Mastodon The Writing Desk: Book Launch
Showing posts with label Book Launch. Show all posts
Showing posts with label Book Launch. Show all posts

14 August 2026

Book Review: The Orphan from Verona, by Siobhan Daiko


Available from 

Verona, 1944. When an air raid strikes Elisa's home, she is left with nothing but the clothes on her back, the teddy bear clutched in her arms and her beloved older brother. Traumatised into silence, six-year-old Elisa can no longer speak and relies on Robi to guide her through this war-torn world.

Siobhan Daiko’s The Orphan from Verona balances human drama with an atmospheric sense of a city steeped in history. Set against the lingering shadows of the past, the novel offers an immersive exploration of identity and family secrets.

At the heart of the novel is a cast of compelling, related characters, and their journey through grief and personal awakening. Their relationships are portrayed with sensitivity, capturing the tension between desire and duty.

I particularly liked the details of life in occupied Verona, the counterpoint of past and present storylines and interwoven character arcs. The gradual revelation of secrets keeps readers guessing, as the plot unfolds at an engaging pace, weaving together intimate, character-driven moments with elements of mystery. 

The Orphan from Verona is a well-paced, memorable novel with a sophisticated narrative that explores the complexities of human resilience. Highly recommended.

Tony Riches

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About the Author

Siobhan Daiko is a British historical fiction author. A lover of all things Italian, she lives in the Veneto region of northern Italy with her husband, a Havanese dog and a Siberian cat. Siobhan was born of English parents in Hong Kong, attended boarding school in Australia, and then moved to the UK — where she taught modern foreign languages in a Welsh high school. She now spends her time writing page-turners and living the dolce vita sweet life near Venice. Her novels are compelling, poignant, and deeply moving, with strong characters and evocative settings, but always with romance at their heart. You can find more about her books on her website www.siobhandaiko.org and follow her on Facebook and Twitter @siobhandaiko

4 August 2026

Book Launch Guest Post by Alistair Tosh, Author of The Sons of Carthage: Hannibal ignites a war to humble Rome... (The Lion and the Eagle Roman Thrillers Book 1)


Available for pre-order from

Two empires rise, but only one can survive…

Hasdrubal Barca: The Forgotten General

In 219 BC, Hannibal Barca, the renowned Carthaginian general, attacked Seguntum, a city allied with Rome on the eastern coast of Iberia, just north of modern-day Valencia. The siege triggered the Second Punic War, one of the greatest conflicts of the ancient world.

Hannibal's story has become legendary. His campaigns are still studied in military academies across the world, from his epic march across the Pyrenees and the mighty Alpine passes to his stunning victories over the Roman legions at Ticinus, Trebia, Lake Trasimene and, perhaps greatest of all, Cannae. There, Rome suffered one of the worst defeats in its history, with around 50,000 soldiers lying dead on the battlefield from an army of approximately 80,000.

Yet while Hannibal was devastating the Roman Republic in Italy, another theatre of the war was proving just as crucial. Iberia—modern-day Spain and Portugal—was Carthage's most valuable possession. It was rich in silver and gold, fertile agricultural land, and provided a vital source of recruits for its armies.

For most of the twelve years that the war raged across the peninsula, its defence rested in the hands of Hannibal's younger brother, Hasdrubal. The central figure in my new series, The Lion and the Eagle, Hasdrubal was a capable commander in his own right. Not only did he have to contend with the Roman legions, but he also faced near-constant rebellions from the many fierce Iberian tribes. 

At one point, despite the threat of the legions, he was recalled to North Africa by the Carthaginian Senate to suppress the revolt of the Numidian king Syphax, before returning to Iberia a year later. There he, once more, faced the Roman Consuls, Publius and Gnaeus Scipio, defeating them in separate engagements and restoring Carthaginian control.

Although he has never enjoyed the reputation of his elder brother as a battlefield genius, Hasdrubal was a resourceful and resilient general. Even in defeat, and there were several setbacks during his long command, he repeatedly managed to extricate himself and preserve the core of his army, allowing Carthage to continue the struggle.

His final campaign in Iberia culminated at Baecula, Santo Tomé in the Guadalquivir valley of modern-day Andalusia. There he faced the young Publius Cornelius Scipio, the future Scipio Africanus, who would later defeat Hannibal at Zama.

Recognising the quality of the Roman army opposing him, Hasdrubal established a strong defensive position on high ground overlooking the valley, where there was only one practical avenue of attack. When Scipio launched a surprise assault that overwhelmed his forward positions, Hasdrubal conducted a disciplined fighting withdrawal, escaping with the majority of his army intact.

The following year, he led that same army across the Alps into Italy, recruiting warriors from the Gallic tribes along the way in a bold attempt to reinforce Hannibal and alter the course of the war.

