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5 August 2026

Special Guest post by Anna Belfrage, Author of Like Chaff in the Wind (The Graham Saga Book Two)


Available from Amazon UK and Amazon US

Matthew Graham committed the mistake of his life when he cut off his brother’s nose. In revenge, Luke Graham has Matthew abducted and transported to the Colony of Virginia, there to be sold as indentured labour – a death sentence more or less.

Indentured servants – the backbone of the colonies 

The first few English attempts to set up a successful colony in the New World failed dismally. In general, people who went to the colonies in search of a better life ended up dead, and for some odd reason this made it difficult to recruit new colonists. 

Without people to work the land and expand the English dominion, the Colony of Virginia was pretty much doomed, so I suspect the directors of the Virginia Company perked up substantially when someone came up with the bright idea to use indentured servants to populate their land.
 
The practise of indenture had been around for centuries. In essence it was a contract whereby one person voluntarily entered the service of another person for a stipulated period of time. In general, any payments for the service were paid out in arrears, which meant an indentured servant who absconded could not claim on his back pay. 


1738 indentured servitude contract between Henry Mayer a
nd Abraham Hestant.The contract bound Mayer to work 
for three years in Bucks County, Pennsylvania, to repay 
Hestant for his passage from Rotterdam.

The system set up in Virginia was somewhat different. Someone had to assume the cost of transporting the servant across the sea, and so rules were set in place whereby landowners in the colony could bring over servants at their own expense and receive up to 50 acres in compensation for their efforts. 

The indentured servant was compelled by contract to work off his debt for transportation and would at the end of his period of service receive some further compensation – plus some land. The problem with this little set up was that the need for indentured labour exceeded the demand – most people were reluctant to cross the sea to an unknown wilderness from which they might never return. 

If people didn’t queue up for the fantastic opportunity of expanding their horizons at no cost but their hard toil, maybe some light coercion would help, and what better way to achieve this than by snatching people off the street and have them set their cross to a document they didn’t understand? Quite a number of people were carried overseas against their will, and once on the other side there was very little they could do but submit to the inevitable and work off their years. 

Whether forced or voluntary, the life of an indentured servant was no walk in the park. For a woman, there was the constant risk of being raped – these were societies with a chronic shortage of women – and should she become pregnant her term of service would be extended. The men ended up in the fields, disposable beasts of burden that were often worked until they dropped. 

A disobedient (or “wilful”) servant was punished – in some cases so severely as to permanently maim the servant.  Trying to run away was a serious offence that could lead to beating so brutal the person in question died, and on top of this the reluctant immigrants had to cope with food shortages and unknown ailments. On average, four out of ten indentured servants died in Virginia during the seventeenth century. No wonder the colony had problems recruiting them! 

In the second instalment of The Graham Saga, Like Chaff in the Wind, my protagonist Matthew Graham is one of the unfortunates who is snatched and sold as an indentured servant to Virginia. The experience, unsurprisingly, leaves him scarred for life. 

Below is an excerpt, giving some insight into Matthew’s experiences in Virginia. Not exactly light reading, but I hope it will make you interested in more!

Five unbearable days, and on the afternoon of the sixth day he was so tired that he accidentally upended the sled, tipping the load of tobacco plants into the dirt. Jones flew at him. 
    “Fool! Look at what you’ve done!” 
    Matthew got to his feet, an effort involving far too many protesting muscles. His shoulders were permanently on fire, the harness had left broad, bleeding sores on his skin, and no matter how he tried to use his worn shirt as padding, the sores deepened and widened, a constant, flaming pain. 
    “I’ll just load them back.” He bent to pick up an armful. His arms were clumsy with weariness, and it took far too long to reload the sled, with Jones an irate, vociferous spectator. Matthew leaned forward into the straps, bunching his thighs. Dear Lord! He couldn’t budge the load, the leather cutting even deeper into his lacerated skin. He tried again, and still the sled wouldn’t move. Matthew looked back across his shoulder to find Jones sitting on the sled. 
    “Go on,” Jones sneered, “get a move on.” 
    “You’re too heavy,” Matthew said, “you can walk.” 
    Jones raised a brow. “Of course I can. But now I want you to pull.” 
    Matthew felt his pulse begin to thud. Wafting curtains of red clouded his vision. 
    “I’m a man, aye? I’ll work as you tell me to, but you can move of your own accord, fat though you may be. I won’t be your yoked beast, I’m a man.” There was absolute silence around him, his companions staring at him with a mixture of admiration and exasperation. 
    Jones stood up and moved towards him. “That’s where you’re wrong, Graham. You’re no man, not here, not now. You’re a slave, a beast to be worked until you’re no use.” He looked at Matthew expectantly, his hand tightening on the handle of his crop. 
    Matthew knew he should back down, grovel and mumble, but inside of him the fire grew, red hot rage at the man in front of him, at his traitorous brother, and the injustice of it all. 
    “I told you. I’ve never done anything wrong. I’m a free man.”
    Jones laughed. “Free? Then why are you still here? Why aren’t you on a ship back home?” 
    “You know why! I have no money.” 
    “And we own you, until you can pay yourself free, we own you.” 
    “Nay, no one owns me. I’m a free man.” 
    “And I tell you you’re but a slave,” Jones hissed. 
    Matthew punched him straight into the face, having the distinct pleasure of hearing the cartilage in Jones’ nose crack. That was really the last thing he observed clearly, then it was all hands and feet, and the sting of the leather crop. He heard Jones call men to him and Matthew had the shirt torn from his back, he was thrown face down onto the ground and then there was the snap of leather that came down time and time again on his bared skin. One of his arms was twisted up behind his back, and in his ear he heard Jones’ heavy breathing. 
    “So, what are you?” 
    “A free man,” Matthew gasped. The pressure on his arm was tearing at his tendons. 
    “What are you?” 
    Bend! Alex shrieked in his head, for God’s sake Matthew, bend. But he didn’t want to, he had to salvage some pride, and the pain in his shoulder increased to the point where he knew it would soon be dislocated. 
    “What are you?” Jones hissed again, throwing his considerable weight against Matthew’s trapped arm. Matthew groaned. Please! Alex cried, please, Matthew, for me. Don’t let him maim you for life, my love, please! In his fuddled state Matthew wasn’t sure if she was here for real, or if it was a hallucination, but the despair in her voice rang through his head. 
    “I’m a slave,” Matthew mumbled, closing his eyes so that he might still see Alex, not the red earth an inch from his nose. 
    “What? I didn’t hear you.” 
    “I’m a slave,” Matthew mumbled again. 

