Mastodon The Writing Desk

11 June 2024

Book Launch Spotlight: That Was Then, by M.K. Tod


Available from Amazon UK and Amazon US

Andrea Larson never imagined she would have to face her worst nightmare again. But when she discovers that her rapist is running for Governor of Massachusetts, she knows she can't stay silent. 

With the help of her identical twin, Andrea hatches a plan to take down Brad Greiner and expose his true nature to the world.

Set against the backdrop of the cutthroat world of politics, That Was Then follows Andrea as she infiltrates Greiner's inner circle, using her skills as a journalist to gather evidence against him. But the closer she gets, the more dangerous it becomes. 

The stakes get even higher when a group intent on controlling American democracy gets involved. Someone knows what the twins are up to. And they’re closing in.

"A page-turning tale filled with rich characters, family secrets, love, politics, ambition, and risky journalistic pursuits.” Lisa Barr, New York Times bestselling author of Woman on Fire

# # #

About the Author

Mary Tod worked at an executive level in management consulting before her research into her grandparents’ lives during two world wars turned into a full-time occupation writing historical fiction. She has two adult children and lives with her husband in Toronto, Canada. Find out more from her website https://mktod.com/ and her blog 'A writer of History'.  You can also find Mary on Facebook.


10 June 2024

Special Guest Post by Sonia Velton, Author of The Nightingale's Castle: An evocative gothic historical novel


Available from Amazon UK and Amazon US
(US Paperback released 30th July)

1610, Hungary: Erzsébet Báthory, the infamous 17th century Hungarian noblewoman, has a cult following of horror fans. Even those who don’t know her by name may well have heard of the Blood Countess who murdered numerous young virgins and bathed in their blood to 
preserve her youthful looks.
 
I first came across Báthory in Guinness World Records which describes her as the most prolific female serial killer of all time; she allegedly tortured and murdered more than 600 girls. That seemed like a pretty full-on slaughtering schedule for a busy countess, so I decided to find out more. What I discovered was so extraordinary it inspired my new novel, The Nightingale’s Castle.


Elizabeth Báthory (Wikimedia Commons)

Countess Báthory lived in Čachtice Castle, situated in what is now western Slovakia. Far from being a depraved killer, she appears to have been a well-educated patron of the arts, who was proficient in Hungarian, Latin, Greek and German. In her surviving letters, she comes across as intelligent and spirited, tackling a range of issues from seeking justice for abused women, to berating staff for stealing her cannabis crop. How, then, did she go down in history as such a diabolical character?


Čachtice Castle (Wikimedia Commons)

For a start, she was a rich and powerful woman. When she was widowed, at the age of 44, she continued to manage her estates with characteristic independence and efficiency in an age when women were valued primarily as wives and mothers. By the time Báthory was almost 50, and still hadn’t ceded her vast wealth to her male heirs, she had truly ruffled the feathers of the men who ruled Hungary.

Meanwhile, there were strange goings-on in Čachtice Castle. Girls were dying, sometimes many at the same time. Pastor Ponikenus, the vicar of Čachtice and one of Báthory’s most vocal detractors, described nine maidens being buried in one night, all of whom had died of “unknown and mysterious causes”. Tales of welts and wounds, bruises and burns began to proliferate. No one was particularly bothered about the odd dead servant, but when noble girls began to die — the high-born young ladies who attended the countess’s Gynaeceum where they learned social graces and wifely duties — something had to be done.

The campaign to bring down Báthory was orchestrated by György Thurzó, the Count Palatine of Hungary for the Habsburg King Matthias. Thurzó began an investigation into the unexplained deaths of so many girls. Dozens of serfs were interviewed, many of whom had never been anywhere near Čachtice Castle. They all repeated the same rumours, but could not speak to anything they had witnessed themselves.


Portrait of György Thurzó 1607 (Wikimedia Commons)

One of the most challenging aspects of my research for The Nightingale’s Castle was trying to understand the different motivations key players might have had for desiring Báthory’s downfall. When Pastor Ponikenus preached from his pulpit that she was a jezebel, was he influenced by religious tensions arising out of the fact that he was a Lutheran and she, a Calvinist? When King Matthias wanted Báthory to be tried and executed, did he have in mind the huge debt the royal treasury owed Báthory, which would not need to be repaid if she were found guilty? And what of the Count Palatine himself? Why did Thurzó pursue his case against her so doggedly?
 
We are fortunate that some of the original letters passing between Thurzó, the king and Báthory’s powerful sons-in-law survive. They provide a fascinating insight into the scheming that went on, behind the scenes, before Báthory’s spectacular arrest. I began to see parallels between Erzsébet Báthory and Anne Boleyn. Both were women whose very existence, albeit for very different reasons, simply became inconvenient to the powerful men around them, at which point, they were both accused of crimes bordering on the preposterous. The go-to allegation against women in that era — sexual impropriety — was not available in relation to Báthory (a woman of 50!) so her trial took an even more sinister turn.

