About the Author
Beverley Adams was born and raised in Preston, Lancashire. She gained her MA in English in 2018 and her first book, The Rebel Suffragette: The Life of Edith Rigby, was published in September 2021. She has since released other titles including The World’s First Computer Programmer: The Life of Ada Lovelace and The Forgotten Tudor Royal: Margaret Douglas Grandmother to James VI & I. She is passionate about bringing the lives of inspirational women back to life. Her interests include history, in particular the Tudors, reading and travel. Find out more at beverley's website https://beverleysreads.wordpress.com/ and find her on Twitter @WriterBeverleyA and Bluesky @writerbeverleya.bsky.social30 October 2025
Book Launch Spotlight: The Race for Elizabeth I's Throne: Rival Tudor Cousins, by Beverley Adams
25 October 2025
The Cardinal, the gripping new novel about the man behind the Tudor crown, by Alison Weir
The years in between tell the story of a scholar and a lover, a father and a priest. From the court of Henry VIII, Tom builds a powerful empire of church and state. At home in London, away from prying eyes, he finds joy in a secret second life.
But when King Henry, his cherished friend, demands the ultimate sacrifice, what will Wolsey choose?
Alison Weir's riveting new Tudor novel reveals the two lives of Cardinal Wolsey, a tale of power, passion and ambition.
'Alison Weir gives us her most compelling heroine yet... This is where the story of the Tudors begins' Teact Borman
'History has the best stories and they should all be told like this' Conn Igguden
# # #
About the Author
Alison Weir is the New York Times bestselling author of the novels Innocent Traitor and The Lady Elizabeth and several historical biographies, including Mistress of the Monarchy, Queen Isabella, Henry VIII, Eleanor of Aquitaine, The Life of Elizabeth I, and The Six Wives of Henry VIII. She lives in Surrey, England with her husband. Find out more at Alison's website http://www.alisonweir.org.uk/ and find her on Facebook and Twitter @AlisonWeirBooks24 October 2025
Historical Fiction Spotlight: Mistress of Dartington Hall (Daughters of Devon Book 3) by Rosemary Griggs
23 October 2025
Book Launch Spotlight: The Cardinal’s Daughter, by Alison Weir
# # #
About the Author
22 October 2025
Book Launch Spotlight: Shield of Mercia: An Epic Dark Ages Historical Adventure of War, Honour and Destiny (The Eagle of Mercia Chronicles Book 8) by MJ Porter
21 October 2025
Book Launch Spotlight: For Lord and Liege: A gripping historical adventure thriller set in Norman England (The Northumbria Trilogy Book 2) by Birgit Constant
Birgit Constant has a PhD in medieval studies, has learned eleven languages and worked her way through translation, IT and Public Relations before ending up in the world of books. She writes historical fiction for language nerds and is particularly interested in hidden histories of less well-known people and places. Her works include the Northumbria Trilogy and a fictional biography about Marie de France, a 12th-century French writer. Subscribe to her newsletter Medieval Motes at www.birgitconstant.com for exclusive reading material, news from the Middle Ages, and information about her projects and books. You can also find Birgit Constant on Facebook and Bluesky
19 October 2025
Book Review: Served Cold: BOOK #1 of the REVENGE Series, by Terry Tyler
Tony Riches
18 October 2025
Historical Fiction Spotlight: The Shadow Code: A WWII spy thriller with a female code-breaker (Heroes of War Book 3) by Suzy Henderson
16 October 2025
Elizabeth Boleyn: The Life of the Queen's Mother, by Sophie Bacchus-Waterman
In this first narrative biography of Elizabeth Boleyn, her story is finally told. Beginning with her family's dramatic flight from Norfolk to London after the Battle of Bosworth, this book charts Elizabeth's life at the early Henrician court, follows her as her family rise to the pinnacle of their power, and ends with her tragic death just a couple of years after two of her children were brutally executed.
15 October 2025
Special Guest Post by Alexandra Walsh, Author of Daughter of the Stones: An enchanting timeslip novel
The Real Cordelia
The inspiration for Daughter of the Stones first took root many years ago when I read William Shakespeare’s King Lear. I was struck by the strength of its female characters, even though by the end they fall into familiar tragic roles: women pitted against each other by a man’s manipulation and the inevitable death of the innocent.
However, the initial spark stayed with me. I wanted to explore the roles of Lear’s three daughters in a contemporary setting — and so began the earliest version of my story. In fact, the present-day strand featuring Caitlin, Larry, Gillian, Rachel and the rest of the cast began life as a film script. Despite numerous rewrites and some interest from producers, it never quite felt right. I set it aside but the idea never truly left me.
The problem, I eventually realised, was that the story needed an historical timeline to give the women’s journeys greater depth. This sent me on a quest to find the origins of the King Lear tale.
Tracing Lear’s Roots
Shakespeare’s King Lear exists in two versions from his lifetime: the Quarto (1608) and the Folio (1623). Each has lines missing from the other and scholars generally agree the differences complement each other. But, it soon became clear Shakespeare himself had drawn on a much older story.
In 1577, Holinshed’s Chronicle was published — a vast compendium of British history and legend. A second edition appeared in 1587 and it’s widely believed this inspired not only King Lear, but also Macbeth, Cymbeline, and Shakespeare’s history plays. But even Holinshed’s version of Lear was based on an earlier source: Geoffrey of Monmouth’s Historia Regum Britanniae (The History of the Kings of Britain), written in 1135.