Overshadowed by his famous brother, Hasdrubal Barca remains one of history's forgotten generals. Through The Lion and the Eagle series, I hope to bring this remarkable commander, and his extraordinary campaigns, to a wider audience.

Alistair Tosh

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About the author

Best selling author of historical adventures, Alistair Tosh was born in Dumfriesshire, a place filled with ancient place names such as Torthorwald and Caerlaverock. But it was his visits, as a boy, to nearby Burnswark Iron Age hillfort and its Roman siegeworks that first fired his interest in ancient history. On leaving school he began a 35 year communications career, firstly with the Royal Navy, that included covert riverine and seaborne operations during the height of ‘The Troubles’ in Northern Ireland, before moving into the corporate telecommunications world. Military life is unique, and Alistair aims to reflect an authentic view of that experience and its language in his stories. Follow Alistair on Facebook and Twitter/X @alistair_tosh




2 August 2026

Special Guest Post by Steven Veerapen, Author of Overlord: The Life and Reign of Henry VIII


Available from Amazon UK and Amazon US

The true story behind the infamous life of Henry VIII,  one of history’s best-known characters and England’s most famous monarch. He is simultaneously the virtuous Renaissance prince gone wrong, the psychopathic, paranoid tyrant and the much-married glutton.


Oh, Henry. Has there ever been an English king – or a British king – so recognisable, so equally reviled and written-about, that he is, as the great Tudor historian Sir Geoffrey Elton once claimed, recognisable by his silhouette alone? The answer is ‘no.’ 


Portrait of King Henry VIII, painted by Joos van Cleve around 1535.

Even those unfamiliar with the history of reformation, or parliament, or constitutional law can recognise Henry as, at least, the bloody tyrant who had six wives. Whether one’s image of him is as the buffoonish Charles Laughton, the tyrannical Keith Michell, the leering Sid James, the youthful Jonathan Rhys Meyers, or the volatile Damian Lewis, the point is this: everyone certainly has an image of him.

This was one of the more daunting things I faced when deciding to write about Henry VIII, as was the knowledge that I was hardly the first to consider a book on him – indeed, it was the work of historians such as Alison Weir, Lucy Wooding, Eric Ives, Suzannah Lipscomb, Tracy Borman, Robert Hutchinson, Jasper Ridley, and Antonia Fraser who helped kindle my fascination with Henry and his reign.

What, I wondered, was there left to say?

To my surprise, there was quite a lot. For one thing, the totemic biography of Henry himself – the political biography nonpareil, which focuses on the man and his policies rather than on his court culture, bloody marital history, or association with significant statesmen (which are all interesting in their own right) – remains J. J. Scarisbrick’s 1968 biography. 

In this book, which remains standard reading on the sovereign, the author creates an image which has coloured every subsequent study: a Henry VIII who dreamed, however chimerically, of conquering France in England’s name, and who had no coherent or consistent British policy (Scarisbrick not only indicates this but states it outright). To my surprise, as a long-time student of Scottish history who frequently encountered the king well away from the continent, this simply was not the Henry I’d met in the various and surprisingly voluminous Scottish sources. Still less was it the figure I then found lingering in the pages of various Irish and Welsh documents.

Could there be another Henry VIII?

This question propelled the writing of “Overlord” and made it a joy. Here was a new version of the king I thought I knew – and backed up by a variety of sources untouched in any existing biography. This made working on the book not a workmanlike experience but – to rely on a hoary cliché – a genuine journey of discovery. 

Readers, I hope, will feel the same way as they meet a familiar figure – swathed in his furs and surmounted by his bejewelled, feathered cap – in new surroundings and with all-new motives. “Overlord”, I hope, presents the would-be Emperor Henry VIII: a magnificent, awe-inspiring, frequently ghastly leader who saw himself bestriding the British Isles as a legally-justified, universally-respected colossus. 

I can’t promise readers will like him any more than they do already (which is generally not at all), but I do hope they’ll be as spellbound by him – and his arrogance, bravado, and sheer self-belief – as I was.

Steven Veerapen

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About the Author

Steven Veerapen is a writer of fiction and nonfiction and a lecturer at the University of Strathclyde who specialises in sixteenth-century literature. His first novel was The Queen’s Consort, which focused on Mary Queen of Scots’ infamous husband, Lord Darnley. Steven’s other books include the Simon Danforth trilogy, the Queen’s Spies trilogy, and three non-fiction works: Blood Feud, Elizabeth and Essex, and Slander and Sedition in Elizabethan Law, Speech, and Writing. Find out more at
https://www.stevenveerapen.com/ and you can follow Steven on Instagram @steven.veerapen.3 and on Goodreads, Twitter @stevenveerapen and Bluesky @stevenveerapen.bsky.social

31 July 2026

Witchland: A Tale of Witch Hunting and War in Seventeenth-Century Britain, by Marion Gibson


Available from Amazon UK and Amazon US

If the witchfinders came to your town, who would you have believed 
– and what would you have done?

