Special Guest Post by Pam Lecky, Author of The Wild Atlantic Murders (2 book series)

Available from Amazon UK and Amazon US

From Book 1: Welcome to Westport, where the wild beauty of Ireland’s western coast 

hides deadly secrets…

Inspiration for The Wild Atlantic Murders Series

Talk about the past catching up with you! In a way, it has. Don’t get me wrong; I love historical fiction and will continue to write in that genre. However, when I recently contemplated ‘what’s next’, I couldn’t resist thinking about my roots, not only my family ones, but my reading habits as well.

Crime fiction has always fascinated me, but strangely enough, it wasn’t Agatha Christie’s books that caught my attention; it was PD James. I was a teenager when I read the first one, probably Cover Her Face. I was hooked straight away and continued to devour her books. Then I discovered Elizabeth George and Inspector Lynley. 

And when my father introduced me to Dorothy L Sayers and Lord Peter Wimsey, my addiction to crime fiction was complete. To this day, I love a good crime story or thriller. Interweaving characters, plots, and settings isn’t easy, but those authors whose work I fell in love with all those years ago had one thing in common: they did it effortlessly. Much as I love writing my Lucy Lawrence Mysteries, I wanted a new challenge, and so attempting contemporary crime fiction felt like the right direction to go in.

My original idea was a female PI series based in Dublin, with my main character visiting locations all over Ireland as she pursued cases. After much discussion with my editor, however, we agreed that my protagonist would be an amateur sleuth instead and would be based in a small rural community. And that is how Ali Brennan (landscape designer with a surprising talent for solving crime) and the village of Glenfinn came into being. In the first book, 

Ali moves to Mayo to set up a branch of the family business, but also to escape a disastrous relationship break-up with DI Aidan Cahill. She is soon joined by her nephew, Gavan, who has just dropped out of college.

Why a landscape designer, you ask? I wanted my protagonist to be a professional, running her own business, and as I studied horticulture and design with the Royal Horticultural Society (RHS), and had even built a show garden at the Bloom Festival in the Pheonix’s Park in Dublin, it is a world I am familiar with. It also offers a host of interesting scenarios that I fully intend to exploit (for murderous intent, of course!).

But when it came to location, I didn’t have to think twice. My mother hailed from a small village in Co. Mayo, in the west of Ireland. As a child, I loved to go there and have always felt it was my spiritual home. Over the years, I have explored and come to love the wild and rugged coast of The Wild Atlantic Way, of which Co. Mayo is only a small part. But again, links to family meant that the area around Westport and Clew Bay drew me in the most. 

There are many lovely villages and towns on the shore of the bay in which I could have landed my characters, but none had all the ingredients I was looking for. Glenfinn, although completely fictional, is a small coastal village located close to Ireland’s holy mountain, Croagh Patrick, and is inspired by many of those wonderful real places. It is now home (at least in my head!) to a whole host of interesting characters, some of whom may not live for very long… sadly!

Like most crime writers, for me the puzzle is everything. I wanted to create a locked-room type scenario, which is why the victim in The Clew Bay Detectives dies alone on a small island in the middle of Clew Bay whilst seal watching. On the surface, it looks like an unfortunate accident. John Clifford-Murphy was a diabetic and died because of it. But was that really what happened? 

When Ali is approached by the man’s wife, who can’t accept the Gardaí’s assertion that her husband’s death was a tragedy and nothing more, Ali’s innate curiosity gets the better of her, and she starts to ask questions. The ripples from the murder continue to affect the close local community, and once hidden secrets emerge, the danger to Ali and Gavan escalates. Then just when Ali thinks they have the answers, she is forced to confront a past she thought she had left behind, with near-tragic results.

The second book in the series, Murder in County Mayo, will be published in November, and pre-order is now available. When Grace Clark vanishes from an isolated farmhouse on the windswept County Mayo coast one bitter January morning, the Gardaí have their suspect within days: her partner, Cormac. But Ali Brennan is certain he's been framed. When a second body is discovered, she has only days to untangle a decades-old grudge before she becomes the killer's next victim...

The Body at Kincora Estate, the third book in the series, will be published in June 2027.

I hope readers will come to love this part of Ireland as much as I do, and over the course of the series I will explore the area too. Although this series is essentially cozy crime, it is at the harder end of the scale and reflects modern Ireland and its issues.

Pam Lecky

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About the Author

Pam is an Irish author of historical and contemporary crime and mystery, published by Storm Publishing and Avon Books UK (Harper Collins). Pam's bestselling Victorian murder mystery series features Lucy Lawrence, along with her trusty maid, Mary, and the enigmatic investigator, Phineas Stone. Lucy solves some nasty crimes along the way and although she is often a magnet for trouble, she invariably comes good in the end. The books are set in the UK and Europe during the late Victorian period. 

The Sarah Gillespie espionage series (trilogy) features an Irish woman working for MI5 during WW2. Pam has also written a standalone WW2 murder mystery, Under A Lightning Sky, set during the Blitz. 

The Bowes Inheritance, Pam’s debut novel, was awarded the B.R.A.G. Medallion; was shortlisted for the Carousel Aware Prize 2016; made 'Editor's Choice' by the Historical Novel Society; long-listed for the Historical Novel Society 2016 Indie Award; and chosen as a Discovered Diamond in 2017.

