A dramatisation of the life of Margaret Cavendish, the shy, gifted, and wildly unconventional 17th-century Duchess. The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when “being a writer” was not an option open to women. As one of the Queen’s attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown.
As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was “Mad Madge,” an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London—a mainstay of the Scientific Revolution—and the last for another two hundred years.
Margaret the First is very much a contemporary novel set in the past. Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new approach to imagining the life of a historical woman.
"Danielle Dutton engagingly embellishes the life of Margaret the First, the infamous Duchess of Newcastle-upon-Tyne." —Vanity Fair
“With refreshing and idiosyncratic style, Dutton portrays the inner turmoil and eccentric genius of an intellectual far ahead of her time.”—Jane Ciabattari, BBC.com
"Although 'Margaret the First' is set in 17th century London, it's not a traditional work of historical fiction. It is an experimental novel that, like the works of Jeanette Winterson, draws on language and style to tell the story... There is a restless ambition to [Danielle Dutton's] intellect." —Michele Filgate, The Los Angeles Times
“With refreshing and idiosyncratic style, Dutton portrays the inner turmoil and eccentric genius of an intellectual far ahead of her time.”—Jane Ciabattari, BBC.com
"Although 'Margaret the First' is set in 17th century London, it's not a traditional work of historical fiction. It is an experimental novel that, like the works of Jeanette Winterson, draws on language and style to tell the story... There is a restless ambition to [Danielle Dutton's] intellect." —Michele Filgate, The Los Angeles Times
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