Báthory was arrested on 27 December, 1610. It was a bitterly cold and snowy evening when the Count Palatine and his men trudged up the winding dirt track towards the looming Čachtice Castle. The countess was having dinner in her manor house when the soldiers burst in on her. Later, Thurzó would claim that he happened upon her in the very act of murdering a girl. In order to obtain further evidence, he gave his men the macabre task of digging up the bodies of the dead girls.
The countess was not arrested alone. Her four “accomplices” were also taken: a servant, a washerwoman, the former wetnurse to the countess’s children and a boy who was the castle factotum. A rather unlikely group of mass murderers, perhaps. When the show trial began, it was only her accomplices who gave evidence. Despite her many requests, the countess never succeeded in persuading Thurzó to allow her to defend the allegations against her. And what a trial it was. Like a perfectly-scripted courtroom drama, just when it seemed the case against the countess couldn’t get any more grisly, someone came forward with the startling revelation that the countess owned a secret box, and that inside was a list of all the hundreds of girls she had murdered…

But when did the countess become a vampire, draining her victims of their precious blood? Like the portraits of her that still exist, our lasting image of Erzsébet Báthory has been layered up over time. After the trial, the records were locked away in archives. There they remained for two hundred years until they were discovered by a Jesuit priest in 1720, and the long-forgotten Blood Countess was unleashed into 18th century society where vampires and gothic horror were all the rage.

It is now almost impossible to know whether Báthory was guilty or not. In The Nightingale’s Castle I simply put forward an alternative narrative, thereby giving Countess Báthory the voice that she, like so many women in history, was always denied.

Sonia Velton

(A version of this article first appeared in Historia Magazine.)

# # #

About the Author

Sonia Velton, a former lawyer, is the author of two other books. Her historical debut, Blackberry and Wild rose was shortlisted for the Lucy Cavendish Prize, optioned for film and was longlisted for the HWA Debut Crown Award. She spent eight years being an expat Mum of three in Dubai and now lives with her children in Kent. Find Sonia on Instagram and Twitter @soniavelton


7 June 2024

New Book in the Elizabethan Series: Frances – Tudor Countess


New from Amazon UK and Amazon US

“A thrilling portrait of a remarkable woman who witnessed the key events of Elizabethan England.”  

Based on extensive research, original letters and records of the Elizabethan Court, this new account explores the life of Frances Walsingham, the only surviving child of Queen Elizabeth’s ‘spymaster’ Sir Francis Walsingham. 

Better educated than most men, her father arranges her marriage to warrior poet Sir Philip Sidney. After Philip is killed in battle, Frances becomes Countess of Essex, and is banished from court after her husband Sir Robert Devereaux’s rebellion against the queen. Can she marry for love, if it means turning her back on her faith and all she knows? 

The story which began with the Tudor trilogy follows Frances, Countess of Essex and Clanricarde, from her first days at the Elizabethan Court to the end of the Tudor dynasty and the rise of the Stuarts. 



6 June 2024

Special Guest Post by Dr Linda Porter, Author of 'The Thistle And The Rose’


Available from Amazon UK and Amazon US

Margaret Tudor, the elder sister of her more famous brother Henry VIII, is the single most important Tudor figure of this era that historians have consistently overlooked. Married at thirteen to the charismatic James IV of Scotland, a man more than twice her age, she would learn the skills of statecraft that would enable her to survive his early death, and to construct a powerful position in her adopted country of Scotland as she dealt with domestic issues as well as navigating international relations with England and France.


Margaret Tudor and her husbands

Margaret Tudor, the elder daughter of Henry VII and Elizabeth of York, is overlooked as a major player in sixteenth century British history yet her life was as dramatic and significant as that of her granddaughter, Mary Queen of Scots. When she has been written about at all, Margaret has been roundly criticised for poor judgement in both personal and political matters and generally dismissed as an oversexed whinger whose major preoccupations were clothes, jewels and younger men. 

Scottish historians have tended to be at best sniffy - she was, after all, a Tudor princess and therefore bound to attract suspicion - and English historians, many of them, sadly, women, are equally dismissive, often viewing everything that happened to Margaret as her fault and even patronisingly deciding that it would somehow have all been better if she had only had a close friend to confide in. 

 Thus the complexity of an extraordinary life, not to mention the challenges faced by a woman trying to navigate sixteenth century politics in the British Isles, are neatly but inaccurately summed up in twenty-first century platitudes. I’d like to look at one particular area of Margaret’s life, her marriages, and provide a much more nuanced picture of the girl who was wed at thirteen, widowed at twenty-three, who survived further turmoil and two subsequent worthless husbands to become the matriarch of the Stuart line and whose descendants still sit on the throne of the United Kingdom.

The bride

In the summer of 1503, Margaret Tudor bade farewell to her father and grandmother, Margaret Beaufort, and began the journey north to marry King James IV of Scotland. A proxy marriage had taken place more than a year earlier in Richmond Palace but it had been agreed that Margaret would not actually live with her husband until the formal ceremony took place in Edinburgh the following year. 

Her departure was delayed by the unexpected and tragic death of Elizabeth of York in February 1503, so Margaret was still mourning the loss of her beloved mother when she took a solemn farewell of Henry VII on 8 July, at Collyweston, her grandmother’s home on the borders of Northamptonshire and Lincolnshire.
Henry VII was an affectionate parent. 

The warrant books in the National Archives show that he regularly made payments of gifts for his younger children, who lived away from the court in the healthier air of Eltham Palace and Richmond. Henry was keen to ensure that they were well-educated and did not lack for appropriate apparel and amusement. Margaret became a competent archer and equestrian, as well as mastering French and learning how to dictate to secretaries, attributes necessary for a future queen. 

