Mastodon The Writing Desk: Book Launch
Showing posts with label Book Launch. Show all posts
Showing posts with label Book Launch. Show all posts

15 October 2026

Book Launch Spotlight: The Queen's Tears: A Novel of Choices, Courage, and the Cost of Love by Elizabeth St.John


Available from Amazon UK and Amazon US

A stolen crown jewel and an enigmatic portrait force two women to confront the devastating choices they made for love—and summon the courage to live with the truth.

1619: Barbara, Lady Villiers, at the bidding of her brother-in-law, the Duke of Buckingham, has stolen the dying Queen Anna’s jewels—and kept the greatest prize for herself. The Queen’s Tears, a brooch of extraordinary value, torments her: too dangerous to sell, too priceless to discard, and possibly her only means of securing her children’s future. When the family fortunes are shattered, Barbara faces an impossible choice: remain loyal to Buckingham—or betray him by confessing the theft to King Charles.

Present Day: Julia Darke opens her Cotswolds bookshop to start life over peacefully. Instead, a Van Dyck portrait of Barbara’s daughter, with tantalising signs of the missing Queen’s Tears hidden in plain sight, brings her face-to-face with Oliver Villiers, the Oxford art conservator she once loved and walked away from.

Reluctantly drawn together to uncover Barbara’s secret, Julia and Oliver follow the trail of the Queen’s Tears—and the closer Julia comes to Barbara’s truth, the harder it becomes to hide from her own.

Inspired by the true stories of Queen Anna of Denmark’s stolen jewels and a missing Van Dyck painting, The Queen’s Tears weaves history, fiction, and family research across the centuries. Readers of The Lydiard Chronicles will find old favourites—and a new heroine following in their footsteps.
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About the Author

Elizabeth St.John’s critically acclaimed historical fiction novels tell the stories of her ancestors: extraordinary women whose intriguing kinship with England's kings and queens brings an intimately unique perspective to Medieval, Tudor, and Stuart times. Inspired by family archives and residences from Lydiard Park to the Tower of London, Elizabeth spends much of her time exploring ancestral portraits, diaries, and lost gardens. And encountering the occasional ghost. But that’s another story. Living between California, England, and the past, Elizabeth is the International Ambassador for The Friends of Lydiard Park, an English charity dedicated to conserving and enhancing this beautiful centuries-old country house and park. As a curator for The Lydiard Archives, she is constantly looking for an undiscovered treasure to inspire her next novel. Find out more at Elizabeth's website http://www.elizabethjstjohn.com/ and follow her on Facebook, Twitter @ElizStJohn and Bluesky @elizabethstjohn.bsky.social‬

22 September 2026

Lady of the Castle: A Medieval Epic of Love, Loyalty, and Betrayal (The Nicola de la Haye Series Book 2) by Rachel Elwiss Joyce


Available from Amazon UK and Amazon US

For a woman, holding power in a man's world is dangerous;
holding faith in an intolerant one is deadly.

England, 1185. Nicola de la Haye, constable of Lincoln Castle, commands her fortress with hard-won authority. Determined to protect her family from a kingdom fracturing around her, she discovers the hardest battle is the one inside her own walls.

When the king's chancellor marches an army to her gates and her husband stands accused of treason, Nicola must hold her castle against a siege—and hold her family together against something far harder to fight. As her marriage buckles under the weight of loss, jealousy, and the ghosts of their pasts, Nicola must choose between the walls she has built around herself and the man she has never fully let in.

Miles away, Nicola's Jewish childhood friend Bella has built her world on different foundations: a husband she adores, a strong, vibrant community, and a faith and traditions kept alive despite centuries of persecution. When crusading fervour sweeps the nation, Bella's family is stripped of its fortune and forced to flee to York—only to find themselves trapped in a castle tower by a mob demanding baptism or death.

As King Richard the Lionheart departs for the Holy Land, leaving England to turn on itself, both women face the same impossible question: what do you love enough to sacrifice everything for?

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About the Author

After a rewarding career in the sciences, Rachel returned to her first love—history and the art of storytelling. Fascinated by the women history neglected, or tried to forget, she creates meticulously researched, emotionally resonant fiction that brings her characters’ stories vividly to life. Her fascination with the past began early. At six years old, she was already inventing tales about medieval women in castles, inspired by her treasured Ladybird books and other picture-rich stories that transported her to another time. By the time she discovered Katherine by Anya Seton as a teenager, she knew the joy and escape that only great historical fiction can bring. Rachel’s two grown-up children still tease her (fondly) about childhoods spent being “dragged” around castles, archaeological sites, and historical re-enactments. For Rachel, history and imagination have always gone hand in hand.There was, however, a long gap between the stories of her childhood and her decision to write her own novel. The spark came when she discovered the remarkable true story of Nicola de la Haye—the first female sheriff of England, who defended Lincoln Castle against a French invasion and became known as “the woman who saved England.” Rachel knew she had found her heroine, and a story she was destined to tell. Rachel lives in the UK, where she continues to explore the lives of women who shaped history but were left out of its pages. Lady of Lincoln is her debut novel, the first book in her Nicola de la Haye Series, with sequels to follow. Find out more at www.rachelelwissjoyce.com and find Rachel on Facebook and 
X/ Twitter: @RachelElwJoyce

16 September 2026

Dressed to Impress: Queen Elizabeth I and the Art of Fashioning Power by Sylvia Barbara Soberton


Available from Amazon UK and Amazon US

For Elizabeth I, fashion was never simply about looking beautiful—it was a language of power.

From dazzling jewels and pearls to elaborate gowns, ruffs, and sumptuous fabrics, every detail of the Queen’s appearance helped shape the image she presented to her subjects, courtiers, and foreign ambassadors. Dressed to Impress explores how Elizabeth used clothing, jewellery, and portraiture to communicate authority, wealth, femininity, chastity, and majesty.

