Mastodon The Writing Desk: October 2026

2 October 2026

Special Guest Post by Anna Belfrage, Author of A Newfound Land (The Graham Saga Book 4)


Available from Amazon UK and Amazon US

It’s 1672, and Matthew Graham and his family have left Scotland. Having taken the drastic decision to leave their homeland due to religious conflicts, Alexandra and Matthew hope for a simpler, if harsher, life in the wilds of the Colony of Maryland.

The passing of a people – the consequences of colonisation 

It would have been very difficult to write A Newfound Land, set in 17th century Maryland, without considering the impact of European colonisation on the native peoples. I’d argue that the single biggest tragedy to befall the native population of the Americas was the arrival of Columbus upon their shores. Over the course of a couple of centuries, a deadly cocktail consisting of slavery, disease and warfare was to reduce the native population with 40-80% (it varies substantially from area to area) and what had been thriving civilizations were reduced to memories and ruins.

In 1607, The Virginia Company of London established its first bridgehead into its charter territories. Jamestown was founded on a marshy island in present day Virginia, and a couple of boatloads of settlers were deposited in the wilds to make a new life for themselves. Things did not go as planned, and the first few years of its existence, the colony teetered on the brink of extinction more than once. Fortunately, the colony had a capable leader in John Smith, adventurer extraordinaire, and this gentleman spent quite some time exploring the Chesapeake area and making contacts with the local people.

Many of the tribes John Smith visited no longer exist. One such lost people is the Susquehannock. Disease and warfare – both with their fierce cousins the Iroquois and the white settlers – caused the extinction of a once flourishing nation. In fact, today we have no idea what these Native Americans may have called themselves, because there is no one around who speaks their language anymore. Once a language dies, the culture that flourished with it dies as well, and so we have no idea as to what beliefs, what myths the Susquehannock held dear. It’s almost as they never existed – well, apart from the odd artefacts that are presently displayed in one or other museum.


A Lenape (Delaware) family or group from the mid-17th century, based on a drawing by Swedish engineer and traveler Peter Mårtensson Lindeström from his time in the New Sweden colony

But the Susquehannock did exist, a power to be reckoned with, masters over a large swathe of land that stretched from Delaware, through parts of Pennsylvania and into Maryland. John Smith was very impressed by the Susquehannock, claiming they went around dressed in wolf and bear pelts and were all of them big and strong, fully capable of beating the brains out of a man. Despite these ferocious qualities, for the first few decades of their co-existence both the Susquehannock and the Maryland colonists prospered – a win-win situation for both.

Things were not quite as peachy-pie in Virginia. The colonists repeatedly broke the treaties they had signed with the Powhatan Confederacy, and when the angered natives retaliated, the colonists screamed ‘murder’ and demanded that the natives be subdued once and for all.

In the 1670’s, the constant skirmishes between the Powhatan and the Virginia colonists escalated into open warfare, and through a series of unfortunate events, the Susquehannock were dragged into the conflict. A decade later, the once so mighty Susquehannock had more or less disappeared. Their wooden forts had been razed to the ground, their men had been slain, their women enslaved, and what few remnants remained had fled due north-west, seeking the protection of the Iroquois, their former enemies.

Some Susquehannock made it over to Pennsylvania and founded a community there, Conestoga Town. There they eeked out a living far removed from their former life, hiring themselves as labourers to adjoining farms. But in 1763, the last three dozen or so of true-blooded Susquehannock were massacred by the Paxton Boys, a militant group of white bad boys that killed whatever Native Americans they could get their hands on in retaliation for the recent French-Indian war. Less than two centuries after their first contact with the European settlers, the Susquehannock had ceased to exist.

The Susquehannock play an important and recurring role in my series The Graham Saga. My male protagonist, Matthew Graham, is a devout Presbyterian, a veteran of the Commonwealth armies and a man who initially at least tends to see the world as black or white. Which is why I gifted him with Alex Lind, an opinionated modern woman who had the misfortune (or not) of being in the wrong place at the wrong time, thereby being dragged three centuries back in time to land concussed and badly singed at an astounded Matthew’s feet.

Due to Matthew’s religious persuasions, the Graham family is forced to leave their homeland behind and immigrate to the Colony of Maryland where they establish cordial relationships with the nearby Susquehannock tribe. But as the tension between colonists and Indians increase, the fragile friendship between Matthew and Qaachow, a Susquehannock chief, is put under severe pressure.
The below excerpt is from A Newfound Land, the fourth book in The Graham Saga, which is when Qaachow first enters Matthew’s and Alex’s lives.