Pam’s current project is The Wild Atlantic Murders series, a contemporary Irish crime series (cozy crime with a bit of an edge!). The first book, The Clew Bay Detectives, was published in June 2026 and is set in Co. Mayo and features a landscape designer, Ali Brennan, who discovers she has a surprising talent for solving crime. Murder in County Mayo is slated for release in November 2026 and the third book, A Body at Kincora Estate, will be published in June 2027. Pam is represented by Thérèse Coen at Susanna Lea Associates Literary Agency, London. Pam is a member of the Historical Novel Society, The Crime Writers' Association and the Society of Authors. Find out more at https://pamlecky.com and find Pam on Facebook, Instagram and Bluesky @pamlecky.bsky.social

Special Guest Post by Alison Morton, Author of HEROICA: Three women, three centuries, three reckonings (Roma Nova Thriller Series Book 12)

Available from Amazon UK and Amazon US

Even the strongest state is vulnerable to its past: Three stories of the women of the Mitela family, descendants of the founders of Roma Nova, bound by blood and courage.

“What inspires you?” is a question I’m frequently asked in many guest posts, in podcast interviews, or at conferences. Perhaps the people asking are writers themselves, or wish to make a connection on an artistic and creative level or want to know the answer to life, the universe and everything. That last one’s easy: 42. (Apologies to The Hitchhiker’s Guide to the Galaxy.) 

Let’s be serious. Well, for a moment.  I dread this question, not because I don’t want to reveal the secret identity of my silken-gowned muse, nor divulge her equally secret pearls of wisdom. Am I frightened she might run away, never to be seen again? No, I don’t want to let readers down with my answer. 

I confess – I don’t know. 

An inspiring thought or emotion can be anything and come from anywhere. For me, it’s like being ambushed. I often don’t have a clue until it drops into my head. When it does, it’s something shallow and mundane like being held on the phone in a queue, spotting a bargain or scoffing at a mistranslation at a tourist site. 

The long burn 

The Roma Nova books originated from a decades’ long fascination with Ancient Rome and women’s roles in the modern world but given it took more than thirty years to get the first words onto the computer screen (bypassing the typewriter), it can hardly be called a *moment* of inspiration. It was a slow-growing, but persistent, climbing plant. 

Fortuna, Capitoline Museum, Rome (Author photo)

Like all authors, whether they admit it or not, I drew on events, people and experiences from my life up to that moment to write that first book, INCEPTIO. We are all shaped by these experiences and by our background and values. 

Alison in the military 

There will always be a little bit of the author in her book however much any author claims to deny it. And if we don’t show that in our main character, we switch it into another prominent secondary character. We all live in our own little world at the centre of which is our own delightful/dreadful ego, so any self-expression like writing is bound to reflect it. 

Readers and bets 

After nine Roma Nova thrillers featuring tough and lively heroines, my readers demanded I write the foundation story of Roma Nova. Thus inspired, that spilled out into two books – JULIA PRIMA and EXSILIUM – set in the fourth century. 

In between, I wrote three modern thrillers based on Mel/Mélisende, a dual national Franco-British special forces heroine working for a European security service. Writing them was triggered (inspired?) by a bet from fellow author Conn Iggulden who had given me a fabulous front of cover endorsement for the fifth Roma Nova thriller, INSURRECTIO. 

So…HEROICA, out today(!) 

This new book of three stories was a case of inspiration via curiosity. I wanted to write a story featuring my original heroine, Carina, in one of her investigations. Her professional life wasn’t spent entirely on saving her country, but like most law enforcers had its fair number of routine cases. Of course, being Carina, the case turned out to be anything but routine.  

Why isn’t Revolution? a full-length novel? Because the story ended when it did. We can’t always insist on dragging a story out to 100,000 words when it doesn’t naturally end at 24,000. But what to do with it? It’s too long to be a short story and compared to my two novellas – CARINA (38,000 words) and NEXUS (39,000 words) – not enough for a novella. So I thought about adding a couple of historical long short stories from Roma Nova’s past, but staying within Carina’s family in order to have a connecting thread running through them.  

Honoria’s Battle is set near Vienna when that city was being besieged for the second time by forces from the Ottoman Empire. It was hailed as an existential fight by Christian Europe against the tide of Moslem Turks. Historians continue to disagree about the battle’s significance but to people of the time it was one of survival. Of course, Roma Nova was going to be involved! Researching characters such as the ebullient John Sobieski, King of Poland and the best commander of his day, was fascinating. 

The Idealist connects with Giuseppe Mazzini’s attempt to form a new Roman Republic and unite Italy in the nineteenth century – another time of crisis and transition. It’s also the story of unrealistic expectations, family secrets and pragmatism. The inspiration was curiosity about the past and wondering what a terrible threat of the past coming back to bite those in the present would do to them. 

In brief 

Inspiration for me is a formless cloud, wisps, really, wafting around in my mind with no fixed abode. It takes something to come along – a bad film, five words in an email from a Very Famous Author, idle attention to a television report of a coup – to get the cloud to clump and produce a bolt of lightning. Usually, it’s a little crackle at the back of the sky that grows into a steady blaze. 