Discover the woman behind the spectacular costumes—and the remarkable ways in which England’s Virgin Queen transformed fashion into one of the most powerful tools of her reign.

Elizabeth I did not simply wear fashion. She fashioned power.

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About the Author

Sylvia Barbara Soberton is a writer and researcher specialising in the history of the Tudors. She is best known for The Forgotten Tudor Women book series, which concentrates on shifting the perspective from famous figures like Henry VIII’s six wives to the lesser-known, but no less influential, women of the Tudor court. Sylvia has written ten books to date, and her newest titles include The Forgotten Years of Anne Boleyn: The Habsburg & Valois Courts, Ladies-in-Waiting: Women Who Served Anne Boleyn and Medical Downfall of the Tudors: Sex, Reproduction & Succession. Her ground-breaking paper on Anne Boleyn and the accusation of witchcraft was published in the Royal Studies Journal in 2023.  You can find Sylvia on Facebook,  Goodreads, Twitter @SylviaBSo and Bluesky @sylviabso.bsky.social

7 September 2026

Book Launch Spotlight: What Love E'er Meant (Regina Book 2) by Janet Wertman

Available from Amazon UK and Amazon US

A new queen must prove she deserves the throne God gave her, while the path everyone insists will secure it might cost her everything

Against all odds, Elizabeth Tudor has become Queen of England. Determined to fulfill what she sees as a divine responsibility, she sets out to heal a country ravaged by religious discord, war, and debt – and vindicate the legacy of Anne Boleyn, the mother who did not deserve her fate.

But Elizabeth’s crown is not fully secure: to the Catholic world, her cousin Mary Stuart is the rightful Queen of England and there are rumblings to put her there. Shoring up defenses requires that Elizabeth challenge France’s control of Scotland and Spain’s dominance on the seas, as well as calm internal strife. Above the din of menace, one question dominates all others: who will she marry?

William Cecil, her trusted Secretary of State, urges her to secure an alliance through a strategic match. Robert Dudley, the love of her life, pressures her to choose him. And Mary herself presents a cautionary tale. In the end, Elizabeth chooses not as a woman but as a queen, and learns the sobering truth of sovereignty: to rule is to stand alone.

What Love E’er Meant, the searing second volume in the 
Regina Trilogy, captures a young queen’s struggle to balance love and power, duty and desire…and the profound cost of 
choosing crown over heart.

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About the Author

By day, Janet Wertman is a freelance grantwriter for impactful nonprofits. By night, she writes critically acclaimed, character-driven historical fiction – indulging a passion for the Tudor era she had harbored since she was eight years old and her parents let her stay up late to watch The Six Wives of Henry VIII and Elizabeth R. Her Seymour Saga trilogy (Jane the Quene, The Path to Somerset, The Boy King) took her deep into one of the era’s central families – and now her follow-up Regina series explores Elizabeth’s journey from bastard to icon. Find out more from www.janetwertman.com and follow Janet on Facebook, Instagram and Bluesky @janetwertman.bsky.social




3 September 2026

Book Launch Spotlight: Queens and Kings: An Unusually Personal History, by Lucy Worsley


Available from Amazon UK and Amazon US

Lucy Worsley has lived and breathed royal history for more than twenty years. As Chief Curator of Historic Royal Palaces, she worked in some of Britain's most famous royal sites, from Hampton Court to the Tower of London, and even lived in one of them herself. Now she takes us behind closed doors to reveal some of the monarchy's best-kept secrets.

In Queens and Kings, Lucy brings to life the rulers who have shaped Britain over the last thousand years, from Henry VIII and Anne Boleyn to Queen Victoria and Elizabeth II. What emerges is a royal world far stranger, funnier and more surprising than we might think: of intimate love letters, phantom pregnancies, unruly pet monkeys and fatal betrayals. Venturing through haunted staircases and into private bedchambers, she finds the details that make history feel gloriously human.

With her trademark warmth and incisive scholarship, Lucy explores the full splendour, scandal and sorrow of royal life. The result is a wildly engaging history of the monarchy from one of our most beloved historians.

'Warm, insightful, and full of heart, Worsley has distilled a lifetime of experience into this crowning achievement of a book.' HALLIE RUBENHOLD

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About the Author 

Dr Lucy Worsley was Chief Curator at Historic Royal Palaces, the charity which looks after the Tower of London, Hampton Court Palace, Kensington Palace, and other historic places. Her first paid employment after studying history at Oxford was at a minor stately home called Milton Manor, near Abingdon, where she fed the llamas. After that she became an Inspector of Ancient Monuments at English Heritage, doing historical research at Bolsover Castle in Derbyshire: this led to her first book, 'Cavalier', about a dissolute Royalist duke. Her work as a curator at Kensington Palace led to 'Courtiers', which was followed by 'If Walls Could Talk', 'A Very British Murder', and her first historical novel for young readers, 'Eliza Rose', which is set at the Tudor court.for young readers, 'Eliza Rose', which is set at the Tudor court. For more information visit Lucy's website www.lucyworsley.com and find her on Twitter @Lucy_Worsley and Bluesky @lucyworsley.bsky.social

30 August 2026

Book Launch Guest Post by Rosemary Griggs, Author of Queen Elizabeth I's Governess: The Real Kat Ashley


Available from Amazon UK and Amazon US

The name ‘Kat Ashley’, Queen Elizabeth’s ‘Governess’, is well-known to fans of Tudor history. Katherine Champernowne, later John Astley’s wife, joined Elizabeth’s household before the future queen turned three. Later she became Elizabeth’s ‘governess’, trusted with the upbringing of the King’s younger daughter. Formidably well-educated for a woman of her time, reports suggest Katherine did an excellent job. When Elizabeth came to the throne, one of her first actions was to name Katherine as Chief Gentlewoman of the Privy Chamber, a highly influential position within the court of a female monarch.