In the 1640s, Britain was swept up in a brutal witch hunt. The economic uncertainty and religious extremism fuelled by the English Civil War created a climate of fear. Neighbours turned on each other. Women and the poor were especially vulnerable, scapegoated by the powerful looking for someone to blame. In the resulting hysteria – which would, just a few decades later, provide a handbook for the Salem trials – hundreds of innocent people were killed.

Moving from village to village in Scotland and England, Professor Marion Gibson reveals how accusations grew out of everyday tensions – poverty, grief, and resentment – and how entire communities took part in persecuting the vulnerable. Drawing on newly uncovered historical records, this gripping account restores the voices of those accused of witchcraft. Vivid and intimate, Witchland shows that these were ordinary people with extraordinary stories, largely forgotten by history, caught up in suspicion and moral panic.

Witchland is a captivating story of fanaticism, inequality and the violence that surfaces during times of political upheaval.

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About the Author

Marion Gibson became interested in stories of magic and witchcraft when she read news accounts of witch trials in Elizabethan England. She says,  'I realised that whilst I didn't believe the accused people had been doing actual magic, I had no good explanation of why they would confess. What was going on here? What stories were they telling us about their lives? From this came my lifelong interest in storytelling about witches.' Find out more at https://mariongibson.co.uk/ and find Marion on Instagram and X @witchesetc

25 July 2026

Book Launch Spotlight: The Women Who Clothed the Stuart Queens: Gender and Work in the Royal Wardrobe and the Fashion Marketplace by Sarah A. Bendall


Available from Amazon UK and Amazon US

This study explores for the first time the changing professions and roles of the women who worked to clothe six Stuart queens between 1603 and 1714: Anna of Denmark, Henrietta Maria, Catherine of Braganza, Mary of Modena, Queen Mary II and Queen Anne.


Queen Anne of Great Britain by Michael Dahl, typically dated to around 1702

Beautifully illustrated in full colour throughout, and using a wide range of written, visual and material sources, this book explores how changing patterns of work and consumption saw women become key producers, retailers and consumers of fashion during the 17th century, and illuminates the strong connections between the royal courts and London's fashion marketplace.

From royal wardrobes, workrooms and laundries to workshops and retail premises in London's bustling streets, Sarah A. Bendall highlights the integral role that women of multiple backgrounds played in the creation and maintenance of elite dress. The royal accounts show that this work was facilitated by migration, global trade, familial networks and changing guild structures, and that the patronage of queens and elite women was integral to supporting and promoting women's rise in the fashion trades as celebrated silkwomen, tirewoman, milliners and mantua makers.

The Women Who Clothed the Stuart Queens challenges understandings of women's work in the court, the household and the fashion marketplace, and shows how clothing played a key role in women's economic participation in 17th and 18th-century England more broadly. It offers fascinating insights for all those interested in the history of women and gender, fashion, material culture and consumption, and, of course, to all those interested in Stuart history.

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About the Author

Sarah A. Bendall FRHistS is an historian of fashion, material culture and women. Her work focuses on the production, trade and consumption of global commodities and fashionable consumer goods, particularly during the long 17th century. She also has expertise in historical dress recreation methodologies. She is a Senior Lecturer at ACU and was appointed as a fellow of the Royal Historical Society in 2023. Her work has been profiled in several media outlets including the Australian Financial Review, The Conversation and Daily Mail Online. She regularly appears as an historical fashion expert on Australian radio. Find out more at https://sarahabendall.com/ and find Sarah on Instagram, Twitter/X and Bluesly @sarahabendall.bsky.social

23 July 2026

New Book Launch: Jane Seymour: Patronage, Material Culture and Image Crafting (Lives of Royal Women) by Elizabeth Norton


Available on Amazon UK and Amazon US

Jane Seymour, the third wife of Henry VIII, was queen of England for only seventeen months, something which has accounted for the little interest shown in her by historians. In her lifetime, however, she was a significant political figure, while her legacy and memorialization extended beyond her early death following childbirth in October 1537.

Jane Seymour: Patronage, Material Culture and Image Crafting is the first full length academic study of Jane’s life and queenship. Using extensive archival research, it pulls together all of the surviving information to provide both a biographical and a thematic account. 

