"Moving and enlightening..." ~ Deborah Swift, bestselling author
"This is a story of courage and love, and it lingers long after you turn the last page." ~ Caroline James, author, 5* Goodreads review
"Moving and enlightening..." ~ Deborah Swift, bestselling author
"This is a story of courage and love, and it lingers long after you turn the last page." ~ Caroline James, author, 5* Goodreads review
Tell us about your latest book
Blood and Bronze is a retelling of the Trojan War, but with a focus on grounding the story in something that feels more real and human rather than mythologised. It is easy to think of the Trojan War in terms of larger-than-life heroes and legend, but what interested me more was the reality behind that. The decisions, the loyalties, and the consequences for the people involved.
I wanted to strip it back slightly and focus on the brutality and uncertainty of that kind of conflict, while still keeping the scale and importance of the story. It is a setting most people are familiar with, but I tried to approach it in a way that felt more immediate and believable.
What is your preferred writing routine?
I tend to start with research and spend as much time as I can building a solid understanding of the period I am writing about. Once I have done that, I create a kind of visual framework, usually timelines of key events and who was involved, so I can see how everything fits together.
From there, I map out the structure of the book chapter by chapter. Each chapter has a purpose, which characters are involved, what needs to happen, and how it moves the story forward. By the time I begin writing, I usually have a clear idea of how the whole narrative will unfold.
That said, it is not completely rigid. Things do change as I go, but having that structure helps me keep the story focused and consistent. Once I have set out this structure I move into the writing phase where I aim to set myself 2 hours every weeknight to work through and develop the chapter systematically. The challenge is balancing my writing while working full time but I still really enjoy the writing process so it doesn't feel like work, yet!
What advice do you have for new writers?
The best advice I can give is simply to get started. It sounds obvious, but it is something I had to learn myself. There is a tendency to wait for the right idea or the book you feel is worth publishing, but in reality writing is a skill you develop by doing.
Your early work will probably not be what you eventually publish, and that is completely fine. Those first projects are where you learn how to structure a story, develop characters, and actually finish something. Each one improves your ability. By the time you come to a story that really matters to you, one you want to put out into the world, you are in a much better position to do it properly.
What have you found to be the best way to raise awareness of your books?
This is still something I am actively working on. The part I naturally enjoy is the writing itself, building the story and the characters, so shifting focus to the marketing side has been a learning curve.
Earlier on I spent a lot of time pursuing the traditional route, researching agents and submitting manuscripts. There were some encouraging signs, but it is a very competitive space and progress can be slow.
More recently I have moved towards self publishing, which has opened up a different approach. It means taking more responsibility for getting the work in front of readers, whether that is through advertising, outreach, or opportunities like this blog. I am still figuring out what works best, but each step builds a better understanding of how to connect the writing with an audience.
Tell us something unexpected you discovered during your research
One of the things that surprised me most during my research was the role of Aeneas. Going in, I expected the story to centre almost entirely around the more well known figures like Achilles and Hector, but the more I read, the more Aeneas stood out.
He is not always treated as a central character in popular retellings, but his importance grows significantly in what comes after the fall of Troy. That was something I had not fully appreciated at the start. As I developed the story, he naturally became a much bigger presence than I had originally planned, and his role has influenced how I am thinking about future books as well.
What was the hardest scene you remember writing?
The hardest scene to write was the duel between Hector and Achilles. It is such a defining moment of the Trojan War that it felt like it had to be handled carefully.
I rewrote it several times. I did not want it to feel like a generic duel, but at the same time I wanted to avoid over dramatising it in a way that takes away from the reality of the moment. Finding that balance took a lot of trial and error.
In the end it was about doing justice to the significance of the encounter while keeping it grounded and believable. It was probably the section I spent the most time refining.
What are you planning to write next?
Alongside Blood and Bronze, I have also self published Lion of Mali, which follows the rise of Sundiata Keita, and Tyrants and Traitors, set during China’s Three Kingdoms period. Both explore similar themes of power, conflict, and the rise of empires in different parts of the world. Looking ahead, I am currently working on a new project centred on Tamerlane, which I see developing into a longer series over time.
In the nearer term, my main focus will be a follow up to Blood and Bronze, exploring the aftermath of the fall of Troy and the journeys of those who survived. There is a lot more story to tell there, and it is something I am keen to continue building on.
Jude Grayson
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About the Author
Jude Grayson is a historical fiction author based in Scotland. His work focuses on war, power, and the rise and fall of empires, with novels set in periods such as the Trojan War, ancient China, and the Mali Empire. He is the author of Blood and Bronze, Tyrants and Traitors, and Lion of Mali.‘Wonderfully detailed and entirely enjoyable. This is a young Anne in whom I absolutely believe, and who does much to explain the woman she’d become.’ – Sarah Gristwood, author of Game of Queens
1628: A savage year for England—a year that sees the nation embroiled in three wars.