Alison Morton

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About the Author

Alison Morton writes award-winning thrillers featuring tough but compassionate heroines. Her twelve-book Roma Nova series is set in an imaginary European country where a remnant of the Roman Empire has survived into the 21st century and is ruled by women who face conspiracy, revolution and heartache but use a sharp line in dialogue. She blends her fascination for Ancient Rome with six years’ military service and a life of reading crime, historical and thriller fiction. On the way, she collected a BA in modern languages and an MA in history. Alison lives in Poitou in France, the home of Mélisende, the heroine of her two contemporary thrillers, Double Identity, Double Pursuit and Double Stakes For the latest news, subscribe to her newsletter at https://www.alison-morton.com/newsletter/ and receive 'Welcome to Alison Morton’s Thriller Worlds’ as a thank you gift.  Connect with Alison on her World of Thrillers site: https://alison-morton.com and Alison’s writing blog https://alisonmortonauthor.com/. You can find Alison on Facebook, Instagram, BlueSky @alisonmorton.bsky.social and Twitter/X: @alison_morton

Book Review: The Orphan from Verona, by Siobhan Daiko

Available for pre-order from 

Amazon UK and Amazon US

Verona, 1944. When an air raid strikes Elisa's home, she is left with nothing but the clothes on her back, the teddy bear clutched in her arms and her beloved older brother. Traumatised into silence, six-year-old Elisa can no longer speak and relies on Robi to guide her through this war-torn world.

Siobhan Daiko’s The Orphan from Verona balances human drama with an atmospheric sense of a city steeped in history. Set against the lingering shadows of the past, the novel offers an immersive exploration of identity and family secrets.

At the heart of the novel is a cast of compelling, related characters, and their journey through grief and personal awakening. Their relationships are portrayed with sensitivity, capturing the tension between desire and duty.

I particularly liked the details of life in occupied Verona, the counterpoint of past and present storylines and interwoven character arcs. The gradual revelation of secrets keeps readers guessing, as the plot unfolds at an engaging pace, weaving together intimate, character-driven moments with elements of mystery. 

The Orphan from Verona is a well-paced, memorable novel with a sophisticated narrative that explores the complexities of human resilience. Highly recommended.

Tony Riches

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About the Author

Siobhan Daiko is a British historical fiction author. A lover of all things Italian, she lives in the Veneto region of northern Italy with her husband, a Havanese dog and a Siberian cat. Siobhan was born of English parents in Hong Kong, attended boarding school in Australia, and then moved to the UK — where she taught modern foreign languages in a Welsh high school. She now spends her time writing page-turners and living the dolce vita sweet life near Venice. Her novels are compelling, poignant, and deeply moving, with strong characters and evocative settings, but always with romance at their heart. You can find more about her books on her website www.siobhandaiko.org and follow her on Facebook and Twitter @siobhandaiko

Book Launch Spotlight: The Falcon's Triumph: A novel of Anne Boleyn (The Falcon's Rise Book 3) by Natalia Richards

Available from Amazon UK and Amazon US

A novel of ambition, love, and betrayal in the Tudor court

A broken heart. A shattered dream. A future she never expected…

Fresh from her time in the dazzling courts of Europe, Anne Boleyn returns to England with charm, wit, and an ambition she dares not reveal. Her place at court and her future in Ireland seem secure. But when a forbidden love affair threatens scandal, Anne is dismissed and disgraced.

Then King Henry VIII takes notice.

Captivated by Anne’s beauty and boldness, the king is determined to have her—not as his mistress, but as his queen. Yet his wife, Queen Katherine of Aragon, stands in his way… and so does the Church. In a kingdom still firmly Catholic, Henry’s obsession with Anne now acts as a smouldering tinder, igniting a political and religious fire that threatens to tear England apart.

Set against the glittering and dangerous backdrop of Tudor England, The Falcon’s Triumph is a gripping tale of love, power, and the woman who would change history.

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About the Author

As a curator and historian for over 30 years, Natalia has worked in many museums in Derbyshire and later in London. She also worked free-lance for the History Channel USA as researcher, co-ordinator, and interviewer on the award-winning production 'Secrets of War.' However, her passion since a very early age has been the study of the Tudors, particularly Anne Boleyn and the court of King Henry VIII.  She did not begin writing seriously until around 2008 and originally wanted to write about Anne Boleyn at the English court. However, a great deal had already been written about this period, and Natalia began to look at her earlier life from around 1500 to 1521. The result of her research was 'The Falcon's Rise,’ set at the court of Margaret of Austria. She then followed this up with part two 'The Falcon's Flight'. This second book covers Anne's time at the French court, with Queen Claude, and ends as she is about to return to England. In her spare time, Natalia loves travelling, gardening, rambling, and visiting historic houses, as well as constantly reading and researching the Tudor period. She spends her time between Derbyshire and Chelsea, in London. Find out more at Natalia's website https://www.nataliarichards.com/ and follow her on Facebook and Twitter @nat_wieczorek

Special Guest Post by Elena Maria Vidal, Author of My Queen, My Love: A Novel of Henrietta Maria (The Henrietta of France Trilogy Book 1)

Available from Amazon UK and Amazon US

The youngest daughter of Henri IV, the first Bourbon King of France, Henriette-Marie always knew she would have to marry a prince. When the Prince of Wales, Charles Stuart, travels through Paris he sees her dancing at the Louvre and within two years a marriage is arranged. However, Henriette is Catholic and Catholicism is banned in England. In preparing to become Queen of England, Scotland and Ireland, Henriette has no idea of the obstacles that must be overcome before 

she can find happiness with Charles.

In the lone tent, waiting for victory,

She stands with eyes marred by the mists of pain,

Like some wan lily overdrenched with rain:

The clamorous clang of arms, the ensanguined sky,

War's ruin, and the wreck of chivalry

To her proud soul no common fear can bring:

Bravely she tarrieth for her Lord the King,

Her soul a-flame with passionate ecstasy.