Chapters include a consideration of Jane’s queenship and political role, her material cultural environment, her household, her financial position and her religion, before also considering her afterlife and attempts to commemorate her both officially and unofficially. In doing so, the book banishes many myths that have grown up around the queen, most notably ideas of her passivity and powerlessness and also often repeated (but unsubstantiated) claims of her conservative religious outlook. This book presents a picture of Jane as an active and highly political queen consort.

The book is a valuable resource for students and established scholars since it adds considerably to knowledge of the queen and re-inserts her into the heart of the dynasty, while also drawing pertinent conclusions on sixteenth-century queenship.

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About the Author

Dr Elizabeth Norton lives in Kingston upon Thames, near Hampton Court Palace, with her husband and two sons. 
As well as her books she is carrying out academic research at King's College, London into the Blount family of Shropshire, contributing journal articles and giving papers at academic conferences and has appeared as an expert on television, including programmes for Sky Arts and the National Geographic channel.  Find out more as her website http://elizabethnorton.co.uk/ and find her on Twitter @ENortonHistory and Bluesky ‪@enortonhistory.bsky.social‬

20 July 2026

Book Launch Spotlight: The Falcon's Triumph: A novel of Anne Boleyn (The Falcon's Rise Book 3) by Natalia Richards


Available from Amazon UK and Amazon US

A novel of ambition, love, and betrayal in the Tudor court

A broken heart. A shattered dream. A future she never expected…

Fresh from her time in the dazzling courts of Europe, Anne Boleyn returns to England with charm, wit, and an ambition she dares not reveal. Her place at court and her future in Ireland seem secure. But when a forbidden love affair threatens scandal, Anne is dismissed and disgraced.

Then King Henry VIII takes notice.

Captivated by Anne’s beauty and boldness, the king is determined to have her—not as his mistress, but as his queen. Yet his wife, Queen Katherine of Aragon, stands in his way… and so does the Church. In a kingdom still firmly Catholic, Henry’s obsession with Anne now acts as a smouldering tinder, igniting a political and religious fire that threatens to tear England apart.

Set against the glittering and dangerous backdrop of Tudor England, The Falcon’s Triumph is a gripping tale of love, power, and the woman who would change history.

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About the Author

As a curator and historian for over 30 years, Natalia has worked in many museums in Derbyshire and later in London. She also worked free-lance for the History Channel USA as researcher, co-ordinator, and interviewer on the award-winning production 'Secrets of War.' However, her passion since a very early age has been the study of the Tudors, particularly Anne Boleyn and the court of King Henry VIII.  She did not begin writing seriously until around 2008 and originally wanted to write about Anne Boleyn at the English court. However, a great deal had already been written about this period, and Natalia began to look at her earlier life from around 1500 to 1521. The result of her research was 'The Falcon's Rise,’ set at the court of Margaret of Austria. She then followed this up with part two 'The Falcon's Flight'. This second book covers Anne's time at the French court, with Queen Claude, and ends as she is about to return to England. In her spare time, Natalia loves travelling, gardening, rambling, and visiting historic houses, as well as constantly reading and researching the Tudor period. She spends her time between Derbyshire and Chelsea, in London. Find out more at Natalia's website https://www.nataliarichards.com/ and follow her on Facebook and Twitter @nat_wieczorek

16 July 2026

Book Launch Guest Post by Naomi Kelsey, Author of Pale Mistress: Lover. Courtesan. Survivor.


Available from Amazon UK and Amazon US

Cyprus, 16th century. Murder, lies and vengeance has left lovers dead, promises broken and no one to trust. Only one woman survives, Bianca. The slain? History knows their names: Emilia, Desdemona, Othello.

“I am no strumpet”: the inspiration behind ‘Pale Mistress’

If you speak to most people, the female characters they remember from ‘Othello’ are Desdemona and Emilia. Very few recall Bianca – and yet, she has the dubious distinction of being the only named female character in Shakespeare’s four major tragedies who does not die! 

Now, it’s entirely possible Shakespeare intended to kill Bianca off. He leaves her being escorted away by Venetian soldiers after Iago has accused her of complicity in the attempted murder of her lover (or fiancé!), Michael Cassio. Iago tells Bianca, “Come, mistress, you must tell’s another tale.” Within the text, this is taken to imply that Bianca will be tortured until she confesses her role in the plot – which is, of course, entirely of Iago’s own making. However, as a novelist, this felt like an invitation. Just what tale would Bianca tell? What would her story be?


Indra Ové portraying the character Bianca in the 
1995 film adaptation of Othello.

My initial inspiration for ‘Pale Mistress’ came during an A Level Literature lesson in 2024. I’d studied the play myself as a teenager, and have taught it multiple times over the years. But the wonderful thing about returning to classic texts again and again, at different stages of my life and with different students in front of me, means that new ideas emerge each time. On this occasion, during a lesson on Act 4 Scene 1, in which Cassio and Iago talk about Bianca behind her back before she storms on stage in a fury, one of my students made the immortal observation, “Cassio’s a bit of a douche, isn’t he?”


