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1107. A kidnap and a devastating shipwreck. King Henry I reigns over England, Normandy and Wales, but his rule is far from secure. He faces treacherous assassination attempts and rebellion. Nuns and bards are tasked as spies to carry dangerous messages across the kingdom.
Untangling the Legend of Nest ferch RhysThe Drowned Court, the second book in my Conquest trilogy, has just been reissued. The trilogy focuses on the turbulent life of the Welsh noblewoman, Nest ferch Rhys, and the Norman king, Henry I. The three books cover the protracted Norman invasion of Wales at the end of the 11th century and into the 12th century.
Uncertainties about the kidnap are legion. The date, place and Nest’s role are all uncertain. Owain’s attack occurred soon after Christmas in either 1106 or 1109. The Brut states Nest was kidnapped with two of her sons and a daughter and a son of Gerald’s by a concubine. This tells us that Nest must have been at least four years into her marriage with Gerald at the time of the kidnap.
The Brut describes an assault at Cenarth Bychan, a castle Gerald had just built. Cenarth Bychan has been provisionally identified as Cilgerran Castle, on the border of Prince Owain’s lands, or alternatively as Carew Castle, in modern Pembrokeshire, which was likely Nest’s primary home. The threat of Gerald building Cilgerran so close to the border of the kingdom of Owain’s father seems to make that castle the more likely contender. Carew was deep inside the Norman-held territory of Deheubarth, surrounded by other well-garrisoned Norman castles including Pembroke, Llansteffan, and Carmarthen. Norman castles had generally been unassailable by Welsh rebel fighters.
The Brut describes Nest urging her husband to escape down the castle toilet chute, which speaks to her concern for Gerald’s life. One version of the chronicle states Owain violated Nest. The Brut depicts her negotiating for the return of the four small children to their father in exchange for her staying with Prince Owain. Owain refused to give her up despite the serious political consequences of his actions.
Gerald of Wales, Nest’s grandson does not mention Owain’s kidnap of his grandmother at all in his account of his family but he does rant misogynistically about another parallel incident involving an Irish princess:
She [Derbforgaill, wife of O’Ruairc], who had long entertained a passion for Dermitius [Diarmaid] took advantage of the absence of her husband and allowed herself to be ravished not against her will. As the nature of women is fickle and given to change, she thus became the prey of the spoiler of her own contrivance. For as Mark Anthony and Troy are witnesses, almost all the greatest evils in the world have arisen from women.
This appears to be a version of blaming a woman for her own rape.
Was Nest a victim of a violent rape and kidnap or did she collude with her kidnapper? John Lloyd (1911) characterised the story as a romantic affair in which Nest, who he dubbed Helen of Wales, colluded in ‘a fascinating … story of passion and daring’ resistance to Norman rule. Nest is depicted by some commentators as a ravishingly irresistible beauty and Owain is cast as the romantic Welsh hero who saves her from her Norman oppressors.
Susan Johns (2012) analysed Lloyd’s version as romantic nation-building. The kidnap was not just about taking Nest but ‘about the retaking of the nation’. Kari Maund contested the male historians’ interpretations too, arguing that ‘Nest embodies Welsh resistance to, but also integration with, the Normans’. Caroline Dunn (2012) has argued that many medieval women in England arranged their abductions as a smokescreen for their escapes from unwanted marriages or to ‘join their desired lovers’.
It is likely that Nest was attractive. She was (at some point) the mistress of King Henry I and bore him a child. As king, he could select any woman he liked as mistress. The Normans had massacred her family, annexed her father’s kingdom, and reduced her from royal daughter to king’s mistress and steward’s wife. She may well have felt hatred for them and longed for a Welsh prince to rescue her.
What should we make of Owain’s actions? The Brut notes Owain’s turbulent relationship with his father, Cadwgan, and states Owain ‘unworthily governed’ his Powys lands. The fallout from the incident was detrimental for Owain and Cadwgan. It is credible that Owain’s primary motivation was to contend against the Norman threat to his patrimony. After Nest’s return, Owain was reconciled with King Henry who took the prince on campaign with him to Normandy. However, this strategy of keeping your enemy close was a commonplace for this king and speaks more to Henry’s character than to Owain’s.
And what did the husband make of it all? How did he feel about both the kidnap and the eventual return of his wife? His grandson, Gerald of Wales, describes Gerald FitzWalter as ‘a stalwart, cunning man’. His defence of Pembroke Castle reported in the Brut and his survival of the fall of the Montgomery family, who were his original overlords, all suggest that Gerald was pragmatic and shrewd.
It is interesting to consider other incidences of adultery in hybrid Norman/Welsh marriages. In the 1120s, Agnes, the wife of Bernard de NeufmarchĂ© (her Welsh name was Nest), who was half-Welsh and half-Norman, swore to King Henry I that her son was not her husband’s child. She may simply have hated her husband. The son was disinherited, which suited King Henry.
In 1116, Gerald FitzWalter encountered Owain ap Cadwgan on a routine patrol and there was a skirmish. Owain was killed and Gerald may have taken a death wound. He died soon after. Gerald may have been taking vengeance against Owain for Nest’s sake or simply for the sake of his own honour.
My novel, The Drowned Court, imagines its way into the tangled psychologies and motivations of these characters to create one possible version of events.
Tracey Warr
Tracey Warr was born in London, lived in southwest Wales and now lives in southern France. The castles and landscapes of Wales and France inspire her historical fiction. She is the author of five historical novels set in medieval Europe and centred on strong female leads. Her writing awards include an Author’s Foundation Award and a Literature Wales Writer’s Bursary. Before becoming a full-time writer she worked as a contemporary art curator and art history academic. Tracey manages author launch interviews for the Historical Novel Society website. She is part of the team organising the next Historical Novel Society UK conference at Dartington Hall, Devon 6–8 September 2024. For more information see https://meandabooks.com and find Tracey on Facebook and Twitter @TraceyWarr1