Anna Belfrage

# # #

About the Author

Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with two absorbing interests: history and writing. Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy which is set in 14th century England.  Her Castilian Heart is the third in her “Castilian” series, a stand-alone sequel to her September 2020 release, His Castilian Hawk. Set against the complications of Edward I’s invasion of Wales, His Castilian Hawk is a story of loyalty, integrity—and love. In the second instalment, The Castilian Pomegranate, we travel with the protagonists to the complex political world of medieval Spain. This latest release finds our protagonists back in England—not necessarily any safer than the wilds of Spain! Anna has also authored The Whirlpools of Time in which she returns to the world of time travel. Join Duncan and the somewhat reluctant time-traveller Erin on their adventures through the Scottish Highlands just as the first Jacobite rebellion is about to explode!  All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards. Find out more about Anna, her books and enjoy her eclectic historical blog on her website, www.annabelfrage.com and find her on Facebook, Twitter @abelfrageauthor and Bluesky @abelfrageauthor.bsky.social

4 August 2026

Book Launch Guest Post by Alistair Tosh, Author of The Sons of Carthage: Hannibal ignites a war to humble Rome... (The Lion and the Eagle Roman Thrillers Book 1)


Available for pre-order from

Two empires rise, but only one can survive…

Hasdrubal Barca: The Forgotten General

In 219 BC, Hannibal Barca, the renowned Carthaginian general, attacked Seguntum, a city allied with Rome on the eastern coast of Iberia, just north of modern-day Valencia. The siege triggered the Second Punic War, one of the greatest conflicts of the ancient world.

Hannibal's story has become legendary. His campaigns are still studied in military academies across the world, from his epic march across the Pyrenees and the mighty Alpine passes to his stunning victories over the Roman legions at Ticinus, Trebia, Lake Trasimene and, perhaps greatest of all, Cannae. There, Rome suffered one of the worst defeats in its history, with around 50,000 soldiers lying dead on the battlefield from an army of approximately 80,000.

Yet while Hannibal was devastating the Roman Republic in Italy, another theatre of the war was proving just as crucial. Iberia—modern-day Spain and Portugal—was Carthage's most valuable possession. It was rich in silver and gold, fertile agricultural land, and provided a vital source of recruits for its armies.

For most of the twelve years that the war raged across the peninsula, its defence rested in the hands of Hannibal's younger brother, Hasdrubal. The central figure in my new series, The Lion and the Eagle, Hasdrubal was a capable commander in his own right. Not only did he have to contend with the Roman legions, but he also faced near-constant rebellions from the many fierce Iberian tribes. 

At one point, despite the threat of the legions, he was recalled to North Africa by the Carthaginian Senate to suppress the revolt of the Numidian king Syphax, before returning to Iberia a year later. There he, once more, faced the Roman Consuls, Publius and Gnaeus Scipio, defeating them in separate engagements and restoring Carthaginian control.

Although he has never enjoyed the reputation of his elder brother as a battlefield genius, Hasdrubal was a resourceful and resilient general. Even in defeat, and there were several setbacks during his long command, he repeatedly managed to extricate himself and preserve the core of his army, allowing Carthage to continue the struggle.

His final campaign in Iberia culminated at Baecula, Santo Tomé in the Guadalquivir valley of modern-day Andalusia. There he faced the young Publius Cornelius Scipio, the future Scipio Africanus, who would later defeat Hannibal at Zama.

Recognising the quality of the Roman army opposing him, Hasdrubal established a strong defensive position on high ground overlooking the valley, where there was only one practical avenue of attack. When Scipio launched a surprise assault that overwhelmed his forward positions, Hasdrubal conducted a disciplined fighting withdrawal, escaping with the majority of his army intact.

The following year, he led that same army across the Alps into Italy, recruiting warriors from the Gallic tribes along the way in a bold attempt to reinforce Hannibal and alter the course of the war.

Overshadowed by his famous brother, Hasdrubal Barca remains one of history's forgotten generals. Through The Lion and the Eagle series, I hope to bring this remarkable commander, and his extraordinary campaigns, to a wider audience.