She was also a keen and competent musician and dancer. She would have been brought up in the expectation that her future was that of a queen consort and that, probably sooner rather than later, she must leave the security of a pleasant childhood in southern England behind. Henry VII knew what he was asking of this girl on the cusp of womanhood when she rode out of his life. He gave her a parting gift of a beautiful prayer book, inscribed from ‘your kind and loving father’. He asked her to pray for him, reminding her that, ‘at all times’, she carried with her God’s blessing and his own. Margaret knew better than to succumb to tears when they said goodbye.

And the responsibility that hung on her slim shoulders over the next month was huge. Her progress was one of the most magnificent of the entire 16th century. She set off with a vast train of attendants, under the increasingly overbearing direction of the earl of Surrey, who was charged with delivering her to James IV in Edinburgh. Among the other lords and ladies in Margaret’s train was an up and coming courtier called Sir Thomas Boleyn. Cartloads of splendid furnishings, beds, dresses and religious items transported Margaret’s worldly goods to her new home. 

The journey took more than three weeks, as she stopped in key cities in the north of England such as York, Durham and Berwick-upon-Tweed. Henry VII intended his daughter (who would not be fourteen until late November, 1503) to be the visible presence of Tudor monarchy. Margaret made formal entries into all the towns she passed through, necessitating frequent changes of wardrobe and makeup that would certainly be familiar to modern celebrities. 

What she thought of the English countryside and the brilliant displays put on by local dignitaries as she passed on her way we do not know, though we are fortunate to have detailed descriptions of the people and places from John Young, the Somerset Herald, who accompanied the new Queen of Scots on her travels.

Margaret was never to see her father again. He lived on for another six years, his health deteriorating all the while, his concentration on preparing Margaret’s younger brother, Henry, for the throne. Shortly after her wedding, when the strain of being relentlessly in the public eye, uncertainty about her future in Scotland and inevitable homesickness got the better of her, she wrote an anguished postscript in her own hand in a letter to Henry VII. It read: ‘I wish I were with your Grace now and many times more…’ No doubt there were other letters, but this alone survives, speaking powerfully to us over the centuries.

The first husband: James IV of Scotland

Margaret’s initial concerns about her situation in Scotland were soon allayed. Her husband, then, thirty years old, was a remarkable man. This charismatic king, a true polymath with an affable, easy-going exterior that hid a fierce determination to rule effectively and to place Scotland firmly on the map of Renaissance Europe, was the last, and one of the greatest, kings of medieval Scotland. He was one of the most eligible bachelors in Europe at the time of his marriage but had not wanted for female companionship. 

Three well-born mistresses had provided him with a growing family of illegitimate children, some of whom, rather coyly described in official documents as ‘the bairns’, were housed in Stirling Castle. James was fond of his children, never shirking his responsibilities to these bastard offspring. At the time of his marriage his current mistress, Janet Kennedy, was pregnant with their third child. She had never nursed any pretensions of becoming his wife, and seems to have been content to move up to the north-east of Scotland, where she was housed in Darnaway Castle.

Though he did not entirely give up his philandering after his marriage, James was also determined to treat his new wife with the dignity that her role as his queen demanded. He was to prove a good-natured and indulgent husband, showering Margaret with jewels, furs and castles in different parts of Scotland. He was also at pains to acknowledge her importance as his queen and to train her in the duties of a consort. Shortly after their marriage, James took Margaret on a tour of Scotland, so that she could get to know her new realm and meet her subjects. Visibility was always a crucial facet of Stewart kingship and his subjects got much closer to James IV than the English populace ever did to Henry VIII.

James and Margaret first met at Dalkeith Castle, south of Edinburgh, on 4 August, 1503. In the conventions of the time, it was described as a chance encounter. The king just ‘happened’ to be out hunting in the area, and, learning that his bride had arrived at the nearby castle, paid what purported to be a surprise visit. This was a charming contrivance but Margaret and her entourage knew that he was coming. It would hardly have done for Margaret to be in the privy when her husband arrived. Both were dressed to impress and James had a lyre slung over his back, not an obvious accessory for a hunting expedition. After the inevitable deep curtseys and bows, the couple kissed, ate together and chatted privately.
 
Margaret’s first husband was a well-built, very fit man of about middling height, with shoulder- length reddish hair and a long beard. The young queen seems not to have liked facial hair on a man, because James consented to have the beard shaved off the morning after the marriage ceremony. He loved hunting, particularly with falcons, was a good musician and conversationalist (in several languages) and physically brave. The tournament was his natural milieu. 

 New technology was another passion and he was especially keen to have all the latest military and naval equipment, as well as the appropriate European experts to advise him. He also loved to dabble in the sciences and was keen to try out his dentistry skills on courtiers who may have been less than enthusiastic about submitting themselves to his experimentations. 

So far as we know, Margaret was not a victim of this particular enthusiasm. James was happy to travel miles on horseback and also on foot as he attended the justice courts of his country or went on pilgrimage to various shrines in Scotland. In matters of religion he was outwardly pious, as was his wife, observing the various feasts of the church calendar punctiliously. The great religious controversies that would engulf Europe later in the sixteenth century were yet to appear during his reign.