Tom Hiddleston performing as Cassio alongside Martina Laird 
as Bianca in a 2007 production of Othello

This was the first time I’d taught ‘Othello’ post #MeToo. The first time I’d taught it since ‘gaslighting’ became one of Oxford Dictionary’s buzzwords of 2018, and since Merriam-Webster made it one of their words of the year in 2022. And suddenly I was looking at this play in a very different light.

Cassio’s generally regarded as a chivalrous chap: handsome, noble, much-admired by Venetian society. He’s played by attractive actors – Nathaniel Parker, Jonathan Bailey, Tom Hiddleston. His fate, being gravely injured by Iago and accused of sleeping with Desdemona, is usually interpreted as thoroughly unfair. However, to a modern audience, his behaviour is decidedly two-faced. 

On the one hand he describes Desdemona as “the divine Desdemona” and “a maid / That paragons description and wild fame, / One that excels the quirks of blazoning pens”. On the other, he describes Bianca as a “monkey”, a “bauble”, and a “rogue” behind her back, yet to her face calls her “my most fair Bianca” and “my sweet Bianca”. The chivalrous courtier’s mask slips: away from the postures of courtly love performed for and about Desdemona, Cassio reveals himself to be mocking, scornful, even cruel. 

Of course, there’s another character in ‘Othello’ who speaks derisively of others behind their backs, then is all charm to their faces. But while Iago is ultimately revealed as a villain and abhorred as a “demi-devil”, Cassio is rewarded with the governorship of Cyprus, and the power to punish Iago as he sees fit. What Shakespeare doesn’t mention is that this also grants Cassio the ability to decide Bianca’s fate. 

What would Cassio do, I wondered, to a woman he thought had betrayed him, even conspired to mutilate and murder him? Would he carry out the torture Iago had threatened? Would he put her on trial – perhaps even condemn her to death?

Once I’d started asking this question, I couldn’t stop. Everything about Bianca started to fascinate me: who was she, really? We know very little about her, other than that she must be extremely skilled at embroidery, given that Cassio asks her to “take the work out”, or copy, the fateful handkerchief Iago has planted in his chamber. Iago calls her a whore, but then Iago calls all three female characters in the play a whore, so why do audiences and critics only believe it of Bianca, especially when she herself insists “I am no strumpet, but of life as honest as you that thus abuse me”? 

Iago also says in the first scene of the play that Cassio is “a fellow almost damned in a fair wife”, which could either mean Cassio is such a catch he’s bound to marry sooner or later, or that Cassio has a fiancée already. Bianca moves freely about Cyprus, with a degree of confidence and independence that neither Desdemona or Emilia are permitted – was this the freedom of an unmarried woman, or a sex worker? And then her freedom is abruptly, brutally, unjustly curtailed. 

My question about what Cassio might do branched out: what would Bianca do to prove her innocence – or get her revenge?

Two years ago, I half-heartedly joked to my A Level students that one day I would write a novel about Bianca, and it would be full of feminist rage! And here we are. As for whether Cassio receives the comeuppance I promised them, you’ll have to read ‘Pale Mistress’ to find out… 

 Naomi Kelsey

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About the Author

Naomi Kelsey's debut novel, The Burnings, was published by Harper North in 2023, followed by The Darkening Globe in 2025. Her next book, Pale Mistress, a reimagining of Shakespeare's 'Othello', is out now. She is the winner of two Northern Writers’ Awards and of the HWA Dorothy Dunnett Competition 2021. Her fiction has been published in Mslexia magazine and shortlisted for several further awards including the Bridport Prize and the Bristol Prize. She posts about books, history, and the chaos of writing around small children and teaching English on Instagram as @naomikelseybooks and on X as @naomikelsey_ Bluesky @naomikelsey.bsky.social and writes a monthly-ish newsletter on Substack at @naomikelsey

13 July 2026

Book Launch: Queen Anna, Book One of the Stuart Queens Trilogy


Available from Amazon UK and Amazon US

A crown won in the eye of a storm. A queen who refuses to be broken... Princess Anna of Denmark sails for Scotland to marry King James VI, but storms ravage her fleet, igniting a deadly obsession with witchcraft in her new home. Arriving in a strange and paranoid court, Anna finds her new husband’s bed is a treacherous place.

After fourteen years researching and writing the twelve books which tell the story of the Tudors, it seemed natural to explore the succession in more detail and understand the rise of the Stuarts.