Alistair Tosh

# # #

About the author

Best selling author of historical adventures, Alistair Tosh was born in Dumfriesshire, a place filled with ancient place names such as Torthorwald and Caerlaverock. But it was his visits, as a boy, to nearby Burnswark Iron Age hillfort and its Roman siegeworks that first fired his interest in ancient history. On leaving school he began a 35 year communications career, firstly with the Royal Navy, that included covert riverine and seaborne operations during the height of ‘The Troubles’ in Northern Ireland, before moving into the corporate telecommunications world. Military life is unique, and Alistair aims to reflect an authentic view of that experience and its language in his stories. Follow Alistair on Facebook and Twitter/X @alistair_tosh




Blog Tour: The Fern Flower, by Kathleen Shoop


Available from Amazon UK and Amazon US


Russia 1908-1917: Born into privilege as the daughter of the Tsar’s favored vodka maker, Mila appears to have everything: wealth, status, and a household devoted to her happiness. But behind the gilded doors of her family estate, she is trapped by the cruelty of a stepmother whose greatest wish is to give birth to her own child.

Each summer on Ivan Kupala Eve, Russia turns its gaze to river bends and forest floors in search of the legendary Fern Flower—a mythical bloom said to grant fortune, power, and the deepest desires of the heart. Only one person had ever found it.

Until Mila.

Years later, in the fading grandeur of Petrograd, Mila and her friends slip into the fabled Stray Dog Café, once the sanctuary of Russia’s most daring artists and dreamers. Inspired by its ghosts, murals, and memories, Mila's group resurrects the work she'd first imagined as a child. The Fern Flower is a breathtaking ballet drawn from folklore, magic, and the secrets of Mila’s past.

But in the fiercely competitive ranks of the Imperial Ballet School, talent is never enough. Though Mila wrote the ballet and her gifted musician friend composed its score, rivals question whether Mila is worthy of claiming the coveted lead role.

As World War I intensifies and revolution ignites, the Russia Mila knows begins to collapse. Family secrets surface, loyalties are tested, and the people she loves begin to disappear. When her parents flee and her young brother’s life hangs in the balance, Mila is faced with an impossible choice: remain with the found family who helped her chase her dreams or risk everything to save the person who needs her most.

With Russian folklore, imperial grandeur, and the fierce beauty of ballet, The Fern Flower is a sweeping tale of ambition, friendship, sacrifice, and the magic that survives even when the world is falling apart.

# # #

About the Author

Bestselling author, Kathleen Shoop, PhD’s novels have won awards in the Independent Publisher Book Awards (IPPY), Eric Hoffer Book Awards, the Next Generation Indie Book Awards, Readers’ Favorite, and more. Kathleen has more than 20 years of experience in the classroom and has been featured in USA Today and the Writer’s Guide. She co-coordinates Mindful Writers Retreats and co-coordinated the 2023 Pennwriters Conference.  She frequently teaches and is a regular presenter at conferences for writers. Find out more at Kathleen's website: http://kshoop.com and find her on Instagram, Facebook, Twitter / X @kathieshoop and Bluesky @kathleenshoop.bsky.social

2 August 2026

Special Guest Post by Steven Veerapen, Author of Overlord: The Life and Reign of Henry VIII


Available from Amazon UK and Amazon US

The true story behind the infamous life of Henry VIII,  one of history’s best-known characters and England’s most famous monarch. He is simultaneously the virtuous Renaissance prince gone wrong, the psychopathic, paranoid tyrant and the much-married glutton.


Oh, Henry. Has there ever been an English king – or a British king – so recognisable, so equally reviled and written-about, that he is, as the great Tudor historian Sir Geoffrey Elton once claimed, recognisable by his silhouette alone? The answer is ‘no.’ 


Portrait of King Henry VIII, painted by Joos van Cleve around 1535.

Even those unfamiliar with the history of reformation, or parliament, or constitutional law can recognise Henry as, at least, the bloody tyrant who had six wives. Whether one’s image of him is as the buffoonish Charles Laughton, the tyrannical Keith Michell, the leering Sid James, the youthful Jonathan Rhys Meyers, or the volatile Damian Lewis, the point is this: everyone certainly has an image of him.

This was one of the more daunting things I faced when deciding to write about Henry VIII, as was the knowledge that I was hardly the first to consider a book on him – indeed, it was the work of historians such as Alison Weir, Lucy Wooding, Eric Ives, Suzannah Lipscomb, Tracy Borman, Robert Hutchinson, Jasper Ridley, and Antonia Fraser who helped kindle my fascination with Henry and his reign.

What, I wondered, was there left to say?

To my surprise, there was quite a lot. For one thing, the totemic biography of Henry himself – the political biography nonpareil, which focuses on the man and his policies rather than on his court culture, bloody marital history, or association with significant statesmen (which are all interesting in their own right) – remains J. J. Scarisbrick’s 1968 biography. 

In this book, which remains standard reading on the sovereign, the author creates an image which has coloured every subsequent study: a Henry VIII who dreamed, however chimerically, of conquering France in England’s name, and who had no coherent or consistent British policy (Scarisbrick not only indicates this but states it outright). To my surprise, as a long-time student of Scottish history who frequently encountered the king well away from the continent, this simply was not the Henry I’d met in the various and surprisingly voluminous Scottish sources. Still less was it the figure I then found lingering in the pages of various Irish and Welsh documents.

Could there be another Henry VIII?

This question propelled the writing of “Overlord” and made it a joy. Here was a new version of the king I thought I knew – and backed up by a variety of sources untouched in any existing biography. This made working on the book not a workmanlike experience but – to rely on a hoary cliché – a genuine journey of discovery. 

