey with Kat Christensen's novel—a tale that breathes life into American history. Set against the backdrop of a nation's expansion, this story introduces a world rich with romance, jealousy, murder, and the unyielding spirit of survival. Meet Easter, a formidable young woman carving her homestead from the rugged Western frontier. With Manifest Destiny's fiery ambitions as a backdrop, Easter's resilience is tested amidst political turmoil and societal upheaval.

I'm pleased to welcome author Kat Christensen to The Writing Desk:

Tell us about your latest book

A Profitable Wife is a pioneer survival story spiced with romance, jealousy, and murder. It’s inspired by a scrappy ancestor of mine who, born during the War of 1812, eventually made her way from New York’s Mohawk Valley to homestead in what is today the states of Ohio and Iowa. My grandmother first told me this tale when I was nine, and I later learned it had been passed down through generations, captivating many with its scandal and mystery. 

Historian James Whitcomb Ellis cemented its legacy in his 'History of Jackson County', confirming family lore and enriching it with vivid historical details. Researching this ancestor’s journey was a historical fiction writer’s dream, bringing to life the extraordinary events that shaped her world and the young nation around her.

What is your preferred writing routine?

When I’m deep into a project, my writing pace varies from daily sprints to occasional bursts a few times a month, depending on the depth of research needed or life’s inevitable distractions. My creative sanctuary is a humble cabin in eastern Washington, where I retreat to focus on my craft.

Writing often consumes me—I lose track of time and enter what I call a "clairvoyant disposition." I inhabit my characters, seeing the world through their eyes, feeling their emotions, and channeling their experiences both physically and spiritually. This immersive process lets me shape vivid scenes, leaving just enough room for readers to embark on their own journeys. My stories often take on a life of their own, guided by characters who lead me to unexpected destinations.

What advice do you have for new writers?

For budding historical fiction writers: savor the journey. Embrace the process of discovery and creation, for the journey itself is the reward.

What have you found to be the best way to raise awareness of your books?

In today’s digital age, social media reigns supreme. Building an online presence is crucial—share your work and support fellow authors. The literary community thrives on mutual encouragement, and platforms like Reedsy and Goodreads are invaluable for connecting with readers and writers alike. Collaboration and camaraderie can open doors you never knew existed.

Tell us something unexpected you discovered during your research

The “Real Housewives” of the Old West.  I was struck by the resilience of countless pioneer women who braved the frontier, often journeying alone with their children in tow to reunite with husbands who had gone ahead to prepare their new homesteads. 

These women weren’t mere companions—they were architects of their families’ futures. From building homes out of raw materials to founding schools, churches, and community organizations, they mirrored and recreated the lives they left behind. Their strength and ingenuity were nothing short of astonishing, embodying the indomitable spirit of the American frontier.

What was the hardest scene you remember writing?

The story of Easter—a young woman defined by her grit and determination—thrusts her into trials that pioneer women often faced. Writing about her bittersweet reflections on survival was deeply emotional. She embodies the "mama bear" spirit, willing to endure anything to ensure her children’s survival. Capturing her moments of despair and resilience, especially when she confronts defeat yet refuses to be defeated, was both challenging and profoundly moving.

What are you planning to write next?

I’m excited to revisit a project set in the 6th century, centered on historical queens embroiled in a decades-long blood feud. I had put it on hold to focus on A Profitable Wife, but this winter, I’m diving back in, eager to bring their fascinating story to life.

Kat Christensen


# # #
About the Author

Kat Christensen is a historical fiction author and reviewer who is passionate about good reads. 
Rooted in a diverse heritage tracing back to the Revolutionary era, she is driven by a deep-seated curiosity to uncover remarkable stories of female ancestors that shape our modern identity. Kat honed her skillset in corporate information technology which she now passionately transforms into the art of architecting stories. Residing in the Pacific Northwest, she can often be found on urban and rural hiking trails, and of course, in cozy coffee shops. Find out more at Kat's blog https://katchristensen.blog/ ad find her on Facebook and Twitter @KathChristensen