Alex didn’t see him until she had sat down on her normal perch, a fallen log just to the east of the clearing.  Qaachow was sitting in absolute stillness a bit further on, his eyes locked on what Alex supposed had been the main house of the settlement but that now reminded her of an elongated tomb. She shivered at the thought; after all, to some extent it was.
    “I’m sorry.” She stood up. “I didn’t mean to intrude.”
Qaachow tilted his head to show he’d heard her but otherwise remained where he was.
    “You come to think of your daughter,” he said, gesturing at the ‘RACHEL’ she had carved on a nearby tree. “Those thoughts do not intrude on mine.”
    Alex sat back down again. Not that there was any possibility of her thinking about Rachel now, with this slim, half-naked Indian some yards away, but it would be rude to walk away and disturb his meditation again. He was gaunter than last time she’d seen him, more careworn. He shifted on his perch and the breechcloth rustled, releasing a fragrance of crushed pine needles.
    “I sit here at times and remember the life that was. Before…” His low voice cut through the silence.
    “Before we came,” she filled in, following the dancing beams of afternoon sunlight that fell in from the west to pattern the ground with eerily lifelike shades of that long gone existence.
    “Yes, before John Smith brought the white man over.” He looked away through the screen of trees towards the river, barely visible from here. “He came to our village once.”
    “He did? What was he like?”
    “I’m not that old.” He smiled. “I never met him in person, but my grandfather did. We should never have let you land,” he added in a darker voice. “We should have listened to our wary brethren of the north and pushed you back into the sea.”
    Alex quietly agreed. Soon nothing would be left of the Indian way of life.
    “We still could, we still might.”
    “Too late,” Alex said. “We’ll never let this go. Not now.”
    Qaachow gave her a look of grim amusement. “We could steal in like shadows in the night, and none of you would notice until you lay dying in your blood.”
Alex huddled together with physical pain at the thought. “But you won’t, will you? You won’t kill my babies.”
    “No, my people will not. We owe you lives.”
    “Your people? Are there any other Indians we need to worry about?”
    Qaachow shrugged. “This is our land. They will not touch you. But, elsewhere, white women and children will be slain, and their men will be killed slowly and in agony. The coming years will be bad, Mrs Graham, very bad.”
    Alex nodded and bent to pick up a pine cone from where it lay on the shimmering green of the moss.
    “I know. That’s why Matthew’s been called down to Providence.”
Qaachow looked away, saying something in his own language that sounded very sad. For some time he sat sunk in thoughts, eyes lost in the dappled shadow of the surrounding woods.
    “I’ve never thanked you or your husband for what you did for my people, in particular for my wife.”          Qaachow stood up in one fluid movement. He was an attractive man, Alex reflected, his hairless torso outlined with muscles without becoming too excessive. Long, beautiful hands, and a mouth that, when relaxed, was soft and tender – kissable. Their eyes met. For a couple of heartbeats he held her eyes, the shadow of a smile playing round his mouth.
    Alex cleared her throat. “Your wife?”
    “Thistledown-in-the-wind; it was her sister that died.”
    “She’s very pretty,” Alex said, thinking of the young Indian woman with the thick braids – young enough to be his daughter, but apparently his wife. He seemed to see what she was thinking and smiled crookedly.
    “I loved my first wife very much, and it took many moons before I wanted to look at another woman.” He stared off into the distance. “Morning Dream – always first in my heart.”
    “Morning Dream, what a beautiful name.”
    “As was she.” With a courteous nod in her direction, Qaachow blended into the surrounding trees.

Anna Belfrage

# # #

About the Author

Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with two absorbing interests: history and writing. Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy which is set in 14th century England.  Her Castilian Heart is the third in her “Castilian” series, a stand-alone sequel to her September 2020 release, His Castilian Hawk. Set against the complications of Edward I’s invasion of Wales, His Castilian Hawk is a story of loyalty, integrity—and love. In the second instalment, The Castilian Pomegranate, we travel with the protagonists to the complex political world of medieval Spain. This latest release finds our protagonists back in England—not necessarily any safer than the wilds of Spain! Anna has also authored The Whirlpools of Time in which she returns to the world of time travel. Join Duncan and the somewhat reluctant time-traveller Erin on their adventures through the Scottish Highlands just as the first Jacobite rebellion is about to explode!  All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards. Find out more about Anna, her books and enjoy her eclectic historical blog on her website, www.annabelfrage.com and find her on Facebook, Twitter @abelfrageauthor and Bluesky @abelfrageauthor.bsky.social

1 October 2026

Special Guest Post: A Deadly Fall, by Jon Neal


Available from Amazon UK and Amazon US

What lengths would you go to in order to keep a secret? When private investigator Stanley Messina is called to a secluded Sussex manor house to re-examine an unexplained death, he hopes it might be a straightforward job - a few interviews, a tidy conclusion, and a chance
to catch his breath.

