Balo's War uses a variety of characters, real and imagined, to tell the story
of a people who went from being Spaniard to Mexican to American in a short span
of 30 years. They struggled to hold on to their land, their language, their
culture, and their history—against insurmountable odds. At times this struggle
resorted to violence.
Available at www.MCMBooks.com
Writing a
historical novel presents many challenges, not the least of which is to get the
history right. In my first novel, Balo's War, A Historical Novel About the
Plan of San Diego, I had no problem getting the overarching history right
from the start. I had been researching this obscure event, on an off, for 30
years. There was plenty of material to draw from as building blocks.
The real
challenge for me did not come to light until I started the final edits of the
manuscript. It was the little things that needed to be checked and rechecked.
Too often we subconsciously slip into our present day way of thinking and we
resort to words and idioms that were not in use at the time of the novel.
My novel took
place n 1915. It is a novel steeped in political and regional antagonisms. I
resorted to phrases such as 'fascism', 'human rights' and others that did not come
into use until later on. I had to double check to see if Lone Star Beer was
already a product, what were the types of rifles in use, how much did a suit
and tie cost, etc.
But the area
where I had the most problems was in transportation and travel. I assumed that
I could go from Brownsville, Texas to McAllen, Texas̶ a distance of 60 miles̶
in about a day, after all I could do it in less than an hour today. But, wait,
I had my characters in a wagon pulled by a mule. Just how fast can a mule go
pulling a wagon. Well as it turns out that trip would take about three days. I
had characters walking, riding a horse, taking a train. Just how fast can you
get to a place by those means of transportation? It was a little daunting
trying to make sure the timelines were right, depending on what mode of
transportation my characters were using.
Another
challenge that I had not anticipated was making sure the age of my characters
aligned with events in the novel. If my main character was 10-years-old in
1888, he could not have been 24 in 1915. So how old did that make his brother
and sister and his parents. Did all that align as the story unfolded. And then
there was the issue of making sure your descriptions of the characters matched
throughout the book. In one chapter I had one of my characters with brown hair
but towards the end of the book I had her with black hair. My protagonist had
black hair in the beginning of the book and later he had auburn hair. One
character I had at 6'3” and later at 6'2”.
Getting all
these little facts to work was the bigger challenge than getting the history
right. That was the easy part.
Early on I
sought the opinion of others regarding my writing style. I'm an old newspaper
man and have done quite a lot of writing of government reports. I feared I
could not write in a literary style. Sure enough, the biggest criticism I got
was that my story did not have enough description. I was telling the reader
rather than letting the reader discover through the description. Aside from
coming from the Joe Friday school of writing̶ “give me the facts, just the
facts ma'am,” when I read a book I gloss over the descriptions. I want to know
what happened; how did it happen; who said what to whom. I'm a meat and
potatoes sort of guy; I don't pay attention to the garnishments.
So my novel is
strong on dialogue, history, culture, geography, politics, ethnic relations,
etc., but if you are looking for classic literature, Balo's War may not
be for you. But if you want a good read, on an important piece of the history
of South Texas, then this certainly will be worth your time. But I am out of
time and word count, so you will have to buy the book to find out the rest of
the story.
Alfredo E. Cárdenas
# # #
About the author
Alfredo E. Cárdenas was born, raised in San
Diego, Texas. He received a Bachelor of Arts in Political Science from St.
Mary’s University in San Antonio. He served as director of community and
economic development for Duval County before founding and publishing the Duval
County Picture, a weekly newspaper in San Diego. He also served as mayor of
San Diego for two terms, from 1992-1999. Find out more at www.mcmbooks.com and find Alfredo on Twitter @SoyDeDuval.
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