Although they served at the court of Henry VIII, the Champernowne family are not well known to those who study Tudor history. However, anyone interested in the early life of Elizabeth I will have come across Katherine Champernowne, later the wife of John Astley. She is widely known as Elizabeth’s childhood governess, Kat Ashley. I prefer to call her Kate, partly because the evidence that Elizabeth actually used the short form ‘Kat’ is not overwhelming, but also to reinforce that I have found a woman who differs from the Kat of popular culture.

Kate appears briefly in many learned biographies of Henry VIII’s younger daughter. It’s often been supposed she came from a minor gentry family. Writers and filmmakers often portray her in fiction and on screen as a rather foolish, gossipy nanny figure, a minor supporting character in the fascinating drama of Elizabeth’s fraught early years. My research tells a different story.

Far from being from a rural gentry background, Kate was close to people at the heart of the Tudor Court. By the early 16th century, the Champernownes of Devon had expanded their lands well beyond the west country, into Gloucestershire and Oxfordshire. Over many generations, through dynastic marriages, they forged alliances with powerful families, including Poyntz, Carew, and, most notably, Courtenay.

Like many women of her time, the historical record remains stubbornly silent about Kate’s early life. She first comes to notice when appointed to the household of three-year-old Elizabeth in 1536. Exploring her family connections and the people she was close to places that appointment in context.

Kate was the eldest daughter of Sir Philip Champernowne, a close relative of Henry Courtenay, Marquess of Exeter, first cousin and companion of the young Henry VIII. The Marquess’s father was Sir Philip’s first cousin. Sir Philip served as squire of the body to the king for a time, mixing with other well-known courtiers, before he retired to the west country, where he often deputised for the Marquess. Kate may have gained her formidable education among her powerful Courtenay relatives.

Through her maternal grandmother, Kate also had connections to the Poyntz family, who held prominent positions in Catherine of Aragon’s household. Kate’s great aunt married Sir Anthony Poyntz. She is likely the Elizabeth Poyntz who had care of Henry VIII’s short-lived son, Henry Duke  of Cornwall. Also on the maternal side, Kate’s uncle, Sir Gawen Carew married Charles Brandon, Duke of Suffolk’s sister. 

Brandon was a close friend of the king and married Mary Tudor, the king’s sister, after the death of her first husband, the King of France. Sir Gawen became a prominent courtier, soldier and diplomat. Sir George Carew, ill-fated captain of the Mary Rose, and his brother Sir Peter, were Kate’s cousins. 

Kate’s sister, Joan, was one of Catherine Parr’s ladies and shared her interest in the reformed religion. Joan married Sir Anthony Denny, a man so close to King Henry VIII that he was the only one brave enough to tell the dying king that his end was near. Kate’s brother, John, also had a place at court. According to Sir Richard Carew of Anthony, writing in the early years of the  seventeenth century, John was popular with King Henry ‘for his pleasant conceits’.  So Kate moved in circles close to the royal court. She also knew many Cambridge-educated intellectuals.

Not long after Anne Boleyn’s execution, Kate was one of a group of serving gentlewomen appointed to serve Anne’s three-year-old daughter. Their role was to keep company with the little girl, to entertain her, and at all times to model the behaviour and manners expected of a noblewoman in the sixteenth century.  Soon after this appointment, Kate made her first known appearance in the historical record with an extraordinarily bold letter to Thomas Cromwell. That letter, dated 5 October 1536, made me stop and think about the way historians and writers have traditionally portrayed Kate’s character.

To paraphrase the letter — there’s a full transcript in my book — Kate thanks Cromwell for recommending her to the king for her new post. She then asks him if he could speak to the king about payment for her services. Unfortunately, we only have half of this fascinating correspondence. Many of Thomas Cromwell’s papers were destroyed at the time of his downfall, and his response has not survived. In 1536, Cromwell was the most powerful man in the land, after the king. He was not a man who acted without a purpose.

Political considerations influenced his every decision, including Kate’s appointment.  I found it very hard to reconcile the author of that letter to the great man with the foolish character traditionally given to Kate. Would a girl, however well educated, from a minor gentry family, really have dared to write to him in those terms? And would Cromwell have even considered appointing someone so lacking in judgement?
I
n 1536, Lady Margaret Bryan was Elizabeth’s Lady Mistress, having overall oversight of the child’s upbringing and early years education. Lady Troy, working with Lady Bryan, was Elizabeth’s governess, and likely introduced the child to her letters using a hornbook. At that time, no one expected Elizabeth would become queen. Rather, as the king’s daughter, even though declared illegitimate, she was a valuable commodity in the marriage market. In her early years, she must gain all the attributes that would make her attractive as a bride.

Sometime after Lady Bryan took charge of the nursery of Edward VI in 1537, and Lady Troy became Lady Mistress to Elizabeth, Kate was promoted to Elizabeth’s governess. More than ten years later, in a letter to Protector Edward Seymour, dated 31 January 1549, Sir Robert Tyrwhitt, who was questioning Elizabeth about her involvement with Thomas Seymour, confirmed that it was King Henry VIII himself who promoted Kate to be Elizabeth’s Lady Mistress. That means she became Lady Mistress before King Henry died in 1547.  It also tells us that Kate not only had the support and trust of Cromwell but also of Elizabeth’s father.

Many assumptions and myths have grown up about Kate Astley, repeated so often that people consider them facts. She’s been called jolly and kind, with unconventional teaching methods, and given credit for single-handedly introducing the little girl to a long list of subjects. These statements are not confirmed in primary sources. As a royal governess, her remit was much broader than that of a Jane Eyre-style Victorian governess. Kate also had to be a mentor, adviser, and protector. She did not deliver all the academic lessons herself but had oversight of input from a range of tutors, music masters, dance teachers, riding instructors and a chaplain, who covered a wide-ranging curriculum.