One of Margaret’s most important roles was to preside over his court. There had not been a queen consort in Scotland since 1486 and the gap needed to be filled. Though Margaret was young, she was fully trained for the role and with James’s support and guidance, she filled it with aplomb. The queen and her ladies entertained the king and his gentlemen to evenings of card-playing, dancing and music. As the winter nights drew in, around the time of Margaret’s fourteenth birthday, the Scottish poets, or makars, would entertain the court with recitals and plays, while Margaret, swathed in the furs James provided, sat in front of roaring log fires. 

The Scottish court was smaller than the English but it was lively and sophisticated.
Whatever his enthusiasm for women, James IV was careful to avoid an early pregnancy for his wife. We know nothing of their wedding night. Somerset Herald merely remarked that ‘the king had the queen apart, and they went together.’ 

It is likely that there was some sort of sexual activity (about which Margaret would have been forewarned by her ladies), or the legality of the marriage could be challenged, an outcome neither Margaret nor James would have wished. But Margaret did not become pregnant until 1506, three years after her marriage. In early 1507, after a difficult labour, she produced the longed-for heir. He was christened James, after his father and placed in a magnificently decorated nursery, with wet nurses and a staff of rockers and laundresses to attend him.
 
Margaret was so ill after his birth that, for a while, her survival hung in the balance. The king, thoroughly alarmed, set off on pilgrimage to pray for her recovery. His prayers were answered but, tragically, the little prince died of unknown causes around the time of his first birthday. Other babies followed regularly, Prince Arthur, who also died in the first year of his life, and several girls, either stillborn or dead soon after birth. 

The royal couple grew increasingly anxious about the lack of a child, mirroring the concerns of Margaret’s brother, Henry VIII, and his wife, Katherine of Aragon, in England. Margaret went on pilgrimage herself to seek God’s help. Finally her prayers were answered in 1512 when she gave birth to another Prince James. Though sickly for his first few months, he began to thrive and would be the only child of Margaret Tudor and James IV to live into adulthood.

The child was born at a time of growing tension between England and Scotland. Despite renewing the Treaty of Perpetual Peace when he came to the throne in 1509, Henry VIII seems to have had an instinctive dislike of Scotland and his much older brother-in-law. This and tensions on the Borders, as well as very different policies towards the great European powers, would bring them into armed conflict the following year and cost James IV his life.

The battle of Flodden in 1513 is one of the least-known yet most significant in British history, at least from the Scottish perspective. On a sodden, windswept hillside in the far north-east of Northumberland, James IV and the flower of the Scottish nobility lost their lives in desperate hand-to-hand fighting in the muddy morass below Branxton Ridge. The site can still be visited (it is peaceful farmland now) and I would urge anyone with an interest in this period history to visit it. I had written about Flodden for my earlier book, ‘Crown of Thistles’ but found that I was still greatly moved in describing it again, though I am not generally given to the emotional school of history.

For Queen Margaret, then in the early stages of yet another pregnancy, the loss of so supportive and dynamic a husband at the hands of a much smaller English force, led by the ubiquitous earl of Surrey, was a catastrophe. Its impact on her has never, I think, adequately been recognised. The tales of her watching for news every day from the tower of Linlithgow Castle, as well as her screams on hearing of James IV’s death, are no doubt fanciful. 

Distressed as she was, Margaret had a lifetime’s training of not making an exhibition of herself in public. And James in his will had left her as regent for their toddler son, a huge responsibility at a time of such national disaster. His confidence in her was clearly great. But there was one caveat: she would retain the role only if she never remarried.
 
The Second Husband: Archibald Douglas, earl of Angus

So why, then, did Margaret remarry within a year of the death of James IV and just three months after she had given birth to their last child, Alexander Stewart, duke of Ross? There are several possible factors in play here. The most important, in my view, is the uncertainty she felt over her hold on the Scottish lords. Not all had perished with James IV at Flodden but the majority of those now charged with giving the queen regent their allegiance were either elderly or much younger men who had little experience of government. 

That they held the country together at all is a testament to their determination. We have a tendency to dismiss the Scottish nobility as a bunch of murderous thugs but it is worth noting that Scotland survived, under their collective (if often squabbling) guidance during nearly two hundred years when no monarch came to the throne as an adult, and despite the attempts of both France and England to destabilise the country.

But Margaret was an Englishwoman, the sister of a predatory monarch, and if she doubted the personal loyalty of the Scottish lords, their concern about the policies she might follow was considerable. Many took the step of inviting the nearest male heir, John Stewart, duke of Albany, to assume the role of Governor, whatever the terms of James IV’s will might say, not long after James’s death. Albany had been born and bred in France, knew nothing of Scotland and was a faithful soldier in the service of Francis I. Yet he was male and not English, two major points in his favour.

As her pregnancy advanced, Margaret found it harder to attend meetings of the ruling council, and her absences undermined an authority that many already found hard to accept. During the summer of 1514, the lords were still making a public show of support for Margaret. She evidently did not find it convincing. Alone and under pressure, she decided that she could not rely on Henry VIII for support and knew that, even if this was forthcoming, it would further compromise her. So she made a fateful decision. 

She would marry again, into one of the strongest Scottish families, and hope to shore up her position. A Scottish spouse was, at least, neither English nor French. She knew it was a gamble but she evidently felt so insecure that it was worth the risk. Perhaps it would be acceptable. In truth, there was not a lot of choice but her decision was one she soon came to regret bitterly. For Margaret, there was a huge cost, both personally and politically.
 