Readers, I hope, will feel the same way as they meet a familiar figure – swathed in his furs and surmounted by his bejewelled, feathered cap – in new surroundings and with all-new motives. “Overlord”, I hope, presents the would-be Emperor Henry VIII: a magnificent, awe-inspiring, frequently ghastly leader who saw himself bestriding the British Isles as a legally-justified, universally-respected colossus. 

I can’t promise readers will like him any more than they do already (which is generally not at all), but I do hope they’ll be as spellbound by him – and his arrogance, bravado, and sheer self-belief – as I was.

Steven Veerapen

# # #

About the Author

Steven Veerapen is a writer of fiction and nonfiction and a lecturer at the University of Strathclyde who specialises in sixteenth-century literature. His first novel was The Queen’s Consort, which focused on Mary Queen of Scots’ infamous husband, Lord Darnley. Steven’s other books include the Simon Danforth trilogy, the Queen’s Spies trilogy, and three non-fiction works: Blood Feud, Elizabeth and Essex, and Slander and Sedition in Elizabethan Law, Speech, and Writing. Find out more at
https://www.stevenveerapen.com/ and you can follow Steven on Instagram @steven.veerapen.3 and on Goodreads, Twitter @stevenveerapen and Bluesky @stevenveerapen.bsky.social

31 July 2026

Witchland: A Tale of Witch Hunting and War in Seventeenth-Century Britain, by Marion Gibson


Available from Amazon UK and Amazon US

If the witchfinders came to your town, who would you have believed 
– and what would you have done?

In the 1640s, Britain was swept up in a brutal witch hunt. The economic uncertainty and religious extremism fuelled by the English Civil War created a climate of fear. Neighbours turned on each other. Women and the poor were especially vulnerable, scapegoated by the powerful looking for someone to blame. In the resulting hysteria – which would, just a few decades later, provide a handbook for the Salem trials – hundreds of innocent people were killed.

Moving from village to village in Scotland and England, Professor Marion Gibson reveals how accusations grew out of everyday tensions – poverty, grief, and resentment – and how entire communities took part in persecuting the vulnerable. Drawing on newly uncovered historical records, this gripping account restores the voices of those accused of witchcraft. Vivid and intimate, Witchland shows that these were ordinary people with extraordinary stories, largely forgotten by history, caught up in suspicion and moral panic.

Witchland is a captivating story of fanaticism, inequality and the violence that surfaces during times of political upheaval.

# # #

About the Author

Marion Gibson became interested in stories of magic and witchcraft when she read news accounts of witch trials in Elizabethan England. She says,  'I realised that whilst I didn't believe the accused people had been doing actual magic, I had no good explanation of why they would confess. What was going on here? What stories were they telling us about their lives? From this came my lifelong interest in storytelling about witches.' Find out more at https://mariongibson.co.uk/ and find Marion on Instagram and X @witchesetc

29 July 2026

Historical Fiction Spotlight: A Hunt for Justice: A historical mystery of murder, superstition and hidden family crimes (The Justice Belstrang Mysteries Book 2) by John Pilkington


Available from Amazon UK and Amazon US

England, 1617. Susanna Cobbett, teenage daughter of a powerful Worcester landowner, is found dead in a gloomy woodland pond which has an evil reputation as the Witching Pool. 

The girl is said to have drowned herself, driven to madness by local widow Agnes Mason, who is arrested on a charge of witchcraft. If found guilty, she will hang at the next Assizes.

But Justice Belstrang, shrewd ex-magistrate and sceptic, does not believe a word of it. And when Agnes's family beg him to help, he finds himself caught up in an ever-darkening mystery.

With the help of his friend and fellow sceptic Doctor Boyd, Belstrang unravels the terrible crimes that have lain hidden behind the doors of the great manor of Ebbfield.

Belstrang must confront and apprehend his suspect - and risk his own life in the attempt.

# # #


About the Author

A writer for over forty years, John Pilkington has written plays for radio and theatre, television scripts for the BBC and numerous historical novels set in the Tudor and Stuart eras. They include the popular Thomas the Falconer series, now being reissued by Boldwood Books, the Martin Marbeck Mysteries featuring a government spy or 'intelligencer' (described by Booklist as 'a seventeenth century James Bond') and the Justice Belstrang Mysteries, also to be republished by Boldwood. Born in the north-west of England, he now lives in a Devon village with his partner, and has a son who is a psychologist and musician. Learn more by visiting his website at www.johnpilkington.co.uk or find him on Twitter @_JohnPilkington and Bluesky @johnpilkington.bsky.social‬

27 July 2026

Blog Tour Spotlight: One More Hour of Daylight, by C.M. Gray


Available from Amazon UK and Amazon US

On the first day of World War II, a young man makes a promise—one that will shape every choice he makes for the next four years.

Essex. September 1939: A wounded German pilot drops from a clear autumn sky into a quiet English field. Seventeen-year-old Derrick finds him—broken and feverish. Not an enemy. Just a young man asking for one small mercy before everything ends.

One more hour of daylight. That is all I ask. A chance to breathe free air before whatever comes next. Derrick gives him until morning. When the stretcher comes, the pilot’s last words strike Derrick like a blow he will never stop feeling.

Scotland. France. Germany. 1941–1943: In the mountains of Scotland, they teach him how to kill, how to lie, and how to endure things that break most men. Then they give him a new name, put him on a plane, and drop him into the dark.

As an SOE operative deep inside occupied Europe, Derrick Sedgley lives on false papers, borrowed names, and nerves worn to nothing by years in the shadows. He moves agents to safety, builds escape routes, and stays one breath ahead of the Gestapo.