Just across the sea, Europe devours itself in a conflagration that started a decade before and is to burn ferociously for two more decades until it becomes a byword for brutality, devastation and death. The Thirty Years War. In terms of proportionate population loss, it would be more destructive than the two orld Wars of the Twentieth Century.
England was drawn into this maelstrom courtesy of the English princess Elizabeth, heir to the throne of England, and her husband the Elector Palatine, who have been at the heart of the conflagration since it began. English outrage at Elizabeth losing both her Bohemian crown and her status as Electress Palatine, brought donations of money and volunteer canon fodder. But even with English support and Elizabeth’s uncle, the King of Denmark, throwing the might of his army on the scales, it isn’t going well.
But in 1628 England is also at war with Spain.
Why?
State policy?
Or hurt feelings?
The Spanish Court snubbed King Charles and his favourite, the Duke of Buckingham, five years before when they travelled to Madrid in disguise, in a quixotic attempt to woo the Spanish Infanta. A slight Buckingham, at least, has not forgotten, and he is a man to bear grudges.
Whatever the motivation, the Spanish king is kin to the Emperor and the two are united in their desire for a Catholic Habsburg hegemony of all Europe. So yes, statecraft might argue that war against the Emperor made war against Spain a sensible choice, and by and large the English were pleased to support this war.
Spain having been the traditional enemy of England since before the Armada and memories of that Elizabethan success and ancestral pride originally fuelled enthusiasm in the breasts of true-born Englishmen! But such success was not to be repeated in this generation. An attempt to capture Cadiz, in a naval expedition organised by the Duke of Buckingham, failed completely with a third of the fleet being lost.
Well, even though King Charles recently married a French Princess and the French have been active allies in the anti-Habsburg Palatinate cause, England is now at war with France!
Yet only a short time ago they had been bosom pals.
Indeed, they had been such close friends that the English king agreed to provide ships to help the French king put down rebellion by his Protestant Huguenot subjects. This caused outrage amongst the English people and a horrified Parliament had objected to the notion of English forces attacking fellow Protestants. In the end it was the ships alone and not their crews which were provided.
It didn’t help Anglo/French relations that Buckingham was suspected of trying to seduce the Queen of France under the nose of her husband whilst on a diplomatic visit, and had been refused permission to return to the country as a result.
Amity with France collapsed altogether when it became clear the French had made a secret treaty with Spain, seemed to be abandoning the Protestant cause in the Empire—and were building their own navy.
So was it state policy or more of Buckingham's slighted pride that sent his man Walter Montague to France as a secret agent, to encourage and foment a Huguenot rebellion, with the promise of English support? Though how such support could be forthcoming was unclear. There was no money for third war. Least of all one with scant benefit to England’s national interests.
In the end, the promised support for a Protestant uprising in La Rochelle came in the form of an expeditionary force commanded by Buckingham personally in the summer of 1627. The intent was to seize the fortress town of Saint-Martin-de-Ré which controlled the approach to La Rochelle, thus opening a sea route to the beleaguered city.
It was another disaster, a fiasco, foundering as badly as the Cadiz debacle—if not more so. The Isle-de-Ré became ‘the Ill Array’ on English lips. Buckingham, already despised for his monopoly farms and the excessive influence he had over the king, carried the full weight of blame for the extent of its failure in the popular mind, and was hated and derided in equal measure.
So now here we are.
It is 1628 and England is embroiled in three wars.
Buckingham is licking his wounds and raising a new fleet against the French, to redeem his honour and win back the love of the nation. But it’s not going to plan. England has had enough of war and more than enough of Buckingham himself. Monopoly farms, military catastrophe and incompetence are not the only charges set against him. Rumours that he poisoned King James have been taken seriously at the highest levels. Twice now, Parliament has tried to impeach Buckingham, and been prevented from doing so by the king dismissing it. This time, though, Parliament is bringing forward a Petition of Right addressing its grievances, and taking aim at the Royal favourite, which it insists must be agreed by the king if he wants to secure ongoing finance for his three wars. And Parliament holds the purse strings.
England in 1628: A stage set for tragedy, onto which our players must stride.
A young mercenary turned privateer, condemned for treason, but driven by an overriding ambition, and a nobleman’s daughter, in the service of the English heir, the exiled Queen of Bohemia, seeking to protect her mistress and herself from the machinations of an overpowerful enemy. Each must play out their part against the blood drenched backdrop of war, politics, intrigue—and murder…
Eleanor Swift Hook
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Unique, fascinating, and restores a long-lost voice to the story the Trojan War." -Margaret George, NYT bestselling author of The Memoirs of Cleopatra
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About the AuthorJudith Starkston writes historical fantasy set in the Bronze Age of the Greeks and Hittites. Her five novels bring women to the fore—whether the Trojan War captive Briseis or a remarkable Hittite queen whom history forgot, even though she ruled over one of the greatest empires of the ancient world. Judith has spent too much time reading about and exploring the remains of the ancient world. She has degrees in classics from the University of California, Santa Cruz and Cornell. She lives in Davis, California with her husband and a rambunctious garden. Find Judith on Facebook, and Instagram @judith_starkston