Her second husband, Archibald Douglas, earl of Angus, was a member of the most prominent family in Lowland Scotland. The Douglases had split in two during the fourteenth century and a fierce animosity between the Black Douglases and the Red Douglases was only partially healed a century later. On his mother’s side, Angus was related to another influential family, the Drummonds. 

His Douglas relatives were less than complimentary, one uncle describing him as ‘a young, witless fool.’ This was harsh, for Angus was many things, but he definitely was not witless. He was a young widower and Margaret was a young widow but that was about all they had in common. Their union has often been represented as that of a lusty woman in thrall to a younger, handsome man. This is simply not the case. They were of an age and Angus was pleasant enough in appearance, though with something of the wariness about him that would characterise his approach to life. He does not look like a man one would instinctively trust. 

Margaret did not know him well. Indeed, it is not clear how they even met, for he only joined the Scottish council in the spring of 1514 and had no prior experience of government. Probably the link was his grandfather, John, Lord Drummond, who became Keeper of Stirling Castle and of the person of little James V. It would have been easy for Drummond to ingratiate his nephew in the queen’s eyes and bring pressure on her to consider Angus as the man who would help her retain power. Their courtship must have been swift and how it was kept out of the eyes of Margaret’s other councillors is a mystery.
 
The wedding is said to have taken place in secret, around 6 August, 1514, at the church of Kinnoul, outside Perth. There is still much we do not know with certainty about the circumstance surrounding Margaret’s second marriage, but of one thing we can be absolutely sure: Angus was soon to prove himself a faithless, greedy and self-serving spouse, consistently putting his own interests above those of his wife and Scotland, undermining her with her brother, Henry VIII and blighting the life of his young stepson, the king. 

Only late in life did Angus discover his Scottish patriotism. His political successes were brief but they had a profound effect on Scotland and all those around him. Though Margaret and Angus had one child together – Lady Margaret Douglas, herself a key player in 16th century British politics – they grew apart during Margaret’s year-long stay in London in 1516-17 and the breach was never healed. She came to detest him and was greatly relieved when the Pope granted her a divorce in 1528.
 
The Third Husband, Henry Stewart

Margaret was now thirty-nine years old and a far cry from the slim teenager who became Queen of Scots in 1503. In 1525, during Angus’s exile in France, she regained the regency, claiming that her thirteen- year-old son was now old enough to exercise power, with appropriate guidance. The queen had waited long for this opportunity, never losing sight of her commitment to James V, who was very fond of his mother. Alas, Margaret did not keep the office she had struggled so hard to obtain, for long. 

Supported by Henry VIII , who consistently refused to work with his sister or follow any of her suggestions, Angus returned and was able to seize power again when the naïve Scottish lords agreed that he should be the first to head up a supposedly rotating council. Angus had no intention of handing over power, removed James V from Edinburgh and his mother’s control and effectively staged a coup d’état. Margaret retired to Stirling Castle and young James V was to endure three years as a hostage to his stepfather’s ambitions. No wonder he hated the Douglases. But for Margaret, distressed as she was, there were other compensations in her personal life.

Rumours began to reach London that the queen was showing great favour to a young member of her household, Henry (Harry) Stewart. The second son of Andrew Stewart, second Lord Avondale, Harry Stewart was from a family loyal to the Scottish crown. By late 1524 he was already enjoying Margaret’s patronage. English visitors described him ‘as a young man about her who keeps all the seals and orders everything’. 

He was Margaret’s chancellor and treasurer and, through the queen’s influence was appointed carver to the king. His brothers were also given prominent roles in the royal household. They lost their positions when Angus came to the fore again, but the relationship between Margaret and Harry Stewart became ever more public, to the horror of Henry VIII and Wolsey, who berated Margaret for contemplating divorce from Angus – at a time when Henry was initiating proceedings to annul his own marriage to Katherine of Aragon.

We know very little about Harry Stewart. No portraits of him survive and assertions by some of Margaret’s biographers that he was ‘brash’, ‘weak and amiable’ and ‘a handsome youth’ cannot be verified. Neither was he a ‘toy boy’. The ‘handsome youth’ was around six years younger than Margaret, the same age difference between Henry VIII and Katherine of Aragon. What can be said with reasonable certainty is that Margaret was clearly attracted to him, perhaps genuinely in love for the first time in her life. 

They married in the spring of 1528, as soon as Margaret’s divorce was known, and James V ennobled Harry Stewart, giving him the title of Lord Methven. But the queen’s happiness was short-lived. Margaret did not show the shrewdest judgement when she handed over some of her lands to this third husband. By the mid-1530s the marriage had clearly foundered. 

Like Angus, Harry Stewart helped himself to his wife’s rents and began an affair with another woman. Margaret pleaded with her son to let her initiate divorce proceedings but James V, who seems to have otherwise tolerated his second stepfather, refused to agree. He had had enough, by this time, of Margaret’s marital woes and was looking to find a suitable bride himself. He did not want to be embarrassed by his mother .

Margaret’s last years

For the last years of her life, Margaret assumed the role of Queen Mother with aplomb. She hardly had time to get to know her first daughter- in -law, Madeleine of France, the tubercular daughter of Francis I, who lived only a matter of weeks after her arrival in Scotland in 1538. Undeterred by this setback, James V soon married again, this time to Marie de Guise, the recently widowed duchess of Longueville.