Then a mission collapses—and everything changes. Forced to run, Derrick finds himself moving through the most dangerous corners of occupied Europe alongside someone whose connection to his past he cannot yet see. As safe houses fall, loyalties fracture, and the frozen passes of the Pyrenees rise ahead like the edge of the world, Derrick begins to understand something.

The choice he made in an Essex field on the first day of the war has been leading him here all along. Some debts cannot be paid. Some can only be carried. And some—if you are brave enough, and fortunate enough—can finally be laid to rest.

From the quiet fields of Essex to the mountains of Scotland, from the dangerous streets of Lyon to the shadows of wartime Hamburg and the high passes of the Pyrenees, One More Hour of Daylight is an unforgettable story of courage, guilt and redemption—of ordinary people forced to make impossible choices in extraordinary times.

Some promises can survive a war. Some people can too. 

Praise for One More Hour of Daylight:

"A beautifully written book with a perfect pace that kept me reading
from start to finish." ~ Bookcollector, Amazon 5* Review

"A confident, carefully crafted novel that handles its subject matter with restraint, earning the weight it carries." ~ Indie Library, Goodreads 5* Review

# # #

About the Author

C.M. Gray's first book, The Flight of the Griffin, was longlisted in the 2015 Times Chicken House Writing Competition. Shadowland, the first book in the Pendragon Saga, has so far received over 900 five-star reviews on Amazon. These things still genuinely astonish him, and he is deeply grateful for every one of them. Most of his previous work has been fantasy: either pure fantasy or historical fantasy, the kind of writing where druids turn up uninvited and one of your main characters develops an unsettling affinity with wolves before you have quite decided what sort of book you are writing. Shadowland began with every intention of staying grounded in historical reality, the story of Uther Pendragon. It did not. It has turned out to be a popular book, so he does not complain. C.M. Gray is now happily settled just outside Barcelona with his wife and partner in life, Adriana.

26 July 2026

Historical Fiction Spotlight: Da Vinci’s Masterstroke, by Lorraine Amrani


Available from Amazon UK and Amazon US

When the guns fell silent in 1945, one man uncovered a secret the world was never meant to see.

Special Officer Max Page-Hamilton – art historian, British officer, and one of the famed Monuments Men – stumbled upon Reichsmarschall Hermann Göring’s looted treasure trove in the final days of the war. Hidden behind the stolen Mona Lisa lay a sealed envelope bearing Göring’s personal wax seal… and inside it, a revelation capable of shaking the foundations of art history. Papers penned by Leonardo da Vinci himself, words so explosive that Max locked them away, swearing never to unleash their consequences on a fragile postwar world.

Decades later, his granddaughter inherits not only his legacy, but the burden of truth he dared not reveal.
Now, as global tensions simmer and the art world stands at a precipice, she steps into the spotlight he avoided. What Leonardo wrote in the 16th century was no ordinary treatise – It was a masterstroke of genius, a confession, and a key. A secret capable of re-drawing the line between myth and history, power and obsession, beauty and deceit.

From the salons of occupied Paris to the shadowy corridors of the contemporary art market, Da Vinci’s Masterstroke weaves together wartime intrigue, artistic passion, and a mystery that transcends centuries. Rich with historical detail, driven by emotion, and brimming with suspense, Lorraine Amrani crafts a thriller for art lovers and truth seekers alike, a story where every masterpiece hides a motive, and every revelation comes at a price.

What if the world’s most celebrated painting was never the real story? Open the envelope. Follow the clues. Discover the secret that could turn the art world upside down.

# # #

About the Author

Lorraine Amrani was born and raised in the Royal Borough of Greenwich, and Queens, and was fortunate to have had many opportunities to develop and extend her range of interests, inspired by her historical surroundings. Lorraine spent time working in the Palace of Westminster for a prominent cabinet minister. Following this, Lorraine trained as a nutritionist but her growing passion with art and creativity led to three years studying the History of Art in Greenwich, whilst actively pursuing her career as an artist, first with drawings, but quickly embracing Oil Painting as her preferred medium.  Since then, her artwork has been featured in many exhibitions, publications and prominent offices, and in 1995 was honoured to receive a commission to paint the portrait of Wilhelm Roentgen, the inventor of x-ray to celebrate its hundredth-year anniversary. Lorraine continued to broaden her creative passions. She found herself in the London studio of candle-maker to the king, to learn the age-old artisan craft of traditional candle-making, and soon came to understand that producing candles were not for the faint-hearted, due to the unpredictable nature of the molecules when trying to create a distinctive perfume. But finally, a successful brand emerged. More recently, Lorraine has taken advantage of Britain’s world class museums, galleries and exhibitions to indulge her imagination as she examined in forensic detail the lives of the world’s most celebrated artists. It was this, that sparked a creative ambition that persisted until finally sitting down to write her first work of fiction, an art thriller. Da Vinci's Masterstroke was the result. When Lorraine is not working on new creative ventures, she has started to research and collect artefacts from the ancient world. Find out more at https://lorraineamrani.com/ and follow Lorraine on Instagram and X at @Amraniframe

25 July 2026

Book Launch Spotlight: The Women Who Clothed the Stuart Queens: Gender and Work in the Royal Wardrobe and the Fashion Marketplace by Sarah A. Bendall


Available from Amazon UK and Amazon US

This study explores for the first time the changing professions and roles of the women who worked to clothe six Stuart queens between 1603 and 1714: Anna of Denmark, Henrietta Maria, Catherine of Braganza, Mary of Modena, Queen Mary II and Queen Anne.