~from "Henrietta Maria" by Oscar Wilde

Discovering Henrietta Maria

First of all, let me thank Tony Riches for inviting me to compose a guest post about the Henrietta of France Trilogy which I am in the midst of writing, Book 1 being completed. I grew up in Maryland, a state which was once a colony called “Mary's Land”, named in honor of Henrietta Maria, Queen of England, Scotland and Ireland. 

Wife of the ill-fated Charles I, the colony named for her was intended to be a refuge for Roman Catholics, the Catholic religion being forbidden in the Three Kingdoms. In my room as a teenager there was a print of the Van Dyck portrait of Henrietta Maria, the original of which is in the National Gallery of Art in Washington, D.C. Called “Mary” by her subjects, the second Stuart queen of England peers down from the portrait with her black eyes, which contemporaries described as large, sparkling and beautiful. Her dark curls with auburn highlights contrast against the deep marine blue shimmer of a silk dress, with the salmon-pink bows and elaborate white cuffs and high starched collar. A wide-brimmed plumed black hat was of the type made famous by the cavaliers who later fought for her husband in the English Civil Wars. 

The white plumes are reminiscent of the one made famous by her father Henri IV of France, which he wore into battle so that his men could always find him. Like her father, Henrietta Maria was not afraid to stand out, remaining a devoted Catholic in a land where her faith was banned, becoming the number one lawbreaker, while also striving to be a traditionally obedient wife, as was expected. But the expectations placed upon her made her life a tightrope walk which almost broke her.

The life of Henrietta Maria of France (1609-1669) was turbulent from the beginning. Half-Bourbon and half-Medici, her father, the famous Henri IV, was assassinated when she was an infant. Brought up by her mother, the Queen Regent Marie de’ Medici, to be a devout Catholic, she also mastered ballet, singing, and acting, skills which she would use in masques to entertain the Bourbon Court and later the Stuart Court. At fifteen she was sent to marry Charles Stuart, grandson of Mary Queen of Scots, who had just succeeded his father James I to the throne of the Three Kingdoms. 

While Charles I never converted to Catholicism, as had been hoped by many, his relationship with his wife was profoundly spiritual, enhancing the intense physical passion between them. After the initial clashing of cultures and personalities, theirs became one of the most devoted in the history of royal marriages, and was blessed with nine children. During the troubles which led to the English Civil War, Henrietta Maria became a liability to Charles because of her religion and her meddling, both perceived and actual. But her courage and her devotion fuelled the royalist cause, as she sold her jewels to raise money for arms and led soldiers to aid her husband. 

The challenges the royal couple faced in their early years of marriage are told in Book 1 of the Henrietta of France trilogy, My Queen, My Love. Book 2 will deal with the Civil Wars and Book 3 will be about the Queen’s widowhood as well as the adventures of her surviving children.

My view of historical fiction is that the author attempts to paint a portrait of the past with words. A historical novel is like a portrait come to life, allowing the reader to step into the past. Authenticity is vital, and that comes only from thorough research. While it is not always possible to visit the historical places that play a part in the novel, it helps. 

The internet has been a gift to historical fiction writers, making accessible old documents, manuscripts, pictures and books that one once had to travel far to find. I found the original program of the 1623 masque performed by Anne of Austria and Henrietta of France at the Louvre during Shrovetide. It was at the rehearsal of the masque that Charles Stuart first saw Henrietta during his incognito visit to Paris. Such primary sources, like the Queen’s letters, are indispensable for creating a living portrait.

So much of what people think they know about Henrietta Maria has been filtered secondhand through multiple writers, some of whom view her as a frothy but tiresome fanatic who led her husband into ruin. This is often accompanied by the perception of the Queen as a dangerous seductress, who used her French wiles in the boudoir to subject Charles to her will. 

And others decide that Charles was not enough for her but she had lovers such as Henry Jermyn who actually told her what to do, while fathering her children. Just as her enemies called her the “popish brat of France,” she has been portrayed erroneously either as a sex fiend soaked with crazed religiosity, or as a shy, pious pawn.

 On the other hand, there have in the past decades been some excellent biographies of Henrietta Maria, based upon superb research. I include them, and other sources, in a bibliography at the end of the novel My Queen, My Love, to encourage further exploration. The latest biography of Henrietta Maria to date is that of Leanda de Lisle. De Lisle takes into account the women of Henrietta’s family, all of whom were active rather than passive as consorts, like Henrietta herself. Henrietta’s faith is repeatedly demonstrated as not only sincere and unwavering but as an impetus for charitable and creative endeavors throughout her life. 

And it becomes obvious Henrietta was a most discerning and insightful patroness of the arts, literature and architecture, employing names such as Inigo Jones, Ben Jonson, Van Dyck, Artemisia Gentileschi, while encouraging educators like Mary Ward. She brought to England the music of the continent, particularly magnificent liturgical music for her various chapels. Even in her days of hardship, Henrietta continued to give to others, whether it was giving a beggar woman her last valuable possession, or endowing a Visitation Monastery in France as a harbour for pious women.

Even as a great portrait reveals something about the soul of the subject painted, so does a written portrait. Yet each soul remains an enigma, especially souls who loved deeply, like Henrietta. Art offers a glimpse behind the veil of the senses, but it is done by using the imagination to describe the exteriors, the sounds, the smells, the foods, the music. By understanding a little bit about a world that is gone and the people who are gone, but whose actions have directly or indirectly influenced us, like the founding of Mary’s Land by Charles I and Henrietta Maria, we can better understand the present.