Margaret and Marie got along well and the new queen consort encouraged her mother-in-law to return to court. When James V and Marie’s two young sons, the hope of the Stewart dynasty, died within days of each other in May, 1541, Margaret did her best to comfort the grieving, shattered parents and wrote movingly of their loss to her brother in England.

This was to be Margaret’s last great service to the son to whom she had devoted her life from the moment of his father’s death at Flodden. In October 1541 she was at Methven Castle near Perth when she suffered a stroke and soon died. On her deathbed, inexplicably, she asked her confessor to convey her apologies to Angus for any wrong she had done him. He does not seem to have been greatly moved by her request, if it ever reached him.

James V only outlived his mother by just over a year and she never knew her grand-daughter, Mary Queen of Scots, who had an even more dramatic life, but did not die in her own bed. Margaret was buried in St John’s Abbey in Perth, alongside other Scottish monarchs. Her grave was desecrated by Calvinists only twenty years after her death, when her remains were removed from her coffin and burned, the ashes being contemptuously strewn around. Mary Queen of Scots, does, however, have a monument in Westminster Abbey, whereas the girl who went north to marry a king in 1503 has, like her first husband, no resting place.

 Dr Linda Porter

# # #

About the Author

Linda Porter has a B.A. and a D.Phil from the University of York. She spent nearly ten years lecturing in New York, at Fordham and City Universities among others, before returning with her American husband and daughter to England, where she embarked on a complete change of career. For more than twenty years she worked as a senior public relations practitioner in BT, introducing a ground-breaking international public relations programme during the years of BT’s international expansion. The attractions of early retirement were too good to miss and she has gone back to historical writing as well as reviewing for the BBC History Magazine, The Literary Review and History Today.. Find out more at Linda’s website http://lindaporter.net/ and follow Linda on Twitter @DrLindaPorter1

5 June 2024

Blog Tour Interview with Richard Buxton, Author of Tigers In Blue: The Constant Promise: 3 (Shire's Union)


Available from Amazon UK and Amazon US

Two brutal years in America’s civil war have made a veteran of Shire; his younger English self buried beneath scars and unwanted memories. Unable to help, he watches as Tuck – his Union brother-in-arms – retreats from reality. Both the war and Shire’s heart relentlessly circle him back to Clara, his childhood love. He needs to believe they can share a life beyond the war.

I'm pleased to welcome author Richard Buxton to The Writing Desk:

Tell us about your latest book

My latest book is called Tigers in Blue. It’s the final book in the Shire’s Union trilogy set against the backdrop of the US Civil War (1861-1865). The majority of the book is based in Tennessee. I guess it’s a slightly enigmatic title to anyone not familiar with the earlier books. The blue simply refers to the colour of the Union army uniforms, and the Tigers was the nickname for the 125th Ohio Infantry in which my lead character, Shire, is a private.

As with the first two books, Whirligig and The Copper Road, the book has several parallel story arcs. At its core is the relationship between two English characters, Shire and Clara, and whether this will ever come to be more than the deep childhood friendship it once was. Shire is hoping it will and it’s the reason why, in Whirligig, he followed Clara to America and joined the army to try and reach her. 

There’s a class divide. Back in England, he was a young schoolteacher and she a Duke’s daughter, but by the outset of Tigers in Blue, Clara’s fortunes and life in America has decayed so much, and Shire has seen so much pain and death in the army, that they are fundamentally changed people, swept along by the war.

The war is well into its fourth year, the Confederacy is on its heals and making a desperate effort to reconquer Tennessee. Shire, his regiment and his Union army are retreating north towards Nashville, closely pursued by Hood’s southern army. The narrative follows Shire’s small squad, those that have survived books one and two, and in particular Shire’s friendship with his pa’rd (partner) Tuck. Tuck is lost in himself, ground down by the war. Shire is struggling to understand him and to help.

On the southern side we follow Tod Carter, a former lover of Clara’s and now an aide-de-camp in Hood’s Confederate Army. He has a new young Lieutenant under his wing, who’s asking troubling questions about the war that Tod would rather set aside as the armies move ever closer towards his home.

From the moment I understood the true history of the 125th Ohio and knew I would need to write a trilogy, I also knew where the story would end. As the armies converge towards the climactic battle, so do the plot lines and the geographies of the characters. Though the last two years of war has swept them variously across America, it will bring them all together at the end.

What is your preferred writing routine?

When writing the first draft of a novel I like to be pretty full on and have at least half a day without distraction, preferably the morning. I’ll then write pretty much from the hip. It’ll probably take me two or three sessions to get a chapter down. When starting sessions two or three I’ll read and gently edit what I already have on order to get fully immersed and move on from there.

A good dog walk is often useful mid-chapter, which is lucky because I have a very good dog. It’s amazing how some fresh air and just letting your mind wander or settle will create ideas, or resolve some character dialogue that had lost its way. I really still count dog walking as writing, but you have to be alone (dog excepted).

I have a small study and it’s my safe place to write as the family know what I’m up to and will only grab me if they really need to, or they might drop in a coffee and a biscuit. The dog has a bed in there too. When travelling for research, if I have a strong idea, I may free write that evening in the motel and those passages have often found their way into the novel or a short story.

All three novels have taken seven full drafts and I’m very structured in my approach. I’ll have specific objectives for each draft and work through sequentially. I may workshop some early draft chapters and later, after draft five, share the full novel with some trusted beta readers. Draft seven will be the copy edit. For editing I don’t necessarily need such long sessions. I used to do a lot of editing on my forty-five-minute train ride to the office if I was working.