I discovered Anna’s story while writing about Bess and Walter Raleigh, and like most people, knew little about her life. I’ve enjoyed the year of research behind this book, uncovering primary sources – and even learning a little Danish.

With notable exceptions, Anna is largely overlooked by historians, and I found myself wondering about the image of her as shallow, with little influence. I don’t recall her being mentioned in my history lessons at school, but Anna was the daughter of a king, wife of a king and mother of a king. 


I became intrigued by the idea of a fourteen-year-old Danish princess being forced by her parents into a strategic, arranged marriage with King James of Scotland. Anna had to leave her friends, her family, and everything she knew, for a strange country across a dangerous sea where she could barely speak the language.

There is also the question of her relationship with King James, and how they had so many children. As well as her daughter Elizabeth, the ‘Winter Queen’ of Bohemia, Anna was the mother of Henry, possibly the greatest king we never had, and the ill-fated King Charles I.


Prince Henry Stuart

My research took me from the Danish Court to Holyrood House in Scotland and on to the palaces of Westminster and Anna's beloved Denmark House. Her vibrant personality can be seen in her surviving letters, some of which I had translated from old French, (and include in the book in italics). 


I enjoyed following Anna to England after the death of Queen Elizabeth Ist, and making a new life died as queen consort of three kingdoms. She ordered the old queen’s priceless gowns to be used as costumes in her legendary masques, and slept in the same bedchamber as Queen Jane Seymour, her favourite bed.

I found a resilient woman and a devoted mother to her children. Anna was a creative patron of the arts, and did her best to be a loyal queen consort to King James. I am now researching the second book in this trilogy, and exploring troubled the life of Henrietta Maria of France, queen consort to King Charles Ist. 

Tony Riches


9 July 2026

New on Kindle: Queen Anna (Stuart Queens Trilogy Book 1)


Available from Amazon UK and Amazon US

A crown won in the eye of a storm. 
A queen who refuses to be broken...

Princess Anna of Denmark sails for Scotland to marry King James VI, but storms ravage her fleet, igniting a deadly obsession with witchcraft in her new home. Arriving in a strange and paranoid court, Anna finds her new husband’s bed is a treacherous place.

Surrounded by whispering courtiers and shifting alliances, Anna refuses to remain a passive pawn. When the court takes her children to raise them away from her, the young queen draws her line in the sand. 

From the windswept castles of Scotland to the glittering, dangerous English court, Anna is restored to her rightful place in history.

Paperback and audiobook editions coming soon

Tony Riches

Book Launch Guest Post: Trailblazing Medieval Women, by Ashley Sarah Firth


Available from Amazon UK 
and pre-order from Amazon US

 The lives of remarkable, trailblazing medieval women who refused to be written out of history. In a world dominated by men, they defied convention, challenged gender expectations, and carved out legacies as rulers, consorts, warriors, authors, and visionaries.

Trailblazing Medieval Women is my first book, and it grew out of the research I undertook for my PhD. As I worked through my sources, I became increasingly aware of just how many women defied the gender expectations of their day and, at times, the men who were theoretically placed above them. 

Their stories often brought to mind my own grandparents: to the outside world, my grandfather appeared to be in charge, yet behind closed doors, it was my grandmother who truly wore the trousers. That contrast led me to think more deeply about the gap between theory and practice in medieval gender roles, a theme I later explored with my students during my time as a university lecturer.

It was not difficult to find examples of trailblazing women for my book. The deeper I delved, the more figures I uncovered who became prime candidates for inclusion. The list seemed never-ending, and I found it incredibly difficult to make my selection.

Interestingly, that process did not begin at my desk, but in a theatre while watching SIX the Musical. One of the characters asks if anyone knows the names of the wives of Henry VI or Henry VII. When I put the same question to my companions, their uncertainty reflected a wider lack of awareness about medieval queens, and medieval women more generally.

That moment stayed with me and shaped my approach: I wanted to introduce readers to compelling figures who remain largely unknown outside academic circles.

The wives of Henry VI, Margaret of Anjou, and Elizabeth of York, consort to Henry VII, became my starting point. These two women had very different experiences of queenship. Margaret found herself at the centre of the Wars of the Roses, with a weak and mentally ill husband who lost the crown for himself and effectively disinherited their son. 

She found the strength and fortitude her husband lacked and pursued her son’s claim to the English throne. Elizabeth of York, on the other hand, was the wife of a strong and effective king. She was a potential threat to Henry’s kingship, but instead offered legitimacy to her husband’s position. Quiet and demure, she avoided the political spotlight, perhaps learning from the example of her mother, Elizabeth Woodville.


Marriage of Edward IV and Elizabeth Woodville (Wikimedia Commons)

Elizabeth Woodville’s own story demonstrates how disruptive female influence could be. A widow with two children from the knightly class, Elizabeth’s marriage to King Edward IV was highly controversial. Elizabeth and her numerous relations challenged the status quo at the English court, which fostered resentment. 