From nineteenth-century scholars to more recent historians, the focus has been on the events of 1548-49 when Elizabeth was under the roof of her stepmother, the Dowager Queen, Catherine Parr, and her new husband, Thomas Seymour. Kate’s deposition, taken in the Tower of London in January 1549, gives all the salacious details of Seymour’s behaviour towards the fourteen-year-old girl, which appear to modern eyes beyond inappropriate. As a result, Kate has been declared negligent, a gossip, and even considered to have herself been infatuated with the dashing Admiral. 

These assessments do not seem to fit with the view of Elizabeth’s tutors, William Grindal and Roger Ascham, who both praised Kate for her care of the young princess. In my book, I explore an alternative scenario, placing Kate’s testimony in a different light as part of a strategy designed to protect the young princess. Interpretations of that difficult period have largely defined what people think about Kate Astley, while her later years have often been overlooked. Closer study reveals Kate as a political actor, staunchly loyal to Elizabeth.

In 1554, after the Wyatt rebellion against Queen Mary’s Spanish marriage, Kate suffered a long period of house arrest. She was suspected because her cousin, Sir Peter Carew, was a prime mover in the failed plot. Mary eventually allowed Kate to rejoin her mistress briefly, but clearly considered Kate a dangerous influence on Elizabeth and a threat. Only a few months later she held Kate in the Fleet Prison on suspicion of involvement in another plot and then banished her from Elizabeth’s service.

After Elizabeth came to the throne, she made Kate her Chief Gentlewoman of the Privy Chamber, a pivotal role with unique, intimate access to the queen. Kate was Elizabeth’s eyes and ears, listening out for damaging gossip and keeping Elizabeth in touch with how her policies were being received at court and beyond. Anyone who wanted to approach Elizabeth talked to Kate. She gave advice on what sort of gifts might be welcome at New Year.  An Italian news sheet described her as ‘Patroness of all England’ in 1562.  A year after Kate’s death, Hugh Fitzwilliam wrote to the queen saying, ‘Now that Mrs Ashley is gone he has no friend to make his moan to.’

Kate acted as a highly political female courtier at the court of a female monarch. Her death in 1565 left the queen devastated. The two women shared a close bond of mutual love and respect for nearly 30 years. Kate Astley arguably had more influence on the young Elizabeth I than anyone else. She deserves our further consideration.

I hope that Queen Elizabeth’s Governess: The Real Kat Ashley will encourage further debate about a remarkable woman.

Rosemary Griggs

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About the Author

Author and speaker Rosemary Griggs has been researching Devon's sixteenth-century history for years. She has discovered a cast of fascinating characters and an intriguing network of families whose influence stretched far beyond the West Country. She loves telling the stories of the forgotten women of history — the women beyond the royal court; wives, sisters, daughters and mothers who played their part during those tumultuous Tudor years: the Daughters of Devon. Her novel A Woman of Noble Wit tells the story of Katherine Champernowne, Sir Walter Raleigh’s mother, and features many of the county’s well-loved places. The Dartington Bride, published March 2024, is the extraordinary tale of Lady Gabrielle Roberda Montgomery who travelled from France to Elizabethan England to marry into the prominent and well-connected Champernowne family. Rosemary creates and wears sixteenth-century clothing, a passion which complements her love for bringing the past to life through a unique blend of theatre, history and re-enactment. Her appearances and talks for museums and community groups all over the West Country draw on her extensive research into sixteenth-century Devon, Tudor life and Tudor dress, particularly Elizabethan. Out of costume, Rosemary leads heritage tours of the gardens at Dartington Hall, a fourteenth-century manor house and now a a historic visitor destination, events venue and thriving community of businesses, colleges and more. You can find out more on Rosemary’s website:  https://rosemarygriggs.co.uk/ and follow her on Bluesky and Twitter @RAGriggsauthor

14 August 2026

Book Review: The Orphan from Verona, by Siobhan Daiko


Available from 

Verona, 1944. When an air raid strikes Elisa's home, she is left with nothing but the clothes on her back, the teddy bear clutched in her arms and her beloved older brother. Traumatised into silence, six-year-old Elisa can no longer speak and relies on Robi to guide her through this war-torn world.

Siobhan Daiko’s The Orphan from Verona balances human drama with an atmospheric sense of a city steeped in history. Set against the lingering shadows of the past, the novel offers an immersive exploration of identity and family secrets.

At the heart of the novel is a cast of compelling, related characters, and their journey through grief and personal awakening. Their relationships are portrayed with sensitivity, capturing the tension between desire and duty.

I particularly liked the details of life in occupied Verona, the counterpoint of past and present storylines and interwoven character arcs. The gradual revelation of secrets keeps readers guessing, as the plot unfolds at an engaging pace, weaving together intimate, character-driven moments with elements of mystery. 

The Orphan from Verona is a well-paced, memorable novel with a sophisticated narrative that explores the complexities of human resilience. Highly recommended.

Tony Riches

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About the Author

Siobhan Daiko is a British historical fiction author. A lover of all things Italian, she lives in the Veneto region of northern Italy with her husband, a Havanese dog and a Siberian cat. Siobhan was born of English parents in Hong Kong, attended boarding school in Australia, and then moved to the UK — where she taught modern foreign languages in a Welsh high school. She now spends her time writing page-turners and living the dolce vita sweet life near Venice. Her novels are compelling, poignant, and deeply moving, with strong characters and evocative settings, but always with romance at their heart. You can find more about her books on her website www.siobhandaiko.org and follow her on Facebook and Twitter @siobhandaiko

4 August 2026

Book Launch Guest Post by Alistair Tosh, Author of The Sons of Carthage: Hannibal ignites a war to humble Rome... (The Lion and the Eagle Roman Thrillers Book 1)


Available from Amazon UK and Amazon US

Two empires rise, but only one can survive…

Hasdrubal Barca: The Forgotten General

In 219 BC, Hannibal Barca, the renowned Carthaginian general, attacked Seguntum, a city allied with Rome on the eastern coast of Iberia, just north of modern-day Valencia. The siege triggered the Second Punic War, one of the greatest conflicts of the ancient world.

