A different guest author will be featured throughout December
3 December 2024
Special Guest Post by Anna Belfrage, Author of Revenge and Retribution (The Graham Saga Book 6) #HistoryWritersAdvent24
A different guest author will be featured throughout December
2 December 2024
Special Guest Post by John Pilkington, Author of A Reluctant Assassin (Will Revill Thrillers Book 1) #HistoryWritersAdvent24
London, Autumn, 1589: In the turbulent year following the near-disaster of the Spanish Armada, ex-artillery captain Will Revill is summoned by the Queen’s Vice-Chamberlain and spymaster Sir Thomas Heneage. Revill is given a secret mission: to travel to the Surrey manor of Sir Abel Stanbury – and kill him.
Looking at the various aspects of Tudor life I’ve explored in previous mystery series, I realised I’d barely touched on the military (though one or two characters are ex-soldiers). So, on the lookout for a new protagonist to feature in a forthcoming trilogy of novels, I stumbled on Will Revill: a captain of artillery, scarred both mentally and physically by his service in the war in the Low Countries. I was interested to explore the dilemma of a man who does not want to take human life again, but is brought to it by force of circumstance.
Elizabeth the 1st disliked wars, reportedly saying that they had such unpredictable outcomes. Yet at times she felt she had little choice but to intervene in other people’s conflicts (notably in France and in the Netherlands), during the seemingly endless struggle between the forces of Protestantism and Catholicism for mastery of Europe.
Eventually, with the growing threat from Spain, the superpower of the day, she signed the Treaty of Nonsuch in 1585 and committed troops to Holland to assist the Dutch rebels in the desperate struggle against their Spanish overlords. The war would drag on for decades, bringing England itself close to invasion and, some would say, to within a hair’s breadth of becoming a Spanish province. The first book in my trilogy is set in 1589: the year after the notorious Armada.
Like other protagonists of mine, Will Revill is an outsider: a university drop-out from a farming family in Devon (disclosure: I live in Devon and once worked on a farm). For better or worse, like other restless men he has ended up in the army, taking ship for the Low Countries with the Earl of Leicester’s forces, and eventually involved in such brutal engagements as the siege of Bergen op Zoom. Instead of a cavalry soldier or infantryman, however, I wanted an officer of a different stamp - which led me to the artillery.
In fact, this (sometimes overlooked) aspect of Tudor warfare had always interested me. Now I had to embark in detail on a new area of research: the gunnery of the Elizabethan era, to the point where I knew my cannons and demi-cannons from my culverins, demi-culverins, falconets, sakers and robinets; what size of ball each carried, and how much powder was needed to fire it. It was intriguing to learn about, for example, the equipment used by a gunnery crew, the number of horses required to haul a siege gun across country and the sheer, back-breaking work needed to get it into position and make it ready.
Who knew that the largest gun of all, the basilisk, could throw a ball weighing sixty pounds – but needed sixty pounds of powder just to fire it? Or that, if a gun’s barrel was not allowed sufficient time to cool after firing a few shots, it could explode, likely killing and/or maiming its entire crew? Not me, but I’m learning. Most illuminating of all, perhaps, was the video I saw on Facebook showing how a cannon of the period was loaded, aimed, fired, then cleaned, cooled and reloaded: an often dangerous and unpredictable business.
The first Will Revill thriller, A Reluctant Assassin, sees Revill undertake a murky ‘dirty-ops’ mission which he loathes but is forced into - hence the title (no spoilers on how it turns out!). For his second book he is back in military service - with a twist of course. The third and last book, A RELUCTANT HERO, sees Revill find peace at last - but not without a final struggle.
The gunners of Elizabeth’s army are at times an underrated force. I hope to shed a little light on their world, its trials and dangers – and tell some intriguing tales in the process.
John Pilkington
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About the Author
An author for over thirty years, John Pilkington has written plays for radio and theatre as well as television scripts for a BBC soap, but now concentrates mainly on historical fiction set in the Tudor and Stuart eras. He has published over twenty books including the Thomas the Falconer Mysteries, the Marbeck spy series and the Justice Belstrang Mysteries (all pub. By Sharpe Books). He is also the author of a children’s series, the Elizabethan Mysteries (Usborne) and two Restoration tales featuring actress-turned-sleuth Betsy Brand (Joffe Books). His recent mystery The Tivoli Murders (Sharpe) marked a brief venture into the dazzling world of the Victorian Music Hall. His new book Yorick: A Jester’s Tale (Sharpe) is a departure into speculative fiction, telling the Secret History of the famous ‘mad rogue’ whose skull features in Shakespeare’s Hamlet. Born in the north-west of England, he now lives in a Devon village with his partner, and has a son who is a psychologist and musician. Learn more by visiting his website at www.johnpilkington.co.uk or find him on Twitter @_JohnPilkington
1 December 2024
History Writer's Advent Calendar: A Christmas Carol by Charles Dickens #HistoryWritersAdvent24
In the preface, Dickens wrote:
'I have endeavoured in this ghostly little book, to raise the ghost of an idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it.'He finished the book in six weeks, writing most of it in November (a familiar idea to some of us) and it is just under 35,000 words. (If he had lived today he may have tried for 50,000 and written it in four weeks for NaNoWriMo)
Dickens decided to self-publish the work at his own expense. (It sold out by Christmas Eve.) He originally priced his book at five shillings (equivalent to £20 or $33 today) but high costs meant low profits. (I think he would have identified with today's Indie Publishers - see David Perdue's blog for the details HERE)
Keen on active book promotion, Dickens had a specially shortened version he used for public readings. There are records of about 150 readings by Dickens of 'A Christmas Carol', despite the fact that, at the time, public readings of fiction or poetry were considered 'a desecration of one's art and a lowering of one's dignity.' (He would definitely have made a YouTube promo video.)
In the first draft manuscript, the character of 'Tiny Tim' was called 'Little Fred'. This could have been a reference to his brother Alfred who died at a young age. Dickens changed his mind and used the name Fred for Scrooge’s nephew.
We can have some insight into how Dickens wrote from the original manuscript, which has a lot of deleted words replaced with more active verbs. (We can all learn from that.)
The original manuscript was bound in red Morocco leather by Dickens and changed hands many times before ending up in the Pierpont Morgan Library, New York where it is put on public display every Christmas.
The phrase 'Merry Christmas' appears twenty-one times in 'A Christmas Carol' and although not invented by Dickens, this went a long way to making it a popular greeting - particularly on Christmas cards.