If I’m writing short-stories they tend to have a life and a routine of their own. If it’s a strong idea, there’s often a powerful drive to get the whole thing down beginning to end. I tend to write longer short-stories, five-thousand words or so, so it might take several sessions, but I’ll be on edge until it’s completed, as if it might dissolve into the air unless it’s nailed down.

What advice do you have for aspiring writers?

Top of my list would be to get yourself into a good workshop group. Ideally more than one. Getting your work peer reviewed in a friendly environment with people you trust and who know your writing is invaluable. They’ll see bad habits creeping in before you do. And reviewing other peoples work will re-enforce your own approach to writing. In short, if you’re not workshopping, you’re missing out on the best opportunity to develop.

Write about something that really matters to you. It sounds obvious but I’ve known many writers switch genres to give themselves a better shot commercially. I’m yet to see that work. If you are fully invested in the subject, the plot and the characters, then your own emotions will feed through into the prose and generally that’s a good thing.

Write as often as you can, even if it’s just a little a day. If you don’t have a project, keep a journal. Anything to exercise your writing muscles.

Lastly, think seriously before setting off on a trilogy! It’s my pride and joy, but a novel is a serious investment in time and you are multiplying that by three. The advantages are that you come to love the characters. When you start the second or third book you already understand them well so you can build more depth and take them in new directions.

What have you found to be the best way to raise awareness of your books?

It’s tough out there, as all self-published and even traditionally published authors will tell you. There are so many authors and books competing for sales and social media is such a big investment in time when you often just want to be writing.

I’ve done blog tours for all three of my books and have not only found them to be effective but great fun. Interviews like this one and also writing guest posts are an excellent way to be reflective about your craft.

I’d be a little wary of working with a marketeer. It didn’t pay dividends for me. It can be expensive and obviously you have to give up a certain amount of creative control on the marketing. I’ve actually reverted to my original covers having previously been persuaded to try some new ones. Know your own mind if going down this route.

Competitions have worked for me. More so for short-stories but that also raises your profile. My shorts have won the Exeter Story Prize, the Bedford International Writing Competition and the Nivalis Short Story Award among others. Whirligig was long-listed and shortlisted for some awards and along with The Copper Road has won medals. I’m yet to enter Tigers in Blue anywhere but will do.

Tell us something unexpected you discovered during your research

I have two things. Copper Mines and friendship. When looking for a home for Clara in America, which I knew would be a key setting, I was keen to not set up a stereotypical, Gone with the Wind, plantation. I did a lot of internet trawling in south eastern Tennessee as I needed it to be in that ballpark and found a site dedicated to the Copper Road, a mining road that wound deep into the Appalachians for the sole purpose of getting the copper out from the mines sunk at the wonderfully named Ducktown. 

There was all sorts of moonshine and murder history and I headed out there. No small trip from Sussex in England. I’d set up to meet the curator at the mining museum, Ken Rush, as he’d sent me a bundle of useful material on the Copper Road but also on the mines. After I met him, the mines themselves became an important place in Whirligig and also (obviously) The Copper Road. I subsequently bravely went down a Welsh coal mine just to get the feeling of what it was like to descend under the earth and work in those conditions. Coal mines are very different from copper mines, but it was the psychological experience that I was after.

The other discovery was new friendships. When wandering around a period house or a battlefield with a notebook or a Dictaphone, or writing avid notes while on a period train or paddle-steamer, you sometimes attract attention. Americans are never slow in coming forward and asking what you are up to. I’ve made several friends this way and quite often they’ve turned out to have shared interests as they were also there for the history. Chief amongst these if Jeff Houston, an ex-marine major from Ohio, and now my pa’rd. We’ve since travelled to several battlefields, he’s instructed me on the civil war arms drill, and we’ve even re-enacted together in the mountains of West Virginia. I’m sure you imagine just how valuable that experience is for a writer. So if it’s possible to discover a lifelong friend in your fifties, that’s what I’ve done.

What was the hardest scene you remember writing?

There are a few that spring to mind, usually involving the death of a character that you have some affection for; some soldiers, others not. But possibly the hardest was a scene involving the hanging of two confederate spies, not main characters at all, in front of a brigade of soldiers in The Copper Road. It was written from Shire’s point of view and based on a true event which was published in Harper’s Weekly, one of the main periodicals of the time. I remember being shocked by the grim details when I read it. I later realised I could use to inform the psychology of one of my characters. But now it was my job as the writer to make it as grim as I could. It wasn’t pleasant to write, especially since it was true.

Conversely, the easiest scenes to write are the emotional or action collisions you’ve been setting up for a while. Sometimes it’s a challenge to write the scenes on route to the collision scenes, but I like to think I’ve done a good job to ensure each chapter has its own arc and a satisfying setting. I’ve been to most places where I’ve set a scene.

Of course, the other tough scene to write was the last chapter of the trilogy. I was saying goodbye to characters I’d spent more than a decade with, some fictional, some not.

What are you planning to write next?

Well, that would be telling and I’m not sure it’s well formed enough yet. It will be Civil War related but much of it after the war in the period called reconstruction, where there was an attempt to build a genuine egalitarian multi-race society. It failed abysmally, certainly in the South. It was a further century before the civil rights movement recovered some ground. I have an historical figure I am researching who was a reporter during the war and the events that followed during reconstruction. He was also an artist and would have a unique perspective, I think. I also want to play with my writing style, which I’ve tried to keep consistent across the trilogy.