Hannibal's story has become legendary. His campaigns are still studied in military academies across the world, from his epic march across the Pyrenees and the mighty Alpine passes to his stunning victories over the Roman legions at Ticinus, Trebia, Lake Trasimene and, perhaps greatest of all, Cannae. There, Rome suffered one of the worst defeats in its history, with around 50,000 soldiers lying dead on the battlefield from an army of approximately 80,000.

Yet while Hannibal was devastating the Roman Republic in Italy, another theatre of the war was proving just as crucial. Iberia—modern-day Spain and Portugal—was Carthage's most valuable possession. It was rich in silver and gold, fertile agricultural land, and provided a vital source of recruits for its armies.

For most of the twelve years that the war raged across the peninsula, its defence rested in the hands of Hannibal's younger brother, Hasdrubal. The central figure in my new series, The Lion and the Eagle, Hasdrubal was a capable commander in his own right. Not only did he have to contend with the Roman legions, but he also faced near-constant rebellions from the many fierce Iberian tribes. 

At one point, despite the threat of the legions, he was recalled to North Africa by the Carthaginian Senate to suppress the revolt of the Numidian king Syphax, before returning to Iberia a year later. There he, once more, faced the Roman Consuls, Publius and Gnaeus Scipio, defeating them in separate engagements and restoring Carthaginian control.

Although he has never enjoyed the reputation of his elder brother as a battlefield genius, Hasdrubal was a resourceful and resilient general. Even in defeat, and there were several setbacks during his long command, he repeatedly managed to extricate himself and preserve the core of his army, allowing Carthage to continue the struggle.

His final campaign in Iberia culminated at Baecula, Santo Tomé in the Guadalquivir valley of modern-day Andalusia. There he faced the young Publius Cornelius Scipio, the future Scipio Africanus, who would later defeat Hannibal at Zama.

Recognising the quality of the Roman army opposing him, Hasdrubal established a strong defensive position on high ground overlooking the valley, where there was only one practical avenue of attack. When Scipio launched a surprise assault that overwhelmed his forward positions, Hasdrubal conducted a disciplined fighting withdrawal, escaping with the majority of his army intact.

The following year, he led that same army across the Alps into Italy, recruiting warriors from the Gallic tribes along the way in a bold attempt to reinforce Hannibal and alter the course of the war.

Overshadowed by his famous brother, Hasdrubal Barca remains one of history's forgotten generals. Through The Lion and the Eagle series, I hope to bring this remarkable commander, and his extraordinary campaigns, to a wider audience.

Alistair Tosh

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About the author

Best selling author of historical adventures, Alistair Tosh was born in Dumfriesshire, a place filled with ancient place names such as Torthorwald and Caerlaverock. But it was his visits, as a boy, to nearby Burnswark Iron Age hillfort and its Roman siegeworks that first fired his interest in ancient history. On leaving school he began a 35 year communications career, firstly with the Royal Navy, that included covert riverine and seaborne operations during the height of ‘The Troubles’ in Northern Ireland, before moving into the corporate telecommunications world. Military life is unique, and Alistair aims to reflect an authentic view of that experience and its language in his stories. Follow Alistair on Facebook and Twitter/X @alistair_tosh

2 August 2026

Special Guest Post by Steven Veerapen, Author of Overlord: The Life and Reign of Henry VIII


Available from Amazon UK and Amazon US

The true story behind the infamous life of Henry VIII,  one of history’s best-known characters and England’s most famous monarch. He is simultaneously the virtuous Renaissance prince gone wrong, the psychopathic, paranoid tyrant and the much-married glutton.


Oh, Henry. Has there ever been an English king – or a British king – so recognisable, so equally reviled and written-about, that he is, as the great Tudor historian Sir Geoffrey Elton once claimed, recognisable by his silhouette alone? The answer is ‘no.’ 


Portrait of King Henry VIII, painted by Joos van Cleve around 1535.

Even those unfamiliar with the history of reformation, or parliament, or constitutional law can recognise Henry as, at least, the bloody tyrant who had six wives. Whether one’s image of him is as the buffoonish Charles Laughton, the tyrannical Keith Michell, the leering Sid James, the youthful Jonathan Rhys Meyers, or the volatile Damian Lewis, the point is this: everyone certainly has an image of him.

This was one of the more daunting things I faced when deciding to write about Henry VIII, as was the knowledge that I was hardly the first to consider a book on him – indeed, it was the work of historians such as Alison Weir, Lucy Wooding, Eric Ives, Suzannah Lipscomb, Tracy Borman, Robert Hutchinson, Jasper Ridley, and Antonia Fraser who helped kindle my fascination with Henry and his reign.

What, I wondered, was there left to say?

To my surprise, there was quite a lot. For one thing, the totemic biography of Henry himself – the political biography nonpareil, which focuses on the man and his policies rather than on his court culture, bloody marital history, or association with significant statesmen (which are all interesting in their own right) – remains J. J. Scarisbrick’s 1968 biography. 

In this book, which remains standard reading on the sovereign, the author creates an image which has coloured every subsequent study: a Henry VIII who dreamed, however chimerically, of conquering France in England’s name, and who had no coherent or consistent British policy (Scarisbrick not only indicates this but states it outright). To my surprise, as a long-time student of Scottish history who frequently encountered the king well away from the continent, this simply was not the Henry I’d met in the various and surprisingly voluminous Scottish sources. Still less was it the figure I then found lingering in the pages of various Irish and Welsh documents.