Another woman embroiled in the Wars of the Roses was Elizabeth of York’s mother-in-law, the formidable Margaret Beaufort. Margaret’s power and influence were unparalleled; it was she who was ultimately responsible for securing the succession of her son, Henry VII. Through lineage, strategy, or sheer force of will, these women helped shape the course of English history at a pivotal time.

Having taught undergraduate modules on early medieval Britain, I have always been fascinated by the story of Æthelflæd, the daughter of King Alfred the Great. After the death of her husband, Æthelflæd ruled the kingdom of Mercia during a time of Viking incursions and even performed the role of military commander. 

Many other women also undertook military roles; Matilda of Tuscany is another example, whom I was pleased to discuss in my book. Matilda was a wealthy heiress in her own right, forced to fight for her inheritance against the might of the Holy Roman Emperor. The story of Sikelgaita, wife of the Norman Robert Guiscard, is remembered for rallying fleeing troops with the striking command ‘Halt! Be men!’ She offers a remarkable example of a trailblazing woman. Her story was recorded by Anna Comnena, a female writer who also earned a place in the book.
 
Anna, the first female Byzantine historian, provides a rare insight into the workings of the Byzantine court. As the daughter of the emperor, she enjoyed access to the most influential figures in Byzantine society, and her work remains invaluable to medieval historians. At the French court, Christine de Pizan also challenged gender limitations, earning distinction as the first recorded female author to make a living solely from her writing. 

She composed works intended for French royalty and offered political commentary on current events. Across the Channel, her near contemporary, Margery Kempe, was determined to have her story committed to writing. A self-proclaimed mystic, Margery attracted the attention of authorities for her unusual displays of piety during a time of growing anxiety about religious dissent.


Winchester Cathedral, the final resting place of Emma of Normandy(Author’s Photo)

Some women were incredible politicians who rejected gendered limitations. Emma of Normandy was the only woman to be crowned queen of England twice, first as the wife of Aethelred II the ‘Unready’ and then as King Cnut. Her experience and influence at the English court partly explain why Cnut sought her as a bride. Empress Matilda, the heiress of her father, Henry I, found that her cousin Stephen had snatched the throne. 

Not content to remain sidelined, she fought for her inheritance, plunging England into a brutal civil war. Her daughter-in-law, Eleanor of Aquitaine, was a wealthy heiress in her own right and the only woman to have been both queen of France and England, through her marriages first to Louis VII and then to Henry II. In her twenties, she embarked on the Second Crusade, and later in life exercised considerable political influence both as Henry’s consort and as the mother of his successors, Richard the Lionheart and King John. 

Few women could boast greater courage than Isabella of France, who, after launching an invasion of England in 1326, deposed her husband, Edward II. These medieval women demonstrate the power women could wield when given the right opportunity, circumstances, and skills.

Joan of Arc, victorious over the English, returns to Orleans
https://commons.wikimedia.org/wiki/File:Jean-Jacques_Scherrer_-_Jeanne_d%27Arc,_victorieuse_des_anglais,_rentre_%C3%A0_Orl%C3%A9ans_et_est_acclam%C3%A9e_par_la_population.png

I wanted to include at least one household name, and I could think of no better example than Joan of Arc, a medieval woman who rejected the limitations placed upon her because of her sex. It continues to fascinate me how a French girl of relatively humble origins rose to such prominence, playing a key role in the coronation of the French king. 

It is little wonder that her story continues to captivate audiences today.
Trailblazing medieval women can be found in all corners of society, from those born to be queens to the middling classes and even among the poor. As the study of women’s history continues to expand, so too does our understanding of their contributions. The more closely we look, the more clearly it becomes that these women were not exceptions, but an integral part of the medieval world and their stories deserve to be far better known.

Ashley Sarah Firth

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About the Author

Ashley Sarah Firth holds a BA (Hons), MA, and PhD in medieval history from the University of Huddersfield. Her research focuses on the history of women, medieval gender and the Crusades. Formerly a university lecturer, she taught a wide range of topics from the Anglo-Saxon period to the Stuart era. Now a full-time historian, author and Visiting Research Fellow at the University of Huddersfield, Ashley is dedicated to bringing the stories of the past, especially those of overlooked women, to life for a wider audience. She lives in Manchester with her husband, their two children, and three dogs, where her love of history continues to inspire her writing and research. You can find out more about Ashley on her website: https://manchistorian.com/. You can also find her on Facebook, TwitterInstagram.and Bluesky @drashleyfirth.bsky.social 

23 June 2026

Historical Fiction Book Launch: Massawa: a Tale of Espionage, Love, and Illusion, by Pam Webber


Available from Amazon UK and Amazon US

1942: During the height of World War II, Wild Bill Donovan, the director of the United States' first spy agency, believes women are the key to winning the intelligence battle with the Nazis. 