Elena Maria Vidal

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About the Author

Elena Maria Vidal was born in Florence, Oregon in 1962 but grew up in Frederick County, Maryland. She received her BA in Psychology from Hood College and her MA in Modern European History from SUNY Albany. She has been a member of the Secular Order of Mount Carmel since 1986. Elena enjoys cooking, gardening, opera and working with the elderly. She lives on Maryland’s Eastern Shore with her family. She is currently engaged in writing a historical fiction trilogy about Queen Henrietta Maria. Elena’s Tea at Trianon blog deals with social, religious and political issues as well as history. My Queen, My Love: A Novel of Henrietta Maria is her fifth novel and sixth book. Find out more from her blog, Tea at Trianon and find her on Twitter @emvidal

Book Launch Guest Post by Naomi Kelsey, Author of Pale Mistress: Lover. Courtesan. Survivor.

Available from Amazon UK and Amazon US

Cyprus, 16th century. Murder, lies and vengeance has left lovers dead, promises broken and no one to trust. Only one woman survives, Bianca. The slain? History knows their names: Emilia, Desdemona, Othello.

“I am no strumpet”: the inspiration behind ‘Pale Mistress’

If you speak to most people, the female characters they remember from ‘Othello’ are Desdemona and Emilia. Very few recall Bianca – and yet, she has the dubious distinction of being the only named female character in Shakespeare’s four major tragedies who does not die! 

Now, it’s entirely possible Shakespeare intended to kill Bianca off. He leaves her being escorted away by Venetian soldiers after Iago has accused her of complicity in the attempted murder of her lover (or fiancé!), Michael Cassio. Iago tells Bianca, “Come, mistress, you must tell’s another tale.” Within the text, this is taken to imply that Bianca will be tortured until she confesses her role in the plot – which is, of course, entirely of Iago’s own making. However, as a novelist, this felt like an invitation. Just what tale would Bianca tell? What would her story be?

Indra Ové portraying the character Bianca in the 

1995 film adaptation of Othello.

My initial inspiration for ‘Pale Mistress’ came during an A Level Literature lesson in 2024. I’d studied the play myself as a teenager, and have taught it multiple times over the years. But the wonderful thing about returning to classic texts again and again, at different stages of my life and with different students in front of me, means that new ideas emerge each time. On this occasion, during a lesson on Act 4 Scene 1, in which Cassio and Iago talk about Bianca behind her back before she storms on stage in a fury, one of my students made the immortal observation, “Cassio’s a bit of a douche, isn’t he?”

Tom Hiddleston performing as Cassio alongside Martina Laird 

as Bianca in a 2007 production of Othello

This was the first time I’d taught ‘Othello’ post #MeToo. The first time I’d taught it since ‘gaslighting’ became one of Oxford Dictionary’s buzzwords of 2018, and since Merriam-Webster made it one of their words of the year in 2022. And suddenly I was looking at this play in a very different light.

Cassio’s generally regarded as a chivalrous chap: handsome, noble, much-admired by Venetian society. He’s played by attractive actors – Nathaniel Parker, Jonathan Bailey, Tom Hiddleston. His fate, being gravely injured by Iago and accused of sleeping with Desdemona, is usually interpreted as thoroughly unfair. However, to a modern audience, his behaviour is decidedly two-faced. 

On the one hand he describes Desdemona as “the divine Desdemona” and “a maid / That paragons description and wild fame, / One that excels the quirks of blazoning pens”. On the other, he describes Bianca as a “monkey”, a “bauble”, and a “rogue” behind her back, yet to her face calls her “my most fair Bianca” and “my sweet Bianca”. The chivalrous courtier’s mask slips: away from the postures of courtly love performed for and about Desdemona, Cassio reveals himself to be mocking, scornful, even cruel. 

Of course, there’s another character in ‘Othello’ who speaks derisively of others behind their backs, then is all charm to their faces. But while Iago is ultimately revealed as a villain and abhorred as a “demi-devil”, Cassio is rewarded with the governorship of Cyprus, and the power to punish Iago as he sees fit. What Shakespeare doesn’t mention is that this also grants Cassio the ability to decide Bianca’s fate. 

What would Cassio do, I wondered, to a woman he thought had betrayed him, even conspired to mutilate and murder him? Would he carry out the torture Iago had threatened? Would he put her on trial – perhaps even condemn her to death?

Once I’d started asking this question, I couldn’t stop. Everything about Bianca started to fascinate me: who was she, really? We know very little about her, other than that she must be extremely skilled at embroidery, given that Cassio asks her to “take the work out”, or copy, the fateful handkerchief Iago has planted in his chamber. Iago calls her a whore, but then Iago calls all three female characters in the play a whore, so why do audiences and critics only believe it of Bianca, especially when she herself insists “I am no strumpet, but of life as honest as you that thus abuse me”? 

Iago also says in the first scene of the play that Cassio is “a fellow almost damned in a fair wife”, which could either mean Cassio is such a catch he’s bound to marry sooner or later, or that Cassio has a fiancée already. Bianca moves freely about Cyprus, with a degree of confidence and independence that neither Desdemona or Emilia are permitted – was this the freedom of an unmarried woman, or a sex worker? And then her freedom is abruptly, brutally, unjustly curtailed. 