Could there be another Henry VIII?

This question propelled the writing of “Overlord” and made it a joy. Here was a new version of the king I thought I knew – and backed up by a variety of sources untouched in any existing biography. This made working on the book not a workmanlike experience but – to rely on a hoary cliché – a genuine journey of discovery. 

Readers, I hope, will feel the same way as they meet a familiar figure – swathed in his furs and surmounted by his bejewelled, feathered cap – in new surroundings and with all-new motives. “Overlord”, I hope, presents the would-be Emperor Henry VIII: a magnificent, awe-inspiring, frequently ghastly leader who saw himself bestriding the British Isles as a legally-justified, universally-respected colossus. 

I can’t promise readers will like him any more than they do already (which is generally not at all), but I do hope they’ll be as spellbound by him – and his arrogance, bravado, and sheer self-belief – as I was.

Steven Veerapen

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About the Author

Steven Veerapen is a writer of fiction and nonfiction and a lecturer at the University of Strathclyde who specialises in sixteenth-century literature. His first novel was The Queen’s Consort, which focused on Mary Queen of Scots’ infamous husband, Lord Darnley. Steven’s other books include the Simon Danforth trilogy, the Queen’s Spies trilogy, and three non-fiction works: Blood Feud, Elizabeth and Essex, and Slander and Sedition in Elizabethan Law, Speech, and Writing. Find out more at
https://www.stevenveerapen.com/ and you can follow Steven on Instagram @steven.veerapen.3 and on Goodreads, Twitter @stevenveerapen and Bluesky @stevenveerapen.bsky.social

31 July 2026

Witchland: A Tale of Witch Hunting and War in Seventeenth-Century Britain, by Marion Gibson


Available from Amazon UK and Amazon US

If the witchfinders came to your town, who would you have believed 
– and what would you have done?

In the 1640s, Britain was swept up in a brutal witch hunt. The economic uncertainty and religious extremism fuelled by the English Civil War created a climate of fear. Neighbours turned on each other. Women and the poor were especially vulnerable, scapegoated by the powerful looking for someone to blame. In the resulting hysteria – which would, just a few decades later, provide a handbook for the Salem trials – hundreds of innocent people were killed.

Moving from village to village in Scotland and England, Professor Marion Gibson reveals how accusations grew out of everyday tensions – poverty, grief, and resentment – and how entire communities took part in persecuting the vulnerable. Drawing on newly uncovered historical records, this gripping account restores the voices of those accused of witchcraft. Vivid and intimate, Witchland shows that these were ordinary people with extraordinary stories, largely forgotten by history, caught up in suspicion and moral panic.

Witchland is a captivating story of fanaticism, inequality and the violence that surfaces during times of political upheaval.

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About the Author

Marion Gibson became interested in stories of magic and witchcraft when she read news accounts of witch trials in Elizabethan England. She says,  'I realised that whilst I didn't believe the accused people had been doing actual magic, I had no good explanation of why they would confess. What was going on here? What stories were they telling us about their lives? From this came my lifelong interest in storytelling about witches.' Find out more at https://mariongibson.co.uk/ and find Marion on Instagram and X @witchesetc

25 July 2026

Book Launch Spotlight: The Women Who Clothed the Stuart Queens: Gender and Work in the Royal Wardrobe and the Fashion Marketplace by Sarah A. Bendall


Available from Amazon UK and Amazon US

This study explores for the first time the changing professions and roles of the women who worked to clothe six Stuart queens between 1603 and 1714: Anna of Denmark, Henrietta Maria, Catherine of Braganza, Mary of Modena, Queen Mary II and Queen Anne.


Queen Anne of Great Britain by Michael Dahl, typically dated to around 1702

Beautifully illustrated in full colour throughout, and using a wide range of written, visual and material sources, this book explores how changing patterns of work and consumption saw women become key producers, retailers and consumers of fashion during the 17th century, and illuminates the strong connections between the royal courts and London's fashion marketplace.

From royal wardrobes, workrooms and laundries to workshops and retail premises in London's bustling streets, Sarah A. Bendall highlights the integral role that women of multiple backgrounds played in the creation and maintenance of elite dress. The royal accounts show that this work was facilitated by migration, global trade, familial networks and changing guild structures, and that the patronage of queens and elite women was integral to supporting and promoting women's rise in the fashion trades as celebrated silkwomen, tirewoman, milliners and mantua makers.

The Women Who Clothed the Stuart Queens challenges understandings of women's work in the court, the household and the fashion marketplace, and shows how clothing played a key role in women's economic participation in 17th and 18th-century England more broadly. It offers fascinating insights for all those interested in the history of women and gender, fashion, material culture and consumption, and, of course, to all those interested in Stuart history.

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About the Author

Sarah A. Bendall FRHistS is an historian of fashion, material culture and women. Her work focuses on the production, trade and consumption of global commodities and fashionable consumer goods, particularly during the long 17th century. She also has expertise in historical dress recreation methodologies. She is a Senior Lecturer at ACU and was appointed as a fellow of the Royal Historical Society in 2023. Her work has been profiled in several media outlets including the Australian Financial Review, The Conversation and Daily Mail Online. She regularly appears as an historical fashion expert on Australian radio. Find out more at https://sarahabendall.com/ and find Sarah on Instagram, Twitter/X and Bluesly @sarahabendall.bsky.social

23 July 2026

New Book Launch: Jane Seymour: Patronage, Material Culture and Image Crafting (Lives of Royal Women) by Elizabeth Norton


Available on Amazon UK and Amazon US

Jane Seymour, the third wife of Henry VIII, was queen of England for only seventeen months, something which has accounted for the little interest shown in her by historians. In her lifetime, however, she was a significant political figure, while her legacy and memorialization extended beyond her early death following childbirth in October 1537.