Queen Anne of Great Britain by Michael Dahl, typically dated to around 1702

Beautifully illustrated in full colour throughout, and using a wide range of written, visual and material sources, this book explores how changing patterns of work and consumption saw women become key producers, retailers and consumers of fashion during the 17th century, and illuminates the strong connections between the royal courts and London's fashion marketplace.

From royal wardrobes, workrooms and laundries to workshops and retail premises in London's bustling streets, Sarah A. Bendall highlights the integral role that women of multiple backgrounds played in the creation and maintenance of elite dress. The royal accounts show that this work was facilitated by migration, global trade, familial networks and changing guild structures, and that the patronage of queens and elite women was integral to supporting and promoting women's rise in the fashion trades as celebrated silkwomen, tirewoman, milliners and mantua makers.

The Women Who Clothed the Stuart Queens challenges understandings of women's work in the court, the household and the fashion marketplace, and shows how clothing played a key role in women's economic participation in 17th and 18th-century England more broadly. It offers fascinating insights for all those interested in the history of women and gender, fashion, material culture and consumption, and, of course, to all those interested in Stuart history.

# # #

About the Author

Sarah A. Bendall FRHistS is an historian of fashion, material culture and women. Her work focuses on the production, trade and consumption of global commodities and fashionable consumer goods, particularly during the long 17th century. She also has expertise in historical dress recreation methodologies. She is a Senior Lecturer at ACU and was appointed as a fellow of the Royal Historical Society in 2023. Her work has been profiled in several media outlets including the Australian Financial Review, The Conversation and Daily Mail Online. She regularly appears as an historical fashion expert on Australian radio. Find out more at https://sarahabendall.com/ and find Sarah on Instagram, Twitter/X and Bluesly @sarahabendall.bsky.social

24 July 2026

Historical Fiction Spotlight: Outlaw Knight (III): Romanslayer by David Pilling


Available from Amazon UK and Amazon US

The Roman Empire is shattered. Constantinople has fallen, and the armies of the Fourth Crusade march unchecked. Nothing seems able to halt their advance.

AD 1205. Philip of Cognac—bastard son of Richard the Lionheart—stands in the path of disaster. The Roman armies are scattered and broken. From the crumbling refuge of Nicaea, Philip and Theodore Laskaris struggle to rebuild an empire on the brink.

Sent on a perilous mission, Philip sails west to seek alliance with Bulgaria. Its ruler, Tsar Kaloyan—feared as the Romanslayer—is a ruthless warlord who despises the Romans. To save the empire, Philip must persuade him to set aside old hatreds before the crusaders strike the final blow.

Together, the fallen kingdoms may stand. Divided, 
they will be destroyed.

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About the Author

David Pilling is a writer and researcher, addicted to history for as long as he can remember. The medieval era has always held a fascination for him, perhaps because he spent much of his childhood exploring the misted ruins of castles in Wales. David also has a keen interest in the Byzantine Empire, the post-Roman period in Britain and the British & Irish Civil Wars. Follow David on Facebook, Twitter @RobeH2 and on Bluesky @robeh1979.bsky.social

23 July 2026

New Book Launch: Jane Seymour: Patronage, Material Culture and Image Crafting (Lives of Royal Women) by Elizabeth Norton


Available on Amazon UK and Amazon US

Jane Seymour, the third wife of Henry VIII, was queen of England for only seventeen months, something which has accounted for the little interest shown in her by historians. In her lifetime, however, she was a significant political figure, while her legacy and memorialization extended beyond her early death following childbirth in October 1537.

Jane Seymour: Patronage, Material Culture and Image Crafting is the first full length academic study of Jane’s life and queenship. Using extensive archival research, it pulls together all of the surviving information to provide both a biographical and a thematic account. 

Chapters include a consideration of Jane’s queenship and political role, her material cultural environment, her household, her financial position and her religion, before also considering her afterlife and attempts to commemorate her both officially and unofficially. In doing so, the book banishes many myths that have grown up around the queen, most notably ideas of her passivity and powerlessness and also often repeated (but unsubstantiated) claims of her conservative religious outlook. This book presents a picture of Jane as an active and highly political queen consort.

The book is a valuable resource for students and established scholars since it adds considerably to knowledge of the queen and re-inserts her into the heart of the dynasty, while also drawing pertinent conclusions on sixteenth-century queenship.

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About the Author

Dr Elizabeth Norton lives in Kingston upon Thames, near Hampton Court Palace, with her husband and two sons. 
As well as her books she is carrying out academic research at King's College, London into the Blount family of Shropshire, contributing journal articles and giving papers at academic conferences and has appeared as an expert on television, including programmes for Sky Arts and the National Geographic channel.  Find out more as her website http://elizabethnorton.co.uk/ and find her on Twitter @ENortonHistory and Bluesky ‪@enortonhistory.bsky.social‬

22 July 2026

Special Guest Post by Pam Lecky, Author of The Wild Atlantic Murders (2 book series)


Available from Amazon UK and Amazon US

From Book 1: Welcome to Westport, where the wild beauty of Ireland’s western coast 
hides deadly secrets…

Inspiration for The Wild Atlantic Murders Series

Talk about the past catching up with you! In a way, it has. Don’t get me wrong; I love historical fiction and will continue to write in that genre. However, when I recently contemplated ‘what’s next’, I couldn’t resist thinking about my roots, not only my family ones, but my reading habits as well.

