I remember discovering John
Steinbeck’s work as a teenager. He redefined what I expect from a novel, evoking
the lives of ordinary people in a way no film version ever can. Deserved winner of the Pulitzer Prize for The Grapes of Wrath and the Nobel Prize for Literature, he will always be one of my favourite writers.
Steinbeck used a large notebook to
write his first drafts and each morning would ‘warm up’ by writing a note to
his editor at Viking Press, Pascal ‘Pat’ Covici, on the left-hand page, before
starting to write his novel on the right-hand side. He explained he felt the
need to ‘have to dawdle a certain amount before I go to work.’
His original choice of pencil was a Mongol 2 3/8 F which he
described as ‘quite black and holds its point well.’ Steinbeck would keep
dozens of them in his pencil tray and sharpen them all with his electric pencil
sharpener while he waited for inspiration to come. He insisted that his pencils
must be round, as a hexagonal pencil hurt his fingers after holding it for up
to six hours a day. He later progressed to a special type of pencil, the ‘Blackwing 602’. Now discontinued, it was advertised as the best pencil ever made
and had wax added to the lead, so it required less effort to write with.
When ideas did come to him, Steinbeck would write
as rapidly as possible and had a rule never to revise or rewrite it until the
whole ideas was captured on paper. He
once said ‘Rewriting as a process is usually found to be an excuse for not
going on.’ He firmly believed that writing a page a day
was good progress, even if he took all day.
When he was writing dialogue, Steinbeck liked to
say it aloud as he wrote, arguing that it was the only way to have the sound of
real speech. Interviewed by Nathaniel Benchley for The Paris Review, he said ‘I always smoke a pipe when I work, and
now I have taken the black off my desk again, clear down to the wood, and have
put a green blotter down. I am never satisfied with my writing surface.’
Steinbeck liked to type up his manuscripts with an olive green ‘Hermes Baby’, one of the first portable typewriters. Less than 40cm high and 10cm wide, the Hermes
Baby was way ahead of its time. Steinbeck bought it in Geneva when he was on an
assignment for Colliers Magazine and couldn’t find a typist. He carried it with
him on his travels and scratched the words ‘The Beast Within’ on its cover.
Steinbeck’s ‘Baby’ was eventually donated by his son to the San Jose University
Steinbeck Centre, where it can be seen today.
Interestingly, Steinbeck's breakthrough novel, Tortilla Flat, was rejected numerous
times before being accepted by New York publisher Pascal Covici and going on to
win the Gold Medal of the Commonwealth Club of San Francisco as the year's best
novel by a Californian. Sadly Steinbeck's father died just before his critical
success and never knew his son would become one of America’s best known and
most successful writers.
Thank you for sharing this information about one of my favourite authors.
ReplyDeleteThanks for visiting, Leanne. (I managed to buy a Hermes Baby typewriter on eBay last week!)
DeleteGood article, thanks.
ReplyDeleteInteresting information about a great writer. Thanks for the share
ReplyDeleteUseful information 👍👍
ReplyDeleteDo you have a photo of his desk? I looked for a copy but couldn't find one. Great looking blog!!!!
ReplyDeleteFound this online but it's not very inspiring:
Deletehttps://www.alamy.com/writing-table-desk-used-by-author-john-steinbeck-during-his-stay-in-the-town-bruton-museum-somerset-england-uk-image185878417.html