A Deadly Fall: Psychology, Secrets and a Sussex Manor

When a private investigator is called to a secluded Sussex manor house to re-examine an unexplained death, he hopes it might be a straightforward job. Behind the estate’s idyllic façade, however, lies a tangled web of strained loyalties, festering resentments and carefully curated lives. Every inhabitant has something to protect, and every story comes with a shadow…

A Deadly Fall is the third novel in my Stanley Messina Investigates series. Set in a grand house tucked away in the Sussex countryside, it is a mystery driven as much by the psychology and relationships of its characters as by the tragic event at its centre. Readers have described the series as intriguing, and this atmospheric instalment continues that tradition while remaining fully readable as a standalone.

As with my earlier books, the investigation into what happened at Lanthorn Manor provides the spine of the story, complete with clues, suspects and motives. Yet my primary interest as a writer has always been what makes people tick—the quiet tensions, hidden histories and shifting loyalties that shape how they behave under pressure. Along the way, readers also learn a little more about Stanley Messina himself, whose own backstory continues to unfold across the series.

I publish as an independent author exclusively through Amazon Kindle Direct Publishing. The greatest advantage of this is complete creative freedom and control over every aspect of the creative and business processes. I promote the books through social media and will soon launch a website and regular e-newsletter so readers can stay more closely connected.

The publishing landscape has changed markedly in the last five years. While greater opportunities for writers also mean more competition, I remain convinced there is still ample space to build an engaged audience for authentic stories.

I’m always grateful to readers who take the time to leave a rating or review on Amazon. These not only provide real encouragement but also help future readers decide whether a book might be one they would enjoy too.

Jon Neal 

# # #

About the Author

Jon Neal is a British author. His first book, A Twin Room, was published in 2022 and reached number 1 in its Amazon category, selling copies around the globe. The Other Path introduced private investigator Stanley Messina and began the series of page-turning mysteries that continues with A Deadly Fall. Jon completed a Master of Arts in Writing while living in Australia and holds a Music & Media Studies degree from the University of Sussex. He was runner-up in the 2010 Sydney Mardi Gras short story competition, has been shortlisted for other prizes, and has had poems published in numerous anthologies. He grew up in Kent and now lives with his partner in East Sussex. To keep up to date with Jon’s news, follow his author page on Facebook and Twitter/X 

Blog Tour Interview with Marilee Aufdenkamp, Author of Sparrow’s Song


Available from Amazon UK and Amazon US

Sparrow’s Song is a sweeping, intimate novel about resilience and belonging, rooted in the real history of wartime federal nursing education and the evolving landscape of modern American nursing. At its heart is a young immigrant woman pushing herself toward the advantages she’s convinced education will unlock, even as that drive pulls her away from the people and heritage she loves.


I'm pleased to welcome author Marilee Aufdenkamp to The Writing Desk:

Tell us about your latest book

Sparrow’s Song spans two world wars and follows one woman’s search for equal advantage in a country that doesn’t always welcome her. Rooted in the early twentieth century German from Russia immigrant experience and set against the federal nursing education programs of World War I and World War II, the novel explores resilience, belonging, and the cost of ambition.

In 1917 Nebraska, Kathryn Scheibel wants what every young woman hopes for: a fair chance at a future. As a German from Russia immigrant, she believes education is the only path to opportunity for herself and her family. When she reaches beyond the cigar making floor, her ambitions unsettle those closest to her. To Kathryn, her hopes are simply the means of gaining the same advantages native born families enjoy.

Joining the Army School of Nursing brings her closer to the life she imagines and farther from the family she loves. At Walter Reed, she faces open hostility from classmates who target her social status and her ancestry. As the years pass, Kathryn must decide whether she gave up too much in her quest to gain equal advantage and what it might take to reclaim the parts she never meant to lose.

What is your preferred writing routine?

I wrote Sparrow’s Song while I was still teaching undergraduate nursing students at a mid sized Midwestern Jesuit university. Evenings were often spent grading papers or preparing lectures, so I wrote when I could, mostly on weekends. I have been retired for the past two years, and now most of my days are devoted to writing and writing adjacent activities.