My question about what Cassio might do branched out: what would Bianca do to prove her innocence – or get her revenge?

Two years ago, I half-heartedly joked to my A Level students that one day I would write a novel about Bianca, and it would be full of feminist rage! And here we are. As for whether Cassio receives the comeuppance I promised them, you’ll have to read ‘Pale Mistress’ to find out… 

 Naomi Kelsey

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About the Author

Naomi Kelsey's debut novel, The Burnings, was published by Harper North in 2023, followed by The Darkening Globe in 2025. Her next book, Pale Mistress, a reimagining of Shakespeare's 'Othello', is out now. She is the winner of two Northern Writers’ Awards and of the HWA Dorothy Dunnett Competition 2021. Her fiction has been published in Mslexia magazine and shortlisted for several further awards including the Bridport Prize and the Bristol Prize. She posts about books, history, and the chaos of writing around small children and teaching English on Instagram as @naomikelseybooks and on X as @naomikelsey_ Bluesky @naomikelsey.bsky.social and writes a monthly-ish newsletter on Substack at @naomikelsey

Blog Tour Book review: The Making of Marigold McGrath: A Novel of London in the Second World War, by Carrie Hayes

Available from Amazon UK and Amazon US

New York City, 1937. Seventeen-year-old Marigold McGrath is coming undone. Her mother is dead. Her father is drawn to dangerous politics. The only place she feels joy is behind a camera — where she can frame the world on her own terms. After a series of her own missteps, she reinvents herself in London. She falls in love with Joop, a charming Dutch student, and shrugs off the war gathering around her.

Readers could be forgiven for thinking there isn’t much more to say about London during the Blitz, yet Carrie Hayes’s The Making of Marigold McGrath is a fresh and sometimes moving story.

Seventeen-year-old Marigold McGrath leaves New York to make a new life as a photographer in London. She tries to frame the world on her own terms, documenting the arrival of Kindertransport children, but the beginning of the devastating Blitz forces her to choose what kind of observer she is going to be.

I particularly like Carrie Hayes’s engaging character development, and the London setting is well researched and authentic. Marigold’s journey from a privileged teenager to a wartime photographer is convincing and often poigniant.

If you like original WW2 historical fiction, this is a story of survival and resilience that I am happy to recommend.

Tony Riches

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About the Author

Carrie Hayes lives with her husband and two spoiled dogs in a rambling Victorian house just outside of New York City. Her previous historical Fiction novels deal with the suffragist movement. Find out more at www.carriehayeswrites.com and find Carrie on Facebook and Instagram

Historical Fiction Spotlight: Book Title: The Quest for the Crown of Thorns, by Cynthia Ripley Miller

Available from Amazon UK and Amazon US

AD 454. Three years after the Roman victory over Attila the Hun at Catalaunum, Arria Felix and Garic the Frank are married and enjoying life on Garic's farm in northern Gaul (France). Their happy life is interrupted when a cryptic message arrives from Arria's father, the esteemed Senator Felix, calling them to Rome. At Arria's insistence, but against Garic's better judgment, they leave at once.

On their arrival at Villa Solis, they are confronted with a brutal murder and a dangerous mission. The fate of a profound and sacred object--Christ's Crown of Thorns--rests in their hands. They must carry the holy relic to the safety of Constantinople, away from a corrupt emperor and old enemies determined to steal it for their own gain. 

But a greater force arises against them--a secret cult who will commit any atrocity to capture the Crown. All the while, the gruesome murder and the conspiracy behind it haunt Arria's thoughts.

Arria and Garic's marital bonds are tested but forged as they partner together to fulfill one of history's most challenging missions, The Quest for the Crown of Thorns.

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About the Author

Cynthia Ripley Miller is a first-generation Italian-American writer with a love for history, languages, and books. She has lived in Europe and traveled worldwide, holds two degrees, and taught history and English. Her short fiction has appeared in the anthology Summer Tapestry, at Orchard Press Mysteries.com, and The Scriptor. She is a Chanticleer International Chatelaine Award finalist with awards from Circle of Books: Rings of Honor and The Coffee Pot Book Club. She has reviewed for UNRV Roman History, and blogs at Historical Happenings and Oddities: A Distant Focus and on her website, www.cynthiaripleymiller.com.  Also connect with Cynthia on: Twitter:@CRipleyMiller 

Book Launch: Queen Anna, Book One of the Stuart Queens Trilogy

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A crown won in the eye of a storm. A queen who refuses to be broken... Princess Anna of Denmark sails for Scotland to marry King James VI, but storms ravage her fleet, igniting a deadly obsession with witchcraft in her new home. Arriving in a strange and paranoid court, Anna finds her new husband’s bed is a treacherous place.

After fourteen years researching and writing the twelve books which tell the story of the Tudors, it seemed natural to explore the succession in more detail and understand the rise of the Stuarts.

I discovered Anna’s story while writing about Bess and Walter Raleigh, and like most people, knew little about her life. I’ve enjoyed the year of research behind this book, uncovering primary sources – and even learning a little Danish.

With notable exceptions, Anna is largely overlooked by historians, and I found myself wondering about the image of her as shallow, with little influence. I don’t recall her being mentioned in my history lessons at school, but Anna was the daughter of a king, wife of a king and mother of a king. 

I became intrigued by the idea of a fourteen-year-old Danish princess being forced by her parents into a strategic, arranged marriage with King James of Scotland. Anna had to leave her friends, her family, and everything she knew, for a strange country across a dangerous sea where she could barely speak the language.