To that end, he partners fledgling agent Kit Thomas with British MI6 agent Mark Williams and sends them to one of the most perilous places in the world - Massawa, Eritrea - to investigate the theft of millions of military payroll dollars. 

In Massawa, Kit and Mark discover a conspiracy by Nazi sympathizers, known as the Vichy, to shut down the only Allied naval base on the Red Sea - which is an essential resource in stopping the Nazi invasion of North Africa. As they work to reveal the conspirators, Kit and Mark engage in a dangerous and tempestuous dance of trust versus mistrust.

“With empathy and care, Webber brings to life the hidden world of ‘The Wiregrass’ in the 1960s. This is a coming-of-age story that will move you profoundly.” Susan Breen, author of “The Fiction Room”

“‘Moon Water’ is a flood of love and tragedy. There is intense action and humor, soul satisfying courage and redemption, and throughout, Webber's knowing, authoritative hand with setting and character.” David L. Robbins, New York Times-bestselling author

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About the Author

Pam Webber is a bestselling second career novelist, and was honored to be a panelist at Virginia Festival of the Book, the Library of Virginia, and James River Writers. Pam is also an internal medicine nurse practitioner and former nursing educator. She and her husband, Jeff, live in the beautiful Northern Shenandoah Valley of Virginia. Find out more Learn more at: www.pamwebber.com and find Pam on Facebook, Twitter: @PamWebber1 and Instagram: @PamWebber1

11 June 2026

Book Launch Spotlight: Caesar's Nemesis (The Mark Antony Series) by Alex Gough


Available from Amazon UK and Amazon US

A hero will fall. An emperor will rise.

Mark Antony is Caesar's successor, victor over Caesar's murderers Brutus and Cassius, and the most powerful man in the world.

Yet he cannot be complacent. Octavian, Caesar's heir, is ambitious, intelligent and ruthless. Antony must prove himself with a great military victory to hold onto his position, and marches against Rome's old foe: the Parthian empire. But this is a formidable opponent; the bones of many legions lie on the battlefields of the East. And with the beguiling Cleopatra distracting him, can Antony come out on top?

Antony's final years are a whirlwind of shifting alliances, betrayals and war. In the end, the Battle of Actium will decide the fate of the empire, and set the course of history for the next two thousand years.

From Alexandria to Actium, this clash established a dynasty and struck down one of Rome's greatest heroes.

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About the Author


Alex Gough has a decades long interest in Ancient Roman history, and the Carbo Series (Watchmen of Rome, Bandits of Rome and the short story collection Carbo and the Thief) is the culmination of a lot of research into the underclasses of Ancient Rome. His  second series, The Imperial Assassin, is set in the reign of the Severan dynasty which is a very under-examined period of Roman history. His latest series is based on the larger than life character of Mark Antony, the warrior, the commander, the politician and the lover. I would love to interact with readers. Find out more at history www.romanfiction.com and find Alex  on Twitter/X @romanfiction and Bluesky @alexgoughauthor.bsky.social

4 June 2026

Book Launch Spotlight: The Queen's Sister: A vivid historical novel of a life among the wives of King Henry VIII. by Carol McGrath


Available from Amazon UK and Amazon US

A mother, a wife, a woman of substance...

At nineteen, Elizabeth Seymour is already a mother, has been recently widowed, and seen her Queen, Anne Boleyn, lose her life. Against the wishes of her father, she heads North, away from Wulf Hall and the court in London to Yorkshire, determined to establish a new beginning as a landowner and business woman. 

As her family in Wiltshire curry favour with King Henry, aided by Thomas Cromwell, Elizabeth makes Kexby Manor her home, finding loyalty among her people there.

Soon, news comes to Elizabeth of the King's desires for her sister, Jane and while her brother, Edward, encourages her own betrothal to Gregory Cromwell, son of Thomas. 

It is a happy second marriage for Elizabeth, but it brings unwanted involvement in the dark plots and secrecy of the court, while in the wider country, changes in religious practice threaten to alter the traditions and values of all she has known...

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About the Author

Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, was republished by Headline in 2020. The Silken Rose, first in a medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, saw publication in April 2020. This was followed by The Damask Rose. The Stone Rose was published April 2022. Carol lives in Oxfordshire, England and in Greece.  Find our more from Carol's website: www.carolcmcgrath.co.uk and find her on Facebook, Twitter @CarolMcGrath and Bluesky @swanneck.bsky.social