What advice do you have for aspiring writers?

I learned so much about the writing craft, first by reading craft books. This was well before the internet. By the time the internet was commonplace I started taking advantage of mostly free online webinars as well.

I’ve attended every Historical Novel Society biennial convention since 2015, either in person or virtually. If you can afford it, I recommend attending at least one conference each year. Early in your career, a craft heavy conference that focuses on your genre can be especially helpful.

Critique groups can be valuable if you find the right one, and thanks to the internet, networking with other writers is easier than ever and also recommended.

What have you found to be the best way to raise awareness of your books?

I’ve been doing as much speaking as possible. My protagonist was inspired by members of the community of Germans from Russia who immigrated to Hastings, Nebraska, early in the twentieth century. I’ve been a nurse since 1985 but I first worked as a nurse’s aide in our local hospital beginning in 1979 and cared for some of these individuals as they neared the ends of their lives. My nursing work and my protagonist’s background have influenced my speaking opportunities.

I presented about our local community of Germans from Russia at our county historical society’s annual meeting to an audience of more than one hundred people and tied their story to my novel. I also gave a presentation at our local library during Nurses Week, sharing how Sparrow’s Song highlights important nursing reforms of the early twentieth century. I recently spoke to the class of 1986 at the former hospital affiliated diploma nursing program that operated in our community from 1915 to 1988. And on October 1, I’ll present a program titled “Beyond Florence: The Value of Knowing Our History and How Fiction Can Help” for the Nebraska Nurses Association’s annual convention.

Tell us something unexpected you discovered during your research

Because I’m a nurse, I’m especially drawn to medical and nursing history. Part of my novel takes place in 1943, when my protagonist is teaching in a hospital affiliated school of nursing participating in the Cadet Nurse Corps. At that time, penicillin was beginning to be used by the U.S. military to treat venereal disease, especially syphilis.

Aqueous penicillin has a short duration of action and had to be injected every four hours, which was not practical in wartime. To prolong its effect, it was suspended in peanut oil and beeswax. Because beeswax is solid at room temperature, the mixture had to be heated before injection. I found a detailed description of how this was done and intended to use it in my story, but a computer crash erased my source. I couldn’t relocate it, and I no longer remembered whether the heating was done in a warm water bath or in some type of incubator or warming oven. My memory leaned toward a warm water bath, so in my author note I explained that this was one of the few historical details I wasn’t entirely certain about, but I didn’t want to exclude it because it was too interesting.

What was the hardest scene you remember writing?

No single scene stands out as harder than the others, but I write lean, and reaching standard word count expectations for my genre was difficult. 

What are you planning to write next?

My next story, my work in progress, is about ninety seven percent ready to send to my publisher. It’s set in 1927 Omaha. My main character is a young Irish immigrant who came to Nebraska with his parents a few years earlier and now works under the direction of the real jazz musician who led the Boys Town traveling band, Daniel Desdunes. He repairs and maintains the band’s uniforms and brass instruments, and I’ve learned a great deal about dent repair, soldering, and brass instrument maintenance.

To earn extra money and help his father, who is a down and out homeless alcoholic musician, my main character milks for a young widowed neighbor woman on the adjacent farm. He is beginning to have feelings for her. My work in progress is not a romance, but there are some romantic elements. The central conflict is his responsibility to his father set against his hope for a life of his own, a life he doubts he deserves and isn’t sure he has the strength to sustain alongside his father’s needs.

My debut novel Sparrow’s Song took place between 1917 and 1943, so I had plenty of room to stretch events out. My newest story, working title Leo but likely changing to A Measure of Cream and Flux, occurs over the summer of 1927, and much of the action happens on weekends. I needed to make sure I hadn’t inadvertently placed seven Saturdays in July and that I had room for everything I included. There is also a scene I need to rework, and I have two elderly Jewish immigrant men who serve as mentors to my young Irish protagonist. I need to make sure the scenes involving those two men respect their religious traditions for observing Shabbos.

Marilee Aufdenkamp

# # #

About the Author

Marilee Aufdenkamp is a retired nurse educator who taught undergraduate nursing for twenty six years before turning her full time focus to historical fiction. She writes early to mid twentieth century stories grounded in immigrant experience and working class life.  Her debut novel, Sparrow’s Song, was inspired by her early nursing career in Nebraska, where she came to admire the Germans from Russia she cared for at the end of their lives.  Originally from Southern California, she has spent her adult life in Nebraska. Find out more at her website: https://marileeaufdenkamp.com  and find Marilee on Facebook and Instagram