There is also the question of her relationship with King James, and how they had so many children. As well as her daughter Elizabeth, the ‘Winter Queen’ of Bohemia, Anna was the mother of Henry, possibly the greatest king we never had, and the ill-fated King Charles I.

Prince Henry Stuart

My research took me from the Danish Court to Holyrood House in Scotland and on to the palaces of Westminster and Anna's beloved Denmark House. Her vibrant personality can be seen in her surviving letters, some of which I had translated from old French, (and include in the book in italics). 

I enjoyed following Anna to England after the death of Queen Elizabeth Ist, and making a new life died as queen consort of three kingdoms. She ordered the old queen’s priceless gowns to be used as costumes in her legendary masques, and slept in the same bedchamber as Queen Jane Seymour, her favourite bed.

I found a resilient woman and a devoted mother to her children. Anna was a creative patron of the arts, and did her best to be a loyal queen consort to King James. I am now researching the second book in this trilogy, and exploring troubled the life of Henrietta Maria of France, queen consort to King Charles Ist. 

Tony Riches

Tony Riches · Anna of Denmark

Special Guest Post by Anna Belfrage, Author of A Rip in the Veil (The Graham Saga Book 1)

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On a muggy August day in 2002 Alex Lind disappears. On an equally stifling August day in 1658, Matthew Graham finds her on a Scottish moor. Life will never be the same for Alex – or for Matthew.

Dressing for success in the seventeenth century

In a A Rip in the Veil—the first book in The Graham Saga—the unfortunate (or not, depending how one sees it) Alex Lind has the misfortune of falling three centuries backwards in time to land at the feet of Matthew Graham. Matthew Graham is a devout Presbyterian who has fought in the Commonwealth armies in the Civil War. To Alex, he is initially very strange. Heck, the entire situation is strange: no, wait—it’s impossible! 

Matthew is as taken aback as Alex is—perhaps even more, as the only explanation to her sudden appearance in his life must be magic. Or? Besides, what is the woman wearing? Those tight, tight breeches she calls ‘djeens” showcase her every curve, as do her other garments. 

No, had she been his woman, he’d never have allowed her to set a foot outside dressed like that, all of her exposed, like. 

Alex quickly realises that in this new time she has to adapt. ASAP. And one of the first things she must embrace is an entire new wardrobe. 

“Yay me,” she mutters as she shakes out shift and petticoats and heavy skirts and bodice and. . .

This period dress thing is difficult—and not only for my reluctant time traveller Alex. As a writer of historical fiction it is important to understand what people wore, who wore what and how it was worn. In some cases it's straightforward: stockings cover your feet and the nether part of your legs no matter if you live in the twentieth century or the fifteenth. 

But take that rather ugly male adornment that Henry VIII was so proud of flaunting - the codpiece - and I am somewhat stumped. How did it work? ( Okay, so I've looked this up; strings, buttons or hooks kept this decorative little (hmm) flap of fabric in place.)

There must also be a familiarity with how people dress and undress. “He told her to turn around and zipped up her gown,” is not a good description of the intimacy between man and wife in the fourteenth century. (BTW, the modern zipper owes a lot to Swedish inventor Gideon Sundback. It's nice to know us Swedes have contributed to human development: dynamite, zippers, gauge blocks, the AGA cooker) 

To avoid such gaffes, I’ve spent a lot of time researching my period and have accordingly done my fair share of staring at what few clothes survive from the seventeenth century—like James II’s elegant attire exhibited in the Victoria & Albert museum. Okay, so that is later in the century, but all that lace, all those embroideries, and that gigantic wig! Plus, the high heels on the shoes. . . Nope, not at all my cup of tea. 

Earlier in the 1600s, men wore wide breeches, sashes, lace, ribbons—like these young and elegant Stuart brothers in Van Dyke’s portrait:

To the seventeenth century young girl, they were likely delectable. To Alex, not so much. She’d be hard put not to laugh her head off. So it is fortunate that Matthew would no more adorn himself with ribbons than he would dance attendance on the king—he is a man of Parliamentarian convictions. No, Matthew wears plain and well-made clothes, now and then adorned with a ruffled cuff or an elegant collar.  

Obviously, Matthew expects this new, alluring female companion of his to dress sedately, which is how Alex finds herself obliged to re-learn just how to dress.

In the seventeenth century, there were no bras, no panties. Instead, the undergarment is a shapeless elongated linen shirt that comes to just below the knees. This shift is worn over stockings that come to just above the knee and are fastened by garters.

“I can help you with those,” Matthew suggests, and there is a twinkle in his eyes as he helps Alex fasten the stockings with pink ribbons. Just because he doesn’t wear ribbons, it doesn’t mean she can’t, he says. In fact, he rather likes the fact that she is wearing them—and that he tied them into place. 

Over the shift—which also doubles as nightgown—Alex dons a corset. 

“Ugh!” she groans as she tightens into place. The corset she has ties in front—only people who can afford a lady’s maid have corsets that tie in the back. Then there are the petticoats, tied into place at her waist and falling to mid-calf. Only the very, very rich have garments that fall all the way to the floor. Most women have skirts high enough to allow them to work and walk without dragging the hem in the dirt. 

“Here.” Matthew hands her the heavy skirts. And yes, they are heavy, making it hard to, for example, run. Or jump a fence. 

A bodice, a shawl to cover what may remain exposed of her chest and then Matthew holds out a cap.