Before Geoffrey’s book, British history usually began with the Roman invasion in 55 BCE. Geoffrey changed that, weaving a sweeping account starting with Brutus, a Trojan prince who supposedly brought the first people to Albion — Britain’s original name — and filling it with legends, including one of the earliest King Arthur stories.
Geoffrey claimed he translated his history from ‘a certain very ancient book’ in the British language, given to him by a friend. No one else ever saw this mysterious manuscript and most scholars now believe Geoffrey invented it. If so, he was an extraordinary storyteller — his tales, including Lear’s, have echoed down the centuries.
Building Cordelia’s World
Using clues from Geoffrey’s text, I placed the Lear story around 863 BCE, in Britain’s Iron Age (1300–900 BCE). No written records survive from this period but archaeological finds — from cooking pots to weapons, seeds to stone circles — have painted a vivid picture of daily life, beliefs and rituals.
Living in Pembrokeshire, I’m lucky to be near Castell Henllys, a reconstructed Iron Age village built on the exact footprints of ancient roundhouses. Walking its hillfort, sampling Iron Age recipes and watching re-enactments brought the period alive for me — down to the woad-painted faces and crackle of burning straw effigies.
From these experiences, I imagined Cordelia’s world: a community rooted in ritual, ruled by both kings and priestesses. In Geoffrey’s original, Lear is ‘Leir’ and his daughters are Goneril, Regan, and Cordelia. The main characters in my historical timeline keep those names, while other names are drawn from neighbouring tales to keep the setting authentic.
The Tale Before Shakespeare
In Geoffrey’s account, Lear decides to divide his kingdom among his daughters once they publicly declare their love for him. Cordelia refuses to flatter him, and is disinherited. Her first suitor rejects her, but Aganippus, King of Gallia (France), marries her without a dowry.
Goneril and Regan, married to the Dukes of Albany and Cornwall, grow resentful when Lear moves his large retinue into their homes. Their husbands seize Lear’s lands, forcing him to flee to Gallia. Cordelia and Aganippus raise an army, defeat the usurpers and restore Lear to his throne.
Here Holinshed’s Chronicle ends, but Geoffrey continues: Lear reigns for three more years before dying, leaving Cordelia as Britain’s first queen. She rules for five years until her nephews rebel. Overthrown and imprisoned, she takes her own life.
It’s tempting to think Shakespeare may have known this version, borrowing its tragic end for his own play.
Giving Cordelia Her Power
In my novel, Cordelia is also a shaman — a choice not found in Geoffrey’s work but essential for the connection between her and Caitlin in the present day. Shamanic traditions, Druidic rites and the idea of communicating with ancestors in the ‘Everywhen’ are ancient practices. I was inspired by Professor Alice Roberts’s discussion of henbane, a hallucinogenic plant native to Britain that may have been used in rituals. This became the means for Cordelia and Caitlin to cross the centuries and speak.
The temple women in my book are my invention but they draw on the many goddess figurines and female deities found in archaeological digs. I wanted Cordelia to have a powerbase that was exclusively female, reflecting both survival and leadership. As a princess and high priestess, she would have been a central figure in her community — a bridge between the earthly and the spiritual.
A Tribute to Britain’s First Queen
Whether Cordelia was a real Iron Age queen or entirely Geoffrey of Monmouth’s creation, her story has endured for nearly a thousand years. My aim was to give her and her sisters voices that go beyond the confines of the traditional tragedy, placing them within a more authentic female experience of their time.
Whenever I write, I seek to reclaim the lost voices of women in history — and Cordelia, Britain’s first queen, is no exception. In Daughter of the Stones, her legacy is one of courage, loyalty and the enduring bond between women across centuries. This is my tribute to her.
Alexandra Walsh
Alexandra Walsh is a bestselling author of the dual timeline women’s fiction. Her books range from the 15th and 16th centuries to the Victorian era and are inspired by the hidden voices of women that have been lost over the centuries. The Marquess House Saga offers an alternative view of the Tudor and early Stuart eras, while The Wind Chime and The Music Makers explore different aspects of Victorian society. Formerly, a journalist for over 25 years, writing for many national newspapers and magazines; Alexandra also worked in the TV and film industries as an associate producer, director, script writer and mentor for the MA Screen Writing course at the prestigious London Film School. She is a member of The Society of Authors and The Historical Writers Association. For updates and more information visit her website: www.alexandrawalsh.com and follow her on Facebook, Twitter @purplemermaid25 and Bluesky @purplemermaid25.bsky.social
14 October 2025
Book Review: A Medieval Cabinet of Curiosities, by Lorris Chevalier
Book Launch Spotlight: On a Sundown Sea: A Novel of Madame Katherine Tingley and the Origins of Lomaland, by Jill G. Hall
12 October 2025
Special Guest Post by Jennifer C Wilson, Author of Kindred Spirits: Tower of London
7 October 2025
Special Guest Post by Melita Thomas, Author of 1000 Tudor People
Choosing the thousand people was difficult. At the beginning, I thought that I might struggle to find enough individuals whose lives were sufficiently interesting or important to merit sharing, but once I began the research, I was quickly overwhelmed with quirky and fascinating characters, and I have a long list, which continues to grow, of people whom I have had, reluctantly, to leave out.
One of the difficulties of writing about fifteenth and sixteenth century people is the inequality in records available, particularly of women. Even high-ranking women are much less represented in the records than men, and women below the level of nobility usually only appear in the records if they seriously transgressed social norms – consequently, a disproportionate number of the women included were considered to be criminals.
Melita Thomas







