Crime fiction has always fascinated me, but strangely enough, it wasn’t Agatha Christie’s books that caught my attention; it was PD James. I was a teenager when I read the first one, probably Cover Her Face. I was hooked straight away and continued to devour her books. Then I discovered Elizabeth George and Inspector Lynley. 

And when my father introduced me to Dorothy L Sayers and Lord Peter Wimsey, my addiction to crime fiction was complete. To this day, I love a good crime story or thriller. Interweaving characters, plots, and settings isn’t easy, but those authors whose work I fell in love with all those years ago had one thing in common: they did it effortlessly. Much as I love writing my Lucy Lawrence Mysteries, I wanted a new challenge, and so attempting contemporary crime fiction felt like the right direction to go in.

My original idea was a female PI series based in Dublin, with my main character visiting locations all over Ireland as she pursued cases. After much discussion with my editor, however, we agreed that my protagonist would be an amateur sleuth instead and would be based in a small rural community. And that is how Ali Brennan (landscape designer with a surprising talent for solving crime) and the village of Glenfinn came into being. In the first book, 

Ali moves to Mayo to set up a branch of the family business, but also to escape a disastrous relationship break-up with DI Aidan Cahill. She is soon joined by her nephew, Gavan, who has just dropped out of college.

Why a landscape designer, you ask? I wanted my protagonist to be a professional, running her own business, and as I studied horticulture and design with the Royal Horticultural Society (RHS), and had even built a show garden at the Bloom Festival in the Pheonix’s Park in Dublin, it is a world I am familiar with. It also offers a host of interesting scenarios that I fully intend to exploit (for murderous intent, of course!).

But when it came to location, I didn’t have to think twice. My mother hailed from a small village in Co. Mayo, in the west of Ireland. As a child, I loved to go there and have always felt it was my spiritual home. Over the years, I have explored and come to love the wild and rugged coast of The Wild Atlantic Way, of which Co. Mayo is only a small part. But again, links to family meant that the area around Westport and Clew Bay drew me in the most. 

There are many lovely villages and towns on the shore of the bay in which I could have landed my characters, but none had all the ingredients I was looking for. Glenfinn, although completely fictional, is a small coastal village located close to Ireland’s holy mountain, Croagh Patrick, and is inspired by many of those wonderful real places. It is now home (at least in my head!) to a whole host of interesting characters, some of whom may not live for very long… sadly!

Like most crime writers, for me the puzzle is everything. I wanted to create a locked-room type scenario, which is why the victim in The Clew Bay Detectives dies alone on a small island in the middle of Clew Bay whilst seal watching. On the surface, it looks like an unfortunate accident. John Clifford-Murphy was a diabetic and died because of it. But was that really what happened? 

When Ali is approached by the man’s wife, who can’t accept the Gardaí’s assertion that her husband’s death was a tragedy and nothing more, Ali’s innate curiosity gets the better of her, and she starts to ask questions. The ripples from the murder continue to affect the close local community, and once hidden secrets emerge, the danger to Ali and Gavan escalates. Then just when Ali thinks they have the answers, she is forced to confront a past she thought she had left behind, with near-tragic results.

The second book in the series, Murder in County Mayo, will be published in November, and pre-order is now available. When Grace Clark vanishes from an isolated farmhouse on the windswept County Mayo coast one bitter January morning, the Gardaí have their suspect within days: her partner, Cormac. But Ali Brennan is certain he's been framed. When a second body is discovered, she has only days to untangle a decades-old grudge before she becomes the killer's next victim...

The Body at Kincora Estate, the third book in the series, will be published in June 2027.
I hope readers will come to love this part of Ireland as much as I do, and over the course of the series I will explore the area too. Although this series is essentially cozy crime, it is at the harder end of the scale and reflects modern Ireland and its issues.

Pam Lecky
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About the Author

Pam is an Irish author of historical and contemporary crime and mystery, published by Storm Publishing and Avon Books UK (Harper Collins). Pam's bestselling Victorian murder mystery series features Lucy Lawrence, along with her trusty maid, Mary, and the enigmatic investigator, Phineas Stone. Lucy solves some nasty crimes along the way and although she is often a magnet for trouble, she invariably comes good in the end. The books are set in the UK and Europe during the late Victorian period. 
The Sarah Gillespie espionage series (trilogy) features an Irish woman working for MI5 during WW2. Pam has also written a standalone WW2 murder mystery, Under A Lightning Sky, set during the Blitz. 
The Bowes Inheritance, Pam’s debut novel, was awarded the B.R.A.G. Medallion; was shortlisted for the Carousel Aware Prize 2016; made 'Editor's Choice' by the Historical Novel Society; long-listed for the Historical Novel Society 2016 Indie Award; and chosen as a Discovered Diamond in 2017.
Pam’s current project is The Wild Atlantic Murders series, a contemporary Irish crime series (cozy crime with a bit of an edge!). The first book, The Clew Bay Detectives, was published in June 2026 and is set in Co. Mayo and features a landscape designer, Ali Brennan, who discovers she has a surprising talent for solving crime. Murder in County Mayo is slated for release in November 2026 and the third book, A Body at Kincora Estate, will be published in June 2027. Pam is represented by Thérèse Coen at Susanna Lea Associates Literary Agency, London. Pam is a member of the Historical Novel Society, The Crime Writers' Association and the Society of Authors. Find out more at https://pamlecky.com and find Pam on Facebook, Instagram and Bluesky @pamlecky.bsky.social

21 July 2026

Special Guest Post by Alison Morton, Author of HEROICA: Three women, three centuries, three reckonings (Roma Nova Thriller Series Book 12)


Available from Amazon UK and Amazon US

Even the strongest state is vulnerable to its past: Three stories of the women of the Mitela family, descendants of the founders of Roma Nova, bound by blood and courage.