Before I start on that as a novel, I may write my way into it with a few short stories. I’ve done that before and it’s been useful. I’d also like to get my short-story collection published so that will be a further project. If anyone knows any short story publishers who like historical fiction, I’m all ears.

Richard Buxton

# # #

About the Author


Richard Buxton lives with his family in the South Downs, Sussex, England. He completed an MA in Creative Writing at Chichester University in 2014. He has an abiding relationship with America, having studied at Syracuse University, New York State, in the late eighties. He travels extensively for research, especially in Tennessee, Georgia and Ohio, and is rarely happier than when setting off from a motel to spend the day wandering a battlefield or imagining the past close beside the churning wheel of a paddle steamer. Richard’s short stories have won the Exeter Story Prize, the Bedford International Writing Competition and the Nivalis Short Story Award. His first novel, Whirligig (2017) was shortlisted for the Rubery International Book Award. It was followed by The Copper Road (2020) and the Shire’s Union trilogy was completed by Tigers in Blue (2023). To learn more about Richard’s writing visit www.richardbuxton.net and find him on Facebook and Twitter @richardbuxton65

3 June 2024

Book Launch Guest Post by Dr Gabrielle Storey, Author of Berengaria of Navarre: Queen of England, Lord of Le Mans (Lives of Royal Women)


Available from Amazon UK and Amazon US
and worldwide from Routledge 
(launch discount code EFLY01)

Berengaria of Navarre is one of England’s most forgotten queens. Wife of Richard the Lionheart, queen of England, daughter-in-law to Eleanor of Aquitaine, her story has been neglected over the centuries. She travelled across medieval Europe, was present in the Holy Land during the Third Crusade, and ruled in her own right as Lord of Le Mans in the thirteenth century. But who was she? And how did she go from forgotten queen of England to a local heroine in Le Mans?
 
This biography puts Berengaria at the centre. Grounded in academic research, this book explores the life of Berengaria,  her relationships and networks to uncover her story and present a new perspective on the life of the Lionheart’s queen.

This biography puts Berengaria at the centre. Grounded in academic research, this book tells the life of Berengaria from her own perspective, exploring her relationships and networks to uncover her story to present a new perspective on the life of the Lionheart’s queen..
 
The inspiration for this research came from my doctoral work, a comparative study of royal women in England and France in the twelfth and thirteenth centuries, from the Empress Matilda through to Isabella of Angoulême. Approaching Berengaria as both a royal and noble woman, and looking at her through the lenses of gender, sexuality, and rulership has allowed greater insight into how Berengaria navigated the political intrigues of England and France during the Middle Ages.
 
Based on archival research from England, France, and Spain, as well as using the chronicles written during and after Berengaria’s life, I have pieced together a new history of Berengaria, considering her familial and political networks in more depth as well as her position as a local ruler in Le Mans. 

Her immediate family members, her husband Richard I and mother-in-law Eleanor of Aquitaine, are well known, and worked together effectively to rule across the domains of the king of England in the British Isles and France. Yet their partnership did much to lessen the visibility of Berengaria both in the eyes of her subjects and in the historical record.
 
At the centre of English, French, and Navarrese politics, Berengaria’s life has left little evidence for previous historians to reconstruct. But she was a woman of determination and stubbornness, enduring the disinterest of her family and king, to carve her own path to power in her widowhood. 

Dr Gabrielle Storey
 
# # #

About the Author

Dr Gabrielle Storey completed her PhD in medieval history at the University of Winchester, and is a historian of monarchy, gender, and sexuality. She is an Associate Fellow of the Royal Historical Society and the Higher Education Academy. Her research interests are royal and noble studies, and she works on Anglo-French relations and representations of monarchy, primarily in the medieval world. Gabrielle is also interested in public engagement and has participated in the Channel 4 series The Queens Who Changed The World, on BBC podcasts and contributed to several historical magazines. Find out more at her website https://gabriellestorey.com and find her on X @GabbyStorey.

2 June 2024

Book Launch Review: Women in Victorian Society, by Anne Louise Booth


Available from Amazon UK and Amazon US

Anne Louise Booth shines a light on the many paradoxes in the lives of Victorian women.  For most the pace of real change came so slowly they didn't live to see the benefits, yet others are remembered to this day for their pioneering spirit.

One of the greatest paradoxes was Queen Victoria, who presided of this pivotal period of change, re-defining the role of women in society, yet at the same time having one child after another. There is an intriguing postscript which asks what if Albert had lived? Although we can never know, it is an interesting way to look at his influence.

Well researched, with an impressive  range of sources and  case studies, this book helps us understand the complex reasons and context for the emergence of the suffrage movement by exploring the expectations and limitations of what was possible within the confines of Victorian society.

Women in Victorian Society is a  thought provoking book which I am happy to recommend.

Tony Riches

# # #

About the Author

Anne Louise Booth teaches at the University of Sheffield and is a visiting academic at the University of Gloucestershire. Her main research interests are the political and social history of nineteenth century women; their behaviour both formally and by subterfuge. She talks to groups, writes on local history for magazines, is active in historical societies and has researched her family history back to the 1500s.