Jane Seymour: Patronage, Material Culture and Image Crafting is the first full length academic study of Jane’s life and queenship. Using extensive archival research, it pulls together all of the surviving information to provide both a biographical and a thematic account. 

Chapters include a consideration of Jane’s queenship and political role, her material cultural environment, her household, her financial position and her religion, before also considering her afterlife and attempts to commemorate her both officially and unofficially. In doing so, the book banishes many myths that have grown up around the queen, most notably ideas of her passivity and powerlessness and also often repeated (but unsubstantiated) claims of her conservative religious outlook. This book presents a picture of Jane as an active and highly political queen consort.

The book is a valuable resource for students and established scholars since it adds considerably to knowledge of the queen and re-inserts her into the heart of the dynasty, while also drawing pertinent conclusions on sixteenth-century queenship.

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About the Author

Dr Elizabeth Norton lives in Kingston upon Thames, near Hampton Court Palace, with her husband and two sons. 
As well as her books she is carrying out academic research at King's College, London into the Blount family of Shropshire, contributing journal articles and giving papers at academic conferences and has appeared as an expert on television, including programmes for Sky Arts and the National Geographic channel.  Find out more as her website http://elizabethnorton.co.uk/ and find her on Twitter @ENortonHistory and Bluesky ‪@enortonhistory.bsky.social‬

20 July 2026

Book Launch Spotlight: The Falcon's Triumph: A novel of Anne Boleyn (The Falcon's Rise Book 3) by Natalia Richards


Available from Amazon UK and Amazon US

A novel of ambition, love, and betrayal in the Tudor court

A broken heart. A shattered dream. A future she never expected…

Fresh from her time in the dazzling courts of Europe, Anne Boleyn returns to England with charm, wit, and an ambition she dares not reveal. Her place at court and her future in Ireland seem secure. But when a forbidden love affair threatens scandal, Anne is dismissed and disgraced.

Then King Henry VIII takes notice.

Captivated by Anne’s beauty and boldness, the king is determined to have her—not as his mistress, but as his queen. Yet his wife, Queen Katherine of Aragon, stands in his way… and so does the Church. In a kingdom still firmly Catholic, Henry’s obsession with Anne now acts as a smouldering tinder, igniting a political and religious fire that threatens to tear England apart.

Set against the glittering and dangerous backdrop of Tudor England, The Falcon’s Triumph is a gripping tale of love, power, and the woman who would change history.

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About the Author

As a curator and historian for over 30 years, Natalia has worked in many museums in Derbyshire and later in London. She also worked free-lance for the History Channel USA as researcher, co-ordinator, and interviewer on the award-winning production 'Secrets of War.' However, her passion since a very early age has been the study of the Tudors, particularly Anne Boleyn and the court of King Henry VIII.  She did not begin writing seriously until around 2008 and originally wanted to write about Anne Boleyn at the English court. However, a great deal had already been written about this period, and Natalia began to look at her earlier life from around 1500 to 1521. The result of her research was 'The Falcon's Rise,’ set at the court of Margaret of Austria. She then followed this up with part two 'The Falcon's Flight'. This second book covers Anne's time at the French court, with Queen Claude, and ends as she is about to return to England. In her spare time, Natalia loves travelling, gardening, rambling, and visiting historic houses, as well as constantly reading and researching the Tudor period. She spends her time between Derbyshire and Chelsea, in London. Find out more at Natalia's website https://www.nataliarichards.com/ and follow her on Facebook and Twitter @nat_wieczorek

16 July 2026

Book Launch Guest Post by Naomi Kelsey, Author of Pale Mistress: Lover. Courtesan. Survivor.


Available from Amazon UK and Amazon US

Cyprus, 16th century. Murder, lies and vengeance has left lovers dead, promises broken and no one to trust. Only one woman survives, Bianca. The slain? History knows their names: Emilia, Desdemona, Othello.

“I am no strumpet”: the inspiration behind ‘Pale Mistress’

If you speak to most people, the female characters they remember from ‘Othello’ are Desdemona and Emilia. Very few recall Bianca – and yet, she has the dubious distinction of being the only named female character in Shakespeare’s four major tragedies who does not die! 

Now, it’s entirely possible Shakespeare intended to kill Bianca off. He leaves her being escorted away by Venetian soldiers after Iago has accused her of complicity in the attempted murder of her lover (or fiancé!), Michael Cassio. Iago tells Bianca, “Come, mistress, you must tell’s another tale.” Within the text, this is taken to imply that Bianca will be tortured until she confesses her role in the plot – which is, of course, entirely of Iago’s own making. However, as a novelist, this felt like an invitation. Just what tale would Bianca tell? What would her story be?


Indra Ové portraying the character Bianca in the 
1995 film adaptation of Othello.

My initial inspiration for ‘Pale Mistress’ came during an A Level Literature lesson in 2024. I’d studied the play myself as a teenager, and have taught it multiple times over the years. But the wonderful thing about returning to classic texts again and again, at different stages of my life and with different students in front of me, means that new ideas emerge each time. On this occasion, during a lesson on Act 4 Scene 1, in which Cassio and Iago talk about Bianca behind her back before she storms on stage in a fury, one of my students made the immortal observation, “Cassio’s a bit of a douche, isn’t he?”


Tom Hiddleston performing as Cassio alongside Martina Laird 
as Bianca in a 2007 production of Othello

This was the first time I’d taught ‘Othello’ post #MeToo. The first time I’d taught it since ‘gaslighting’ became one of Oxford Dictionary’s buzzwords of 2018, and since Merriam-Webster made it one of their words of the year in 2022. And suddenly I was looking at this play in a very different light.