“What inspires you?” is a question I’m frequently asked in many guest posts, in podcast interviews, or at conferences. Perhaps the people asking are writers themselves, or wish to make a connection on an artistic and creative level or want to know the answer to life, the universe and everything. That last one’s easy: 42. (Apologies to The Hitchhiker’s Guide to the Galaxy.) 

Let’s be serious. Well, for a moment.  I dread this question, not because I don’t want to reveal the secret identity of my silken-gowned muse, nor divulge her equally secret pearls of wisdom. Am I frightened she might run away, never to be seen again? No, I don’t want to let readers down with my answer. 

I confess – I don’t know. 

An inspiring thought or emotion can be anything and come from anywhere. For me, it’s like being ambushed. I often don’t have a clue until it drops into my head. When it does, it’s something shallow and mundane like being held on the phone in a queue, spotting a bargain or scoffing at a mistranslation at a tourist site. 

The long burn 

The Roma Nova books originated from a decades’ long fascination with Ancient Rome and women’s roles in the modern world but given it took more than thirty years to get the first words onto the computer screen (bypassing the typewriter), it can hardly be called a *moment* of inspiration. It was a slow-growing, but persistent, climbing plant. 


Fortuna, Capitoline Museum, Rome (Author photo)

Like all authors, whether they admit it or not, I drew on events, people and experiences from my life up to that moment to write that first book, INCEPTIO. We are all shaped by these experiences and by our background and values. 


Alison in the military 

There will always be a little bit of the author in her book however much any author claims to deny it. And if we don’t show that in our main character, we switch it into another prominent secondary character. We all live in our own little world at the centre of which is our own delightful/dreadful ego, so any self-expression like writing is bound to reflect it. 

Readers and bets 

After nine Roma Nova thrillers featuring tough and lively heroines, my readers demanded I write the foundation story of Roma Nova. Thus inspired, that spilled out into two books – JULIA PRIMA and EXSILIUM – set in the fourth century. 

In between, I wrote three modern thrillers based on Mel/Mélisende, a dual national Franco-British special forces heroine working for a European security service. Writing them was triggered (inspired?) by a bet from fellow author Conn Iggulden who had given me a fabulous front of cover endorsement for the fifth Roma Nova thriller, INSURRECTIO. 

So…HEROICA, out today(!) 

This new book of three stories was a case of inspiration via curiosity. I wanted to write a story featuring my original heroine, Carina, in one of her investigations. Her professional life wasn’t spent entirely on saving her country, but like most law enforcers had its fair number of routine cases. Of course, being Carina, the case turned out to be anything but routine.  

Why isn’t Revolution? a full-length novel? Because the story ended when it did. We can’t always insist on dragging a story out to 100,000 words when it doesn’t naturally end at 24,000. But what to do with it? It’s too long to be a short story and compared to my two novellas – CARINA (38,000 words) and NEXUS (39,000 words) – not enough for a novella. So I thought about adding a couple of historical long short stories from Roma Nova’s past, but staying within Carina’s family in order to have a connecting thread running through them.  

Honoria’s Battle is set near Vienna when that city was being besieged for the second time by forces from the Ottoman Empire. It was hailed as an existential fight by Christian Europe against the tide of Moslem Turks. Historians continue to disagree about the battle’s significance but to people of the time it was one of survival. Of course, Roma Nova was going to be involved! Researching characters such as the ebullient John Sobieski, King of Poland and the best commander of his day, was fascinating. 

The Idealist connects with Giuseppe Mazzini’s attempt to form a new Roman Republic and unite Italy in the nineteenth century – another time of crisis and transition. It’s also the story of unrealistic expectations, family secrets and pragmatism. The inspiration was curiosity about the past and wondering what a terrible threat of the past coming back to bite those in the present would do to them. 

In brief 

Inspiration for me is a formless cloud, wisps, really, wafting around in my mind with no fixed abode. It takes something to come along – a bad film, five words in an email from a Very Famous Author, idle attention to a television report of a coup – to get the cloud to clump and produce a bolt of lightning. Usually, it’s a little crackle at the back of the sky that grows into a steady blaze. 

Alison Morton

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About the Author

Alison Morton writes award-winning thrillers featuring tough but compassionate heroines. Her twelve-book Roma Nova series is set in an imaginary European country where a remnant of the Roman Empire has survived into the 21st century and is ruled by women who face conspiracy, revolution and heartache but use a sharp line in dialogue. She blends her fascination for Ancient Rome with six years’ military service and a life of reading crime, historical and thriller fiction. On the way, she collected a BA in modern languages and an MA in history. Alison lives in Poitou in France, the home of Mélisende, the heroine of her two contemporary thrillers, Double Identity, Double Pursuit and Double Stakes For the latest news, subscribe to her newsletter at https://www.alison-morton.com/newsletter/ and receive 'Welcome to Alison Morton’s Thriller Worlds’ as a thank you gift.  Connect with Alison on her World of Thrillers site: https://alison-morton.com and Alison’s writing blog https://alisonmortonauthor.com/. You can find Alison on FacebookInstagram, BlueSky @alisonmorton.bsky.social and Twitter/X: @alison_morton