“No way!” She backs away, staring at the embroidered linen coif. 

“You must cover your hair,” he says.

She refuses. 

There is a slight. . . er . . . argument. Things end in a compromise: she will not cover her hair indoors, but otherwise she will either wear a coif or a hat. Matthew would prefer both, but he is pragmatic enough to realise this isn’t a battle he will win. Besides, Alex is having to handle a lot of change as it is.

“Tell me about it,” she mutters. She isn’t overly impressed with the food. Or the lack of chocolate. Or of tea. “I thought they had tea in the seventeenth century,” she groans. 

“They do,” I tell her, “but it is very, very expensive.” 

“Oh.” She gnaws her lip, her shoulders slumping. Which is probably why Matthew expends a ridiculous amount on a ridiculous small quantity of tea next time he goes to Edinburgh, pleased by the way she lights up from within when he hands the precious package over. 

Over time, Alex will become accustomed to her new clothes, even if she will quite often think longingly of jeans and sweatshirts, of Converse and shop-bought socks. (She hates to knit) 

But while she adapts to her new life on the outside, she remains a woman of modern convictions, which will now and then cause her quite some problems in her new time. 

It is fortunate that she has Matthew to guide her. On the other hand, there will be countless of occasions when Matthew will owe his life and sanity to her, the strange lass he found concussed and burned on an empty Scottish moor. Two halves made whole are my Alex and Matthew, no matter such details as sartorial arguments!

Anna Belfrage

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About the Author

Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with two absorbing interests: history and writing. Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy which is set in 14th century England.  Her Castilian Heart is the third in her “Castilian” series, a stand-alone sequel to her September 2020 release, His Castilian Hawk. Set against the complications of Edward I’s invasion of Wales, His Castilian Hawk is a story of loyalty, integrity—and love. In the second instalment, The Castilian Pomegranate, we travel with the protagonists to the complex political world of medieval Spain. This latest release finds our protagonists back in England—not necessarily any safer than the wilds of Spain! Anna has also authored The Whirlpools of Time in which she returns to the world of time travel. Join Duncan and the somewhat reluctant time-traveller Erin on their adventures through the Scottish Highlands just as the first Jacobite rebellion is about to explode!  All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards. Find out more about Anna, her books and enjoy her eclectic historical blog on her website, www.annabelfrage.com and find her on Facebook, Twitter @abelfrageauthor and Bluesky @abelfrageauthor.bsky.social

Blog Tour Spotlight: Mrs. R. Pacheco: The Untold Story of Playwright and California First Lady Mary McIntyre Series, by Rose Ann Woolpert

Available from Amazon UK and Amazon US

It is 1859, and the glittering promise of the California Gold Rush has faded into dust, leaving behind a land suspended between ambition and uncertainty.

Into this shifting world steps Mary Catherine "Molly" McIntyre, a young woman newly unmoored by loss, carrying both the weight of family duty and the quiet, persistent call of her own dreams.

Based on the remarkable life of Mary McIntyre Pacheco, Mrs. R. Pacheco unfolds as an intimate portrait of a woman caught between cultures, expectations, and the fragile hope of self-determination. When Molly marries Romualdo Pacheco, a Californio statesman destined to become California's first Hispanic governor, her life is swept into a world both foreign and exhilarating, where love must contend with tradition, and identity is shaped by forces beyond her control.

As Molly navigates the complexities of marriage, society, and a rapidly changing California, she discovers within herself a fierce creative spirit that refuses to be silenced. Her journey from grieving daughter to pioneering novelist and playwright becomes a testament to resilience, illuminating the quiet strength required to carve a voice in a world not yet ready to hear it.

Rich in historical detail and alive with emotional depth, this novel evokes the textures of nineteenth-century California, from its sunlit landscapes to its deeply rooted cultural divides. Through Molly's eyes, readers are drawn into a story of longing, reinvention, and the delicate balance between belonging and becoming.

Both sweeping and deeply personal, Mrs. R. Pacheco is a story of love shaped by circumstance, ambition tempered by sacrifice, and the enduring courage it takes to stand between worlds and claim a life as one's own.

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About the Author

Rose Ann Woolpert is drawn to questions history leaves unanswered. As an author whose work is grounded in fact and shaped by imagination, she writes stories that explore how individuals navigate change, loss, ambition, and identity. Her writing is often inspired by California history, particularly the lives of women whose stories risk being lost to memory. Family recollections, historical records, and careful research inform her work, while fiction allows space to imagine motives, choices, and inner lives beyond the historical record. Find out more at www.roseannwoolpert.com, Facebook and Rose Ann's Substack / Blog: https://roseannwoolpert.substack.com 

New on Kindle: Queen Anna (Stuart Queens Trilogy Book 1)

Available from Amazon UK and Amazon US

A crown won in the eye of a storm. 

A queen who refuses to be broken...

Princess Anna of Denmark sails for Scotland to marry King James VI, but storms ravage her fleet, igniting a deadly obsession with witchcraft in her new home. Arriving in a strange and paranoid court, Anna finds her new husband’s bed is a treacherous place.

Surrounded by whispering courtiers and shifting alliances, Anna refuses to remain a passive pawn. When the court takes her children to raise them away from her, the young queen draws her line in the sand. 

From the windswept castles of Scotland to the glittering, dangerous English court, Anna is restored to her rightful place in history.

Paperback and audiobook editions coming soon

Tony Riches

Tony Riches · Anna of Denmark