Cassio’s generally regarded as a chivalrous chap: handsome, noble, much-admired by Venetian society. He’s played by attractive actors – Nathaniel Parker, Jonathan Bailey, Tom Hiddleston. His fate, being gravely injured by Iago and accused of sleeping with Desdemona, is usually interpreted as thoroughly unfair. However, to a modern audience, his behaviour is decidedly two-faced. 

On the one hand he describes Desdemona as “the divine Desdemona” and “a maid / That paragons description and wild fame, / One that excels the quirks of blazoning pens”. On the other, he describes Bianca as a “monkey”, a “bauble”, and a “rogue” behind her back, yet to her face calls her “my most fair Bianca” and “my sweet Bianca”. The chivalrous courtier’s mask slips: away from the postures of courtly love performed for and about Desdemona, Cassio reveals himself to be mocking, scornful, even cruel. 

Of course, there’s another character in ‘Othello’ who speaks derisively of others behind their backs, then is all charm to their faces. But while Iago is ultimately revealed as a villain and abhorred as a “demi-devil”, Cassio is rewarded with the governorship of Cyprus, and the power to punish Iago as he sees fit. What Shakespeare doesn’t mention is that this also grants Cassio the ability to decide Bianca’s fate. 

What would Cassio do, I wondered, to a woman he thought had betrayed him, even conspired to mutilate and murder him? Would he carry out the torture Iago had threatened? Would he put her on trial – perhaps even condemn her to death?

Once I’d started asking this question, I couldn’t stop. Everything about Bianca started to fascinate me: who was she, really? We know very little about her, other than that she must be extremely skilled at embroidery, given that Cassio asks her to “take the work out”, or copy, the fateful handkerchief Iago has planted in his chamber. Iago calls her a whore, but then Iago calls all three female characters in the play a whore, so why do audiences and critics only believe it of Bianca, especially when she herself insists “I am no strumpet, but of life as honest as you that thus abuse me”? 

Iago also says in the first scene of the play that Cassio is “a fellow almost damned in a fair wife”, which could either mean Cassio is such a catch he’s bound to marry sooner or later, or that Cassio has a fiancée already. Bianca moves freely about Cyprus, with a degree of confidence and independence that neither Desdemona or Emilia are permitted – was this the freedom of an unmarried woman, or a sex worker? And then her freedom is abruptly, brutally, unjustly curtailed. 

My question about what Cassio might do branched out: what would Bianca do to prove her innocence – or get her revenge?

Two years ago, I half-heartedly joked to my A Level students that one day I would write a novel about Bianca, and it would be full of feminist rage! And here we are. As for whether Cassio receives the comeuppance I promised them, you’ll have to read ‘Pale Mistress’ to find out… 

 Naomi Kelsey

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About the Author

Naomi Kelsey's debut novel, The Burnings, was published by Harper North in 2023, followed by The Darkening Globe in 2025. Her next book, Pale Mistress, a reimagining of Shakespeare's 'Othello', is out now. She is the winner of two Northern Writers’ Awards and of the HWA Dorothy Dunnett Competition 2021. Her fiction has been published in Mslexia magazine and shortlisted for several further awards including the Bridport Prize and the Bristol Prize. She posts about books, history, and the chaos of writing around small children and teaching English on Instagram as @naomikelseybooks and on X as @naomikelsey_ Bluesky @naomikelsey.bsky.social and writes a monthly-ish newsletter on Substack at @naomikelsey

13 July 2026

Book Launch: Queen Anna, Book One of the Stuart Queens Trilogy


Available from Amazon UK and Amazon US

A crown won in the eye of a storm. A queen who refuses to be broken... Princess Anna of Denmark sails for Scotland to marry King James VI, but storms ravage her fleet, igniting a deadly obsession with witchcraft in her new home. Arriving in a strange and paranoid court, Anna finds her new husband’s bed is a treacherous place.

After fourteen years researching and writing the twelve books which tell the story of the Tudors, it seemed natural to explore the succession in more detail and understand the rise of the Stuarts.

I discovered Anna’s story while writing about Bess and Walter Raleigh, and like most people, knew little about her life. I’ve enjoyed the year of research behind this book, uncovering primary sources – and even learning a little Danish.

With notable exceptions, Anna is largely overlooked by historians, and I found myself wondering about the image of her as shallow, with little influence. I don’t recall her being mentioned in my history lessons at school, but Anna was the daughter of a king, wife of a king and mother of a king. 


I became intrigued by the idea of a fourteen-year-old Danish princess being forced by her parents into a strategic, arranged marriage with King James of Scotland. Anna had to leave her friends, her family, and everything she knew, for a strange country across a dangerous sea where she could barely speak the language.

There is also the question of her relationship with King James, and how they had so many children. As well as her daughter Elizabeth, the ‘Winter Queen’ of Bohemia, Anna was the mother of Henry, possibly the greatest king we never had, and the ill-fated King Charles I.


Prince Henry Stuart

My research took me from the Danish Court to Holyrood House in Scotland and on to the palaces of Westminster and Anna's beloved Denmark House. Her vibrant personality can be seen in her surviving letters, some of which I had translated from old French, (and include in the book in italics). 


I enjoyed following Anna to England after the death of Queen Elizabeth Ist, and making a new life died as queen consort of three kingdoms. She ordered the old queen’s priceless gowns to be used as costumes in her legendary masques, and slept in the same bedchamber as Queen Jane Seymour, her favourite bed.

I found a resilient woman and a devoted mother to her children. Anna was a creative patron of the arts, and did her best to be a loyal queen consort to King James. I am now researching the second book in this trilogy, and exploring troubled the life of Henrietta Maria of France, queen consort to King Charles Ist. 

Tony Riches